History Of Art Reflection Essay

History of Art Reflection Essay
When I lived in the times of the Ancient Egyptians, my uncle was an artist. The images we produce are created to help the soul stay alive through that
image. It is believed that a person's soul could live on into the afterlife through that image. Furthermore, graphics are added to the art in order to ensure
that the soul is prepared for the afterlife. Pictures and models found in our tombs are connected with the idea of providing the soul with helpmates in
the other world. The artwork that exists here helps us to transcend the boundaries of life and death. When I look at the artwork I feel safe knowing that
in the next life, my ruler and king will be there to guide me. This idea also helps me to not fear death as much because I will...show more content...
My master has recently learned one of the new techniques that stains glass windows using oxides to dye the glass. The glass is cut into shapes
and fits into lead supports. I've heard of other masters using silver nitrate as a stain which makes the glass look yellow. In our paintings, we use
plain backgrounds. I don't need to worry about how accurate my shapes and positions are. My master told me that what's important is to help the
viewer understand the scene and story. The only part of the painting where shapes and positions are important is with the people in the center
because they're the most important. Our society sees my master as any other craftsman who works with his hands, but I don't mind that. When I
lived in China, I had a neighbor who was a famous artist and created art for the Emperor himself. Our art mostly tells moralistic stories, which
helps me meditate because they help me focus on leading a better life. Other times, I like to look at art to get inspiration since it contains famous
people who've done great deeds. Finally, I experience art when I go into our temples. There are many paintings of Lohan inside because they help
protect us from evil when we are inside the temple. Lohan makes me feel comforted because I know I am safe when I'm near. I feel inspired when I
am around the artwork that depicts famous people and moralistic stories
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Feminism and Art History
The history of mankind has often been captured in snapshots between the rise and fall of great leaders and civilizations, by artists all with a
common dream of portraying what they saw during their times. Ideologies reflective of their societies were depicted through sculptures, frescoes,
pottery, paintings, and many other methods. Many of these principals were created, celebrated, and popularized by constituents of societies where
andocentric values were applied not only to social and political mores, but also to the various art forms as the male body was cherished and praised
and the female body was hidden away from public view. The book Feminism and Art History: Questioning the Litany edited by Norma Broude and
Mary D. Garrad, strives...show more content...
Kampen concludes by discussing how the image of women portrayed the idealistic views of women as caretakers who stayed at home , and works
of art supported this by depicting women as "В…mythological or entertaining, or as an adjunct to the patron's own status; otherwise she might not
appear." (pg. 74) The author believes that the artists were in denial of the experiences of working women and that's why the views of working
women were limited. The visual portrayals of gender and status in Roman society stand as a bridge linking the work of art and the work of society
together as one. The final chapter that I read was one I found extremely conflictant and interesting because not only did we touch on some of these
topics in class, but when I visited the Metropolitan Museum I actually had some of the same issues with the works I saw there. Eve and Mary:
Conflicting Images of Medieval Woman by Henry Kraus, was by far one of the more fascinating chapters and discussed the distorted views of women
as vessels that the Devil could use to entrap a man and cause him to fall from God's grace, during medieval times and reinforced by the Catholic
Church. Monasteries were places that men could go and abstain from worldly pleasures, proving their dedication to God and refraining from anything
that could cause them to sin either physically, emotionally, and especially spiritually. During the fourteenth century,

Advanced Placement Art History Essay
Advanced Placement Art History is an Advanced Placement Art History course and exam offered by College Board. AP Art History is designed to
allow students to examine major forms of artistic expression relevant to a variety of cultures evident in wide variety of periods from present times into
the past. Students acquire an ability to examine works of art critically, with intelligence and sensitivity, and to articulate their thoughts and experiences.
The main topic is European Art, with focuses on African, Hindu, South and East Asian, and Islamic Art. Pre
–Historic art has been removed from the
curriculum. Starting in the 2015–2016 school year, College Board has introduced a new curriculum and exam for students to apply art historical skills
...show more content...
The multiple choice section includes 115 questions that must be answered in 60 minutes. In Part A, students have 20 minutes to answer five sets of
questions based on color images. In Part B, there are 85 questions that must be answered in 40 minutes, some of which do not pertain to any specific
image, and involve the basic recalling of facts. Other questions, refer to black and white images within the test booklet.
The free–response section includes two 30–minute essay questions and six 10–minute essay questions . In Part A, Students must respond to the
prompts, citing two examples of works of art that reflect the prompt's theme. In Part B, each short essay question is based on a work of art and / or
quotation from a primary source / document. For quotation–based questions, students must select an appropriate work of art to analyze.
Scoring
The multiple choice section of the exam is worth 40% of a student's score. The free–response is worth 60%. Each correctly answered multiple choice
question is worth one point. As of 2011, wrong and omitted questions do not affect the raw score. For the free–response section, the six short answers
are worth 35% of the total grade, and each is graded on a scale of 0 to 4. Finally, the two long essays are each graded on a scale of 0 to 9, totaling 25%
of the

