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In my life I believe that whatever you see every day, wherever you go, has a story behind
it and in my film, I intend to show this quality of life in a small craft shop on Moorland
Road, called This ‘n’ That. Now they may not be your typical Clinton’s or Moonpig, where
you don’t know what kind of customer service your going to receive, however, This ‘n’
That has friendly and welcoming staff, great products on the shelves and alongside that,
locals who shop there with great stories unveiling the history behind the shop.
Ultimately, I want the audience to be able to gain an understanding of the importance of
one little shop in a small community and how the people who own it, work there, and
shop there hold great stories which give This ‘n’ That its character. And yes, I understand
that to people who live outside of Moorland Road and possibly some of you, that it’s just
an old craft shop, but for its locals and the whole community, it represents a important
part of their history which they don’t want to let go.
Contact details:
Address: 42 Moorland Rd,
Bath,
Avon,
BA2 3PN
Key Contact: Judith and Dave Pye
Name: Judith and Dave Pye
Email: thisnthatbath@hotmail.co.uk
Number: +44 01225 314642
Role/status: Owners of This ‘n’ That

This n That is a small card business on Moorland Road and is owned by Judith and Dave Pye. They have
kindly given me permission to film in their shop if my idea is given the go ahead. If you were to ever visit This
n That you would relate it to more common card shops like Clintons or Birthdays and the online store
Moonpig, however the shop has a more community feel about it due to the locals who use it and the people
who work there.
The concept for my documentary is to film the card shop, This 'n' That and the people who own
it, work there and use it. I want the audience and myself to understand why they have chosen to
place their business on Moorland Road and how they afford to keep business going considering
that they are situated within a small community and are not a generic card shop like Clintons or
Birthdays. I also want to find out how the community feel about the shop and whether they
enjoy it and use it a lot, as this will give a greater understanding of the business itself and the
people who work there. It would also be a good idea to gain a historic background on the shop,
maybe delving further into what purpose it brought and still does to Moorland Road. I want to
mainly capture a good days trade from morning through till evening as I think it will help keep
the documentary interesting and the audience engaged.

Outside view of shop

Inside view of shop
My inspiration comes from a variety of videos which explore the theme of community and
towns, for example the short film Tallin: Old Town, Modern World
(https://vimeo.com/53226676) I found on Vimeo, explores how a very old town which has
existed for ages is adapting to the modern world. I would like to use this idea of adaptation in
my documentary of Moorland, as it is a small street that has been around for ages and over the
years has started to adapt to modern society by the change of its shops and locals.

Similarly, I found a video https://vimeo.com/54751108 which emphasises the change from old
traditions to modern society. Moorland Road is a very old street and was majorly affected during
the war due to other streets nearby being bombed. It reveals that Moorland Road has possibly
many stories to tell and that the local community will be the ones to tell me what they are. This
kind of information helps to keep an audience engaged, as I have found most documentaries
contain history in some form to give a background picture of what something was like before
nowadays. However, it would also be good to gain a perspective of what state the locals think
the street will be in, in about 10 years time as we can see now that big cooperates are setting
down their businesses within Moorland Road, for example, Sainsbury’s Local and how This ‘n’
That is a non generic card shop like Clintons.
The documentary will mainly consist of interviews and vox pops to get a better perspective of
the community and the people who work in the shop and the locals historic knowledge of it. I
want to try and avoid using a voiceover as much as possible as I think the people of Moorland
Road should be the ones who tell the story and I feel that the audience would engage more with
the documentary if they saw that the information being stated was actually coming from the
locals. There will be quite a few over the shoulder shots and mid shots to show what the people
are doing whilst their working at the shop and the types of people within the community. Yet I
will also be using the 5 shot rule in which to help establish the shops purpose on Moorland Road
and a days trade for them. I am hoping for the filming to only take 14 days and in this time I
should have all interviews, vox pops and location shots completed so that I am able to put a
rough edit together for peer assessment.

