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p o r t f o l i o    o f    N A D I A    S H A F I Q
A R C H I T E C T U R E       &    I N T E R I O R    D E S I G N
PROJECT:
T O W N    H O U S E    D U P L E X
LOCATION:
M A R I N A    7    ,    L A H O R E
SITE  AREA:
1 0 0 0    S Q . YA R D S
COMPLETED  :
2 0 0 7
ROLE  :  
DESIGN  ARCHITECT  &  PROJECT  MANAGER
Four   10-­12   Marla   town   houses   were  
planned   with   folding   elevations   to   opti-­
mize  spatial  area.
Two  reverse  aspect  plans  were  combined  
with  two  front  aspect  plans  to  achieve  this  
goal.   Aa   a   consequence   ,   an   interesting  
muti-­faceted  elevation  is  created  ,  adding            
intentional  visual  chaos.  
The   cladding   material   is   kept   light   and  
minimal  to  articulate  the  multi-­faceted  fa-­
cade   ,   and   also   to   optimize   its   visual   im-­
pact.Fare   faced   concrete   is   used   on   the  
facade   of   the   houses   ,   and   all   adorning        
details  are  kept  clean  and  minimal  ,  such  
as  windows  ,  balconies  and  trellis’s.     
The   hard   finishes   within   the   architec-­
tural  interior,  such  as  floors  ,  fireplaces  ,  
doors  and  windows  are  also  designed  with  
straight   strong   lines   keeping   in   line   with  
the   exterior   architecture.   Juxtapostion   of  
light  and  use  of  warm  materials  adds  soft-­
ness  to  the  otherwise  hard  architecture.
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PROJECT:
E C O    V I L L A
LOCATION:
A R D E C H E    ,    F R A N C E
SITE  AREA:
1 0 3 5 0    S Q . F E E T
TOTAL  COVERED  AREA:
2 6 5 0    S Q . F E E T
ROLE
D E S I G N    A R C H I T E C T
1
A   French   structural   engineer   ,   working   for  
MSF  (  Medicine  sans  Frontiers  )  in  Pakistan  
approached   me   to   design   a   green   villa   for  
him   in   France.   He   had   purchased   land   in  
the   Eco   Village   of   Cinetat   ,   France   ,where  
very  precise  instructions  and  bylaws  are  in  
place   to   regulate      how   land   owners   build  
their  homes.  As  a  result  the  client    had  very  
concise   instructuions   vis   a   vis   his   design  
requirements.
The   design   brief   was   simple   and   to   the  
point  -­  each  design  decision  had  to  be  con-­
scious   of   green   aspects   and   minimize   the  
carbon  footprint  of  the  user.
To   add   to   this   simple               yet   challenging  
design  brief  ,  was  the  natural  topography  of  
the  site  ,  which  sloped  20  feet  from  the  road  
level  to  the  end  of  the  site.                                                      
The   buidling   envelope   has   been   designed      
space   effectively   ,   and   makes   use   of   muli  
functional   area’s.  The   total   foorprint   of   the  
space  does  not  exceed  120  squaremeter.
A  water  reservoir  has  been  designed  which  
is  fed  by  a  rainwater  catchment.  Only  high  
performance   natural   materials   have   been  
proposed  and  solar  panels  cover  a  slanted  
south   facing   rooftop   .   Walls,   floor   sections  
and  glazing  have  been  designed  to  ensure      
maximum  insulation  and    provide  increased  
thermal  comfort  in  both  summer  and  winter  
months.
The  most  challenging  aspect  for  me  in  this  
project   was   designing   along   the   slope   of  
the  natural  terrain  -­  trying  to  maximise  multi  
level  vista’s  and  minimize  excavation.
PROJECT:
E C O    V I L L A
LOCATION:
A R D E C H E    ,    F R A N C E
SITE  AREA:
1 0 3 5 0    S Q . F E E T
TOTAL  COVERED  AREA:
2 6 5 0    S Q . F E E T
ROLE
D E S I G N    A R C H I T E C T
PROJECT:
P R I VAT E    M O D E R N    M A N S I O N
LOCATION:
R A S    A L    K H A I M A H    ,    U A E
TOTAL  COVERED  AREA::
2 0 0 0 0    S Q . F E E T
STAGE
I N    T E N D E R    S TA G E
ROLE
D E S I G N    A R C H I T E C T    &    I N T E R I O R    A R -­
C H I T E C T    (    u n d e r    N A G A    A R C H I T E C T S )
This  is  the  proposed  and  approved  design  
for   the   Private   Mansion   for   the   Crown  
Prince  of  Ras  Al  Khaimah.  
