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Characteristics of Arts and
Crafts in South, West, and
Central Asia
Learning Objective
 identify characteristics of arts and crafts in specific countries
in South, West, and Central Asia: India (rangoli, Katak,
mednhi, Diwali); Saudi Arabia (carpet design); Pakistan (truck
art); and Tibet (mandala), etc. (A8EL-IIIa-2)
South Asian Arts
 South, West, and Central Asia show strong sense of design in their
modern and traditional forms of arts. They exhibit ornate, intricate, and
colorful motifs in their artworks that can be seen in their rangoli, mehndi
and diwali (India), carpet design (Saudi arabia), truck art (Pakistan), and
mandala (Tibet).
India: Rangoli
 Composed of two words: rang
meaning color and aavalli
meaning colored creepers or row
of colors.
 Usually showcased in celebration
of milestones like marriage,
festivals, etc.
 Traditionally done by women
India: Kathak
 The word kathak comes from the
word katha which means story.
 Comes from the northern part of
India and developed under the
influence of both Hindu and
Muslim cultures.
 Characterized by complex
footwork and precise rhythmic
patterns
 Usually, many of the dances
convey moods of love.
India: Mehndi
 It is a temporary form of skin decoration that is
most popular in South Asia, the Middle East, as
well as expatriate communities from these
areas.
 It is usually done for celebrations and special
occasions, particularly weddings.
India: Diwali
 One of the main religious festivals in
Hinduism.
 Diwali is derived from the Sanskrit word
dipavali, which means “row of lights,”
which can be lit at the new-moon night
to ask the presence of Lakshmi, the
goddess of wealth so each family burns
diwali clay lamps (diyas) to light the way
for the goddess.
India: Diwali
 The festival generally symbolizes the
victory of light over darkness.
 It is considered as the most beautiful
of all Indian festivals, a celebration of
lights. All this illumination and
fireworks, joy and festivity, signify the
victory of divine forces over those of
wicked.
Pakistan: Truck Art
 In Pakistan, truck art has become a
cultural tradition, which features
decorations that may involve intricate
paintings, structural changes, and
ornamental décors using mirrors and
woods for the roof, doors, and windows
of the truck.
Pakistan: Truck Art
West Asian Arts: Saudi Arabia
 For the countries in Central Asia,
carpet is a symbol of a family’s wealth
and prosperity; therefore, is always
included in presents given to young
people at their weddings.
Central Asian Arts: Mandala
 A mandala is a symbolic diagram that is utilized in
the performing of religious rites and as a
meditative tool.
 a symbol that acts as a receptacle for the gods
and a collection point for global forces.
 a symbol of the universe, which was originally
used to represent wholeness and a model for the
organizational structure of life itself, a cosmic
diagram that shows the relation to the infinite
and the world that extends beyond and within
minds and bodies.
Central Asian Art: Mandala
Characteristics of Arts and Crafts in South,.pptx

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Characteristics of Arts and Crafts in South,.pptx

  • 1. Characteristics of Arts and Crafts in South, West, and Central Asia
  • 2. Learning Objective  identify characteristics of arts and crafts in specific countries in South, West, and Central Asia: India (rangoli, Katak, mednhi, Diwali); Saudi Arabia (carpet design); Pakistan (truck art); and Tibet (mandala), etc. (A8EL-IIIa-2)
  • 3.
  • 4. South Asian Arts  South, West, and Central Asia show strong sense of design in their modern and traditional forms of arts. They exhibit ornate, intricate, and colorful motifs in their artworks that can be seen in their rangoli, mehndi and diwali (India), carpet design (Saudi arabia), truck art (Pakistan), and mandala (Tibet).
  • 5. India: Rangoli  Composed of two words: rang meaning color and aavalli meaning colored creepers or row of colors.  Usually showcased in celebration of milestones like marriage, festivals, etc.  Traditionally done by women
  • 6. India: Kathak  The word kathak comes from the word katha which means story.  Comes from the northern part of India and developed under the influence of both Hindu and Muslim cultures.  Characterized by complex footwork and precise rhythmic patterns  Usually, many of the dances convey moods of love.
  • 7. India: Mehndi  It is a temporary form of skin decoration that is most popular in South Asia, the Middle East, as well as expatriate communities from these areas.  It is usually done for celebrations and special occasions, particularly weddings.
  • 8. India: Diwali  One of the main religious festivals in Hinduism.  Diwali is derived from the Sanskrit word dipavali, which means “row of lights,” which can be lit at the new-moon night to ask the presence of Lakshmi, the goddess of wealth so each family burns diwali clay lamps (diyas) to light the way for the goddess.
  • 9. India: Diwali  The festival generally symbolizes the victory of light over darkness.  It is considered as the most beautiful of all Indian festivals, a celebration of lights. All this illumination and fireworks, joy and festivity, signify the victory of divine forces over those of wicked.
  • 10. Pakistan: Truck Art  In Pakistan, truck art has become a cultural tradition, which features decorations that may involve intricate paintings, structural changes, and ornamental décors using mirrors and woods for the roof, doors, and windows of the truck.
  • 12. West Asian Arts: Saudi Arabia  For the countries in Central Asia, carpet is a symbol of a family’s wealth and prosperity; therefore, is always included in presents given to young people at their weddings.
  • 13.
  • 14. Central Asian Arts: Mandala  A mandala is a symbolic diagram that is utilized in the performing of religious rites and as a meditative tool.  a symbol that acts as a receptacle for the gods and a collection point for global forces.  a symbol of the universe, which was originally used to represent wholeness and a model for the organizational structure of life itself, a cosmic diagram that shows the relation to the infinite and the world that extends beyond and within minds and bodies.

