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The rejection of the idea of modernism and encouraging the use of
elements from historical and literature formats while playing with
the realms of reality

   Postmodernism is set apart from modernism by the reaction to the
    rational, scientific, and historical aspects of the modern age

   The writing is self-conscious, experimental, and ironic

   Is concerned with imprecision and unreliability of language and
    epistemology

   Began in the post-World War II era, roughly the 1950s, gained
    popularity the 1960s in the social and political unrest in the world
1. premodernism: traditional, following authority
2. modernism: rejection of tradition and authority in
    favor of reason and natural science
Focuses on the individual’s quest for truth
3. postmodernism: rejection of the individual with an
    emphasis upon the collective
 Collage and intertwining of diversity,

 Focuses on the merging of subject and object, self
    and other
  Modernist movement: Tries to explain the chaos in society
   (like war, drugs, etc…)
Tries to create empathy with the reader about the chaos

   Postmodernism: cheerful chaos
   It’s about not having the answers and being content and still
    having fun
   Postmodern Themes:

   Illustrating societies’ mania
   Being weird for the sake of being weird
    Chaos with hysterical laughter
    The desire to play with the rules of reality
   To talk forever about absolutely nothing
   Relies heavily on fragmentation and paradox
   It makes the narrator unreliable and at times
    distant
 A quest to show the normality of chaos
 Metafiction ( device that addresses the
  elements of fiction )
This undermines the authority of the author, for
  unexpected narrative shifts, to advance a story
  in a unique way, for emotional distance, or to
  comment on the act of storytelling.
 Pastiche: the combination of subjects and
  genres not previously deemed fit for literature
   intertextuality: the relationship between one text and
    another, commonly manifests as a references to fairy
    tales

   Different perspectives
   Irony, playfulness, dark comedy
   the individual is not an isolated creation
   the sense of paranoia: the belief that there's an
    ordering system behind the chaos of the
   Search for the absurd
   “People who can comfort the dead can also
    chase after them to hurt them further-a reverse
    ancestor worship…”
   Maxine Hong Kingston, The Woman Warrior
    Whenever she had to warn us about life, my mother
    told stories that ran like this one, a story to grow up
    on. She tested our strength to establish realities. -
    Maxine Hong Kingston, The Woman Warrior

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El posmodernismo en la literatura

  • 1.
  • 2. The rejection of the idea of modernism and encouraging the use of elements from historical and literature formats while playing with the realms of reality  Postmodernism is set apart from modernism by the reaction to the rational, scientific, and historical aspects of the modern age  The writing is self-conscious, experimental, and ironic  Is concerned with imprecision and unreliability of language and epistemology  Began in the post-World War II era, roughly the 1950s, gained popularity the 1960s in the social and political unrest in the world
  • 3. 1. premodernism: traditional, following authority 2. modernism: rejection of tradition and authority in favor of reason and natural science Focuses on the individual’s quest for truth 3. postmodernism: rejection of the individual with an emphasis upon the collective  Collage and intertwining of diversity,  Focuses on the merging of subject and object, self and other
  • 4.  Modernist movement: Tries to explain the chaos in society (like war, drugs, etc…) Tries to create empathy with the reader about the chaos  Postmodernism: cheerful chaos  It’s about not having the answers and being content and still having fun  Postmodern Themes:  Illustrating societies’ mania  Being weird for the sake of being weird  Chaos with hysterical laughter  The desire to play with the rules of reality  To talk forever about absolutely nothing
  • 5. Relies heavily on fragmentation and paradox  It makes the narrator unreliable and at times distant
  • 6.  A quest to show the normality of chaos  Metafiction ( device that addresses the elements of fiction ) This undermines the authority of the author, for unexpected narrative shifts, to advance a story in a unique way, for emotional distance, or to comment on the act of storytelling.  Pastiche: the combination of subjects and genres not previously deemed fit for literature
  • 7. intertextuality: the relationship between one text and another, commonly manifests as a references to fairy tales  Different perspectives  Irony, playfulness, dark comedy
  • 8. the individual is not an isolated creation  the sense of paranoia: the belief that there's an ordering system behind the chaos of the  Search for the absurd
  • 9. “People who can comfort the dead can also chase after them to hurt them further-a reverse ancestor worship…”  Maxine Hong Kingston, The Woman Warrior  Whenever she had to warn us about life, my mother told stories that ran like this one, a story to grow up on. She tested our strength to establish realities. - Maxine Hong Kingston, The Woman Warrior