For  this  project  I  played  multifarious  roles.  
I  was  the  Desgin  Manager  ,  Architect  and  
Interior   Designer.   My   Client   was   Sheikah  
Mona  ,  the  mother  of  the  Crown  Prince.
The   program   layout   is   considerate   of  
private   and   semi   private   zones   ,   whilst  
retaining   visual   layering   throughout   the  
Villa.
The   Architecture   follows   the   language   of  
the   firm   and   concentrates   on   articulating  
floating  masses  ,  keeping  the  ground  lev-­
el  translucent  and  open  to  visual  vista’s  of  
the  mountains  that  line  the  horizon.
Honed   Limestone   is   specified   for   all   the  
white   masses   ,   and   wooden   louvres   ar-­
ticulate  important  planes.
The   Interior   Design   for   this   Villa   is   abit  
more   elaborate   that   the   intentional   mini-­
mal  architectural  design.
Interior   Hallways   and   Lobbies   retain   the  
symbiotic  use  of  rich  limestones  and  wood  
.Formal   spaces   and   Family   Spaces   also  
make  use  of  perforated  Wooden  Cladding  
and   Stone   Cladding   but   are   implemented  
in  a  slightly  more  contemporary  and  elab-­
orate  manner.
Intrior  Bedrooms  and  Bathrooms  use  rich  
stones  and  Teak  Wood  ,  with  focal  feature  
walls  and  distinctive  Lighting  features.  
PROJECT:
P R I VAT E    M O D E R N    M A N S I O N
LOCATION:
R A S    A L    K H A I M A H    ,    U A E
TOTAL  COVERED  AREA::
2 0 0 0 0    S Q . F E E T
STAGE
I N    T E N D E R    S TA G E
ROLE
D E S I G N    A R C H I T E C T    &    I N T E R I O R    A R -­
C H I T E C T    (    u n d e r    N A G A    A R C H I T E C T S )
PROJECT:
I S M A I L    V I L L A
LOCATION:
D E F E N S E    ,    K A R A C H I
SITE  AREA:
1 0 0 0    S Q . YA R D S
TOTAL  COVERED  AREA:
1 0 0 0    S Q . YA R D S
ROLE
D E S I G N    A R C H I T E C T
u n d e r    n m d e s i g n
The   main   architectectural   feature   is   the  
celebrated  stone  wall  that  cuts  the    home  
in   half   and   articulates   and   seperates   the  
house  in  two  :  private  and  formal.
This   separaton   extends   to   the   exterior    
creating   private   gardens   for   the   private  
lving   spacees   and   seperating   the   formal  
interior   areas   with   exterior   entertaining  
areas.
The   internal   spaces   are   kept   as   open   as  
posisble   and   integrate   smoothly   into   one  
another,
Special   emphasizes   is   given   to   open,  
light-­filled  spaces  with  strong  connections  
to  the  natural  environment.  
PROJECT:
M I S C E L L A N E O U S
DETAIL:
F I R E P L A C E    &    S TA I R S
MATERIAL:
Q U E T TA    S T O N E    &    W O O D
STYLE:
F U S I O N
In   the   wake   of   modernity   ,   to   lose   sight   of   ones  
culture      and   indigenous   arts   and   crafts   would   be  
a  tragedy  ,  especially  within  our  private  homes  -­  
A  space  that  can  afford  to  be  warmer  and  is  gen-­
rally  a  reflection  of  our  individuality  ,  
So   when   I   can   ,   or   rather   when   I   am   allowed      to  
,   I   like   to   play   with   the   past   -­   and   bring   into   the  
spaces  I  design  ,  
little  whimsical  reminders  of  our  glorious  history.
a-­   A   warm   walnut   wood   is   used   together   with   a  
harder   material   -­   a   textured   white   Quetta   Stone  
from   the   north   of   Pakistan.   The   fireplace   design  
is  simple  and  modern  ,  adorned  by  a  intricate  tra-­
ditional  wooden  carving.
b-­   A   modern   wooden   staircase   with   an   artisan  
crafted  
panel  as  the  railing  detail.
c-­  A  traditional    “  Jaali  “  detail  is  used  as  the  hori-­
zontal  surface  of  a  skylight  design.
d-­Malagori   White   Marble   is   used   with   Whengee  
wood   as   a   compliment   to   the   contemporary   fire-­
place  design.