Editor's Notes

  1. Rangoli, which is believed to bring good luck, is an art form that originated in the Indian subcontinent. Patterns are created on the ground or floor with the use of colored rice, dry flour, colored sand or flower petals. It is normally made for Hindu festivals like Diwali or Tihar, Onam, Pongal in the Indian subcontinent. The term Rangoli is composed of two words: rang meaning ‘color’ and ‘aavalli’ meaning ‘colored creepers’ or ‘row of colors’. Designs vary as they are reflections of unique traditons and practices of each area and this practice is usually showcased in celebration of milestones like marriage, festivals, etc. Traditionally, Rangoli designs are done by women. Rangoli designs may be simple patterns like geometric shapes, deity impressions, or flower and petal shapes depending on the given celebrations, or more intricate ones that are made by several people. The base is typically dry or wet-powdered rice or dry flour, to which sindooram (vermilion), pasupu (turmeric) and different herbal colors may be added. Chemical shades are a contemporary variation.
  2. It had its origin as a folk dance where Kathak dancers (both male and female) moved from one village to another telling stories of what they had seen and passed on information from one segment of society to another.
  3. Design is painted on a person’s body using a paste that was created from the powdered dry leaves of the henna plant (Lawsonia inermis) a small shrub found in the hot climates of India, Pakistan, and Middle Eastern countries. It remains a famous form of body art among women. Henna is applied on their hands and feet and sometimes on the back of their shoulders, where the design will be clearest due to contrast with the lighter skin on these surfaces. Alta, Alata, or Mahur is a purple dye used in addition to Henna to color the toes of the brides in a few areas of India. For men, however, it is applied on their arms, legs, back, and chest.
  4. It lasts for five days from the 13th day of the dark half of the lunar month Ashvina to the second day of the light half of Karttika, which in the Gregorian calendar is in late October and November. The festival generally symbolizes the victory of light over darkness. In Bengal, however, the goddess Kali is worshipped, and in north India, the festival also celebrates Rama’s (along with Sita, Lakshmana, and Hanuman) return to the town of Ayodhya after defeating Ravana, the 10-headeking of the demons, where Rama’s rule of righteousness commences. In South India, the festival marks Krishna’s defeat of the demon Narakasura. Some celebrate Diwali as a commemoration of the marriage of Lakshmi and Vishnu, while others observe it as the birthday of Lakshmi.
  5. It lasts for five days from the 13th day of the dark half of the lunar month Ashvina to the second day of the light half of Karttika, which in the Gregorian calendar is in late October and November. The festival generally symbolizes the victory of light over darkness. In Bengal, however, the goddess Kali is worshipped, and in north India, the festival also celebrates Rama’s (along with Sita, Lakshmana, and Hanuman) return to the town of Ayodhya after defeating Ravana, the 10-headeking of the demons, where Rama’s rule of righteousness commences. In South India, the festival marks Krishna’s defeat of the demon Narakasura. Some celebrate Diwali as a commemoration of the marriage of Lakshmi and Vishnu, while others observe it as the birthday of Lakshmi.
  6. These trucks, painted with various images like landscapes, personalities, etc., have become moving exhibits across Pakistan. Cargo trucks painted in bright colors, with an extremely intricate level of detail, are a common sight on the the highways of Pakistan.
  7. The painting – often coupled with lines of poetry, religious calligraphy or common phrases – represent the truck driver's identity and regional background. The images on the trucks embody a wide range of themes, including landscapes, celebrities, beautiful women, mythical creatures, religious imagery and national heroes.
  8. The carpet is highly esteemed in the East adorning the walls and the floors of residential houses. A carpet is a textile floor covering, which typically consists of an upper layer of pile attached to a backing. Many Arabian carpets include a field of interlocking geometric shapes in their design. Another aspect that is frequently observed in the design is Arabic calligraphy. A medallion carpet, similar to ones seen commonly in Persia, can also be found on occasion. The Arab League is made up of several countries with a diversified geography. Multiple cultural influences from local designs and traditions may be seen in a lot of the artwork from the region.
  9. Mandala is a sacred space often a circle which reveals inner truth about you and the world around you. Throughout mandalas, common symbols can be found within their intricate circular designs. Traditionally, they depict the Buddha's mind in an abstract shape, such as a wheel, tree, flower, or jewel. The symbol in the center is a dot, which is a sign with no dimensions. It is seen as the beginning of contemplation and devotion to the divine. The dot is then surrounded by lines and mathematical patterns that depict the universe, all of which are encircled by the outer circle, which reflects life's cyclical nature. The wheel with eight spokes, bell, triangle, lotus flower, and sun are all common symbols in mandalas.