design portfolio

B USRA SIT
SELEC TED PROJECTS C OMPLETED
DURING BAC HELOR DEGREE AND
FREELANC E-PROFESSIONAL W ORK
LIFE STUDIES AT DESIGN OFFICES
2018-2022

SK ILLS
3ds M a x
C o ro na R end .
Photoshop
Autocad
Archicad
Illustrator
Sketchup
M ıc. O ffice
Rhinoceros
Hi,i am Busra
As an interior architect and a designer,I offer
solutions to the problems that we face every
day:aiming to improve user's quality of living and
creating better experiences for them.
ı work o n details to make every design unique and
functional.ı love m y work and i enjoy every project
ı a m involved.
Feel free to have a look at m y previous project and
d o not hesitate to contact m e if yo u think I can be
of service to you.
EDUC A TIO N
A C HIEV EMENTS
EX PERIENC E
2018-2021
2019 Oct.
Contact
B U S R A S I T
+90 531 338 71 84
bsra.sit@hotmail.com
https://www.behance.net/busrasitt
h ttp s://www.linked in.co m /in/bu sra- sit/
Istanbul Uskudar H i g h School 20 12-20 15
C ERTIFIC A TES
2022 February M o d e r n Mosque Design
T I F A Studio
2020 September Blog and Website Design
I S M E K
Interior Design Intern
20 18-20 20 Freelance
Exhibition Stand Designs
2017-July Gurbetoğlu Limited C o m p a n y
Architectural Restoration Intern
O f f i c e Designs
Ö s y m Scholarship %100
Fatih Sultan M e h m e t University
Academic Achievement Scholarship
Bachelor of Interıor Architecture
and Design
2018-2022 2021-2022
İstanbul
Redart Mimarlık
Interior Architect
G P A 3,54 2021 August Freelance
Fatih Sultan M e h m e t University 2016-2018
Istanbul Wed d i ng Hall and
Architectural Restoration
GPA 3,78 2021 July Redart Mimarlık
LANG UA G E
English
T u rkish
French
HO BBIES
painting,graphic design,pla-
ying violin

A Modern Mosque Page 01
A Performing Center Page 02
A Sunken House Page 03
A Management Floor Page 04
A Dean's Desk Page
05
A Recycle Office Page 06
Döngü
Inseparable from the
past
Volume Art Center
Temporal,,spatial and
formal music..
Sunken
Journey from land to
sea
Surfaces Meetin'
The construction of
borders and walls
Gecko
Light-weight contrast
Bulvar
A dramatic street
version
T
A
B
L
E
O
F
CONTENTS

Location:
T rabzo n,O f
Area:
410 m 2
Advisor:
Tifa Studio
Tu r n and Re-turn
DÖ NG Ü
/A Modern Mosque Design
T h e project considered the mo s q u e as a structure that allows people to return f r o m the
earthly environment to the society and to themselves. It was aimed to experience the
existing life cycle in the space.

passages:
facade
s anctuary
pas s age
pas s ages
textures backyard
overview pas s age
0 1
T h e project respects private spaces, encounters
and orientations. T h e forms, which are shaped
b y considering the wishes and needs of the user,
offer the user various areas where he can be
alone with himself and spend time with people.
lights:
T h e design created with
m i n i m a l lines offers the
opportunity to experience
c a l m and intriguing corners.
T h e surfaces o n which the
regional texture is seen
attract the user with their
permeable facade games.
interior design portfolio 2018-2022
- g e n e r a l l a y o u t p l a n
D Ö N G Ü

2D form diagram
3D form diagram
T h e transition areas, together with the façade, provide a rain of light experience before and after the
worship. In addition, the very c a l m illuminated cleaning areas a i m to m a k e the user experience the feeling
of purification.
T h e traditional texture of the region was used o n the façades, resulting in a design that did not break away
f r o m the context. T h e m i n i m a l surfaces, where corten steel and concrete meet, offer the user a quiet place of
worship.
Areas and passasges
T h e plan was divided into three m a i n areas: w o m e n , m e n and the passage. Each area was allocated comfortable
volumes, taking into account the wishes of the user.
Rain of Light
Textures of Trabzon
DÖNGÜ
:surfaces-form

