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(Apetite)
by
(Laura Rollason)
(Based on, If Any)
Name (of company, if applicable)
Address
Phone Number

FADE IN:
EXT. HOUSE - NIGHT
A house shown with all the lights off apart from the
dinning room and kitchen visible from the garden. The
only source of light are the bottom rooms.
CUTS TO:
INT. DINNING ROOM - NIGHT
Will (male) , walks into room, placing table cloth on top
of the table. Music is playing from an old radio in the
kitchen. He reaches for a match to light the candle. The
match lights and is placed to light the candle. He turns
to turn of the main light, it throws the scene it to
darkness apart from the candles on the table. The title
scene starts displaying ‘Appetite’ across the table. Will
walks out of the room to retrieve plate of food and
places it on table. He sits down, and starts eating the
meal.
WILL
(stops eating food to
wipe mouth with
cloth on the table)
This is delicious. I really out
did myself this time. It took me a
long time to make this perfect. Im
so glad we met.
(smirks and laughs
quietly to himself,
takes a drink from
the glass to his
side.)
EXT. OUTSIDE BUILDING IN THE STREET - NIGHT
Will, dresses smartly and Sarah in white clothing(female)
stand outside the building talking to each other,
finishing off their date. The lighting from the building
lights up Sarah’s face, Will’s face is half covered in
shadows.
SARAH
(looking for her
phone in her bag,
occasionally looking
at Will.)
I had a great time. Thank You
.2
WILL
(starts to put coat
on, which was
previously across
his arm)
Me too. We should do this again,
maybe a nice meal. I would love to
have you for dinner. Homemade food
has no comparison in my opinion.
SARAH
(having retrieved her
phone she looks at
Will)
I would love to, maybe next
Friday.
WILL
(smiling at Sarah)
I had something much sooner in
mind. I’ll call you later on,
maybe plan the next date.
SARAH
Okay, see you soon.
Sarah and Will hug briefly and turn away from each other,
walking separate ways on the street.
EXT. STREET - NIGHT
Sarah is walking down the street, hugging coat tightly
against the cold, passing street lights above. Phone
starts ringing. She answers the phone showing the text
screen WILL. Holding on to the phone she answers.
SARAH
Hello, you didn’t wait that long,
I'm not even got home yet.
WILL
I Know… (cuts of phone)
The phone line cuts, as Sarah stops walking, above her is
a street light. Footsteps from the distance behind her
becomes louder. She turns around. Will approaches to hit
her with an unknown object, and continues to attack her.
CUTS TO NEXT SCENE:
INT. KITCHEN - NIGHT
Will is dropping pan in the kitchen side harshly, he then
is shown moving around the kitchen gathering ingredients.
Will uses knives to cut food and boils a pot.
.3
EXT: STREET - NIGHT
Sarah is lying on the floor, off camera, Will is kneeling
next to her, hands covered in blood. Will pulls a see-
through bag from his coat and gathers meat from Sarah, he
closes the bag and stands. The knife sounds from the
previous scene continue over.
FADES OUT:
INT. KITCHEN - NIGHT
Will goes towards the fridge and puts out the bag used in
the previous scene. He empties the bag in to the pan,
showing meat and blood spill out. He starts cutting other
food and adding it to a boiling pot, it creates a
sizzling noise. He takes a bite of meat from the pan
smearing blood on himself to wipe away with a cloth.
Will plates the food and walks to the dinning room,
recreating the starting scene and places the food on the
table.
FADES OUT:
INT. DINNING ROOM
The plate of food is empty. Will stands up, blowing out
the candles on the table, taking the plate with him in to
the kitchen, shown by tracking him across the room.
He places the plate in a washing bowl surrounding by
bloodied utensils and knives. Will turns to the radio the
music continues to play, he reaches for a piece of paper.
He looks and crosses of the name ‘Sarah’ off the list
other names uncrossed are below Sarah and reaches for his
phone. He calls an unknown person.
WILL
(walking around the
kitchen reaching for
a bloody knife of
the work surface,
the dial tone can be
heard over the top
of the radio, he
hold knife up to his
face and turns it in
the light of the
kitchen)
Rachel hi, i was wondering if you
would join me for dinner….
FADES TO BLACK:

.i
SCENE INDEX
EXT. HOUSE - NIGHT 1.....................................
INT. DINNING ROOM - NIGHT 1...............................
EXT. OUTSIDE BUILDING IN THE STREET - NIGHT 1.............
EXT. STREET - NIGHT 2.....................................
INT. KITCHEN - NIGHT 2...................................
EXT: STREET - NIGHT 3.....................................
INT. KITCHEN - NIGHT 3....................................
INT. DINNING ROOM 3.......................................