Essay on Art History
In the early 1700s, the monarchies failures at finance, national debt, involvement in multiple wars with little care given to veterans and rising
unemployment inflamed the people. When coupled with the monarchies lifestyles of lavish spending on countless mistresses, flouting morals,
excessive parties at court, and political favors, the popularity of royalty was quickly disintegrating. The irresponsibility of the aristocracy was no
longer ignored, and a movement was beginning. This set the stage for political change.
Writers such as Thomas Hobbes (1588–1679) and John Locke (1632–1704) of England experienced these changes and began exploring the ideals of
republicanism and liberalism through their writing. Thus,...show more content...
It did not take long for the ideas to spread through Germany, the Netherlands, France, Italy, Spain, Portugal, and the American Colonies. The American
Revolution began in 1775, and Thomas Paine wrote Common Sense in January of 1776. Voltaire who had written thousands of letters, books, and
pamphlets finished his "Dictionnaire Philosophique in 1764, and the French Revolution began in 1789.
As these social, political, and moral views changed, so too did the style the arts used to communicate life. It was during this Age of Enlightenment that
the Neoclassical era in art history began by reflecting these changing views using a style much less ornate and gilded than the Baroque and Rococo
styles that had previously dominated artistic endeavors. Strict adherence to simple classical style with an aim to technical perfection was favored and
borrowed heavily from Greek and Roman pieces discovered earlier in the 1700s. Art was approached with the same logic and reason of the age and
with much less emotion and drama than Baroque or Rococo.
The subject matter was often dark and serious, morally and ethically upright, or heroic. Where the aristocracy had valued drama, emotion, and grandeur,
the people now valued self–denial and self–sacrifice over self–indulgence. The colors were often dark or solemn and made use of chiaroscuro,

The History of Art Essay
The History of Art
Art was the first written language and to study the history of art is to study the history of civilizations and humankind. The Paleolithic cave paintings
in France, when viewed in the modern western perspective can only be speculated at as to the intent and/or purpose of the original artisans. Perhaps the
paintings of animals were the focal point of a religious ceremony or ritual, surveyed before the hunt, to bring success or perhaps part of a celebration or
documentation after the successful hunt. It appears that art from the earliest history into the Renaissance focuses around religious ceremonies of some
type.
Plato believed art to be a form of communication on a metaphysical level. The modern western view...show more content...
Without the scientific knowledge of later generations, it is assumed that these figures were representations to invoke fertility.
Mesopotamia art was centered in what are now Iran and Iraq. The developing cultures (Assyrians, Sumerians, Babylonians, etc) in the area, between
the Tigris and Euphrates Rivers, which is sometimes called the "Cradle of Civilization" or the "Fertile Crescent", are credited with the invention of
cuneiform writing which is shown to us in the Stele (law code) of Hamarabi. Within these cultures, rulers often conferred with the religious leaders and
religion was an important part of their society.
The unique character of Sumerian art is exemplified by a group of votive statues from the Abu Temple, at Tell Asmar. The identities of these statues are
unclear. However, it is an educated theory that they served Abu, God of vegetation, and they represent priests, and worshipers. There is no indication
that these figures were intended to represent a naturalistic scheme. It is important to note that the symbolization is that of the human form and
representative of some form of authoritarian hierarchy. Tracking the human form and its relationship to art, history, and culture as the human figure
evolves through the centuries as artists perfect their

