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Unit 57: Photography and 
Photographic Practice 
Selection of final images & review 
(P4, M4, D4) 
Image No: 
1)
2) 
3)
4) 
5)
6) 
7)
8)
9) 
10)
Theme or focus of image & reasons for choice 
The following images all aim to promote the Salford quays in a positive light. I chose 
to photograph the landscape during late afternoon/early evening as these are 
known as the golden hours and allow for a warm glow which in turn brings out the 
texture and detail within an image. However due to the change in weather I was not 
able to achieve this as effectively as I would of liked and therefore had to settle on 
using a slower shutter speed in order to allow for more light in the images. 
Image one is by far my favourite photograph; the docks are a major part of the 
Salford quays therefore I wanted it to be the focus of the photograph. I’d hoped for 
the image to me more vibrant since bright colours connote a sense of elation and 
are more alluring to the eye, however I’m satisfied with the end result. Since water is 
both the central theme of the image and a focal point of the quays I wanted the 
photo to have a cool blue effect to it in order to reflect that. Considering the rule of 
thirds the docks ideally would have taken up two thirds of the image, however due to 
the tower block in the foreground it was impossible to take a satisfying photo that 
cropped it out. Therefore, whilst editing- using the dodge tool- I lightened the rest of 
the image excluding the water in order to make it stand out then added a dark blue 
cooling filter to it. The inspiration behind this photo came from Will Pearson; he 
photographs on overcast days since it allows for more evenly lit images- this is an 
effect that I hope I’ve achieved in my own photo. 
Following with the theme of the docks, in image two the boat became the focus. A 
cool blue filter was applied in order to achieve the same effect as the previous image 
and to represent the theme- water. However, since the boat needed to be the 
attention grabbing point I ensured it was at the forefront of the photo and was the
most vibrant object. Considering the rule of thirds, I tried to ensure that the horizon 
was within the top third of the frame in order to take attention away from it. The use 
of natural lighting allowed for a well exposed image whist the shadowing from the 
sun provided my focal point with texture. Whilst the water itself is an important factor 
within the photo- It acts as a secondary visual point. 
Although there is an element of water in both image 3 and 4, the building themselves 
are the focus. Using the rule of thirds I ensured that the horizon took up two thirds of 
the image. I wanted the theatre to be the eye grabbing focal point; therefore during 
editing I increased its vibrancy and added a cooling filter to the water in order to 
make the building stand out. The warmthness of the sun creates contrast between 
the water and building which in turn allows for a more visually appealing image that 
has both texture and detail. 
When capturing image 5, I wanted it to be a little more dynamic; rather than using 
the rule of thirds, I attempted to place the horizon in the centre of the image, 
therefore leaving the other half of the image with the docks and creating a sharp 
contrast. The overcast lighting provided the image with crisper detail and softer, more 
evenly lit exposure. Other than increasing the vibrancy of the glass buildings in order 
to add some colour to the image, no filters were used. By doing so, it allows the 
images to reflect their true alluringness without manipulating them. 
Image 6 is fairly different to my other photos in terms of the style since I took a 
different approach. I aimed to create a silhouette of the horizon in order to make the 
sky the focal point of the image. The sunlight acted as a backdrop in order for me to 
capture this effect and create a dramatized sky that’ll draw in attention. The lighting 
allowed for texture in both the clouds and water, therefore creating more detail. I’d 
hope for the sky to be more vivid and vibrant, therefore I applied a blue filter in order 
to make it stand out and grab attention. 
With image 7 and 8 I aimed to catch the greenery of the quays. The images aim to 
be visually appealing; the use of bright colours connote a sense of elation. The rule of 
thirds has not been applied to image 7; I wanted the photo to just draw in your 
attention so that you look at every aspect and detail within it. However with image 8, 
during editing I purposely created a contrast between the ground and building by 
increasing the brightness of the greenery and adding a green filter and applying a 
blue filter to the buildings and increasing the brightness. 
During the evening the Salford Quays is a spectacle of lights and this is something I 
wanted to showcase in image 9 and 10. The right hand side- in image 9- and the left 
hand side- in image 10- is the focus of the image and therefore the dominating 
factor within the photo. I wanted the lighting to be the main centre of attention; 
therefore the brightness was enhanced in order to grab attention. The BBC studios are 
what revamped the Salford Quays- hence the name media city UK- and are 
therefore an important element. The bright light of the building and water against the 
darkness connote a sense of glory- they’re he important element. 
