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ELEMENTS OF DESIGN *
The basic ingredients used by the artist when producing works of art.
Those elements are
Shape, Form, Value, Line, Color, Texture, and Space.
LINE *
• LINE OUTLINES FORM AND CONVEYS A SENSE OF MOVEMENT OR DIRECTION.
• LINES CAN BE USED TO CONVEY A SENSE OF STRENGTH, SERENITY,
GRACEFULNESS, OR ACTION.
• ALL LINES ARE EITHER STRAIGHT OR CURVED AND ARE PLACED IN A DIRECTION,
VERTICAL, HORIZONTAL, OR DIAGONAL.
– VERTICAL LINES CAN CONVEY STRENGTH AND STABILITY
• (PINSTRIPED SUIT)
– A HORIZONTAL LINE MAY SUGGEST REST.
– DIAGONAL OR ZIGZAG LINES EVOKE EXCITEMENT AND MOVEMENT.
– CURVED LINES HAVE A GRACEFUL AND DELICATE EFFECT.
LINE *
LINE *
• A VARIETY OF LINES IS DESIRABLE IN A ROOM DESIGN.
– WHEN PEOPLE SEE A LINE, THEIR EYES TEND TO FOLLOW IT.
• LINE ADDS HEIGHT (SUCH AS HOMES WITH TALL WINDOWS)
• LOW SOFAS CAN DRAW YOUR GAZE AROUND THE ROOM AND
CREATE THE ILLUSION OF GREATER WIDTH.
• BY ALIGNING THE TOPS OF PICTURE FRAMES YOU CAN CREATE THE
EFFECT OF A CONTINUOUS LINE.
LINE *
SHAPE *
•
•
FORM *
FORM DESCRIBES THE SHAPE AND STRUCTURE OF SOLID OBJECTS.
• FORM MAY BE 2 OR 3 DIMENSIONAL.
– 2 DIMENSIONAL WOULD BE WALLS AND RUGS (USUALLY CONTAIN LITTLE OR NO DEPTH)
– 3 DIMENSIONAL WOULD BE CHAIRS AND OTHER FURNITURE
• LARGE HEAVY OBJECTS SUCH AS PIANOS OR SOFAS GIVE A FEELING OF STABILITY.
– THEIR MASSIVE APPEARANCE ADDS A SOLID FEELING TO THE ROOM.
– PLACING SEVERAL SMALL OBJECTS TOGETHER WILL CREATE STABILITY AS WELL (SUCH AS 2
CHAIRS AND A TABLE GROUPED TOGETHER)
• DESIGNERS ARE USUALLY MORE CONCERNED WITH APPARENT WEIGHT RATHER THAN
ACTUAL WEIGHT.
– LIGHT COLORS PAIR WITH OTHER LIGHT COLORS EQUAL A LIGHTNESS
– LIGHT COLORS PAIRED WITH DARK COLORS MAY ADD WEIGHT.
FORM *
FORM DESCRIBES THE SHAPE AND STRUCTURE OF SOLID OBJECTS.
FORM *
FORM DESCRIBES THE SHAPE AND STRUCTURE OF SOLID OBJECTS.
VALUE *
AN ELEMENT OF ART THAT REFERS TO THE LIGHTNESS OR DARKNESS OF A COLOR.
•
•
VALUE DESCRIBES THE SHAPE AND DEPTH OF SOLID OBJECTS.
VALUE *
COLOR *
COLOR:
•
•
•
•
COLOR *
COLOR:
TEXTURE *
An element of art, texture is the surface quality or "feel" of an object.
Its smoothness, roughness, softness, etc. Textures are Actual or Implied.
SPACE *
•Space is the 3 dimensional expanse that a designer is working with.
•Different sized spaces convey a range of feelings.
Large, open spaces give people a feeling of freedom and luxury.
•Too much open space can make people feel lonely and drossy.
•Rooms with high ceilings or too few furnishings be the same.
•Empty parts of room look larger than smaller areas with furniture.
Crowded spaces with too much furniture may make you feel confined.
SPACE *
SPACE *
• TWO GENERAL CHOICES
– FILL THE SPACE OR LEAVE MUCH OF IT EMPTY.
• TO MAKE A SMALLER SPACE APPEAR LARGER, KEEP AS MUCH OPEN SPACE AS POSSIBLE.
– YOU MIGHT ALSO INSTALL MIRRORS TO VISUALLY ENLARGE A ROOM.
– CHOOSE DUAL PURPOSE FURNITURE
• A SHELF UNIT WITH CABINETS, A SEAT WITH STORAGE,
• FOR LARGE SPACE, DIVIDE THE ROOM INTO DIFFERENT AREAS.
– BY ARRANGING FURNITURE IN SMALL CLUSTERS AND USING AREA RUGS TO VISUALLY
DIVIDE A LARGE ROOM.