Art And Art Essay
Revolution is a fundamental change in certain area that carry out by people to pursue for better life. In many cases, revolution is the essential of
advancement in human history. Many people believe that revolutionary requires a large group of people, and violence is inevitable to achieve.
However, I believe revolution can be peaceful and meaningful, and which can also be expresses through arts. For example, people took picture of
the battlefield to protest unethical war. In this paper, I am going to argue that revolution can be expressed through the detail of image, which can be
meaningful. It also comes to the conclusion that violence is not the only method of revolution, but a form of art could be even more influence. When
people think of revolution, they rarely associate it with an art. People usually think revolution is bloody, vast, and violent, but not a piece of art.
Before taking this course, I was also in the group of people who cannot see the connection between art and revolution. I could not differentiate the true
value of an art, and I express an art is tough for me. Throughout the time in this course, I gradually learned to focus on every detail that the art
presenting to me. We can be given information in many different ways, the shape, the lines, the color, and the arc. Every little thing represents different
meanings, and create different expressions from reader towards the art. With the progress, I started to not solely "look" at an art, but to "read" an

Post Impressionism Art Analysis
The Impression of Post–Impressionism Art
The Impressionism era was a very important movement in the history of art. The artists
under that movement were not very popular since the style was very different. The product of
Impressionism, Post–Impressionism has a more distorted,expressive style because their rules in
terms of content were more free. I will compare and contrast the paintings of this era, Houses at
Auvers by Vincent van Gogh, Goldfish by Henri Matisse, and Mont Sainte Victoire by Paul
CГ©zanne.
The work of art Houses at Auvers by Vincent van Gogh was made after he left the
asylum at Saint RГ©my de Provence. He admitted himself there because he was very sad and
before he arrived he cut off his ear and gave it to a prostitute as a gift. He only resided there for a
short amount of time (the end of 1888–1890) because he became bored. As a result, he moved to
Auvers–sur–Oise, northwest of Paris. There, he painted Houses at Auvers in June of 1890 which
was one of several works of art made before his suicide in the same year.

Houses at Auvers depicts a landscape of early summer in Auvers–sur–Oise. It's medium,
like most paintings in this era, is oil on canvas. In this work of art, viewers can see that the
function is for the visual aesthetic, since Van Gogh was really embracing his surroundings by
how he painted it. He used a lot of different values of color, especially the greens in the trees,
grass, and bushes. Lines and brushstrokes

Survey of Art History
Survey of Art History II
Man Ray like many other artists did not care to have his personal life shown in his art. He wanted to be viewed and recognized for his work which
included sculptures, paintings, and photography. Man Ray was mostly influenced by Stieglitz's photographs. Man Ray used a similar style to
Stieglitz. He captured images that created an unvarnished look at the photos' subject. Man Ray discovered a new way to create his photos; by
accident in his work room he discovered how to manipulate objects in his photos on pieces of photosensitive paper. In the year 1914, at a seminal
exhibition, Man Ray introduced himself to African art. Man Ray did this at the Alfred Stieglitz 291 Gallery. Man Ray's photograph Noire et Blanche
became an icon for modern photography. Although this was his most famous and widely known piece, Man Ray's less known work made a greater
impact and influence on African art. Photographs with African art pieces began to flourish greatly after Man Ray's break through with his Noire et
Blanche photograph. These photographs shed light on many day to day issues such as: issues of race, identity, sex, separatism, and disenfranchisement.
Noire et Blanche shows Kiki –Man Ray's companion– with her eyes closed and her head sideways on a table in a very relaxed manner. With her left
hand, Kiki is holding, an African mask known as a Baule Gba Gba mask. The mask is held straight above the table and right up next to her face. In this
time, it was