{ I N T E R I O R    }    D E S I G N
p o r t f o l i o    o f    n a d i a    s h a f i q
The   illustrated   project   is   a   team   venture  
at  NAGA  ARCHITECTS.
I   was   the   Lead   Interior   Architect   for   this  
Project   ,   and   had   2   junior  Architects   and  
Interior  Architects    on  my  team.  Moreover  
,   I   collaborated   with   the   Lead   Architect  
to   modify   and   revise   many   architectural  
changes  with  coordination  with  the  SMEP  
team  to  ensure  the  spatial  Interior  was  not  
compromised.
The   Family   Compound   consists   of   the  
Main  Villa  ,  2  Junior  Villas  ,  2  Girls  Villas  ,  
a  Mens  Majlis  and  a  Ladies  Majlis.
My   role   was   to   take   the   aleady   planned  
masterplan   and   architectural   design   and  
design  the  hard  interior  for  all  the  Villa’s.
I   would   say   that   this   project   was   a   very  
good   example   and   oppurtunuity   between  
all  departments  to  closely  collaborate  and  
the   synthesis   and   final   outcome   is   the  
consequence   of   succesful   collaboration  
between  internal  teams.
PROJECT:
P R I VAT E    FA M I LY    C O M P O U N D  
T E A M    P R O J E C T
LOCATION:
R I YA D    ,    S A U D I    A R A B I A
TOTAL  COVERED  AREA:
8 0 , 0 0 0    S Q . F E E T
STAGE  OF  PROJECT  |  
I N    C O N S T R U C T I O N  
ROLE
I N T E R I O R    A R C H I T E C T  
(    u n d e r    N A G A    A R C H I T E C T S )
PROJECT:
P R I VAT E    FA M I LY    C O M P O U N D  
T E A M    P R O J E C T
LOCATION:
R I YA D    ,    S A U D I    A R A B I A
TOTAL  COVERED  AREA:
8 0 , 0 0 0    S Q . F E E T
STAGE  OF  PROJECT  |          
I N    C O N S T R U C T I O N
ROLE  
I N T E R I O R    A R C H I T E C T  
(    u n d e r    N A G A    A R C H I T E C T S )
  
The   main   intention   for   the   Interior  Archi-­
tecture   and   Design   was   to   keep   the   in-­
dividual   Villa’s   open   and   luxurious   ,   but  
at   the   same   time   retain   a   very   modern  
language.
Rich   Travertine   Stones   have   been   used  
to  accent  feature  walls  and  bring  richness  
into  the  Villa’s.  
The   individual   Villas   retain   certain   dis-­
tinctve   characterisitics   but   are   binded   by  
the   use   of   stone   and   an   arabesque   pat-­
tern  ontop  of  the  glazing.     
The  Womens  Majlis  and  Men’s  Majlis  fol-­
low  a  slightly  more  classic  modern  style  to  
cater  to  the  Cients  expected  guests.
However   the   Private   Villa’s   For   the   main  
Family   and   seperate   Villa’s   for   their   chil-­
dren   have   a   more   contemporary   modern  
style.     
All  villa’s  connect  on  the  Basement  Level
,  where  Kitchen  and  staff  services  are  lo-­
cated.
