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Hinduism
•  ca.	
  4000	
  BC	
  part	
  of	
  Indian	
  subcon5nent	
  (the	
  Indus	
  
River	
  Valley)	
  was	
  inhabited	
  by	
  people	
  of	
  Harappan	
  
culture.	
  
•  Ca.	
  1500	
  BC,	
  Aryan	
  invaders	
  brought	
  their	
  own	
  
belief	
  system,	
  which	
  was	
  integrated	
  with	
  that	
  of	
  the	
  
Harappans.	
  	
  
•  Aryans	
  developed	
  a	
  system	
  of	
  “cosmic	
  law”	
  or	
  
dharma	
  which	
  governed	
  all,	
  including	
  social	
  order	
  
(caste	
  system)	
  
•  Vedas	
  –	
  sacred	
  texts	
  da5ng	
  between	
  1700	
  –	
  500	
  
BCE.	
  Upanishads	
  are	
  the	
  collec5on	
  of	
  	
  Hindu	
  
founda5onal	
  thoughts	
  and	
  tradi5ons,	
  wriNen	
  pre-­‐
Buddha,	
  ca.	
  500	
  BCE.	
  
Indus River Valley/Harappan
Civilization
•  The	
  least	
  known	
  of	
  the	
  3	
  great	
  ancient	
  
civiliza5ons	
  (along	
  with	
  Egypt	
  and	
  
Mesopotamia/Babylonia)	
  ca.	
  5000	
  –	
  1900	
  BCE	
  
•  Copper	
  metallurgy,	
  ceramics,	
  stone	
  sculpture	
  
and	
  coins	
  found.	
  Undeciphered	
  wri5ng	
  system	
  
found	
  on	
  stone	
  seals	
  since	
  ca.	
  2600	
  BCE	
  
•  Advanced	
  grid-­‐paNern	
  city	
  plans	
  (at	
  Harappa	
  
and	
  Mohenjo-­‐daro)	
  and	
  last	
  but	
  not	
  least–	
  
sewers!	
  	
  
Harappan seal with writing
•  These	
  were	
  merchants’	
  marks	
  to	
  iden5fy	
  the	
  
owners	
  of	
  goods	
  or	
  shipments.	
  
Mohenjo-daro
Dancing Girl,
ca. 2500 BC
•  Found	
  in	
  Mohenjo-­‐daro	
  
•  Lost-­‐wax	
  process	
  
•  Predecessor	
  to	
  Hindu	
  Goddess	
  
figures:	
  Shak5,	
  Kali,	
  etc.	
  	
  
•  Dancing	
  pose	
  seen	
  throughout	
  
Indian	
  sculpture,	
  including	
  
both	
  Hindu	
  and	
  Buddhist	
  
sculpture	
  
Left: Harappan linga, ca. 3000 BCE;
Right: Hindu linga, ca. 200 BCE
•  Symbol	
  of	
  Hindu	
  God	
  Shiva	
  
Hindu deities
•  While	
  there	
  is	
  one	
  Divine	
  Being	
  (Brahman),	
  there	
  are	
  
many	
  dei5es	
  who	
  each	
  embody	
  some	
  aspect	
  of	
  the	
  
Divine	
  Being.	
  	
  
•  Hinduism	
  has	
  grown	
  and	
  evolved	
  through	
  regional	
  
tradi5ons,	
  so	
  that	
  each	
  has	
  dis5nct	
  gods;	
  even	
  the	
  
common	
  ones	
  may	
  have	
  different	
  aNributes	
  or	
  
incarna5ons	
  	
  in	
  each	
  tradi5on.	
  VERY	
  confusing!	
  
•  Since	
  each	
  incarna5on	
  of	
  a	
  god	
  is	
  a	
  separate	
  being,	
  there	
  
are	
  virtually	
  limitless	
  gods	
  in	
  the	
  pantheon	
  –	
  hundreds	
  
and	
  hundreds.	
  Main	
  ones	
  are:	
  
•  Shiva	
  (the	
  Destroyer)	
  
•  Vishnu	
  (the	
  Preserver)	
  
•  Brahma	
  (the	
  Creator)	
  
•  Goddess	
  aka	
  Shak5	
  
Brahma
•  The	
  Creator	
  (the	
  first	
  god	
  
–	
  created	
  good/evil	
  and	
  
light/dark	
  from	
  his	
  own	
  
person.	
  