Techniques used 
A fast shutter speed of 1/1000 and ISO of 100 was used in both images one and two in 
order to capture crisp photos and to avoid any motion blur from the water. Although 
it was an overcast day, the natural lighting was fairly bright and was therefore
causing overexposed images with a slower shutter speed. I tried a combination of 
faster shutter speed ranging from 1/300-1/600; however these did not freeze the 
motion of the water. 1/1000 was the perfect shutter speed in achieving this, however 
it led to underexposed images, therefore I used an fstop of F3.5 in order to allow more 
light into the lens which in turn allowed for evenly lit and well exposed images. 
The wind began to pick up a little in image three and four so I therefore had to 
increase the shutter speed to 1/1250 in order to freeze the motion. An ISO of 100 is 
considered to be normal if your intention is to catch crisp photos, hence why I kept it 
at this setting. Due to the sunshine coming through the clouds during the capturing of 
these images, there was no need for me to reduce the Fstop since I’d increased the 
shutter speed; it was kept at f3.5. 
When photographing image 5 the trees in the foreground continuously appeared 
blurry due to the weather, I therefore had to increase the shutter speed drastically to 
1/2000. Although I had a shorter exposure time then sun was getting much brighter 
now which was causing overexposed image even at this setting; I changed the fstop 
to f4.5 in order to allow lees light through the lens. Although I want my images to be 
well exposed, I don’t want drastically bright images hence why the settings allow for 
more evenly lit monotone photos. 
Image six is a lot more different from my other style of images, therefore I had to 
change the settings I used a lot more. Since the sun is so bright and acting as a 
backdrop when taking a silhouette style photograph a high fstop is required in order 
to ensure a large depth of field so that you have a focused image. A shutter speed of 
1/800 was used in order to allow time for the light to be let in, however looking back 
on the image, I’d ideally of used an even slower shutter speed in order to achieve the 
effect more accurately and precisely. 
In image seven and eight the wind began to pick up again and since I was so close 
to the greenery I needed to use a high shutter speed in order to completely freeze 
the motion. I ended up using an exposure time of 1/4000, however thinking back on 
it, it could have been much lower. A shutter speed of this type created 
underexposed images; therefore I used an fstop of f4.5 in order to achieve a high 
aperture which in turn allowed more light into my lens. 
I wanted the lights within image nine on the building and reflection within the water 
to be over exaggerated since it’s the focus of the image. In order to achieve this I 
had the help of a tripod; since I was using a shutter speed of 1/20 the camera 
became sensitive to movement- a tripod kept is stabilized. An Fstop of f3.5 was used 
in order to allow even more light through the lens to dramatize the image. 
Strengths & suggested improvements 
Throughout all my images I’m happy with both the framing of them and the chosen 
areas within the Salford Quays that I photographed. In image six I should of 
experimented more with taking silhouettes photos in order to achieve a better final 
edit- I’d ideally of used a slower shutter speed to allow more light through the lens. I 
also managed to crop out a part of the bridge- this is something I need to ensure that
I don’t do again. Whilst I’m happy with the composition of image seven and eight, 
my editing skills let me down- the vibrancy of the images is too strong and does not fit 
in with the theme of the other photos. Looking back at photos one, two, three, four 
and five I do believe that they’re slightly monotone in colour and could be slightly 
more vibrant in order to give more of an elated feeling. I believe that the images lack 
any sense of ‘personality’ and do not have my own signature to them- they’re very 
basic and lack creativity. If I was to re-take the photos, I’d of taken them on a sunnier 
day so that the images could reflect there true alluringness without the use of 
photoshop. Nigh photography is something I need to practise at as I believe m 
camera was set up a the wrong setting and therefore caused slightly out of focus 
images. 
Editing details 
Image one: using the dodge tool I lightened everything within the image- excluding 
the water, whilst a cool blue filter was applied in order to reflect the central theme of 
the photo. Using the magnetic laso tool I highlighted the sky so that I could then 
increase the exposure to make it ever so slightly brighter. I finally applied auto 
contrast so that the highlights appeared lighter and the shadowing darker to make 
the image stand out more. 
Image two: A cool blue filter was again applied to follow with the theme, before 
increasing the vibrancy of the boat by using the magnetic laso tool to highlight it. 