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Appetite script

  • 1. (Apetite) by (Laura Rollason) (Based on, If Any) Name (of company, if applicable) Address Phone Number

  • 2. FADE IN: EXT. HOUSE - NIGHT A house shown with all the lights off apart from the dinning room and kitchen visible from the garden. The only source of light are the bottom rooms. CUTS TO: INT. DINNING ROOM - NIGHT Will (male) , walks into room, placing table cloth on top of the table. Music is playing from an old radio in the kitchen. He reaches for a match to light the candle. The match lights and is placed to light the candle. He turns to turn of the main light, it throws the scene it to darkness apart from the candles on the table. The title scene starts displaying ‘Appetite’ across the table. Will walks out of the room to retrieve plate of food and places it on table. He sits down, and starts eating the meal. WILL (stops eating food to wipe mouth with cloth on the table) This is delicious. I really out did myself this time. It took me a long time to make this perfect. Im so glad we met. (smirks and laughs quietly to himself, takes a drink from the glass to his side.) EXT. OUTSIDE BUILDING IN THE STREET - NIGHT Will, dresses smartly and Sarah in white clothing(female) stand outside the building talking to each other, finishing off their date. The lighting from the building lights up Sarah’s face, Will’s face is half covered in shadows. SARAH (looking for her phone in her bag, occasionally looking at Will.) I had a great time. Thank You
  • 3. .2 WILL (starts to put coat on, which was previously across his arm) Me too. We should do this again, maybe a nice meal. I would love to have you for dinner. Homemade food has no comparison in my opinion. SARAH (having retrieved her phone she looks at Will) I would love to, maybe next Friday. WILL (smiling at Sarah) I had something much sooner in mind. I’ll call you later on, maybe plan the next date. SARAH Okay, see you soon. Sarah and Will hug briefly and turn away from each other, walking separate ways on the street. EXT. STREET - NIGHT Sarah is walking down the street, hugging coat tightly against the cold, passing street lights above. Phone starts ringing. She answers the phone showing the text screen WILL. Holding on to the phone she answers. SARAH Hello, you didn’t wait that long, I'm not even got home yet. WILL I Know… (cuts of phone) The phone line cuts, as Sarah stops walking, above her is a street light. Footsteps from the distance behind her becomes louder. She turns around. Will approaches to hit her with an unknown object, and continues to attack her. CUTS TO NEXT SCENE: INT. KITCHEN - NIGHT Will is dropping pan in the kitchen side harshly, he then is shown moving around the kitchen gathering ingredients. Will uses knives to cut food and boils a pot.
  • 4. .3 EXT: STREET - NIGHT Sarah is lying on the floor, off camera, Will is kneeling next to her, hands covered in blood. Will pulls a see- through bag from his coat and gathers meat from Sarah, he closes the bag and stands. The knife sounds from the previous scene continue over. FADES OUT: INT. KITCHEN - NIGHT Will goes towards the fridge and puts out the bag used in the previous scene. He empties the bag in to the pan, showing meat and blood spill out. He starts cutting other food and adding it to a boiling pot, it creates a sizzling noise. He takes a bite of meat from the pan smearing blood on himself to wipe away with a cloth. Will plates the food and walks to the dinning room, recreating the starting scene and places the food on the table. FADES OUT: INT. DINNING ROOM The plate of food is empty. Will stands up, blowing out the candles on the table, taking the plate with him in to the kitchen, shown by tracking him across the room. He places the plate in a washing bowl surrounding by bloodied utensils and knives. Will turns to the radio the music continues to play, he reaches for a piece of paper. He looks and crosses of the name ‘Sarah’ off the list other names uncrossed are below Sarah and reaches for his phone. He calls an unknown person. WILL (walking around the kitchen reaching for a bloody knife of the work surface, the dial tone can be heard over the top of the radio, he hold knife up to his face and turns it in the light of the kitchen) Rachel hi, i was wondering if you would join me for dinner…. FADES TO BLACK:

  • 5. .i SCENE INDEX EXT. HOUSE - NIGHT 1..................................... INT. DINNING ROOM - NIGHT 1............................... EXT. OUTSIDE BUILDING IN THE STREET - NIGHT 1............. EXT. STREET - NIGHT 2..................................... INT. KITCHEN - NIGHT 2................................... EXT: STREET - NIGHT 3..................................... INT. KITCHEN - NIGHT 3.................................... INT. DINNING ROOM 3.......................................