The concept of the cycle is the basis
of the project. The cycle, which
plays an active role in worship and
the formation of the universe,
contributes to the mentality of the
project rather than its form.

mass,plan
Firstly, the main mass was
directed to the qibla axis. The
mass was divided into a cleared
and worshiped area. The
passage connecting these two
areas offered two separate
courtyard spaces for men and
women. This passage isolates
people from the mundane
environment.
passages
textures
collage
section
Permeable panels that bear traces of the general texture of
Trabzon and are not far from the shell tradition were used
on the facades used in the building.
DÖNGÜ
0 1

VOLUME
/Performing Art Center
T h e transformation of a charity located in the center of Istanbul. It proves that music is
not just heard, but experienced.
Location:
Istanbu l,E y ü p
Area:
550 m 2
Advisor:
Prof.Dr.Genco Berkin
D o ç.D r.S alih S albacak

Original walls were used on the shell and surface of the space. Brutal style against the brutality of the
city, and gentle colors and textures challenge it.
Backstage:
The backstage was not removed from the venue. It was included in the venue in the same
language.
Saloon
The hall was designed to accommodate as many listeners as possible. Moreover, it was aimed
to completely attract the listener to music with colors that do not strain the eyes.
02
VOLUME
A performing art center,in the
heart of Istanbul.

T h e surfaces were created b y paying
attention to the acoustics so that the
sound inside is not perceived in the
foyer. It was a i m e d to bring the color
tones closer to each other.
In the waiting area, calmer, resting
surfaces were created for the eyes and
ears that got tired o n the stage. Light
tones of furniture were c o m b i n e d with
light woods.
M o d u lar system seats offer
opportunities to create various seating
areas for the user w h o c o m e s to the
foyer.
VOLUME
:fuayer design

In the entrance area, c a l m surfaces with
dances were used. In the furniture, elegant
touches and designs m e t in the middle.
T h e entrance of the center, where big
shows will be held, was designed very
calmly. Colors and furniture supported this
calmness.
VOLUME
:entrance-ticket area

Location:
P alau ,O ceania
Area:
240 m 2
Advisor:
Prof. Dr. G e n c o Berkin
In the project, which was
inspired b y a shipwreck,
light-soaked surfaces
connect and unite the
spaces. Wi t h soft
transitions, a fiction is
f o r med in the interior that
is opposite to the
excitement and
aggressiveness of the sea
world. A sea course is
created in the space.
Prussian Blue, Violetta red, corten steel,
exposed concrete. Constructing the textures
encountered and felt in a sunken ship and
shipyards in a living space. With all these
combinations of textures, another sea world is
being created within the sea.
Care was taken not to use
m u c h furniture in the
space and to choose calm
color tones close to each
other. A housing project
designed for a freediver
w h o sees the sea as his
second h o me. It was
created b y looking at the
dark and g l o o my side of
sea life rather than the
blue.
0 3
SUNKEN
/A house in the middle of the sea

Surfaces
It was a i m e d to create a comfortable sleeping area. T h e same style of textures as other areas in the space were
used. This calmness was balanced with luxurious furniture in places.
I N S P I R A T I O N :
L E G R A N D B L E U ( D E R İ N L İ K S A R H O Ş L U Ğ U L U C B E S S O N - 1 9 8 8
In the sections, the house, which is designed like a sunken ship, can be seen clearly.
Observation D e ck
A viewing terrace is encountered at the entrance to the space. After the viewing terrace in plain lines,
there is a transition to the m a i n r o om s where the brute concrete is mostly felt. Comfortable and luxurious
corners welcome the user.
Octopus Dinner Table
In the dining unit inspired b y the octopus, a bright red tone was used and eye-catching was aimed. T h e
furniture, which settled o n the exposed concrete surfaces like a living organism, c a m e a little closer to
the concept of the space.
SUNKEN

