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Regional Training of Trainers
on Critical Content in Music
SESSION GUIDE in MUSIC (melody)
Form Grade 7
May 25- June 1, 2018
Casa Emsa, Tiguma, Pagadian City
CHASTINE MAE R. RONDRIQUE
Resource Speaker
DEPARTMENT OF EDUCATION
Music
OBJECTIVES .The participants should be able to :
1. Demonstrate understanding of Melody as an element in music.
2. Identify melody through the following:
- Melodic Notation
-Accidentals
- Scales-Major, minor
- Pitch – direction, range, position, intervals
3. Sing simple songs of Philippine music.
DEPARTMENT OF EDUCATION
Music
Opening Activity:
Name It!
DEPARTMENT OF EDUCATION
Music
Staff
Contains five parallel horizontal lines with four spaces
between them. Notes will be written on the staff to
represent different pitches.
DEPARTMENT OF EDUCATION
Music
DEPARTMENT OF EDUCATION
Music
Ledger Line
The Ledger lines
In music theory when there are not enough spaces or lines to encompass the notes in a composition, Ledger lines can be added above or below the staff. Example below:
In music theory when there are not enough spaces or lines
to encompass the notes in a composition, Ledger lines can
be added above or below the staff.
DEPARTMENT OF EDUCATION
Music
measure measure
Bar line Double Bar line
DEPARTMENT OF EDUCATION
Music
DEPARTMENT OF EDUCATION
Music
G clef
The mnemonics used for the treble clef are
“Every Good Boy Does Fine” and “FACE” which represents
the lines and spaces of the treble staff.
DEPARTMENT OF EDUCATION
Music
DEPARTMENT OF EDUCATION
Music
F clef
DEPARTMENT OF EDUCATION
Music
Grand Staff
DEPARTMENT OF EDUCATION
Music
C clef /Movable
Staff
DEPARTMENT OF EDUCATION
Music
Music
Music
DEPARTMENT OF EDUCATION
Music
half step higher than the
original
It is a half step lower
cancels any accidentals that
were applied to a note.
a double flat lowers the pitch a
whole step (two half steps).
the double sharp raises a note
a whole step (two half steps)
DEPARTMENT OF EDUCATION
Music
DEPARTMENT OF EDUCATION
Music
DEPARTMENT OF EDUCATION
Music
Half Step and
Whole Step
DEPARTMENT OF EDUCATION
Music
DEPARTMENT OF EDUCATION
Music
DEPARTMENT OF EDUCATION
Music
DEPARTMENT OF EDUCATION
Music
an element of music also known as the
tune, the voice or the line ; a horizontal
presentation of pitch that goes up or
down either by step, skip, constant or on
stationary motion , derived from the
various scales
DEPARTMENT OF EDUCATION
Music
Time Signature
DEPARTMENT OF EDUCATION
Music
Time Signature
An Upbeat or anacrusis, also called a pickup note(s), is a term used for
unstressed notes in the incomplete measure at the beginning of a
phrase of music. This anticipates the first beat of the next measure, the
“downbeat”.
DEPARTMENT OF EDUCATION
Music
DEPARTMENT OF EDUCATION
Music
Key Signature
DEPARTMENT OF EDUCATION
Music
A Major
E Major
Eb Major
DEPARTMENT OF EDUCATION
Music
G Major
F Major
C Major
DEPARTMENT OF EDUCATION
Music
Pitch – High and low
Range – distance between the lowest and
highest note
Interval – distance between two pitches
Melodic Notation/Solfegge – note reading
DEPARTMENT OF EDUCATION
Music
-Major Scale
-minor scale
DEPARTMENT OF EDUCATION
Music
Major Scale – most commonly used musical scale with
Western Influence. The sound may bright and happy.
It has a pattern:
DEPARTMENT OF EDUCATION
Music
lylejireheblacassapida
DEPARTMENT OF EDUCATION
Music
minor scale – It may sound dark and gloomy with a sad ,
sober character.