•  Created	
  gods,	
  demons,	
  
ancestors	
  and	
  men,	
  along	
  
with	
  all	
  living	
  creatures.	
  
•  Abstract	
  or	
  metaphysical	
  
god,	
  so	
  few	
  myths	
  about	
  
him	
  exist.	
  Less	
  important	
  
in	
  modern	
  5mes,	
  except	
  
in	
  southeast	
  Asia.	
  
•  Brahma,	
  ca.	
  1700,	
  
northern	
  India	
  5.5	
  x	
  3.75	
  
inches,	
  wc/paper	
  
Vishnu
10	
  reincarna5ons	
  (avataras):	
  
•  Matsya	
  the	
  fish	
  
•  Kurma	
  the	
  tortoise	
  
•  Varaha	
  the	
  boar	
  
•  Narasimha	
  the	
  man-­‐lion	
  
•  Vamana	
  the	
  dwarf	
  
•  Parasurama	
  the	
  Brahman	
  
•  Prince	
  Rama	
  	
  
•  Krishna	
  the	
  god	
  
•  Krishna	
  as	
  Buddha	
  
•  Kalki	
  (future	
  –	
  end	
  of	
  world)	
  
Vishnu, ca. 900
– 1000 AD
Everyone’s	
  here!	
  
•  Vishnu	
  at	
  center	
  
(his	
  aNributes:	
  
chakra,	
  conch,	
  
mace,	
  abhaya	
  
mudra)	
  
•  Upper	
  lej:	
  
Brahma	
  (4-­‐
headed)	
  
•  Upper	
  right:	
  Shiva	
  
(trident	
  &	
  chakra)	
  
Shiva Nataraja: Lord of the Dance
Chola	
  period,	
  ca.	
  1000	
  AD,	
  South	
  India,	
  following	
  precepts	
  of	
  Shilpa	
  Shastras	
  (Science	
  or	
  
Rules	
  of	
  Sculpture)	
  	
  
Shiva - Lord
of the Dance	
  
•  Ca.	
  900	
  AD	
  
•  Figure	
  set	
  in	
  center	
  of	
  
universe	
  
•  Creator:	
  hand	
  drum	
  in	
  
upper	
  right	
  hand	
  
•  Preserver:	
  lower	
  right	
  
hand	
  gesture	
  of	
  abhaya,	
  
protec5on.	
  
•  Destroyer:	
  agni,	
  fire	
  of	
  
dynamic	
  destruc5on	
  
•  Right	
  foot:	
  tramples	
  
illusion	
  and	
  ignorance	
  
•  Lej	
  hand	
  points	
  to	
  leg	
  in	
  
gaja	
  hasta:	
  refuge	
  for	
  
troubled	
  soul	
  
•  Ganga	
  caught	
  in	
  hair	
  
Linga and Yoni
•  Linga	
  =	
  phallus	
  =	
  male	
  
crea5ve	
  energy,	
  
symbolizing	
  Shiva’s	
  role	
  
as	
  Creator	
  
•  Yoni	
  =	
  vaginal	
  form	
  =	
  
female	
  crea5ve	
  energy,	
  
symbol	
  of	
  the	
  Goddess,	
  
or	
  Shak5	
  (energizing	
  
force	
  of	
  the	
  universe),	
  
par5cularly	
  Parva5	
  
•  This	
  18th	
  century	
  
pain5ng	
  shows	
  2	
  women	
  
worshiping	
  the	
  god	
  Shiva	
  
at	
  a	
  linga-­‐yoni	
  (most	
  
sacred	
  part	
  of	
  a	
  Hindu	
  
shrine)	
  
Linga with
one face
•  9th	
  century	
  
•  Linga	
  is	
  the	
  most	
  
sacred	
  object	
  in	
  a	
  
temple	
  dedicated	
  
to	
  Shiva	
  
•  Emphasis	
  on	
  male/
female	
  energy	
  led	
  
to	
  an	
  abundance	
  of	
  
ero5c	
  Hindu	
  art	
  –	
  
both	
  metaphoric	
  	
  
and	
  lusty.	
  
Krishna
The Goddess
The	
  Goddess	
  is	
  the	
  manifesta5on	
  of	
  female	
  primordial	
  cosmic	
  
energy	
  or	
  feminine	
  crea5ve	
  power,	
  called	
  Shak5.	
  