Once this was done, with the help of the spot healing brush tool set to its lowest 
softness I removed all imperfections from the base of the boat and the raindrops 
visible within the water. Prior to editing a building was visible just behind the Lowry, 
however I removed this by selecting the stamp tool, highlighting a patch of sky similar 
to the shade closest to the building and stamping over it. Finally auto contrast was 
applied again. 
Image three and four: Both images were very dull, flat and muted, therefore I applied 
auto colour in order to correct the image. The Lowry theatre was the focus of the 
photos however this was not obvious prior to editing- using the magnetic laso tool I 
highlighted the building and increased the vibrancy before applying a green coral 
coloured filter. In order to make it more obvious, a cooling filter was then applied to 
the rest of the image to make the theatre more eye grabbing. With the use of the 
burn tool I darkened the shadows within the image. 
Image six: Other than using the lasso tool to highlight the sky and add a blue filter to it, 
no other elements were edited. 
Image seven and eight: Although both images were already quite vivid in colour I 
wanted to increase the brightness to make them stand out. With image seven I simply 
increased the vibrancy, however with image eight, using he magnetic lasso tool I 
highlighted the greenery before applying a bright green filter and increasing the 
vibrance, I then did the same with the building by applying a blue filter. By doing this I 
aimed to create a contrast between the greenery and urban scenery. 
Image nine: I wanted the BBC studios to connote a sense of importance; therefore I 
wanted it to be ‘glowing’. In order to achieve this I used the magnetic lasso to select 
both the building and patch of water with the reflection and enhanced both the 
exposure and vibrancy. With the use of the burn tool I selected patches of the sky to
give it that blue tint. 
Image 10: The same theme follows through to image ten; therefore I applied the 
same editing techniques by increasing the vibrancy of the studios. The only major 
difference is that I decreased the exposure of the entire image in order to make the 
building stand out. 
Capture Log 
Setting Shutter Speed ISO Aperture 
Image 1: Manual Mode 
1/1000 
100 
Image 2: Manual Mode 
1/1000 
100 
Image 3: Manual Mode 
1/1250 
100 
Image 4: Manual Mode 
1/1250 
100 
Image 5: Manual Mode 
1/2000 
100 
Image 6:Manual Mode 
1/800 
100 
Image 7: Manual Mode 
1/4000 
100 
Image 8: Manual Mode 
1/4000 
100 
Image 9: Manual Mode 
1/20 
100 
F3.5 
F3.5 
F3.5 
F3.5 
F4.5 
F16 
F4.5 
F4.5 
F3.5

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Task 4 final images review work sheet

  • 1. Unit 57: Photography and Photographic Practice Selection of final images & review (P4, M4, D4) Image No: 1)
  • 5. 8)
  • 7. Theme or focus of image & reasons for choice The following images all aim to promote the Salford quays in a positive light. I chose to photograph the landscape during late afternoon/early evening as these are known as the golden hours and allow for a warm glow which in turn brings out the texture and detail within an image. However due to the change in weather I was not able to achieve this as effectively as I would of liked and therefore had to settle on using a slower shutter speed in order to allow for more light in the images. Image one is by far my favourite photograph; the docks are a major part of the Salford quays therefore I wanted it to be the focus of the photograph. I’d hoped for the image to me more vibrant since bright colours connote a sense of elation and are more alluring to the eye, however I’m satisfied with the end result. Since water is both the central theme of the image and a focal point of the quays I wanted the photo to have a cool blue effect to it in order to reflect that. Considering the rule of thirds the docks ideally would have taken up two thirds of the image, however due to the tower block in the foreground it was impossible to take a satisfying photo that cropped it out. Therefore, whilst editing- using the dodge tool- I lightened the rest of the image excluding the water in order to make it stand out then added a dark blue cooling filter to it. The inspiration behind this photo came from Will Pearson; he photographs on overcast days since it allows for more evenly lit images- this is an effect that I hope I’ve achieved in my own photo. Following with the theme of the docks, in image two the boat became the focus. A cool blue filter was applied in order to achieve the same effect as the previous image and to represent the theme- water. However, since the boat needed to be the attention grabbing point I ensured it was at the forefront of the photo and was the