Natural minor:
W H W W H W W
DEPARTMENT OF EDUCATION
Music
lylejireheblacassapida
Natural Minor Scale Pattern
DEPARTMENT OF EDUCATION
Music
Pentatonic Scale –a scale with five notes per octave. Usually
used in creating folksongs around the world.
DEPARTMENT OF EDUCATION
Music
Tell the letter
names of the
song
DEPARTMENT OF EDUCATION
Music
lylejireheblacassapida
A Scale Degree
The special name of a note in a scale.
DEPARTMENT OF EDUCATION
Music
Let’s talk by using sol-
fa syllable in any
order
DEPARTMENT OF EDUCATION
Music
Sing the Sol-fa Syllables
using Kodaly Hand Signal
DEPARTMENT OF EDUCATION
Music
Kodaly Hand Signal
Zoltan Kodaly is a Hungarian composer and
ethnomusicologist. He is the founder of Kodaly
Method , an approach to music education that
uses hand signal to sing the notes.
DEPARTMENT OF EDUCATION
Music
Activity
DEPARTMENT OF EDUCATION
Music
Each group will create tune/song using
Kodaly hand sign.
• Choose a conductor
Activity
DEPARTMENT OF EDUCATION
Music
It’s time to perform!!!
 Make your own arrangement of the
song you want with the use of Kodaly
Hand Signals
DEPARTMENT OF EDUCATION
Music
Remember. . .
DEPARTMENT OF EDUCATION
Music
Enjoy Singing!
Have a Good Day!

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Regional Training on Music Elements

Editor's Notes

  1. Grand staff- where the notes are placed……. Time Signature- Key Signature - major-minor keys share the same key signature, relative minor or major. -
  2. Pitch- highness or lowness of sound. Range- saan ilulugar yung kanta…choice of song.. kung kaya ba ng range ng bata yung highest or lowest notes ng kanta... Wag mataas, wag mababa, tama lang sa range ng bata…. Interval- a pattern of whole and half step…. C to D is whole step. C to c# is half step. Melodic Notation/ solfegge- read notes in the staff
  3. Pitch- highness or lowness of sound. Range- saan ilulugar yung kanta…choice of song.. kung kaya ba ng range ng bata yung highest or lowest notes ng kanta... Wag mataas, wag mababa, tama lang sa range ng bata…. Interval- a pattern of whole and half step…. C to D is whole step. C to c# is half step. Melodic Notation/ solfegge- read notes in the staff
  4. Pitch- highness or lowness of sound. Range- saan ilulugar yung kanta…choice of song.. kung kaya ba ng range ng bata yung highest or lowest notes ng kanta... Wag mataas, wag mababa, tama lang sa range ng bata…. Interval- a pattern of whole and half step…. C to D is whole step. C to c# is half step. Melodic Notation/ solfegge- read notes in the staff
  5. Pitch- highness or lowness of sound. Range- saan ilulugar yung kanta…choice of song.. kung kaya ba ng range ng bata yung highest or lowest notes ng kanta... Wag mataas, wag mababa, tama lang sa range ng bata…. Interval- a pattern of whole and half step…. C to D is whole step. C to c# is half step. Melodic Notation/ solfegge- read notes in the staff
  6. Pitch- highness or lowness of sound. Range- saan ilulugar yung kanta…choice of song.. kung kaya ba ng range ng bata yung highest or lowest notes ng kanta... Wag mataas, wag mababa, tama lang sa range ng bata…. Interval- a pattern of whole and half step…. C to D is whole step. C to c# is half step. Melodic Notation/ solfegge- read notes in the staff
  7. Pitch- highness or lowness of sound. Range- saan ilulugar yung kanta…choice of song.. kung kaya ba ng range ng bata yung highest or lowest notes ng kanta... Wag mataas, wag mababa, tama lang sa range ng bata…. Interval- a pattern of whole and half step…. C to D is whole step. C to c# is half step. Melodic Notation/ solfegge- read notes in the staff
  8. Pitch- highness or lowness of sound. Range- saan ilulugar yung kanta…choice of song.. kung kaya ba ng range ng bata yung highest or lowest notes ng kanta... Wag mataas, wag mababa, tama lang sa range ng bata…. Interval- a pattern of whole and half step…. C to D is whole step. C to c# is half step. Melodic Notation/ solfegge- read notes in the staff
  9. Pitch- highness or lowness of sound. Range- saan ilulugar yung kanta…choice of song.. kung kaya ba ng range ng bata yung highest or lowest notes ng kanta... Wag mataas, wag mababa, tama lang sa range ng bata…. Interval- a pattern of whole and half step…. C to D is whole step. C to c# is half step. Melodic Notation/ solfegge- read notes in the staff