PROJECT:
P R I VAT E    FA M I LY    C O M P O U N D  
T E A M    P R O J E C T
LOCATION:
R I YA D    ,    S A U D I    A R A B I A
TOTAL  COVERED  AREA:
8 0 , 0 0 0    S Q . F E E T
STAGE  OF  PROJECT  |          
I N    C O N S T R U C T I O N
ROLE  
I N T E R I O R    A R C H I T E C T  
(    u n d e r    N A G A    A R C H I T E C T S )
  
The   illustred   3D   Renders   show   the   vari-­
ous  spaces  withn  the  Mens  Majlis.
a-­  Formal  Majlis  
b-­  Formal  Dining
c-­  Formal  Entrance  Lobby
d-­  Formal  Womens  Majlis        
     
PROJECT:
P R I VAT E    S U M M E R    V I L L A
LOCATION:
R A S    A L    K H A I M A H    ,    D U B A I
TOTAL  COVERED  AREA:
2 0 , 0 0 0    S Q . F E E T
STAGE  OF  PROJECT  |          
I N    T E N D E R                                    
ROLE  
I N T E R I O R    A R C H I T E C T  
(    u n d e r    N A G A    A R C H I T E C T S )
  
Collaboration   Project   between   Architec-­
ture  and  Interior  Deparment.
The  Site  lies  parallel  to  the  beach  in  Ras  
Al  Khaimah  and  tapers  about  40  feet  down  
towards  the  beach.
As   a   result   the   Architectural   Design   was  
intentionally  kept  low  and  horizantal  from  
the  highest  entry  point  ,  and  makes  use  of  
the  topography  to  allow  natural  Views  into  
the   Interior   from   both   Ground   Floor   and  
Lower  Ground  Floor.
A  celebrated  stacked  stone  wall  is  a  main  
volumetric   feature   in   the   exterior   and  
within   the   interior   ,   bringing   the   natural  
landape   and   the   retaning   walls   language  
within.
The   ground   floor   level   is   majorly   kept  
open  plan  to  allow  for  maximum  views  to-­
wards  the  sea  and  pool  deck.
PROJECT:
P R I VAT E    S U M M E R    V I L L A
LOCATION:
R A S    A L    K H A I M A H    ,    D U B A I
TOTAL  COVERED  AREA:
2 0 , 0 0 0    S Q . F E E T
STAGE  OF  PROJECT  |          
I N    T E N D E R                                    
ROLE  
I N T E R I O R    A R C H I T E C T  
(    u n d e r    N A G A    A R C H I T E C T S )
  
The   intent   of   the   Interior   Design   was   to  
create   a   modern   Industrial   Look   -­   but   at  
the   same   time   ,   Villa   needed   to   illustrate  
luxury.  
As   a   consequence   ,   we   used   a   variety   of  
grey  stones  on  floors  and  feature  walls.
Opposite  :  The  Formal  Family  room  looks  
out  to  the  sea  and  pool  deck  on  the  right  
,   and   into   an   enclosed   visual   landscape  
pocket  on  the  left.
There  are  two  distinct  types  of  seating.
PROJECT:
P R I VAT E    S U M M E R    V I L L A
LOCATION:
R A S    A L    K H A I M A H    ,    D U B A I
TOTAL  COVERED  AREA:
2 0 , 0 0 0    S Q . F E E T
STAGE  OF  PROJECT  |          
I N    T E N D E R                                    
ROLE  
I N T E R I O R    A R C H I T E C T  
(    u n d e r    N A G A    A R C H I T E C T S )
  
The   intent   of   the   Interior   Design   was   to  
create   a   modern   Industrial   Look   -­   but   at  
the   same   time   ,   Villa   needed   to   illustrate  
luxury.  
As   a   consequence   ,   we   used   a   variety   of  
grey  stones  on  floors  and  feature  walls.
Within   the   Masterbedroom   (opposite   )  
,   grey   stone   is   being   used   on   horizontal  
and   vertical   surfaces   ,   and   a   concealed  
wooden   cabinet   brings   some   warmth   into  
the  space.
PROJECT:
P R I VAT E    S U M M E R    V I L L A
LOCATION:
R A S    A L    K H A I M A H    ,    D U B A I
TOTAL  COVERED  AREA:
2 0 , 0 0 0    S Q . F E E T
STAGE  OF  PROJECT  |          
I N    T E N D E R                                    
ROLE  
I N T E R I O R    A R C H I T E C T  
(    u n d e r    N A G A    A R C H I T E C T S )
  
The   intent   of   the   Interior   Design   was   to  
create   a   modern   Industrial   Look   -­   but   at  
the   same   time   ,   Villa   needed   to   illustrate  
luxury.  
