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PREVAILING ISSUES DEPICTED BY ART ACROSS TIME
Amir Sharif Tubo
1. THE HISTORICAL PERIOD
 The art of rehistoric men and women depicted the issues of security and
survival.
 They hunted wild animals with crude implements, used animal skins
and fur as primary fabric, used cave paintings to scare the wild beast, and
used polished stones in horticulture.
 They also learned the art of animal domestication to meet their
families' increasing demands for food.
Examples:
Panel of the Unicorn at Lascaux.
Ancient petroglyphs are etched into the stone walls at Canyon de Chelly
National Monument near Chinle, Arizona.
Neolithic rock paintings
2. THE ANCIENT PERIOD
 Ancient architecture was essential for communication and education,
such as writing cuneiform, hieroglyphics, calligraphies, and temples.
i. Example: Cuneiform and hieroglyphics
 It also reflected religious beliefs and traditions, such as the ziggurats
of Mesopotamia, pyramids of Egypt, temples in Asian countries, and
mosques among the muslim.
i. Example: Ancient architecture
Neo-Sumerian Great Ziggurat of Ur, near Nasiriyah, Iraq | Mesopotamian
Architecture
 Kingdoms and empires also constructed dikes and drainage systems to
protect their crops.
Roman agriculture. Artwork of Roman agricultural workers harvesting cereal crops
and tending livestock (sheep) on a farm in southern Europe.
 Example of the ancient period:
i. The Punic Wars were a series of wars between 264 and 146 BC
fought between Rome and Carthage. It was due to conflicts rising
from Rome's increasing expansion.
3. THE MEDIEVAL PERIOD
 Western civilization was a period of reawakening, marked by the use of
Gothic, doric, ionan, and Romanesque architectural designs.
Other example: Illuminated Manuscripts
 During this time, Christianity had a great influence on art, with the
exception of the Catholic Church, which was the most stable institution.
i. Example: Stained Glass window
A stained glass window depicting a scene from the Garden of Eden.
 Other prominent architects of this period included castles, palaces, and
churches with arches, vaults, and domes.
Italian Gothic palaces- The artistic adventure of Mankind
4. THE MODERN PERIOD (1500-1850)
 This liberal consciousness of the artists ushered in more prominence
during the baroque period.
i. Example
Nicolas Poussin, The Abduction of the Sabine Women
 Monarchs commissioned artists to embellish palaces in the modern era,
creating beautiful, vibrant, and elaborate paintings and wall plasters.
Mona Lisa: Leonardo da Vinci
 Intellectual, industrial, and scientific revolutions steered new
developments in the art sector.
i. Example:
Gallery of a Collector: Cornelis de Baellieur
 Structuralism in the classical period was replaced slowly with minimalism
- an art movement the eliminates the non-essential form and features in
art.
Sunflowers (original title, in French: Tournesols)
by Vincent Van Gogh
5. POST-MODERN PERIOD (1851 TO THE PRESENT)
 Minimalism allows the artists to have wider degrees of freedom in terms
of their imagination, but there is defiance of Structuralism.
Eva Hesse – Right After, 1969
 Characterizes Jacques Derrida’s Deconstructionism with higher
degree of manipulation and fragmentation which focuses on the artists’
experience.
 Uses maximum control of their space to manipulate wider art planes in
their respective genres.
 Experimentation that resulted in some issues of art bastardization.
Gordon’s Makes us drunk, Gilbert & George, 1972
Mao, Andy Warhol, 1972

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PREVAILING ISSUES DEPICTED BY ART ACROSS TIME.docx

  • 1. PREVAILING ISSUES DEPICTED BY ART ACROSS TIME Amir Sharif Tubo 1. THE HISTORICAL PERIOD  The art of rehistoric men and women depicted the issues of security and survival.  They hunted wild animals with crude implements, used animal skins and fur as primary fabric, used cave paintings to scare the wild beast, and used polished stones in horticulture.  They also learned the art of animal domestication to meet their families' increasing demands for food. Examples: Panel of the Unicorn at Lascaux. Ancient petroglyphs are etched into the stone walls at Canyon de Chelly National Monument near Chinle, Arizona.
  • 3. 2. THE ANCIENT PERIOD  Ancient architecture was essential for communication and education, such as writing cuneiform, hieroglyphics, calligraphies, and temples. i. Example: Cuneiform and hieroglyphics  It also reflected religious beliefs and traditions, such as the ziggurats of Mesopotamia, pyramids of Egypt, temples in Asian countries, and mosques among the muslim. i. Example: Ancient architecture Neo-Sumerian Great Ziggurat of Ur, near Nasiriyah, Iraq | Mesopotamian Architecture  Kingdoms and empires also constructed dikes and drainage systems to protect their crops.
  • 4. Roman agriculture. Artwork of Roman agricultural workers harvesting cereal crops and tending livestock (sheep) on a farm in southern Europe.  Example of the ancient period: i. The Punic Wars were a series of wars between 264 and 146 BC fought between Rome and Carthage. It was due to conflicts rising from Rome's increasing expansion.
  • 5. 3. THE MEDIEVAL PERIOD  Western civilization was a period of reawakening, marked by the use of Gothic, doric, ionan, and Romanesque architectural designs. Other example: Illuminated Manuscripts  During this time, Christianity had a great influence on art, with the exception of the Catholic Church, which was the most stable institution.
  • 6. i. Example: Stained Glass window A stained glass window depicting a scene from the Garden of Eden.  Other prominent architects of this period included castles, palaces, and churches with arches, vaults, and domes. Italian Gothic palaces- The artistic adventure of Mankind
  • 7. 4. THE MODERN PERIOD (1500-1850)  This liberal consciousness of the artists ushered in more prominence during the baroque period. i. Example Nicolas Poussin, The Abduction of the Sabine Women  Monarchs commissioned artists to embellish palaces in the modern era, creating beautiful, vibrant, and elaborate paintings and wall plasters. Mona Lisa: Leonardo da Vinci
  • 8.  Intellectual, industrial, and scientific revolutions steered new developments in the art sector. i. Example: Gallery of a Collector: Cornelis de Baellieur  Structuralism in the classical period was replaced slowly with minimalism - an art movement the eliminates the non-essential form and features in art. Sunflowers (original title, in French: Tournesols) by Vincent Van Gogh
  • 9. 5. POST-MODERN PERIOD (1851 TO THE PRESENT)  Minimalism allows the artists to have wider degrees of freedom in terms of their imagination, but there is defiance of Structuralism. Eva Hesse – Right After, 1969  Characterizes Jacques Derrida’s Deconstructionism with higher degree of manipulation and fragmentation which focuses on the artists’ experience.  Uses maximum control of their space to manipulate wider art planes in their respective genres.  Experimentation that resulted in some issues of art bastardization. Gordon’s Makes us drunk, Gilbert & George, 1972