  10. Pitch- highness or lowness of sound. Range- saan ilulugar yung kanta…choice of song.. kung kaya ba ng range ng bata yung highest or lowest notes ng kanta... Wag mataas, wag mababa, tama lang sa range ng bata…. Interval- a pattern of whole and half step…. C to D is whole step. C to c# is half step. Melodic Notation/ solfegge- read notes in the staff
  11. Grand staff- where the notes are placed……. The Grand Staff (also known as the Grand Stave) is basically just 2 staves joined together, with an invisible line in between them! There are two staves which make up the Grand Staff. The top stave uses the Treble Clef to identify notes and the bottom stave uses the Bass Clef.
  12. Pitch- highness or lowness of sound. Range- saan ilulugar yung kanta…choice of song.. kung kaya ba ng range ng bata yung highest or lowest notes ng kanta... Wag mataas, wag mababa, tama lang sa range ng bata…. Interval- a pattern of whole and half step…. C to D is whole step. C to c# is half step. Melodic Notation/ solfegge- read notes in the staff
  13. Pitch- highness or lowness of sound. Range- saan ilulugar yung kanta…choice of song.. kung kaya ba ng range ng bata yung highest or lowest notes ng kanta... Wag mataas, wag mababa, tama lang sa range ng bata…. Interval- a pattern of whole and half step…. C to D is whole step. C to c# is half step. Melodic Notation/ solfegge- read notes in the staff
  14. The black key to the right of the white key makes a pitch that is a half step higher than the original  The black key to the left of a white key creates a pitch that is a half step lower than the white key to the right A note that is not sharp nor flat is called natural.
  15. Pitch- highness or lowness of sound. Range- saan ilulugar yung kanta…choice of song.. kung kaya ba ng range ng bata yung highest or lowest notes ng kanta... Wag mataas, wag mababa, tama lang sa range ng bata…. Interval- a pattern of whole and half step…. C to D is whole step. C to c# is half step. Melodic Notation/ solfegge- read notes in the staff
  16. Pitch- highness or lowness of sound. Range- saan ilulugar yung kanta…choice of song.. kung kaya ba ng range ng bata yung highest or lowest notes ng kanta... Wag mataas, wag mababa, tama lang sa range ng bata…. Interval- a pattern of whole and half step…. C to D is whole step. C to c# is half step. Melodic Notation/ solfegge- read notes in the staff
  17. Pitch- highness or lowness of sound. Range- saan ilulugar yung kanta…choice of song.. kung kaya ba ng range ng bata yung highest or lowest notes ng kanta... Wag mataas, wag mababa, tama lang sa range ng bata…. Interval- a pattern of whole and half step…. C to D is whole step. C to c# is half step. Melodic Notation/ solfegge- read notes in the staff
  18. Pitch- highness or lowness of sound. Range- saan ilulugar yung kanta…choice of song.. kung kaya ba ng range ng bata yung highest or lowest notes ng kanta... Wag mataas, wag mababa, tama lang sa range ng bata…. Interval- a pattern of whole and half step…. C to D is whole step. C to c# is half step. Melodic Notation/ solfegge- read notes in the staff
  19. Pitch- highness or lowness of sound. Range- saan ilulugar yung kanta…choice of song.. kung kaya ba ng range ng bata yung highest or lowest notes ng kanta... Wag mataas, wag mababa, tama lang sa range ng bata…. Interval- a pattern of whole and half step…. C to D is whole step. C to c# is half step. Melodic Notation/ solfegge- read notes in the staff
  20. Pitch- highness or lowness of sound. Range- saan ilulugar yung kanta…choice of song.. kung kaya ba ng range ng bata yung highest or lowest notes ng kanta... Wag mataas, wag mababa, tama lang sa range ng bata…. Interval- a pattern of whole and half step…. C to D is whole step. C to c# is half step. Melodic Notation/ solfegge- read notes in the staff
  21. Let us discuss first all the symbols and signs that have something to do with the melody…