	
  
She	
  can	
  be	
  personified	
  as	
  a	
  goddess	
  named	
  Shak5,	
  and	
  there	
  
are	
  some	
  Hindu	
  sects	
  in	
  which	
  she	
  is	
  synonymous	
  with	
  
Brahman,	
  the	
  Divine	
  Being.	
  	
  
	
  
When	
  Shak5	
  is	
  presented	
  as	
  a	
  goddess,	
  she	
  has	
  many	
  
aNributes	
  and	
  roles,	
  as	
  protector,	
  healer,	
  and	
  bringer	
  of	
  well-­‐
being.	
  She	
  also	
  has	
  many	
  incarna5ons,	
  including:	
  Ganga	
  (of	
  
Ganges	
  River)	
  and	
  Manasa.	
  
	
  
	
  	
  
Shakti Manasa
Duality of Hindu gods
In	
  her	
  various	
  forms,	
  the	
  Goddess	
  is	
  the	
  consort	
  
of	
  the	
  Great	
  Gods,	
  and	
  considered	
  to	
  be	
  the	
  
female	
  energy	
  of	
  each:	
  
•  Saraswa5	
  –	
  knowledge	
  (Brahma	
  -­‐	
  creator)	
  
Lakshmi	
  –	
  wealth	
  and	
  prosperity	
  (Vishnu-­‐	
  
preserver)	
  	
  
•  Parva5,	
  Durga,	
  Kali	
  -­‐	
  power	
  (Shiva	
  -­‐	
  destroyer)	
  
Saraswati
•  Consort	
  of	
  Brahma	
  
•  Known	
  from	
  
Vedas	
  
•  Also	
  revered	
  in	
  
Jain	
  religion	
  and	
  
some	
  Buddhist	
  
sects	
  
•  Goddess	
  of	
  
knowledge,	
  music,	
  
arts	
  and	
  learning	
  
Lakshmi
•  Consort	
  of	
  Vishnu	
  
•  Goddess	
  of	
  wealth,	
  fortune	
  and	
  prosperity	
  
(material	
  and	
  spiritual)	
  
•  Revered	
  in	
  Buddhism	
  and	
  Jainism	
  as	
  well	
  
•  ANributes	
  include	
  lotus	
  blossom	
  (ojen	
  shown	
  
standing	
  on	
  a	
  lotus	
  blossom,	
  due	
  to	
  her	
  origin	
  
myth)	
  and	
  4	
  arms	
  
•  Apparently	
  Scythians	
  worshipped	
  her	
  too!	
  
Lakshmi
Carving	
  300	
  BCE	
  
Goddess as Durga
•  Like	
  her	
  male	
  counterparts,	
  the	
  Goddess	
  has	
  
many	
  names	
  and	
  personas:	
  Devi,	
  Durga	
  
(warrior/protector),	
  Kali	
  (destroyer	
  of	
  evil)	
  
•  It	
  is	
  believed	
  she	
  evolved	
  from	
  a	
  mountain-­‐
goddess	
  worshipped	
  in	
  the	
  Himalayas	
  
•  A	
  war	
  goddess,	
  usually	
  pictures	
  with	
  10	
  arms	
  
and	
  astride	
  a	
  lion	
  or	
  5ger	
  
•  Consort	
  of	
  Shiva	
  	
  
Durga Killing
the Buffalo
Demon Mahisha
•  12th	
  century	
  
•  Argillite	
  
•  She	
  holds	
  a	
  variety	
  of	
  
weapons,	
  including:	
  
•  Spear,	
  arrow,	
  sword,	
  
chisel,	
  hammer,	
  
thunderbolt,	
  goad,	
  
discus.	
  	
  
Standing
Parvati
•  Chola	
  period,	
  ca.	
  925	
  AD	
  
•  Note	
  similarity	
  to	
  Harappan	
  
dancing	
  girl	
  
•  Cast	
  copper	
  
•  Parva5	
  is	
  the	
  gentle	
  aspect	
  of	
  
the	
  Goddess	
  (usually	
  2	
  
armed),	
  while	
  Durga	
  is	
  the	
  
protectress	
  and	
  Kali	
  the	
  
ferocious	
  destroyer	
  
•  Note	
  her	
  aNribute	
  of	
  the	
  
mountain-­‐shaped	
  hat,	
  
deno5ng	
  her	
  origin	
  as	
  a	
  
Himalayan	
  mountain	
  god	
  
•  She	
  has	
  108	
  names!	
  
