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UNIVERSIDAD NACIONAL EXPERIMENTAL
            “FRANCISCO DE MIRANDA”
         ÁREA CIENCIAS DE LA EDUCACIÓN
    PROGRAMA DE EDUCACIÓN MENCIÓN INGLÉS
                  PHONETICS II




Intonation                                 PROF. JULIO REYES
“Linguistic feature”

                         Which is considered as


  The sequence or arrangement of musical
   pitch levels occurring in an utterance.
                                Comrie (1984)




  … this set of musical pitch levels serve to
distinguish between questions, statements,
and other types of utterances in a language.
                                 Comrie (1984)
                                     PROF. JULIO REYES
Consider the differences between :


        You're leaving.
        You're leaving?



     You're leaving. (statement)


      You're leaving? (question)


                                     PROF. JULIO REYES
Falling
Intonation

It is a pattern in which our voice
«goes down» (falls) to a low pitch
by the end of an utterance.



                                     Rising Intonation

                                     It is a pattern in which our voice
                                     «goes up» (rises) to a high pitch by
                                     the end of an utterance.


                                                            PROF. JULIO REYES
1. In tag questions when the speaker is sure that what he says is right:
         It's a tough day, isn't it? / It's a wonderful weather, isn't it?

2. In seeking information with Wh – questions:
         How much is this car? / What's your name?

3. Short, complete sentences:
         It's so near. / It's very far.

4. For commands:
         Leave me alone. / Give me my keys.




                                                                    PROF. JULIO REYES
1. Tag questions when the speaker is not sure that what he says is correct:
        You're sure, aren't you? / You've checked it, haven't you?

2. Yes – No Questions:
         Do you want to leave? / Did you see the elephant?

3. Wh - Questions when the speaker wishes to show special interest:
        Where do you live? / What do you do for a living?

4. Statements intended to encourage:
        That's a remarkable thought. / You're doing a great job!

5. Sentences ending with 'please'; 'goodbye'; 'thank you' when used to show
gratitude for a simple matter (passing the dish, etc.):
        A cup of tea, please? / Would you pass me that pen, please?
Note:

By learning how native speakers use varying
intonation patterns, we can accurately understand
what people try to communicate with us. As we
listen closely to the melody of their speech, we can
figure out their feelings, sense their moods and
attitudes, and recognize questions, commands /
requests and offers, ergo, properly respond to them.




                                               PROF. JULIO REYES
EXAMPLE SENTENCE [A]:

                      "I'm not going."

•"I'm not going": meaning [1] = Not "ME", but perhaps
                                   "YOU", "SHE" or "HE".

•"I'm not going": meaning [2] = I reFUSE to go.

•"I'm not going": meaning [3] = I'm not GOing... I'm
                            COMing BACK!




                                                       PROF. JULIO REYES
EXAMPLE SENTENCE [B]:

   «Janet's going to Brighton tomorrow afternoon to buy
            herself a pair of red, leather shoes.»

5.Is John going to Brighton?

7.Is Janet going to London?

9.Is Janet going to Brighton to sell her house?

11.Is Janet coming from Brighton?




                                                  PROF. JULIO REYES
f
                                              k o
                                      o  thin the
                               c y t ked to of
                      te  nden tly lin           g
                                             anin ny
                                           e
              ve
                   a
                        g  direc , the m as a
           ha      bein In fact alized fferent
     le
Peop ation as tions.                  n
                                 ntio e. Di tions,
     n            o           ve
 into er's em as con languag conven ural
        k                                            lt
  spea ation is t of                 rent cross-cu
       on          ec          diffe ial
   int         asp n use tent
          r                    po
    othe ages ca o
           u          t
     lan g       ise        s.
             g r tanding
       givin ders
              n
        misu




                                                      PROF. JULIO REYES
the
                                           with ise to
                                     e          r
                                uag n give even
                           lang r ca           d
                 o  ne      fo the cts an dings:
        king attern o al effe erstan unds
S pea tion p            ntio
                             n            d
                                   isun tion so the
                      e          m
    tona         nint tural               na        o
                                    into ning, t with
 in        ly u cul
  e  ntire -                    an
                           ussi threate ussian d or
    cr oss       w  ith R e or               R        te
                                       lish; s affec r of
               h          d          g
     E nglis dly, ru of En ound                    eak
                                                       e
               n          er           s         sp
      u nfrie speak nation ative
            tive lish into the n
        na ng               to
         a n E ritical
                 c
           h ypo n.
                   a
             R ussi



                                                       PROF. JULIO REYES
s
                                              y  add
                                      yp icall E.g.,
                                e rn t stion.            n
                         t  patt     que       qu estio g
               iff eren to a es/No . Risin
          a d extra                 Y         ss           ly
Us ing ng                    o n a ruptne an imp
       e thi       na tion as ab tion c ar the
 som         into preted -ques                  he           to
  falling inter                  h         n't        i ng
          be           n   a W ou did re ask
   can ation o that y and a
          n                         e
    into ise or irst tim
      s urpr r the f d.
               e             e
       a nsw t repeat
                 i
         have




                                                              PROF. JULIO REYES
EXERCISE 1:

                   Do you speak English?