The History of Art Essay
The History of Art
When we think of history we don't often think of art. We don't realize how the history of art can help us learn more about the people, the cultures, and
the belief systems of those who lived hundreds and thousands of years before us. Art has developed, influenced, and contributed starting from the great
Stone Age to the present day. Art gives an insight into the changes and evolution that man and culture have gone through to become what is today. Art
is culture, art is the essence of the people who make it and the best way to appreciate art is to look at the history of it and it's evolvement through time.
The Great Ages consists of four distinct ages: The Old...show more content...
The Great Goddess is the pivotal figure among the tribal people. She is worshiped and prayed to in hopes that she is fertile and fruitful for, She is the
lone creator of all that is. She is female in all aspects, but yet she has male powers. Many consider the Great Goddess to be an androgyne because she
is self–created, self–fertilizing, and self–existent. She is both male and female. An Androgyne was thought to have achieved "balance of reason and
intuition, of wisdom and compassion"; they are supreme beings. She is the creator of the universe, of life and of death and special rituals would be
carried out to insure that she would continue to create.
One of the first images of the Great Goddess is represented in Illustration 1–8 (Venus of Willendorf (Australia), c 28,000–23,000 b.c. Limestone,
approx. 4Вј" high. Naturhistorisches museum, Vienna). She is only 4 inches tall, but a very sacred piece of sculpture. Her body is significantly
voluptuous, representing fertility. She appears to be pregnant and her breasts heavy with milk. She is faceless, emphasizing that She is everything. She
has no particularity, no image, because she is beyond particularization, she is everything known to man in the universe.
As 10,000 BCE came around so came about the starting of the New Stone Age and the end of the Old. In the Old Stone Age, the Great Goddess, alone
made the universe, but as the New

Art History Essay
Presenter: Welcome. Welcome, to the national radio, bringing you the latest news, and updates. Today we have a special guest speaker, all the way
from France... I am happy to present Mr. Daumier, the famous 19th century painter.
Daumier: Bonum mane, hello... It's a pleasure to be here.
Presenter: Today our fans want to ask you a few questions about some of your paintings and the media you have used.
Daumier: Well of course.
Daumier picks up his water and takes a small sip.
Presenter: The first painting our viewers are interested in, is your print Gargantua.
Daumier clears his throat.
Daumier: Ah yes, one of my finest caricatures.
Presenter: So, Mr. Daumier you are known as the Michelangelo of Caricatures, why is...show more content...
At this time Charles X was dethroned because of attacks on freedom of press. The revolution then brought to power King Louis Philippe who took a
direct political role in the revolution, to my surprise...
Presenter: Excuse me Mr. Daumier. You were in France during the time of the revolution, weren't you?
Daumier: Yes I was, and what I saw really moved me, causing me to take the job of being a political cartoonist. However even with the new king,
Louis Philippe, the government's creeping aggression on the freedom of the press influenced my caricatures, particularly after the conquest of
Democrat uprisings in 1834. In Gargantua I portray the king as a greedy political exploiter referring to the corruption and ignorance of Louis Philippe.
I have positioned the king on top of his throne in the background, eating the taxpayer's dollars that are delivering then into his open mouth. By using
lithograph, it allows myself to leave strong flat white areas, which contrast against the detailed hatched areas, which draws your eyes to the main
protagonist, of King Louise, who is sitting upon his throne, with working class men delivering taxpayers dollars to his open mouth. Also by using
outlines and darker areas of hatching on the peasant in the foreground and King Louis's head in the background helps the king stand out. While I place
the other citizens who gather around the king's feet collecting coins and documents in mid–tones, allowing the king to stand out.
Presenter:

Art History : Art Criticism
Jenessa Asch
Professor Caratzola
Art History 202
Term Paper Draft
Art History is the study of objects of art in their historical development and stylistic contexts. The history of art, we feel, can sometimes be confused
with art criticism. However, Art History is concerned with finding the value of the artistic piece in respect with others in the same category of art
or movement, and art criticism is more of an evaluation of art. The art examined best represents the culture during the time period, visions the artist
imagined, and history behind an event. It also represents society in a specific area, beliefs the people may have, writing that tells a story, the
natural world and environment, conflict between people and areas, and the human body. With these representations, artwork overall represents the
life in which we live (d). Each piece has its own genre, design, format and style to it. This makes each piece extremely different, yet pleasing to the
eye. They also vary between paintings, sculptures and architecture. These different types also make a variety of artwork to be seen by all people.
The art pieces that I chose, Jar, Bottle and Glass by Juan Gris, The Persistence of Memory by Salvador DalГ, and Starry Night by Vincent Van Gogh,
seemed interesting to me and I believe to best represent the context in which they were created, along with the major artistic movements of the time. I
went on to research them more thoroughly to better understand the history behind them,

