DR. ISAAC WATT
WILLIAM BLAKE
ANN AND JANE TAYLOR
CHRISTINA ROSSETTI
CENA LAIGHTON THAXTER
ALAN ALEXANDER MILNE
RACHEL FIELD
DOROTHY ALDIS
POETRY
NARRATIVE
BALLAD
EPIC
ROMANCE
SONGS
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COMPLETE: DEVELOPEMENT OF POETRY FOR CHILDREN AND THEIR POEM-MAKERS
1.
2. • “Divine and Moral Songs For
Children” 1715
• Cradle Hymn – one of the best poets
*before there was very little genuine
poetry ever published
3. • first important English poets to write
poetry for children
• “Song of Innocence”
• “Cradle Song”
• “The Lamb”
• “Spring”
4. • Began to write for children scarcely
more than children themselves
• they wrote about flowers, birds, sun,
moon, stars, the season, fields and
garden
• “Twinkle, Twinkle, Little Star”
• “I like little Pussy”
• “Pretty Cow”
5. • has the ability to entertain all ages at
once
• works are entertaining for young and
adult
• “Book of Nonsense”
• “Nonsense Songs”
6. • Wrote very simple little poems for
children
• She was a greed master of musical
language and metrical arts
• “Sing Song”
• a collection of little nursery
poems
7. • Especially noted for her many
beautiful and truthful pictures of birds
and their ways in “Stories and Poems”
• “ The Sandpiper”
• “ Wild Geese”
• “ The Sparrows”
8. • A.A. MILNE
• He started his literary work by giving
his full attention to the writings of
plays
• his poems had delightful humor,
captivating rhythms and appealing
childish fancies
• “ When We Were Very Young” -1st
nd
9. • most successful in this genre and her
collection contained numerous poems
about people and objects.
• “ The Pointed People”
• “A little book of days”
• “Tavis and Toadstools”
10. • short poems for young people with
humor and charm
• “Everything & Anything”
• “Here, There & Everywhere”
• “Hop, Skip & Jump”
• “Before Things Happen”
• in 1 volume “All Together”
11. • Published “Under the Tree”
• her subjects were drawn from very
simple country life
• “ The Hens”
• “ The Rabbit”
• “ The Woodpecker”
• “ Milking Time”
12. • one of the modern poets for children
who has made use of her knowledge
of child psychology in her book “
Parents and Children Got to School”
• “The Merry-go-round”
• “I like automobiles”
13. • a new comer to the scene of
children’s poetry, has freshness and
charm in her poems
• “Whisper and other Poems”
• “Wide Awake”
•
14. • lyrical, amusing and full of laughter
• “Hello and Goodbye”
• nonsense poems
• “The Llama who had no pajama”
• “The folk who lived in Backward
Town”
15. • has written an engaging book of
verse for young children entitled “The
reason for Pelican”
• he uses imaginary animals with
fantastic names
17. • Published a collection of fairytales and named it
• Comtes De Ma Mere I Oye or Tales Of My Mother
Goose
• John Newberry
• Mother Goose Melody
•
• Oxford Dictionary Of Nursery Rhymes
• latest and most complete collection of rhymes
• Published by IONA and PETER OPIE 1952
18.
19. • 1. Musical Quality:
• Children are captivated by their
sounds, rhyme and rhythm
• Little Miss Muffet
Sat on a tuffet,
Eating of curds and whey;
There came a big spider,
And sat down beside her,
And frightened Miss Muffet away.
20. • Action: Children like action
• Jack and Jill went up the hill
To fetch a pail of water.
Jack fell down and broke his crown,
And Jill came tumbling after.
21. • Humor: Children laugh at the sound of the
unusual combination of words
• Humpty Dumpty sat on a wall
Humpty Dumpty had a great fall
All the King's horses
and all the King's men
Couldn't put Humpty together again.
22. • Story interest: children love the story element
I have a little pony
His name is Dapple Gray
I lent him to a lady,
To ride a mile away,
She whipped him, she lashed him
She rode him through the mire,
I would not lend my pony now,
For all the lady’s hire
23. • Variety of subject matter: Children enjoy
the different subject matter of rhymes
• animals-
• alphabets
• dialogue
• counting rhymes
• games
25. • The repetition and unexpected combination of
sounds, the action and the presence of familiar
characters.
• they are good for ear training and for their
pleasure and amusement.