Goddess as Kali
Shiva and
Parvati
•  Jaipur	
  school	
  16th-­‐	
  
17th	
  century	
  
•  Shiva	
  and	
  Parva5	
  
personify	
  	
  male	
  and	
  
female	
  crea5ve	
  
energy.	
  
Um,	
  it’s	
  a	
  
metaphor.	
  
Mostly.	
  
How do we know who is who in Hindu
iconography?
•  ANributes	
  
•  Mudras:	
  symbolic	
  
	
  	
  	
  	
  hand	
  posi5ons	
  
•  Mudras	
  are	
  	
  
	
  	
  	
  	
  shared	
  with	
  	
  
	
  	
  	
  	
  Buddhism	
  

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Hinduism part 1 1

  • 1. Hinduism •  ca.  4000  BC  part  of  Indian  subcon5nent  (the  Indus   River  Valley)  was  inhabited  by  people  of  Harappan   culture.   •  Ca.  1500  BC,  Aryan  invaders  brought  their  own   belief  system,  which  was  integrated  with  that  of  the   Harappans.     •  Aryans  developed  a  system  of  “cosmic  law”  or   dharma  which  governed  all,  including  social  order   (caste  system)   •  Vedas  –  sacred  texts  da5ng  between  1700  –  500   BCE.  Upanishads  are  the  collec5on  of    Hindu   founda5onal  thoughts  and  tradi5ons,  wriNen  pre-­‐ Buddha,  ca.  500  BCE.  
  • 2.
  • 3. Indus River Valley/Harappan Civilization •  The  least  known  of  the  3  great  ancient   civiliza5ons  (along  with  Egypt  and   Mesopotamia/Babylonia)  ca.  5000  –  1900  BCE   •  Copper  metallurgy,  ceramics,  stone  sculpture   and  coins  found.  Undeciphered  wri5ng  system   found  on  stone  seals  since  ca.  2600  BCE   •  Advanced  grid-­‐paNern  city  plans  (at  Harappa   and  Mohenjo-­‐daro)  and  last  but  not  least–   sewers!    
  • 4.
  • 5. Harappan seal with writing •  These  were  merchants’  marks  to  iden5fy  the   owners  of  goods  or  shipments.  
  • 7. Dancing Girl, ca. 2500 BC •  Found  in  Mohenjo-­‐daro   •  Lost-­‐wax  process   •  Predecessor  to  Hindu  Goddess   figures:  Shak5,  Kali,  etc.     •  Dancing  pose  seen  throughout   Indian  sculpture,  including   both  Hindu  and  Buddhist   sculpture  
  • 8. Left: Harappan linga, ca. 3000 BCE; Right: Hindu linga, ca. 200 BCE •  Symbol  of  Hindu  God  Shiva  
  • 9. Hindu deities •  While  there  is  one  Divine  Being  (Brahman),  there  are   many  dei5es  who  each  embody  some  aspect  of  the   Divine  Being.     •  Hinduism  has  grown  and  evolved  through  regional   tradi5ons,  so  that  each  has  dis5nct  gods;  even  the   common  ones  may  have  different  aNributes  or   incarna5ons    in  each  tradi5on.  VERY  confusing!   •  Since  each  incarna5on  of  a  god  is  a  separate  being,  there   are  virtually  limitless  gods  in  the  pantheon  –  hundreds   and  hundreds.  Main  ones  are:   •  Shiva  (the  Destroyer)   •  Vishnu  (the  Preserver)   •  Brahma  (the  Creator)   •  Goddess  aka  Shak5  
  • 10.
  • 11. Brahma •  The  Creator  (the  first  god   –  created  good/evil  and   light/dark  from  his  own   person.   •  Created  gods,  demons,   ancestors  and  men,  along   with  all  living  creatures.   •  Abstract  or  metaphysical   god,  so  few  myths  about   him  exist.  Less  important   in  modern  5mes,  except   in  southeast  Asia.   •  Brahma,  ca.  1700,   northern  India  5.5  x  3.75   inches,  wc/paper  
  • 12. Vishnu 10  reincarna5ons  (avataras):   •  Matsya  the  fish   •  Kurma  the  tortoise   •  Varaha  the  boar   •  Narasimha  the  man-­‐lion   •  Vamana  the  dwarf   •  Parasurama  the  Brahman   •  Prince  Rama     •  Krishna  the  god   •  Krishna  as  Buddha   •  Kalki  (future  –  end  of  world)  