Art And Feminist Art History
Art history is the study of all forms of art throughout history and the ways in which it has evolved. Art historians specialize in a variety of different
eras, methods, contents, and styles. Most art historians analyze, dissect, and attempt to learn more about art, artists, and the subjects and trends that
have occurred in art since its conception. Analyzing art can be done in a number of ways, from how it was created, to when it was produced, down to
the subject matter of the art. An assortment of methodologies for analyzing art have been established to more easily identify and study art. Some of
these methodologies are well named, concisely describing the function of that method. Artist biography focuses on the life of the artist and events that
may have affected their art. Feminist art history is the study of artworks through a feminist lens, emphasizing the struggle of women and their
traditionally gendered and sexualized portrayals in art. Social art history concentrates on the structure of society and events at the time the artwork was
created. Gay and lesbian art history highlights the eroticism and homosexuality that certain artists made present in their artwork, but not necessarily in
their everyday life. Other methodologies are more difficult to interpret. Formalism is the study of the basic forms, colors, and positions of the subject
matter of the art. Postcolonialism focuses on the way artists portray native peoples in colonized lands. Psychoanalysis uses a

Relationship Between Art And History
When finding relations between the subjects we learned in school, there are many connections that have become commonplace. For example, most
people see the correlation between science and math classes. But when examining the relationship between art and history they discuss how history has
influenced art rather than the influence art has had over history. When examining historical events such as the First World War, there is no way to
ignore the fact that art is always influenced by history in some way, either on a personal or national level. But in the case of World War Ithe
development of new art forms altered how ideological images could be portrayed to the public. Images that are fed to the community often influence
the outcome of historical events as they can cause a sense of complacency of inspire revolutionary acts. One of the seemingly more valid arguments
that is presented when discussing this relationship between art and history is that history is one of the main influencers over art. This can be seen
through direct historical references in works such as () that show symbols of the conflict at hand, relating the piece to the time period itself. People
are also more likely to accept the idea that history influences art because of what they're taught in school. There are higher level class in the AP and
International Baccalaureate realm that have dedicated their curriculum to the prospects of art history. But in order for the artists message to be properly

Essay On Islamic Art
Nature of Islamic Art
Islamic art does not only describe the art created in the service of Muslim faith
(for example, a mosque and its furnishings) but also include the art produced in the lands ruled by Muslims, produced for Muslim patrons, or created
by Muslim artists. "As it is not only a religion but a way of life, Islam fostered the development of a distinctive culture with its own unique artistic
language that is reflected in art and architecture throughout the Muslim world"1.
The Islamic art was influenced greatly by the preexisting artistic traditions of the conquer lands ruled by Muslims, beside those artists who worked
under Byzantine or Sasanian patronage continued to work in their own styles but for Muslim patrons, influencing the Islamic art to rely on earlier
...show more content...
"With its geographic spread and long history, Islamic art was inevitably subject to a wide range of regional and even national styles and influences as
well as changes within the various periods of its development. It is all the more remarkable then that, even under these circumstances, Islamic art has
always retained its intrinsic quality and unique identity. Just as the religion of Islam embodies a way of life and serves as a cohesive force among
ethnically and culturally diverse peoples, the art produced by and for Muslim societies has basic identifying and unifying characteristics."2 Islamic art
is usually classified in literature and museums according to the dynasty reigning when the work of art was produced, beginning with the Umayyad and
Abbasid dynasties that governed a vast and unified Islamic state, and concluding with the more regional, though powerful, dynasties such as the
safavids, Ottomans and Mughals. Islamic art is also identified by searching for the four basic components of Islamic ornament.
Calligraphy is the most highly regarded and most fundamental element of Islamic art.
It is significant that the Qur'an, the book of
God's revelations to
the