As   a   consequence   ,   we   used   a   variety   of  
grey  stones  on  floors  and  feature  walls.
portfolio  of  NADIA  SHAFIQ  

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Residential

  • 1. p o r t f o l i o   o f   N A D I A   S H A F I Q A R C H I T E C T U R E     &   I N T E R I O R   D E S I G N
  • 2. PROJECT: T O W N   H O U S E   D U P L E X LOCATION: M A R I N A   7   ,   L A H O R E SITE  AREA: 1 0 0 0   S Q . YA R D S COMPLETED  : 2 0 0 7 ROLE  :   DESIGN  ARCHITECT  &  PROJECT  MANAGER Four   10-­12   Marla   town   houses   were   planned   with   folding   elevations   to   opti-­ mize  spatial  area. Two  reverse  aspect  plans  were  combined   with  two  front  aspect  plans  to  achieve  this   goal.   Aa   a   consequence   ,   an   interesting   muti-­faceted  elevation  is  created  ,  adding             intentional  visual  chaos.   The   cladding   material   is   kept   light   and   minimal  to  articulate  the  multi-­faceted  fa-­ cade   ,   and   also   to   optimize   its   visual   im-­ pact.Fare   faced   concrete   is   used   on   the   facade   of   the   houses   ,   and   all   adorning         details  are  kept  clean  and  minimal  ,  such   as  windows  ,  balconies  and  trellis’s.     The   hard   finishes   within   the   architec-­ tural  interior,  such  as  floors  ,  fireplaces  ,   doors  and  windows  are  also  designed  with   straight   strong   lines   keeping   in   line   with   the   exterior   architecture.   Juxtapostion   of   light  and  use  of  warm  materials  adds  soft-­ ness  to  the  otherwise  hard  architecture.
  • 3.
  • 4. 1 2 3 4 5 6 PROJECT: E C O   V I L L A LOCATION: A R D E C H E   ,   F R A N C E SITE  AREA: 1 0 3 5 0   S Q . F E E T TOTAL  COVERED  AREA: 2 6 5 0   S Q . F E E T ROLE D E S I G N   A R C H I T E C T 1
  • 5. A   French   structural   engineer   ,   working   for   MSF  (  Medicine  sans  Frontiers  )  in  Pakistan   approached   me   to   design   a   green   villa   for   him   in   France.   He   had   purchased   land   in   the   Eco   Village   of   Cinetat   ,   France   ,where   very  precise  instructions  and  bylaws  are  in   place   to   regulate     how   land   owners   build   their  homes.  As  a  result  the  client    had  very   concise   instructuions   vis   a   vis   his   design   requirements. The   design   brief   was   simple   and   to   the   point  -­  each  design  decision  had  to  be  con-­ scious   of   green   aspects   and   minimize   the   carbon  footprint  of  the  user. To   add   to   this   simple           yet   challenging   design  brief  ,  was  the  natural  topography  of   the  site  ,  which  sloped  20  feet  from  the  road   level  to  the  end  of  the  site.                                                       The   buidling   envelope   has   been   designed       space   effectively   ,   and   makes   use   of   muli   functional   area’s.  The   total   foorprint   of   the   space  does  not  exceed  120  squaremeter. A  water  reservoir  has  been  designed  which   is  fed  by  a  rainwater  catchment.  Only  high   performance   natural   materials   have   been   proposed  and  solar  panels  cover  a  slanted   south   facing   rooftop   .   Walls,   floor   sections   and  glazing  have  been  designed  to  ensure       maximum  insulation  and    provide  increased   thermal  comfort  in  both  summer  and  winter   months. The  most  challenging  aspect  for  me  in  this   project   was   designing   along   the   slope   of   the  natural  terrain  -­  trying  to  maximise  multi   level  vista’s  and  minimize  excavation. PROJECT: E C O   V I L L A LOCATION: A R D E C H E   ,   F R A N C E SITE  AREA: 1 0 3 5 0   S Q . F E E T TOTAL  COVERED  AREA: 2 6 5 0   S Q . F E E T ROLE D E S I G N   A R C H I T E C T
