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1
Ancient Art: Prehistoric
Art and Egyptian Art.
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The Pyramids
The pyramids once were covered with a smooth layer of
polished white limestone. They were massive, pure white
monuments standing against a backdrop of constantly
shifting brown sand and blue sky. What purpose did the
pyramids serve? How were they built? What is inside?
11
The Design of Pyramids
Each pyramid was built on an almost perfectly square
ground plan. The pyramid base is much greater than the
height. Because the
pyramid is wider than it is tall, it lacks an upward
movement. Rather than a vertical, soaring quality, the
shape and proportions of the pyramid suggest solidity and
permanence.
12
Frequently the mummified bodies of the pharaohs were
mutilated or destroyed in the process. To make certain the ka
still would have a body to unite with, sculptors were ordered to
carve the pharaoh’s portrait out of hard stone. These sculptures
were placed in the tomb near the sarcophagus,
where they acted as substitutes for the body inside. The
Egyptians
believed that even if the real body were destroyed, the ka would
be
The massive size of the
Great Sphinx was intended
to demonstrate
the power of the pharaoh.
Great Sphinx, Giza, Egypt. c. 2600 B.C.
13
The Egyptians were greatly concerned about life after death.
Paintings and relief sculptures of the dead were meant to
serve as substitutes for the body. When artists created
images of the pharaoh, they wanted to make sure that all
parts of the body were clearly shown. This was more
important to them than making the image beautiful or
accurate. A complete image was vital.
This limestone relief conforms to the rules
governing
ancient Egyptian art.
Methethy with His Daughter and Son. c.
2565–2420 B.C. Polychromed limestone
relief.
143 76 cm (561⁄4 30). The Nelson-Atkins
Museum of Art, Kansas City, Missouri.
Purchase: Nelson Trust.
14
15
The tomb of every important or wealthy person
was enriched with painted relief sculptures.
Nakht and His Wife. Copy of wall painting
from Tomb of Nakht. c. 1425 B.C.
2 1.53 m (6.5 5). Egyptian Expedition of
the Metropolitan Museum of
Art, New York, New York. Rogers Fund,
1915. 15.5.19e.
16
Hieroglyphics
Under the border at the top of the painting are rows and
columns of small birds and other shapes. These are
Egyptian hieroglyphics, an early form of picture writing.
These symbols, some of which represented objects,
communicated information and were included in wall
paintings and other art forms to help tell the story. The signs
were generally spaced to form attractive patterns, frequently
clusters of squares or rectangles.
17

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Creative Industries 1: 2 art history- ancient art- prehistoric and egyptian art

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  • 2. Ancient Art: Prehistoric Art and Egyptian Art. 2
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  • 11. The Pyramids The pyramids once were covered with a smooth layer of polished white limestone. They were massive, pure white monuments standing against a backdrop of constantly shifting brown sand and blue sky. What purpose did the pyramids serve? How were they built? What is inside? 11
  • 12. The Design of Pyramids Each pyramid was built on an almost perfectly square ground plan. The pyramid base is much greater than the height. Because the pyramid is wider than it is tall, it lacks an upward movement. Rather than a vertical, soaring quality, the shape and proportions of the pyramid suggest solidity and permanence. 12
  • 13. Frequently the mummified bodies of the pharaohs were mutilated or destroyed in the process. To make certain the ka still would have a body to unite with, sculptors were ordered to carve the pharaoh’s portrait out of hard stone. These sculptures were placed in the tomb near the sarcophagus, where they acted as substitutes for the body inside. The Egyptians believed that even if the real body were destroyed, the ka would be The massive size of the Great Sphinx was intended to demonstrate the power of the pharaoh. Great Sphinx, Giza, Egypt. c. 2600 B.C. 13
  • 14. The Egyptians were greatly concerned about life after death. Paintings and relief sculptures of the dead were meant to serve as substitutes for the body. When artists created images of the pharaoh, they wanted to make sure that all parts of the body were clearly shown. This was more important to them than making the image beautiful or accurate. A complete image was vital. This limestone relief conforms to the rules governing ancient Egyptian art. Methethy with His Daughter and Son. c. 2565–2420 B.C. Polychromed limestone relief. 143 76 cm (561⁄4 30). The Nelson-Atkins Museum of Art, Kansas City, Missouri. Purchase: Nelson Trust. 14
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  • 16. The tomb of every important or wealthy person was enriched with painted relief sculptures. Nakht and His Wife. Copy of wall painting from Tomb of Nakht. c. 1425 B.C. 2 1.53 m (6.5 5). Egyptian Expedition of the Metropolitan Museum of Art, New York, New York. Rogers Fund, 1915. 15.5.19e. 16
  • 17. Hieroglyphics Under the border at the top of the painting are rows and columns of small birds and other shapes. These are Egyptian hieroglyphics, an early form of picture writing. These symbols, some of which represented objects, communicated information and were included in wall paintings and other art forms to help tell the story. The signs were generally spaced to form attractive patterns, frequently clusters of squares or rectangles. 17