Practice with different types of intonation patterns:

7.«YOU»

9.«SPEAK»

11.«ENGLISH»
PROF. JULIO REYES
PROF. JULIO REYES

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Intonation

  • 1. UNIVERSIDAD NACIONAL EXPERIMENTAL “FRANCISCO DE MIRANDA” ÁREA CIENCIAS DE LA EDUCACIÓN PROGRAMA DE EDUCACIÓN MENCIÓN INGLÉS PHONETICS II Intonation PROF. JULIO REYES
  • 2. “Linguistic feature” Which is considered as The sequence or arrangement of musical pitch levels occurring in an utterance. Comrie (1984) … this set of musical pitch levels serve to distinguish between questions, statements, and other types of utterances in a language. Comrie (1984) PROF. JULIO REYES
  • 3. Consider the differences between :  You're leaving.  You're leaving?  You're leaving. (statement)  You're leaving? (question) PROF. JULIO REYES
  • 4. Falling Intonation It is a pattern in which our voice «goes down» (falls) to a low pitch by the end of an utterance. Rising Intonation It is a pattern in which our voice «goes up» (rises) to a high pitch by the end of an utterance. PROF. JULIO REYES
  • 5. 1. In tag questions when the speaker is sure that what he says is right: It's a tough day, isn't it? / It's a wonderful weather, isn't it? 2. In seeking information with Wh – questions: How much is this car? / What's your name? 3. Short, complete sentences: It's so near. / It's very far. 4. For commands: Leave me alone. / Give me my keys. PROF. JULIO REYES
  • 6. 1. Tag questions when the speaker is not sure that what he says is correct: You're sure, aren't you? / You've checked it, haven't you? 2. Yes – No Questions: Do you want to leave? / Did you see the elephant? 3. Wh - Questions when the speaker wishes to show special interest: Where do you live? / What do you do for a living? 4. Statements intended to encourage: That's a remarkable thought. / You're doing a great job! 5. Sentences ending with 'please'; 'goodbye'; 'thank you' when used to show gratitude for a simple matter (passing the dish, etc.): A cup of tea, please? / Would you pass me that pen, please?
  • 7. Note: By learning how native speakers use varying intonation patterns, we can accurately understand what people try to communicate with us. As we listen closely to the melody of their speech, we can figure out their feelings, sense their moods and attitudes, and recognize questions, commands / requests and offers, ergo, properly respond to them. PROF. JULIO REYES
  • 8. EXAMPLE SENTENCE [A]: "I'm not going." •"I'm not going": meaning [1] = Not "ME", but perhaps "YOU", "SHE" or "HE". •"I'm not going": meaning [2] = I reFUSE to go. •"I'm not going": meaning [3] = I'm not GOing... I'm COMing BACK! PROF. JULIO REYES
  • 9. EXAMPLE SENTENCE [B]: «Janet's going to Brighton tomorrow afternoon to buy herself a pair of red, leather shoes.» 5.Is John going to Brighton? 7.Is Janet going to London? 9.Is Janet going to Brighton to sell her house? 11.Is Janet coming from Brighton? PROF. JULIO REYES
  • 10. f k o o thin the c y t ked to of te nden tly lin g anin ny e ve a g direc , the m as a ha bein In fact alized fferent le Peop ation as tions. n ntio e. Di tions, n o ve into er's em as con languag conven ural k lt spea ation is t of rent cross-cu on ec diffe ial int asp n use tent r po othe ages ca o u t lan g ise s. g r tanding givin ders n misu PROF. JULIO REYES
  • 11. the with ise to e r uag n give even lang r ca d o ne fo the cts an dings: king attern o al effe erstan unds S pea tion p ntio n d isun tion so the e m tona nint tural na o into ning, t with in ly u cul e ntire - an ussi threate ussian d or cr oss w ith R e or R te lish; s affec r of h d g E nglis dly, ru of En ound eak e n er s sp u nfrie speak nation ative tive lish into the n na ng to a n E ritical c h ypo n. a R ussi PROF. JULIO REYES
  • 12. s y add yp icall E.g., e rn t stion. n t patt que qu estio g iff eren to a es/No . Risin a d extra Y ss ly Us ing ng o n a ruptne an imp e thi na tion as ab tion c ar the som into preted -ques he to falling inter h n't i ng be n a W ou did re ask can ation o that y and a n e into ise or irst tim s urpr r the f d. e e a nsw t repeat i have PROF. JULIO REYES
  • 13. EXERCISE 1: Do you speak English? Practice with different types of intonation patterns: 7.«YOU» 9.«SPEAK» 11.«ENGLISH»
  • 14.