  • 6. PROJECT: P R I VAT E   M O D E R N   M A N S I O N LOCATION: R A S   A L   K H A I M A H   ,   U A E TOTAL  COVERED  AREA:: 2 0 0 0 0   S Q . F E E T STAGE I N   T E N D E R   S TA G E ROLE D E S I G N   A R C H I T E C T   &   I N T E R I O R   A R -­ C H I T E C T   (   u n d e r   N A G A   A R C H I T E C T S ) This  is  the  proposed  and  approved  design   for   the   Private   Mansion   for   the   Crown   Prince  of  Ras  Al  Khaimah.   For  this  project  I  played  multifarious  roles.   I  was  the  Desgin  Manager  ,  Architect  and   Interior   Designer.   My   Client   was   Sheikah   Mona  ,  the  mother  of  the  Crown  Prince. The   program   layout   is   considerate   of   private   and   semi   private   zones   ,   whilst   retaining   visual   layering   throughout   the   Villa. The   Architecture   follows   the   language   of   the   firm   and   concentrates   on   articulating   floating  masses  ,  keeping  the  ground  lev-­ el  translucent  and  open  to  visual  vista’s  of   the  mountains  that  line  the  horizon. Honed   Limestone   is   specified   for   all   the   white   masses   ,   and   wooden   louvres   ar-­ ticulate  important  planes.
  • 7. The   Interior   Design   for   this   Villa   is   abit   more   elaborate   that   the   intentional   mini-­ mal  architectural  design. Interior   Hallways   and   Lobbies   retain   the   symbiotic  use  of  rich  limestones  and  wood   .Formal   spaces   and   Family   Spaces   also   make  use  of  perforated  Wooden  Cladding   and   Stone   Cladding   but   are   implemented   in  a  slightly  more  contemporary  and  elab-­ orate  manner. Intrior  Bedrooms  and  Bathrooms  use  rich   stones  and  Teak  Wood  ,  with  focal  feature   walls  and  distinctive  Lighting  features.   PROJECT: P R I VAT E   M O D E R N   M A N S I O N LOCATION: R A S   A L   K H A I M A H   ,   U A E TOTAL  COVERED  AREA:: 2 0 0 0 0   S Q . F E E T STAGE I N   T E N D E R   S TA G E ROLE D E S I G N   A R C H I T E C T   &   I N T E R I O R   A R -­ C H I T E C T   (   u n d e r   N A G A   A R C H I T E C T S )
  • 8. PROJECT: I S M A I L   V I L L A LOCATION: D E F E N S E   ,   K A R A C H I SITE  AREA: 1 0 0 0   S Q . YA R D S TOTAL  COVERED  AREA: 1 0 0 0   S Q . YA R D S ROLE D E S I G N   A R C H I T E C T u n d e r   n m d e s i g n The   main   architectectural   feature   is   the   celebrated  stone  wall  that  cuts  the    home   in   half   and   articulates   and   seperates   the   house  in  two  :  private  and  formal. This   separaton   extends   to   the   exterior     creating   private   gardens   for   the   private   lving   spacees   and   seperating   the   formal   interior   areas   with   exterior   entertaining   areas. The   internal   spaces   are   kept   as   open   as   posisble   and   integrate   smoothly   into   one   another, Special   emphasizes   is   given   to   open,   light-­filled  spaces  with  strong  connections   to  the  natural  environment.  
  • 9. PROJECT: M I S C E L L A N E O U S DETAIL: F I R E P L A C E   &   S TA I R S MATERIAL: Q U E T TA   S T O N E   &   W O O D STYLE: F U S I O N In   the   wake   of   modernity   ,   to   lose   sight   of   ones   culture     and   indigenous   arts   and   crafts   would   be   a  tragedy  ,  especially  within  our  private  homes  -­   A  space  that  can  afford  to  be  warmer  and  is  gen-­ rally  a  reflection  of  our  individuality  ,   So   when   I   can   ,   or   rather   when   I   am   allowed     to   ,   I   like   to   play   with   the   past   -­   and   bring   into   the   spaces  I  design  ,   little  whimsical  reminders  of  our  glorious  history. a-­   A   warm   walnut   wood   is   used   together   with   a   harder   material   -­   a   textured   white   Quetta   Stone   from   the   north   of   Pakistan.   The   fireplace   design   is  simple  and  modern  ,  adorned  by  a  intricate  tra-­ ditional  wooden  carving. b-­   A   modern   wooden   staircase   with   an   artisan   crafted   panel  as  the  railing  detail. c-­  A  traditional    “  Jaali  “  detail  is  used  as  the  hori-­ zontal  surface  of  a  skylight  design. d-­Malagori   White   Marble   is   used   with   Whengee   wood   as   a   compliment   to   the   contemporary   fire-­ place  design.