Essay on Art History
The exhibition Degas: Form, Movement and the Antique at the Tampa Museum of art consist of 47 pieces from the French impressionist's Edgar
Degas life. The exhibition focuses on Degas fascination with motion, and shape and his influences from Greek and Roman art. It consists of oil
paintings, charcoal and pastel drawings, and bronze replicas of his works. Most of the pieces are inspired by horses, ballerinas and everyday women.
He traditionally used line, color and texture in his paintings to convey the poise and grace of the figures. He also used asymmetry, imbalance and
dramatic angles to give the dancers a more naturalistic feeling. In his sculptures he typically used shape and space to simulate movement, and used
form to capture the...show more content...
In Rearing Horse he uses a dramatic poses to express the dynamic movement of the horse and to capture the horse's wild and unrestrained nature. In
this piece I believe Degas was trying to express a sense of freedom and impulsiveness. In Thoroughbred Horse Walking the statue has an incomplete
and spontaneous feeling to it that is almost like a quick drawing. It feels as though Degas is trying to communicate a feeling of defeat and resignation
with this piece. In Horse with Jockey Degas is trying to show the connection between a horse and its rider, it is meant to show how they both move as
one during a race and the relationship between man and nature.
Both Dancer Looking at the Sole of Her Right Foot and Dancer Holding Her Right Foot in Her Right Hand are statues of Ballerinas balancing on one
leg, cast in bronze. In these pieces Degas manages to capture the poised nature of the dancer's movements. The pieces themselves have a rough and
unfinished quality to them like a sketch or gesture drawing. These pieces show Degas love for sculpting bodies in motion, and by looking at these
pieces it was easy for me to see why Degas found dancers such an enchanting subject; he saw even their smallest gestures inspiring and translated that
beauty into sculptures that express their rhythm and movement perfectly.
In the statues Spanish Dancer and Grande Arabesque demonstrates Degas's ability to convey dancelike rhythm and motion in his

Art History Study Guide
Periods and their Artists * Chapter 3 Egypt * Old Kingdom (2700–2190 BCE) * Imhotep – Stepped Pyramid of Djoser * Chapter 5 Ancient Greece *
Archaic (600–480 BCE) * Andokides Painter –Achilles and Ajax * Ergotimos –[and Kleitius] Fracois Vase * Euphronios–Death of Sarpedon *
Exekias –Achilles and Ajax; Suicide of Ajax; Dionysis in a Boat * Polykleitos–Doryphoros * Classical (480–320 BCE) * Kalikrates –Temple of
Athena Nike; [ and Iktinos] Parthenon * Lysippos –Apoxyomenos * Mnesikles –Propylaia, Erechtheion[Porch of the Maidens] * Myron –Diskobolos *
Phidias –Acropolis; 3 Seated Goddesses E. Ped....show more content...
James Led to Execution; Dead Christ * Masaccio –Tribute Money/ Expulsion in the [and Masolono, Filippino Lippi] Brancacci Chapel; Trinity with
Virgin, St. John the Evangelist, and Donors * Michelozzo –Palazzo Medici Ricardi * Perugino –Delivery of the Keys to St. Peter, Sistine Chapel *
Pollaiuolo –Hercules and Antaeus; Battle of the Ten Nudes * Robbia, Luca della–Madonna and Child with Lilies, Orsanmichele * Rosselino –Tomb of
Leonardo Bruni, Santa Croce * Signorelli –Damned Cast into Hell * Uccello –Battle of San Romano * Verrocchio–David; Bartolommeo Colleoni *
Chapter 22 Italy (16th century) * High Renaissance (1500–1550) * Bellini, Giovanni –San Zaccaria Altarpiece; [and Titian] Feast of the Gods *
Bramante –St. Peter's, Rome; Tempieto * Correggio –Assumption * Da Vinci –Virgin (Madonna) of the Rocks; Virgin and Child with St. Anne and
Infant St. John; Last Supper, Refectory; Mona Lisa * del Sarto, Andrea –Madonna of the Harpies * Giorgione –Pastoral Symphony; The Tempest *
Michelangelo –Pieta/Dome, St. Peter's, Rome; Bacchus; David; Moses, tomb of Julius II; Bound Slave; Prisoner; Sistine Chapel Ceiling: Creation of
Adam, Creation of Eve, Temptation, Expulsion, Erythraean Sibyl, Prophet Jeremiah, Last Judgment; Dani Tondo (aka Holy Family); Tomb of