SPACE *
Elements of design

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Elements of design

  • 1.
  • 2.
  • 3. ELEMENTS OF DESIGN * The basic ingredients used by the artist when producing works of art. Those elements are Shape, Form, Value, Line, Color, Texture, and Space.
  • 4. LINE * • LINE OUTLINES FORM AND CONVEYS A SENSE OF MOVEMENT OR DIRECTION. • LINES CAN BE USED TO CONVEY A SENSE OF STRENGTH, SERENITY, GRACEFULNESS, OR ACTION. • ALL LINES ARE EITHER STRAIGHT OR CURVED AND ARE PLACED IN A DIRECTION, VERTICAL, HORIZONTAL, OR DIAGONAL. – VERTICAL LINES CAN CONVEY STRENGTH AND STABILITY • (PINSTRIPED SUIT) – A HORIZONTAL LINE MAY SUGGEST REST. – DIAGONAL OR ZIGZAG LINES EVOKE EXCITEMENT AND MOVEMENT. – CURVED LINES HAVE A GRACEFUL AND DELICATE EFFECT.
  • 6. LINE * • A VARIETY OF LINES IS DESIRABLE IN A ROOM DESIGN. – WHEN PEOPLE SEE A LINE, THEIR EYES TEND TO FOLLOW IT. • LINE ADDS HEIGHT (SUCH AS HOMES WITH TALL WINDOWS) • LOW SOFAS CAN DRAW YOUR GAZE AROUND THE ROOM AND CREATE THE ILLUSION OF GREATER WIDTH. • BY ALIGNING THE TOPS OF PICTURE FRAMES YOU CAN CREATE THE EFFECT OF A CONTINUOUS LINE.
  • 9. FORM * FORM DESCRIBES THE SHAPE AND STRUCTURE OF SOLID OBJECTS. • FORM MAY BE 2 OR 3 DIMENSIONAL. – 2 DIMENSIONAL WOULD BE WALLS AND RUGS (USUALLY CONTAIN LITTLE OR NO DEPTH) – 3 DIMENSIONAL WOULD BE CHAIRS AND OTHER FURNITURE • LARGE HEAVY OBJECTS SUCH AS PIANOS OR SOFAS GIVE A FEELING OF STABILITY. – THEIR MASSIVE APPEARANCE ADDS A SOLID FEELING TO THE ROOM. – PLACING SEVERAL SMALL OBJECTS TOGETHER WILL CREATE STABILITY AS WELL (SUCH AS 2 CHAIRS AND A TABLE GROUPED TOGETHER) • DESIGNERS ARE USUALLY MORE CONCERNED WITH APPARENT WEIGHT RATHER THAN ACTUAL WEIGHT. – LIGHT COLORS PAIR WITH OTHER LIGHT COLORS EQUAL A LIGHTNESS – LIGHT COLORS PAIRED WITH DARK COLORS MAY ADD WEIGHT.
  • 10. FORM * FORM DESCRIBES THE SHAPE AND STRUCTURE OF SOLID OBJECTS.
  • 11. FORM * FORM DESCRIBES THE SHAPE AND STRUCTURE OF SOLID OBJECTS.
  • 12. VALUE * AN ELEMENT OF ART THAT REFERS TO THE LIGHTNESS OR DARKNESS OF A COLOR. • •
  • 13. VALUE DESCRIBES THE SHAPE AND DEPTH OF SOLID OBJECTS. VALUE *
  • 16. TEXTURE * An element of art, texture is the surface quality or "feel" of an object. Its smoothness, roughness, softness, etc. Textures are Actual or Implied.
  • 17. SPACE * •Space is the 3 dimensional expanse that a designer is working with. •Different sized spaces convey a range of feelings. Large, open spaces give people a feeling of freedom and luxury. •Too much open space can make people feel lonely and drossy. •Rooms with high ceilings or too few furnishings be the same. •Empty parts of room look larger than smaller areas with furniture. Crowded spaces with too much furniture may make you feel confined.
  • 19. SPACE * • TWO GENERAL CHOICES – FILL THE SPACE OR LEAVE MUCH OF IT EMPTY. • TO MAKE A SMALLER SPACE APPEAR LARGER, KEEP AS MUCH OPEN SPACE AS POSSIBLE. – YOU MIGHT ALSO INSTALL MIRRORS TO VISUALLY ENLARGE A ROOM. – CHOOSE DUAL PURPOSE FURNITURE • A SHELF UNIT WITH CABINETS, A SEAT WITH STORAGE, • FOR LARGE SPACE, DIVIDE THE ROOM INTO DIFFERENT AREAS. – BY ARRANGING FURNITURE IN SMALL CLUSTERS AND USING AREA RUGS TO VISUALLY DIVIDE A LARGE ROOM.