1. WRITING ‘THE OTHER,’ AND
THE USE OF INADEQUATE
NARRATORS
In Mark Haddon’s
The Curious
Incident of the Dog
In the Night time.
2. MARK HADDON
Born in Northampton, England,
in 1962
Studied undergrad at Oxford
University
Completed masters in English
Literature at Edinburgh University
First children’s book: Gilbert’s
Gobstopper, 1987
Most well-known novel: The
Curious Incident Of The Dog In
The Night-time, 2003
3. MARK HADDON 2004
“WRITING FOR CHILDREN IS BLOODY
DIFFICULT; BOOKS FOR CHILDREN ARE AS
COMPLEX AS THEIR ADULT COUNTERPARTS,
AND THEY SHOULD THEREFORE BE
ACCORDED THE SAME RESPECT.”
4. THE CURIOUS INCIDENT OF THE
DOG IN THE NIGHT-TIME
Published in 2003 by Anchor Canada, Random
House
#1 International Bestseller
Untraditional crime-fiction novel
Shining a light on the minds of mentally-
challenged persons
5. AWARDS FOR THE CURIOUS INCIDENT
OF THE DOG IN THE NIGHT-TIME:
Guardian Children’s Fiction Prize,
2003
Costa Book of the Year, 2003
Waverton Good Read Award, 2004
Whitbread Book of the Year, 2003
“On the fifth day, which was a
Sunday, it rained very hard. I like
it when it rains hard. It sounds
like white noise everywhere,
which is like silence but not
empty.”
6. THE GAZETTE MONTREAL
“IN MARK HADDON’S DEFT HANDS, [CHRISTOPHER] IS
THE KIND OF HERO TOO SELDOM FOUND IN
CONTEMPORARY FICTION, OVERCOMING ODDS THAT
WOULD SHAME MOST OF US TO FIND A NEW
UNDERSTANDING OF THE WORLD AND HIS PLACE IN
IT. NO ONE WHO READS THIS BOOK IS LIKELY TO
FORGET HIM.”
8. UNRELIABLE VS. INADEQUATE
UNRELIABLE NARRATOR
Usually first person
Has had their credibility
compromised
Is mentally ill, or lying
Blinded by their emotions
INADEQUATE NARRATOR
Also first person
Trustworthy, always tells the
truth
Innocent
Limited by their language
9. UNRELIABLE VS. INADEQUATE
UNRELIABLE NARRATORS
Humbert Humbert, Vladimir
Nobakov’s Lolita
Nick Carroway, F. Scott
Fitzgerald’s The Great Gatsby
Patrick Bateman, Bret Easton
Ellis’ American Psycho
The unnamed narrator, Chuck
Palahniuk’s Fight Club
INADEQUATE NARRATORS
Christopher Boone, Mark
Haddon’s The curious Incident Of
the Dog In the Night-time
Celie, Alice Walker’s The Color
Purple
Benjy Compson, William
Faulkner’s The Sound and the
Fury
Pamela, Samuel Richardson’s
Pamela
10. CHRISTOPHER AS AN INADEQUATE
NARRATOR
Mentally challenged
Sees finite details, but fails to
grasp the bigger picture
Does not understand human
emotion
Has a mind for maths, not
people
17. HOW TO WRITE ‘THE OTHER’ AND
INADEQUATE NARRATORS
Research!
Take chances
Treat characters as individuals
Get into the head of the
character: think, feel, act
Mark Haddon was born in Northampton, England, in 1962. He studied at Oxford University, and later in life completed his masters in English Literature at Edinburgh University.
His first children’s book, Gilbert’s Gobstopper, was published in 1987, leading up to his phenomenally successful youth novel, The Curious Incident Of The Dog In The Nighttime, published in 2003.
In an interview for his then newly-released novel, The Curious Incident Of The Dog In The Nighttime, Haddon said this now well-known passage:
Haddon’s youth novel took him to “best seller status,” with the story receiving praise and critical acclaim from all corners of the globe. The Curious Incident of the Dog In the Night-time was one of the first novels to be published for both children and adults alike, opting for different covers to cater to the different audiences.
The novel is narrated by Christopher John Francis Boone, a fifteen year old boy with Asperger’s Syndrome, or what Ian McEwan describes as an “emotionally dissociated mind.” Christopher relates well to animals, but has no understanding of human emotion. He also detests the colour yellow.
The novel is narrated by Christopher through a diary or journal-like sequencing
The chapters are numbered in prime numbers, as Christopher enjoys maths and knows every prime number up to 7,057
Haddon, through Christopher incorporates diagrams into the novel, such as diagrams used by Christopher’s therapist, Siobhan, and maps of the stars
A common question asked by writers and editors alike is this: Should you even try?
Yes, you should.
In this short piece, I have written from the perspective of a man: a man in love with a woman. Personally, I am not a man, nor have I been in love with a woman.
The characters in the story live where I have never lived before, experiencing life the way I have not.
To write the other, one must delve deep into the minds of her characters, and to research, profusely, since those characters are far different to herself.