  • 8. most vibrant object. Considering the rule of thirds, I tried to ensure that the horizon was within the top third of the frame in order to take attention away from it. The use of natural lighting allowed for a well exposed image whist the shadowing from the sun provided my focal point with texture. Whilst the water itself is an important factor within the photo- It acts as a secondary visual point. Although there is an element of water in both image 3 and 4, the building themselves are the focus. Using the rule of thirds I ensured that the horizon took up two thirds of the image. I wanted the theatre to be the eye grabbing focal point; therefore during editing I increased its vibrancy and added a cooling filter to the water in order to make the building stand out. The warmthness of the sun creates contrast between the water and building which in turn allows for a more visually appealing image that has both texture and detail. When capturing image 5, I wanted it to be a little more dynamic; rather than using the rule of thirds, I attempted to place the horizon in the centre of the image, therefore leaving the other half of the image with the docks and creating a sharp contrast. The overcast lighting provided the image with crisper detail and softer, more evenly lit exposure. Other than increasing the vibrancy of the glass buildings in order to add some colour to the image, no filters were used. By doing so, it allows the images to reflect their true alluringness without manipulating them. Image 6 is fairly different to my other photos in terms of the style since I took a different approach. I aimed to create a silhouette of the horizon in order to make the sky the focal point of the image. The sunlight acted as a backdrop in order for me to capture this effect and create a dramatized sky that’ll draw in attention. The lighting allowed for texture in both the clouds and water, therefore creating more detail. I’d hope for the sky to be more vivid and vibrant, therefore I applied a blue filter in order to make it stand out and grab attention. With image 7 and 8 I aimed to catch the greenery of the quays. The images aim to be visually appealing; the use of bright colours connote a sense of elation. The rule of thirds has not been applied to image 7; I wanted the photo to just draw in your attention so that you look at every aspect and detail within it. However with image 8, during editing I purposely created a contrast between the ground and building by increasing the brightness of the greenery and adding a green filter and applying a blue filter to the buildings and increasing the brightness. During the evening the Salford Quays is a spectacle of lights and this is something I wanted to showcase in image 9 and 10. The right hand side- in image 9- and the left hand side- in image 10- is the focus of the image and therefore the dominating factor within the photo. I wanted the lighting to be the main centre of attention; therefore the brightness was enhanced in order to grab attention. The BBC studios are what revamped the Salford Quays- hence the name media city UK- and are therefore an important element. The bright light of the building and water against the darkness connote a sense of glory- they’re he important element. Techniques used A fast shutter speed of 1/1000 and ISO of 100 was used in both images one and two in order to capture crisp photos and to avoid any motion blur from the water. Although it was an overcast day, the natural lighting was fairly bright and was therefore
  • 9. causing overexposed images with a slower shutter speed. I tried a combination of faster shutter speed ranging from 1/300-1/600; however these did not freeze the motion of the water. 1/1000 was the perfect shutter speed in achieving this, however it led to underexposed images, therefore I used an fstop of F3.5 in order to allow more light into the lens which in turn allowed for evenly lit and well exposed images. The wind began to pick up a little in image three and four so I therefore had to increase the shutter speed to 1/1250 in order to freeze the motion. An ISO of 100 is considered to be normal if your intention is to catch crisp photos, hence why I kept it at this setting. Due to the sunshine coming through the clouds during the capturing of these images, there was no need for me to reduce the Fstop since I’d increased the shutter speed; it was kept at f3.5. When photographing image 5 the trees in the foreground continuously appeared blurry due to the weather, I therefore had to increase the shutter speed drastically to 1/2000. Although I had a shorter exposure time then sun was getting much brighter now which was causing overexposed image even at this setting; I changed the fstop to f4.5 in order to allow lees light through the lens. Although I want my images to be well exposed, I don’t want drastically bright images hence why the settings allow for more evenly lit monotone photos. Image six is a lot more different from my other style of images, therefore I had to change the settings I used a lot more. Since the sun is so bright and acting as a backdrop when taking a silhouette style photograph a high fstop is required in order to ensure a large depth of field so that you have a focused image. A shutter speed of 1/800 was used in order to allow time for the light to be let in, however looking back on the image, I’d ideally of used an even slower shutter speed in order to achieve the effect more accurately and precisely. In image seven and eight the wind began to pick up again and since I was so close to the greenery I needed to use a high shutter speed in order to completely freeze