• Comprehension of meaning and ability
• the teacher recite the rhyme several times
and children just follow and imitate their
teachers.
27. • is a line of poetry having usually a determined
metrical or rhythmical pattern.
• HUMOROUS VERSE
• Deals with that befall real people or might
conceivably befall them
• befall: to happen especially as if by fate
• NONSENSE VERSE
• meaningless words as pabbles, jumbles,
potatoes that dance, chicken that go out for a
tea.
28. • they provide humor for children. Children laugh
heartily at the words even though the words may
be meaningless to them.
• they introduce the children to rhyme and various
patterns of verse.
• they serve as a release from tension and
anxieties.
• they provide children a means of escape from
reality.
• they are excellent for ear-training.
• they serve as introduction to better poetry.
29. • EDWARD LEAR, 1812-1888
• greatest poet of nonsense
• he published the BOOK OF NONSENSE
• 1871, NONSENSE SONGS AND STORIES
31. • she uses funny words.
• she uses humorous tales.
• she deals with funny characters and funny
situations
• her verses have lyrical quality
• the monkey and the crocodile
• eletelephony
32. • He shows the child’s love of small animals
like mice, rabbits, puppies, snails, and
goats whose antics enliven the verses.
• Milne makes use of words, rhyme and
rhythm to convey character, mood, and
action.
• “the three foxes”
34. • It is an artistic expression of thought and
emotion in rhythmical language.
• It is a kind of verbal music
• Is like score that must be interpreted by the
human voice in order to get the fullest
enjoyment
35. • POETRY has musical and rhythmical qualities that
children enjoy.
• POETRY appeals to the imagination. Poets make use of
words and phrases that are descriptive, sensory and
associative.
• emotional content of poetry must be sincere, worth
expressing and must be universal in appeals.
• subject of poetry on children must varied. There must be
subjects familiar to children and can add new and richer
meanings to their experience
36.
37. • NARRATIVE POEMS tells a story and related
events
• Kinds of NARRATIVE POEMS:
• BALLADS are narrative poems that are
intended to be sung
• EPICS deals with deeds and heroic
adventures
• METRICAL ROMANCE are lengthy
narrative poems that deal of love and brave
38. • KINDS:
• SONGs are poems that can be sung
• PASTORAL POEMS are about shepherds and
rural scene
• SONNETs are poems of 14 lines. There is a
definite rhyming pattern
• ELEGY is a meditative poem that expresses
grief or deals with sorrow and death.
• ODE is a poem the expresses exalted feeling,
a praise for someone or something
39. • ENRICHES children’s experiences
• DEVELOPS correct enunciation and
pronunciation of words.
• DEVELOPS literary appreciation
• DEVELOPS the imagination
• ENLARGES the vocabulary
• IMPROVES the aesthetic sense
• Gives them pleasure and delight
• IMPROVE their outlook in life and nature
40. • use poetry to correlate with other subjects like History,
Arithmetic
• To commemorate certain events
• to express the meaning and rhythm of the poem in a
pantomime or interpretative dance
• to express their thoughts, feelings, and imaginations in
creative activities like drawing, clay modeling, sculpture
42. • CHORAL READING OR SPEAKING is
the interpretation of poetry by several
voices speaking as one.
• it is the group interpretation of poetry for
the purpose of sharing enjoyment and
increasing enjoyment of it.
• it involves the use of book or script
43. • universal in tone
• lyrical and narrative
• Vary in mood, content and type
• Rich in auditory image
• Marked with rhythm
• Can be used with three voices
44. • REFRAIN: is used with poetry which contains lines or
verses which are repeated. Ballads are suitable for this
type of arrangement
• SEQUENCE: is best employed in poems which develop
its thought into a strong climax, or which two lines are
cumulative in response
• ANTIPHONAL: is traditional form of reciting biblical
verses. In this type of arrangement, one group responds
to another, most dramatic arrangement because it makes
use of contrasting voices
45. • UNISON poems expressing strong and
powerful emotions are best interpreted by
the whole speaking group rather than by
part groupings or the semi-choruses.
• LINE-A-CHILD each line of a poem is read
by a different child
46. • LIGHT OR HIGH VOICES for saying lines that suggest
fun, happiness brightness
• DARK or LOW VOICES for saying lines that suggest
mystery, terror, sadness, solemnity
• MEDIUM VOICE for blending all voices, for relating the
narrative, for introducing the character and for giving
explanation.