Vox Pop

Over Shoulder

Mid Shot
My resources will include a Sony DV camera, boom mic and tripod to stabilise shots. Depending
on whether I am filming outside, I may need some signs to warn the public that I am filming and
will need permission sheets in order to have access to the shop, Moorland Road and the locals
for any interviews and vox pops. This is to assure them that I am not abusing any form of filming
and respect their community by asking permission to film there, and I will fully respect their
decision if they don't want us to film certain areas or people of Moorland Road and also, I shall
inform the local council and police to ensure that they are fully aware of my filming and incase
any locals phone up with any concerns.

Sony DV Camera

Tripod

Boom Mic
Technical Issues

Action

Who?

Street noises (public and cars passing
by)

Leave warning signs outside the store to warn public so that
they are aware

Sound
Operator

Public in the store making noises by
walking about

Try to film when it is quiet

Sound
Operator

There are lots of windows which let
in a large amount of lighting which
could cause over exposure on shots

Try to film with the light behind the camera in order to
prevent this

Camera
Operator

There are very bright lights in the
store which cannot be dimmed for
subtlety

Try to film when there isn’t alot of daylight so that there isn’t
an overload on exposure

Camera
Operator

Anywhere where wires may be
exposed and need to be plugged in can be a tripping hazard for public
and crew

Try to hide wires away or cover them with tape to keep them
down and have a warning sign nearby to warn public

Camera
Operator

Leaving our equipment in a safe
place to prevent falling over it

Equipment should be kept out of the way of the public and
again, a sign should be clearly signed to warn them of this

Camera
Operator

Permissions - the person/people who
overlook the store

Send them an e-mail via the university system and save their
reply as evidence in case anyone questions

Director

The police would need notification of
filming just incase public ring with
any concerns

Give the police notification of filming in the area so that they
don’t think anything suspicious is happening and so they can
reassure public

Director
The documentary will target an audience varying from students all the way through to elderly
people who want to know more about the business on Moorland Road, the type of people
within the community and its historic background. The documentary should be informative and
interesting as it has to attract a fairly big age range, yet it should also have an emotional
engagement with viewers who are possibly from Moorland Road or have a street like it that they
know of.

I'm hoping that this documentary will particularly touch the people who live on Moorland Road,
or use to live/work there and I am keen to show the locals and This 'n' That in a bright light,
showing how they're all a friendly and caring community who care about their Moorland Road
and keeping it alive as long as they can.
Moorland road pitch