the motion. I ended up using an exposure time of 1/4000, however thinking back on it, it could have been much lower. A shutter speed of this type created underexposed images; therefore I used an fstop of f4.5 in order to achieve a high aperture which in turn allowed more light into my lens. I wanted the lights within image nine on the building and reflection within the water to be over exaggerated since it’s the focus of the image. In order to achieve this I had the help of a tripod; since I was using a shutter speed of 1/20 the camera became sensitive to movement- a tripod kept is stabilized. An Fstop of f3.5 was used in order to allow even more light through the lens to dramatize the image. Strengths & suggested improvements Throughout all my images I’m happy with both the framing of them and the chosen areas within the Salford Quays that I photographed. In image six I should of experimented more with taking silhouettes photos in order to achieve a better final edit- I’d ideally of used a slower shutter speed to allow more light through the lens. I also managed to crop out a part of the bridge- this is something I need to ensure that
  • 10. I don’t do again. Whilst I’m happy with the composition of image seven and eight, my editing skills let me down- the vibrancy of the images is too strong and does not fit in with the theme of the other photos. Looking back at photos one, two, three, four and five I do believe that they’re slightly monotone in colour and could be slightly more vibrant in order to give more of an elated feeling. I believe that the images lack any sense of ‘personality’ and do not have my own signature to them- they’re very basic and lack creativity. If I was to re-take the photos, I’d of taken them on a sunnier day so that the images could reflect there true alluringness without the use of photoshop. Nigh photography is something I need to practise at as I believe m camera was set up a the wrong setting and therefore caused slightly out of focus images. Editing details Image one: using the dodge tool I lightened everything within the image- excluding the water, whilst a cool blue filter was applied in order to reflect the central theme of the photo. Using the magnetic laso tool I highlighted the sky so that I could then increase the exposure to make it ever so slightly brighter. I finally applied auto contrast so that the highlights appeared lighter and the shadowing darker to make the image stand out more. Image two: A cool blue filter was again applied to follow with the theme, before increasing the vibrancy of the boat by using the magnetic laso tool to highlight it. Once this was done, with the help of the spot healing brush tool set to its lowest softness I removed all imperfections from the base of the boat and the raindrops visible within the water. Prior to editing a building was visible just behind the Lowry, however I removed this by selecting the stamp tool, highlighting a patch of sky similar to the shade closest to the building and stamping over it. Finally auto contrast was applied again. Image three and four: Both images were very dull, flat and muted, therefore I applied auto colour in order to correct the image. The Lowry theatre was the focus of the photos however this was not obvious prior to editing- using the magnetic laso tool I highlighted the building and increased the vibrancy before applying a green coral coloured filter. In order to make it more obvious, a cooling filter was then applied to the rest of the image to make the theatre more eye grabbing. With the use of the burn tool I darkened the shadows within the image. Image six: Other than using the lasso tool to highlight the sky and add a blue filter to it, no other elements were edited. Image seven and eight: Although both images were already quite vivid in colour I wanted to increase the brightness to make them stand out. With image seven I simply increased the vibrancy, however with image eight, using he magnetic lasso tool I highlighted the greenery before applying a bright green filter and increasing the vibrance, I then did the same with the building by applying a blue filter. By doing this I aimed to create a contrast between the greenery and urban scenery. Image nine: I wanted the BBC studios to connote a sense of importance; therefore I wanted it to be ‘glowing’. In order to achieve this I used the magnetic lasso to select both the building and patch of water with the reflection and enhanced both the exposure and vibrancy. With the use of the burn tool I selected patches of the sky to
  • 11. give it that blue tint. Image 10: The same theme follows through to image ten; therefore I applied the same editing techniques by increasing the vibrancy of the studios. The only major difference is that I decreased the exposure of the entire image in order to make the building stand out. Capture Log Setting Shutter Speed ISO Aperture Image 1: Manual Mode 1/1000 100 Image 2: Manual Mode 1/1000 100 Image 3: Manual Mode 1/1250 100 Image 4: Manual Mode 1/1250 100 Image 5: Manual Mode 1/2000 100 Image 6:Manual Mode 1/800 100 Image 7: Manual Mode 1/4000 100 Image 8: Manual Mode 1/4000 100 Image 9: Manual Mode 1/20 100 F3.5 F3.5 F3.5 F3.5 F4.5 F16 F4.5 F4.5 F3.5