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FVS 261 WK 7: Editing
Getting started on Adobe Premiere Pro
10 Main Types of Cuts
Lab/Homework Assignment
TWO WAYSTO THINKABOUTEDITING
THE MECHANICAL – HOW you choose to
cut your film (a straight cut, a ”J” cut, etc.)
THE NARRATIVE – What STORY
EFFECT was gained/subtracted from your
cut.
ADOBE
PREMIERE:
Getting Started
https://www.youtube.com/watch?v=PYTPXsMkYDE
BASICCUTS  https://www.youtube.com/watch?v=RzgLbuj6dHM&t=3s
MECHANICAL–
the‘HOW’ofthecut.
NARRATIVE–
The “STORYEFFECT”of thecut.
1. STRAIGHT CUT – THE PICTURE LINES UP WITH
AUDIO, BEGINS AND ENDS SAME PLACE.
2. “J” CUT – The AUDIO associate with PICTURE leads
the cut (is cut first, new audio comes in first)
3. “L” CUT – PICTURE leads the cut, a new image comes
in yet AUDIO from last PICTURE trails behind, still
heard as new IMAGE comes in.
4. JUMP CUT – A clip is either cut into itself, or a cut is
made and the new clip coming in is not different enough
in camera position, angle and subject – so it appears the
subject “jumps” in time.
5. TRANSITIONS – Dissolves, Fades, Fade In, Wipes,
Zoom IN/OUT, Shape Wipes
10
CUTS
THERE’S MORE…..
MECHANICAL–
the‘HOW’ofthecut.
NARRATIVE–
The “STORYEFFECT”of thecut.
6. MATCHING ACTION CUT - A cut that makes
discontinuous action look/feel continuous: Clip A starts an
action, Clip B finishes the action.
7. SHAPE MATCH CUT – Using identical or similar shapes to
take you from one clip to the next clip/scene.
8. AUDIO SEGUE – Using a similar (or in some cases
dissimilar) sound to take you to the next scene’s action.
9. CROSS CUTTING – A series of cuts of two or more different
events happening simultaneously, inter-cut to keep the
audience oriented
10. INSERT – EXTREME CLOSE UP of what a character
might be doing/holding with their hands, or specific details we
need for story or meaning.
10
CUTS
LAB
ASSIGNMENT
UPLOAD LICENSE
FREE 4K STOCK
FOOTAGE FROM
“EDITING
EXERCISE #1”
FOLDER
BRING FILES INTO
YOUR OWN
FOLDER ON YOUR
OWN FLASH
DRIVE. THE
FOLDER IS ’YOUR
NAME EDIT
PROJECT 1 FVS 261’
IMPORT FILES
INTO PREMIERE
PROJECT
USING MUSIC ON
IMPORT (OR YOUR
OWN MUSIC
SELECTION) EDIT
TOGETHER STOCK
FOOTAGE AS IF AN
ABSTRACT ‘DREAM
WITH A THEME’
FILM.
YOU MUST USE
ALL TEN (10) OF
MY LISTED EDITS.
30 SEC. POST TO
FVS 261 VIMEO
SEND LINK
DUE WED. FEB 27 9AM

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Fvs 261 week 7 editing

  • 1. FVS 261 WK 7: Editing Getting started on Adobe Premiere Pro 10 Main Types of Cuts Lab/Homework Assignment
  • 2. TWO WAYSTO THINKABOUTEDITING THE MECHANICAL – HOW you choose to cut your film (a straight cut, a ”J” cut, etc.) THE NARRATIVE – What STORY EFFECT was gained/subtracted from your cut.
  • 5. MECHANICAL– the‘HOW’ofthecut. NARRATIVE– The “STORYEFFECT”of thecut. 1. STRAIGHT CUT – THE PICTURE LINES UP WITH AUDIO, BEGINS AND ENDS SAME PLACE. 2. “J” CUT – The AUDIO associate with PICTURE leads the cut (is cut first, new audio comes in first) 3. “L” CUT – PICTURE leads the cut, a new image comes in yet AUDIO from last PICTURE trails behind, still heard as new IMAGE comes in. 4. JUMP CUT – A clip is either cut into itself, or a cut is made and the new clip coming in is not different enough in camera position, angle and subject – so it appears the subject “jumps” in time. 5. TRANSITIONS – Dissolves, Fades, Fade In, Wipes, Zoom IN/OUT, Shape Wipes 10 CUTS THERE’S MORE…..
  • 6. MECHANICAL– the‘HOW’ofthecut. NARRATIVE– The “STORYEFFECT”of thecut. 6. MATCHING ACTION CUT - A cut that makes discontinuous action look/feel continuous: Clip A starts an action, Clip B finishes the action. 7. SHAPE MATCH CUT – Using identical or similar shapes to take you from one clip to the next clip/scene. 8. AUDIO SEGUE – Using a similar (or in some cases dissimilar) sound to take you to the next scene’s action. 9. CROSS CUTTING – A series of cuts of two or more different events happening simultaneously, inter-cut to keep the audience oriented 10. INSERT – EXTREME CLOSE UP of what a character might be doing/holding with their hands, or specific details we need for story or meaning. 10 CUTS
  • 7. LAB ASSIGNMENT UPLOAD LICENSE FREE 4K STOCK FOOTAGE FROM “EDITING EXERCISE #1” FOLDER BRING FILES INTO YOUR OWN FOLDER ON YOUR OWN FLASH DRIVE. THE FOLDER IS ’YOUR NAME EDIT PROJECT 1 FVS 261’ IMPORT FILES INTO PREMIERE PROJECT USING MUSIC ON IMPORT (OR YOUR OWN MUSIC SELECTION) EDIT TOGETHER STOCK FOOTAGE AS IF AN ABSTRACT ‘DREAM WITH A THEME’ FILM. YOU MUST USE ALL TEN (10) OF MY LISTED EDITS. 30 SEC. POST TO FVS 261 VIMEO SEND LINK DUE WED. FEB 27 9AM