  22. A time signature tells you how the music is to be counted.  is written at the beginning of the staff after the clef and key signature.  - consist of two numbers written like a fraction. -The top number of the time signature tells you how many beats to count. -The bottom number tells you what kind of note to count. That is, whether to count the beats as quarter notes, eighth notes, or sixteenth notes. So the only numbers you will see as the bottom number (the denominator) will correspond to note values:
  23. Anacrusis/ pick up bar-An anacrusis is an unstressed pickup or lead-in note or group of notes that precedes the first accented note of a phrase (a short unit of musical line). The accented note of the phrase is found in the first complete measure of music. -
  24. Strong beat -The top number of the time signature tells you how many beats to count. -The bottom number tells you what kind of note to count. That is, whether to count the beats as quarter notes, eighth notes, or sixteenth notes. So the only numbers you will see as the bottom number (the denominator) will correspond to note values:
  25. The purpose of the key signature is to minimize the number of such accidentals required to notate the music. The sequence of sharps or flats in key signatures is generally rigid in modern music notation. -determines the pattern of accidentals -they indicate the key of the song by telling you how many sharps or flats there CHEAT- ITS FOR YOUR OWN CONSUMPTION For key signatures with flats, the key signature is the second to last flat. For key signatures with sharps, the key signature is the note name half step above the last sharp. - -tells a musician in what key the music is played. -the key signature appears right after the clef symbol on the staff. -
  26. The purpose of the key signature is to minimize the number of such accidentals required to notate the music. The sequence of sharps or flats in key signatures is generally rigid in modern music notation. -determines the pattern of accidentals -they indicate the key of the song by telling you how many sharps or flats there CHEAT- ITS FOR YOUR OWN CONSUMPTION For key signatures with flats, the key signature is the second to last flat. For key signatures with sharps, the key signature is the note name half step above the last sharp. - -tells a musician in what key the music is played. -the key signature appears right after the clef symbol on the staff. -
  27. The purpose of the key signature is to minimize the number of such accidentals required to notate the music. The sequence of sharps or flats in key signatures is generally rigid in modern music notation. -determines the pattern of accidentals -they indicate the key of the song by telling you how many sharps or flats there CHEAT- ITS FOR YOUR OWN CONSUMPTION For key signatures with flats, the key signature is the second to last flat. For key signatures with sharps, the key signature is the note name half step above the last sharp. - -tells a musician in what key the music is played. -the key signature appears right after the clef symbol on the staff. -
  28. Pitch- highness or lowness of sound. Range- saan ilulugar yung kanta…choice of song.. kung kaya ba ng range ng bata yung highest or lowest notes ng kanta... Wag mataas, wag mababa, tama lang sa range ng bata…. Interval- a pattern of whole and half step…. C to D is whole step. C to c# is half step. Melodic Notation/ solfegge- read notes in the staff
  29. Major scale- 4/3 minor scale- ¾ EXPLAIN!!!!!!!
  30. The major scale consists of seven different pitches. There are half steps between the third and fourth and seventh and eighth scale degrees; whole steps exist between all other steps. Below is a the C major scale. The pattern of whole and half steps is the same for all major scales.
  31. Major scale-
  32. Pentatonic scales, as their name suggests, have only five notes. To get from one end of the scale to the other, they require gaps of more than a half step.
  33. Discuss notes on the staff…. GO BACKT O THE BASIC…
  34. Mary had a little lamb- mi re do re mi mi mi/re re re/mi mi mi/mi re do re mi mi mi/re re mi re do
  35. Each group will perform using all the ideas and knowledge that you learned from the very first day…