Art History Essay
ART
__–history, __–theory, __–world
(Accounting for modern art with Dickie, Danto, and Weitz)
Up until the twentieth century art theorists had consistently sought for a definition of art–a definition that would determine a set of necessary and
sufficient conditions for something to be called art. But artists in the 20th century did not want to be defined, and they deliberately tried to create
artworks that would not fit under some theorist's umbrella. We saw the Beatniks with their free verse; we saw the pop art of Andy Warhol; we saw the
rise of abstractionist and surrealist painters; we saw "happenings", and we saw "ready–made" art, all of which combined to make the finding of a
definition of art almost...show more content...
If you try to think of a necessary condition for a game to be a game, there will always be some game that refutes the condition, or some game that
we could invent that would not fit that condition, but could fit many others. The question of whether something is or is not art does not require us
to see if all its properties fit into some specific set of necessary and sufficient conditions; rather, it requires us to ask whether or not we will make a
decision to "enlarge the set of conditions for applying the concept (Weitz, 188)." For both games and art there are no essential properties, there are
only "family resemblances", or relational similarities that allow us to recognize whether a thing is close enough to be considered "art" or "a game".
Weitz offers a great summation of his argument concerning the "openness" of the concept of art:
"What I am arguing, then, is that the very expansive, adventurous character of art, its ever–present changes and novel creations, makes it logically
impossible to ensure any set of defining properties. We can, of course, choose to close the concept. But to do this with "art" or "tragedy" or
"portraiture," etc., is ludicrous since it forecloses on the very conditions of creativity in the arts (189)."
So, Weitz's

What is Art? Essay
What is Art1
Art can mean many different things to many different people and was one of the earliest ways in which man has expressed him or herself to others,
whether it was through cave drawings or hieroglyphics. It does not begin or end with just drawing or painting, items typically considered art, or the
many other recognized facets of art including architecture, drama, literature, sculpting, and music. The writing of Beowulf, one of the earliest known
written prose, or the Greek plays which have influenced drama since their inception, are considered some of the greatest forms of art in history. Art can
allow us pleasure just simply through the process of creating. Art can allow us to express ourselves to give us better insight...show more content...
Dancing as a fine art can incorporate numerous other artistic outlets as well, ranging from the writing of the story, the music and the musicians, the
designing of sets to the creation of simple or lavish costumes. This bringing together of artistic expressions from numerous other sources can be
witnessed in other forms, such as plays and festivals, which allow a diverse collective to share thoughts and styles, these being the most public of art
forms.
Poetry is another art form that offers an environment to the creative or expressive need. Writing poetry can be used as an aid to help think through
the conflicting emotions that accompany life. It is an art much as gardening is. An inspiration for a poem can be a seed. The seed is planted on
paper and usually, though not always, after tending to it the seed begins to take shape until it suddenly blooms. Poems such as Byron's "She Walks
in Beauty", Frost's "The Road Not Taken" and Shakespeare's "Shall I Compare Thee to a Summer's Day" all began as seeds and have long since been
considered works of art.
Painting and drawing–probably one of the highest acknowledged forms of art–incorporates all aspects of the need to create. The artwork can be
produced simply for the desire to create, whether it is just the study of the human body or the recreation of nature through the various colors, textures
and the styles available to the artist. Nature, commonly reflected in paintings, serves as a great source of

Essay on Art Criticism and Art History
Art criticism and Art History
Case Study: The use of assemblage and the found object in historical and contemporary art practice.
The origins of the practice of assemblage can be traced back to its early twentieth century roots based on ideas presented by Dadaists. The Dada
movement was a literary and artistic movement during the First World War and further developed as a non–art movement. The main idea of Dada was to
not follow a uniform rule of what an artwork entails in order to be valued. This movement was significant in the development and history of art as it
challenged society with new ideas therefore provoking change in our perspective of what can be classified as aesthetically pleasing and all the
possibilities of what art...show more content...
Duchamp's works are both seen as postmodern as they use postmodern conventions such as appropriation and parody (as seen in L.H.O.O.Q) and
recontextualisation in 'Fountain' (above).
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The re–emergence of the found object in pop art was significant in the development of the history of art as it reinforced previous ideas presented by
the Dada artists of aesthetics and of what society will accept as an artistic work.
The re–emergence of the found object in pop art looked at artworks using contemporary theories and knowledge that were established in the 1980s to
challenge traditional and modernist ideas, which was exactly the aim of the Dadaists. It is due to the challenging of contemporary perceptions of art in
which the found object would be considered a postmodern practice in its time.
Found art (also known as Ready–mades) is a description of art created by modified and undisguised objects that are not considered art for the main
reason of their non–art function. The art created by these found objects convey meaning through their context, assemblage/composition and by the
artists intention and approaches taken to montage pieces together.
The use of assemblage and the found object in Pop Art practice became an artistic trend and is exemplified by Robert Rauschenberg where he
combines installations with the assemblage of large physical objects and commercial photography to form 'Combine' in 1963. Rauschenberg

History Of Art Reflection Essay

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History Of Art Reflection Essay