  • 10. { I N T E R I O R   }   D E S I G N p o r t f o l i o   o f   n a d i a   s h a f i q
  • 11. The   illustrated   project   is   a   team   venture   at  NAGA  ARCHITECTS. I   was   the   Lead   Interior   Architect   for   this   Project   ,   and   had   2   junior  Architects   and   Interior  Architects    on  my  team.  Moreover   ,   I   collaborated   with   the   Lead   Architect   to   modify   and   revise   many   architectural   changes  with  coordination  with  the  SMEP   team  to  ensure  the  spatial  Interior  was  not   compromised. The   Family   Compound   consists   of   the   Main  Villa  ,  2  Junior  Villas  ,  2  Girls  Villas  ,   a  Mens  Majlis  and  a  Ladies  Majlis. My   role   was   to   take   the   aleady   planned   masterplan   and   architectural   design   and   design  the  hard  interior  for  all  the  Villa’s. I   would   say   that   this   project   was   a   very   good   example   and   oppurtunuity   between   all  departments  to  closely  collaborate  and   the   synthesis   and   final   outcome   is   the   consequence   of   succesful   collaboration   between  internal  teams. PROJECT: P R I VAT E   FA M I LY   C O M P O U N D   T E A M   P R O J E C T LOCATION: R I YA D   ,   S A U D I   A R A B I A TOTAL  COVERED  AREA: 8 0 , 0 0 0   S Q . F E E T STAGE  OF  PROJECT  |   I N   C O N S T R U C T I O N   ROLE I N T E R I O R   A R C H I T E C T   (   u n d e r   N A G A   A R C H I T E C T S )
  • 12. PROJECT: P R I VAT E   FA M I LY   C O M P O U N D   T E A M   P R O J E C T LOCATION: R I YA D   ,   S A U D I   A R A B I A TOTAL  COVERED  AREA: 8 0 , 0 0 0   S Q . F E E T STAGE  OF  PROJECT  |           I N   C O N S T R U C T I O N ROLE   I N T E R I O R   A R C H I T E C T   (   u n d e r   N A G A   A R C H I T E C T S )   The   main   intention   for   the   Interior  Archi-­ tecture   and   Design   was   to   keep   the   in-­ dividual   Villa’s   open   and   luxurious   ,   but   at   the   same   time   retain   a   very   modern   language. Rich   Travertine   Stones   have   been   used   to  accent  feature  walls  and  bring  richness   into  the  Villa’s.   The   individual   Villas   retain   certain   dis-­ tinctve   characterisitics   but   are   binded   by   the   use   of   stone   and   an   arabesque   pat-­ tern  ontop  of  the  glazing.     The  Womens  Majlis  and  Men’s  Majlis  fol-­ low  a  slightly  more  classic  modern  style  to   cater  to  the  Cients  expected  guests. However   the   Private   Villa’s   For   the   main   Family   and   seperate   Villa’s   for   their   chil-­ dren   have   a   more   contemporary   modern   style.     All  villa’s  connect  on  the  Basement  Level ,  where  Kitchen  and  staff  services  are  lo-­ cated.