T h e space consists of three stages. T h e
terrace and sleeping unit at the entrance, a
mezzanine, a resting area to breathe, and
finally the living space, which is the heart
of the space. T h er e is also a kitchen and
dining area in this area.
T h e heart of the place is
the part that completely
forms the concept. T h e
area where the outside life
will be witnessed
completely calmly f r o m
the interior.
SUNKEN

Instead of the borders and walls in the administrative spaces, mo r e permeable surfaces
that involve the user in the space were used.
SURFACES MEETI
N'
/The Management Floor
Location:
F S M V U Campus,İstanbul
Area:
3 0 0 m 2
Advisor:
Ö ğ r . Gör.Kaan .Çağırman
SURFACES MEETİNG. 1934. PARİS, CENTRE GEORGES POMPİDOU.
WASSİLY KANDİNSKY

K A T P L A N I
Neyin içeride, neyin dışarıda olduğu, duvarın hangi
yanından baktığınıza bağlıydı.
M Ü L K S Ü Z L ER , U R S U L A K . L E G U İN
Permeable walls and surfaces did not
alienate the user, but completely included
t h e m in the space.
Care was taken to use m o r e f u n and
permeable surfaces rather than the
boring opaque walls of the dean's floor.
0 4
SURFACES MEETI
N'
/Management Floor Design

/A Dean's Desk
Inspired b y Gecko,an animal assosiated pressure.Lightness-weight contrast at the
executive desk.
GECKO
Location:
F S M V U C am p u s
Advisor:
Atilla K U Z U

0 5
A work unit designed in contrast to the
weight and opacity of executive desks. It
was intended to be a lightweight design
and the design was inspired b y the G e c k o,
an animal associated with pressure.
Calmness was supported in the space b y
using walnut w o od in light tones.
T h e opacity was used only in the cupboard with the storage unit, and the other parts were intended to be light and fall softly.All parts are c o m b i n e d with
sm o o th turns, creating a luxurious working unit.
GECKO
/A Dean's Desk

BULVAR
Project Area:
M ecid iy ekö y .Istanbu l
Total Project Area:
450 m 2
Advisor:
A recycling and waste collection office.A
design that emphasizes social spaces for
a team that pays attention to
brainstorming b y working together
rather than working individually.
06
Mostly M e m p h i s touches were used in
the furniture and c a l m and d y n a m i c
workspaces were created for the
employees

It was aimed that all chairs used in the space speak the same language. Seating units m a d e
of recycled materials were turned into elements suitable for the purpose of the recycling
office
/Office Chairs
BULVA R
Project Area:
M ecid iy ekö y .Istanbu l
Total Project Area:
450 m 2
Advisor:

INSPIRATION
T h e eating, drinking and socializing area of
the place was inspired b y Edward Howkins'
f a m o u s painting. T h e painting includes a
quiet street bar section after the chaos of
the city. Bright fluorescent lamps,
intersecting street details and a quiet bar
setup are seen.
T h e chairs used in the bar speak the same
language as the chairs used in other parts of
the space. T h e sitting areas meeting in
m i n i m a l lines create a c a l m connection
between the spaces.
06
BULVAR
/ A Recycle Office
NIGHTHAWKS: BY EDWARD HOPPER,1942

**SI GNBOARDS: S O K A K K O N S E P T İ
/ Y Ö N L E N D İ R M E
In the office, where socialization is the
m a i n element, the workstations that we
work together were created in the same
style and designed to respond to the wishes
of the user. T h e same language was
continued at the meeting table.
T h e surfaces were left
plain and the furniture
was brought forward. T h e
desk in the entrance area
was considered
completely niche.
BULV A R
/ A Recycle Office

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