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STEP ONE: LOGLINE REVIEW
• ARE YOUR READY WITH THE FOUR ELEMENTS FOR CLEAR CONCISE STORY TELLING?
• 1. SPECIFIC PROTAGONIST
• 2. AN INCITING INCIDENT
• 3. A SPECIFIC EXTERNAL GOAL FOR THE PROTAG
• 4. A SPECIFIC ANTAGONISTIC FORCE
SHORT FILM STORY: THE BEAT SHEET
• EVEN THE SHORTEST FILMS HAVE A SCRIPT
• DON’T FORGET… K.I.S.S. – KEEP IT SIMPLE STORY – SET UP PROTAG AND I.I., PROTAG HAS A GOAL &
THERE’S ANTAG FORCE THAT’S MAKING IT TOUGH – AND IN THE END, THERE’S SOME KIND OF RESOLUTION,
PERHAPS ONE WE DIDN’T SEE COMING
ROBERT BRESSON SCENE
WHAT WAS THE LOGLINE?
• SPECIFIC PROTAG
• AN INCITING INCIDENT
• A SPECIFIC ACTIVE EXTERNAL GOAL
• AN ANTAGONISTIC FORCE
WHAT WAS THE 3 ACT STRUCTURE?
• ACT ONE: SET UP WORLD, CHARACTER, AND GOAL
• ACT TWO: CONFRONTATION WITH ANTAG FORCE
• ACT THREE: RESOLUTION
SCEENPLAY FORMAT: WRITER DUET
• GO TO WRITER DUET NOW AT: HTTPS://WRITERDUET.COM/
FO
SCREENPLAY
FORMAT

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Logline Review: 4 Story Elements for Short Films

  • 1.
  • 2. STEP ONE: LOGLINE REVIEW • ARE YOUR READY WITH THE FOUR ELEMENTS FOR CLEAR CONCISE STORY TELLING? • 1. SPECIFIC PROTAGONIST • 2. AN INCITING INCIDENT • 3. A SPECIFIC EXTERNAL GOAL FOR THE PROTAG • 4. A SPECIFIC ANTAGONISTIC FORCE
  • 3. SHORT FILM STORY: THE BEAT SHEET • EVEN THE SHORTEST FILMS HAVE A SCRIPT • DON’T FORGET… K.I.S.S. – KEEP IT SIMPLE STORY – SET UP PROTAG AND I.I., PROTAG HAS A GOAL & THERE’S ANTAG FORCE THAT’S MAKING IT TOUGH – AND IN THE END, THERE’S SOME KIND OF RESOLUTION, PERHAPS ONE WE DIDN’T SEE COMING
  • 5. WHAT WAS THE LOGLINE? • SPECIFIC PROTAG • AN INCITING INCIDENT • A SPECIFIC ACTIVE EXTERNAL GOAL • AN ANTAGONISTIC FORCE
  • 6. WHAT WAS THE 3 ACT STRUCTURE? • ACT ONE: SET UP WORLD, CHARACTER, AND GOAL • ACT TWO: CONFRONTATION WITH ANTAG FORCE • ACT THREE: RESOLUTION
  • 7. SCEENPLAY FORMAT: WRITER DUET • GO TO WRITER DUET NOW AT: HTTPS://WRITERDUET.COM/