  • 13. PROJECT: P R I VAT E   FA M I LY   C O M P O U N D   T E A M   P R O J E C T LOCATION: R I YA D   ,   S A U D I   A R A B I A TOTAL  COVERED  AREA: 8 0 , 0 0 0   S Q . F E E T STAGE  OF  PROJECT  |           I N   C O N S T R U C T I O N ROLE   I N T E R I O R   A R C H I T E C T   (   u n d e r   N A G A   A R C H I T E C T S )   The   illustred   3D   Renders   show   the   vari-­ ous  spaces  withn  the  Mens  Majlis. a-­  Formal  Majlis   b-­  Formal  Dining c-­  Formal  Entrance  Lobby d-­  Formal  Womens  Majlis          
  • 14. PROJECT: P R I VAT E   S U M M E R   V I L L A LOCATION: R A S   A L   K H A I M A H   ,   D U B A I TOTAL  COVERED  AREA: 2 0 , 0 0 0   S Q . F E E T STAGE  OF  PROJECT  |           I N   T E N D E R                         ROLE   I N T E R I O R   A R C H I T E C T   (   u n d e r   N A G A   A R C H I T E C T S )   Collaboration   Project   between   Architec-­ ture  and  Interior  Deparment. The  Site  lies  parallel  to  the  beach  in  Ras   Al  Khaimah  and  tapers  about  40  feet  down   towards  the  beach. As   a   result   the   Architectural   Design   was   intentionally  kept  low  and  horizantal  from   the  highest  entry  point  ,  and  makes  use  of   the  topography  to  allow  natural  Views  into   the   Interior   from   both   Ground   Floor   and   Lower  Ground  Floor. A  celebrated  stacked  stone  wall  is  a  main   volumetric   feature   in   the   exterior   and   within   the   interior   ,   bringing   the   natural   landape   and   the   retaning   walls   language   within. The   ground   floor   level   is   majorly   kept   open  plan  to  allow  for  maximum  views  to-­ wards  the  sea  and  pool  deck.
  • 15. PROJECT: P R I VAT E   S U M M E R   V I L L A LOCATION: R A S   A L   K H A I M A H   ,   D U B A I TOTAL  COVERED  AREA: 2 0 , 0 0 0   S Q . F E E T STAGE  OF  PROJECT  |           I N   T E N D E R                         ROLE   I N T E R I O R   A R C H I T E C T   (   u n d e r   N A G A   A R C H I T E C T S )   The   intent   of   the   Interior   Design   was   to   create   a   modern   Industrial   Look   -­   but   at   the   same   time   ,   Villa   needed   to   illustrate   luxury.   As   a   consequence   ,   we   used   a   variety   of   grey  stones  on  floors  and  feature  walls. Opposite  :  The  Formal  Family  room  looks   out  to  the  sea  and  pool  deck  on  the  right   ,   and   into   an   enclosed   visual   landscape   pocket  on  the  left. There  are  two  distinct  types  of  seating.
  • 16. PROJECT: P R I VAT E   S U M M E R   V I L L A LOCATION: R A S   A L   K H A I M A H   ,   D U B A I TOTAL  COVERED  AREA: 2 0 , 0 0 0   S Q . F E E T STAGE  OF  PROJECT  |           I N   T E N D E R                         ROLE   I N T E R I O R   A R C H I T E C T   (   u n d e r   N A G A   A R C H I T E C T S )   The   intent   of   the   Interior   Design   was   to   create   a   modern   Industrial   Look   -­   but   at   the   same   time   ,   Villa   needed   to   illustrate   luxury.   As   a   consequence   ,   we   used   a   variety   of   grey  stones  on  floors  and  feature  walls. Within   the   Masterbedroom   (opposite   )   ,   grey   stone   is   being   used   on   horizontal   and   vertical   surfaces   ,   and   a   concealed   wooden   cabinet   brings   some   warmth   into   the  space.
  • 17. PROJECT: P R I VAT E   S U M M E R   V I L L A LOCATION: R A S   A L   K H A I M A H   ,   D U B A I TOTAL  COVERED  AREA: 2 0 , 0 0 0   S Q . F E E T STAGE  OF  PROJECT  |           I N   T E N D E R                         ROLE   I N T E R I O R   A R C H I T E C T   (   u n d e r   N A G A   A R C H I T E C T S )   The   intent   of   the   Interior   Design   was   to   create   a   modern   Industrial   Look   -­   but   at   the   same   time   ,   Villa   needed   to   illustrate   luxury.   As   a   consequence   ,   we   used   a   variety   of   grey  stones  on  floors  and  feature  walls.
  • 18. portfolio  of  NADIA  SHAFIQ