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Moorland road pitch

  • 1.
  • 2. In my life I believe that whatever you see every day, wherever you go, has a story behind it and in my film, I intend to show this quality of life in a small craft shop on Moorland Road, called This ‘n’ That. Now they may not be your typical Clinton’s or Moonpig, where you don’t know what kind of customer service your going to receive, however, This ‘n’ That has friendly and welcoming staff, great products on the shelves and alongside that, locals who shop there with great stories unveiling the history behind the shop. Ultimately, I want the audience to be able to gain an understanding of the importance of one little shop in a small community and how the people who own it, work there, and shop there hold great stories which give This ‘n’ That its character. And yes, I understand that to people who live outside of Moorland Road and possibly some of you, that it’s just an old craft shop, but for its locals and the whole community, it represents a important part of their history which they don’t want to let go.
  • 3. Contact details: Address: 42 Moorland Rd, Bath, Avon, BA2 3PN Key Contact: Judith and Dave Pye Name: Judith and Dave Pye Email: thisnthatbath@hotmail.co.uk Number: +44 01225 314642 Role/status: Owners of This ‘n’ That This n That is a small card business on Moorland Road and is owned by Judith and Dave Pye. They have kindly given me permission to film in their shop if my idea is given the go ahead. If you were to ever visit This n That you would relate it to more common card shops like Clintons or Birthdays and the online store Moonpig, however the shop has a more community feel about it due to the locals who use it and the people who work there.
  • 4. The concept for my documentary is to film the card shop, This 'n' That and the people who own it, work there and use it. I want the audience and myself to understand why they have chosen to place their business on Moorland Road and how they afford to keep business going considering that they are situated within a small community and are not a generic card shop like Clintons or Birthdays. I also want to find out how the community feel about the shop and whether they enjoy it and use it a lot, as this will give a greater understanding of the business itself and the people who work there. It would also be a good idea to gain a historic background on the shop, maybe delving further into what purpose it brought and still does to Moorland Road. I want to mainly capture a good days trade from morning through till evening as I think it will help keep the documentary interesting and the audience engaged. Outside view of shop Inside view of shop
  • 5. My inspiration comes from a variety of videos which explore the theme of community and towns, for example the short film Tallin: Old Town, Modern World (https://vimeo.com/53226676) I found on Vimeo, explores how a very old town which has existed for ages is adapting to the modern world. I would like to use this idea of adaptation in my documentary of Moorland, as it is a small street that has been around for ages and over the years has started to adapt to modern society by the change of its shops and locals. Similarly, I found a video https://vimeo.com/54751108 which emphasises the change from old traditions to modern society. Moorland Road is a very old street and was majorly affected during the war due to other streets nearby being bombed. It reveals that Moorland Road has possibly many stories to tell and that the local community will be the ones to tell me what they are. This kind of information helps to keep an audience engaged, as I have found most documentaries contain history in some form to give a background picture of what something was like before nowadays. However, it would also be good to gain a perspective of what state the locals think the street will be in, in about 10 years time as we can see now that big cooperates are setting down their businesses within Moorland Road, for example, Sainsbury’s Local and how This ‘n’ That is a non generic card shop like Clintons.
  • 6. The documentary will mainly consist of interviews and vox pops to get a better perspective of the community and the people who work in the shop and the locals historic knowledge of it. I want to try and avoid using a voiceover as much as possible as I think the people of Moorland Road should be the ones who tell the story and I feel that the audience would engage more with the documentary if they saw that the information being stated was actually coming from the locals. There will be quite a few over the shoulder shots and mid shots to show what the people are doing whilst their working at the shop and the types of people within the community. Yet I will also be using the 5 shot rule in which to help establish the shops purpose on Moorland Road and a days trade for them. I am hoping for the filming to only take 14 days and in this time I should have all interviews, vox pops and location shots completed so that I am able to put a rough edit together for peer assessment. Vox Pop Over Shoulder Mid Shot
  • 7. My resources will include a Sony DV camera, boom mic and tripod to stabilise shots. Depending on whether I am filming outside, I may need some signs to warn the public that I am filming and will need permission sheets in order to have access to the shop, Moorland Road and the locals for any interviews and vox pops. This is to assure them that I am not abusing any form of filming and respect their community by asking permission to film there, and I will fully respect their decision if they don't want us to film certain areas or people of Moorland Road and also, I shall inform the local council and police to ensure that they are fully aware of my filming and incase any locals phone up with any concerns. Sony DV Camera Tripod Boom Mic
  • 8. Technical Issues Action Who? Street noises (public and cars passing by) Leave warning signs outside the store to warn public so that they are aware Sound Operator Public in the store making noises by walking about Try to film when it is quiet Sound Operator There are lots of windows which let in a large amount of lighting which could cause over exposure on shots Try to film with the light behind the camera in order to prevent this Camera Operator There are very bright lights in the store which cannot be dimmed for subtlety Try to film when there isn’t alot of daylight so that there isn’t an overload on exposure Camera Operator Anywhere where wires may be exposed and need to be plugged in can be a tripping hazard for public and crew Try to hide wires away or cover them with tape to keep them down and have a warning sign nearby to warn public Camera Operator Leaving our equipment in a safe place to prevent falling over it Equipment should be kept out of the way of the public and again, a sign should be clearly signed to warn them of this Camera Operator Permissions - the person/people who overlook the store Send them an e-mail via the university system and save their reply as evidence in case anyone questions Director The police would need notification of filming just incase public ring with any concerns Give the police notification of filming in the area so that they don’t think anything suspicious is happening and so they can reassure public Director
  • 9. The documentary will target an audience varying from students all the way through to elderly people who want to know more about the business on Moorland Road, the type of people within the community and its historic background. The documentary should be informative and interesting as it has to attract a fairly big age range, yet it should also have an emotional engagement with viewers who are possibly from Moorland Road or have a street like it that they know of. I'm hoping that this documentary will particularly touch the people who live on Moorland Road, or use to live/work there and I am keen to show the locals and This 'n' That in a bright light, showing how they're all a friendly and caring community who care about their Moorland Road and keeping it alive as long as they can.