  • 13. Vishnu, ca. 900 – 1000 AD Everyone’s  here!   •  Vishnu  at  center   (his  aNributes:   chakra,  conch,   mace,  abhaya   mudra)   •  Upper  lej:   Brahma  (4-­‐ headed)   •  Upper  right:  Shiva   (trident  &  chakra)  
  • 14. Shiva Nataraja: Lord of the Dance Chola  period,  ca.  1000  AD,  South  India,  following  precepts  of  Shilpa  Shastras  (Science  or   Rules  of  Sculpture)    
  • 15. Shiva - Lord of the Dance   •  Ca.  900  AD   •  Figure  set  in  center  of   universe   •  Creator:  hand  drum  in   upper  right  hand   •  Preserver:  lower  right   hand  gesture  of  abhaya,   protec5on.   •  Destroyer:  agni,  fire  of   dynamic  destruc5on   •  Right  foot:  tramples   illusion  and  ignorance   •  Lej  hand  points  to  leg  in   gaja  hasta:  refuge  for   troubled  soul   •  Ganga  caught  in  hair  
  • 16. Linga and Yoni •  Linga  =  phallus  =  male   crea5ve  energy,   symbolizing  Shiva’s  role   as  Creator   •  Yoni  =  vaginal  form  =   female  crea5ve  energy,   symbol  of  the  Goddess,   or  Shak5  (energizing   force  of  the  universe),   par5cularly  Parva5   •  This  18th  century   pain5ng  shows  2  women   worshiping  the  god  Shiva   at  a  linga-­‐yoni  (most   sacred  part  of  a  Hindu   shrine)  
  • 17. Linga with one face •  9th  century   •  Linga  is  the  most   sacred  object  in  a   temple  dedicated   to  Shiva   •  Emphasis  on  male/ female  energy  led   to  an  abundance  of   ero5c  Hindu  art  –   both  metaphoric     and  lusty.  
  • 19. The Goddess The  Goddess  is  the  manifesta5on  of  female  primordial  cosmic   energy  or  feminine  crea5ve  power,  called  Shak5.     She  can  be  personified  as  a  goddess  named  Shak5,  and  there   are  some  Hindu  sects  in  which  she  is  synonymous  with   Brahman,  the  Divine  Being.       When  Shak5  is  presented  as  a  goddess,  she  has  many   aNributes  and  roles,  as  protector,  healer,  and  bringer  of  well-­‐ being.  She  also  has  many  incarna5ons,  including:  Ganga  (of   Ganges  River)  and  Manasa.        
  • 21. Duality of Hindu gods In  her  various  forms,  the  Goddess  is  the  consort   of  the  Great  Gods,  and  considered  to  be  the   female  energy  of  each:   •  Saraswa5  –  knowledge  (Brahma  -­‐  creator)   Lakshmi  –  wealth  and  prosperity  (Vishnu-­‐   preserver)     •  Parva5,  Durga,  Kali  -­‐  power  (Shiva  -­‐  destroyer)  
  • 22. Saraswati •  Consort  of  Brahma   •  Known  from   Vedas   •  Also  revered  in   Jain  religion  and   some  Buddhist   sects   •  Goddess  of   knowledge,  music,   arts  and  learning  
  • 23. Lakshmi •  Consort  of  Vishnu   •  Goddess  of  wealth,  fortune  and  prosperity   (material  and  spiritual)   •  Revered  in  Buddhism  and  Jainism  as  well   •  ANributes  include  lotus  blossom  (ojen  shown   standing  on  a  lotus  blossom,  due  to  her  origin   myth)  and  4  arms   •  Apparently  Scythians  worshipped  her  too!  
  • 25. Goddess as Durga •  Like  her  male  counterparts,  the  Goddess  has   many  names  and  personas:  Devi,  Durga   (warrior/protector),  Kali  (destroyer  of  evil)   •  It  is  believed  she  evolved  from  a  mountain-­‐ goddess  worshipped  in  the  Himalayas   •  A  war  goddess,  usually  pictures  with  10  arms   and  astride  a  lion  or  5ger   •  Consort  of  Shiva    
  • 26. Durga Killing the Buffalo Demon Mahisha •  12th  century   •  Argillite   •  She  holds  a  variety  of   weapons,  including:   •  Spear,  arrow,  sword,   chisel,  hammer,   thunderbolt,  goad,   discus.    
  • 27. Standing Parvati •  Chola  period,  ca.  925  AD   •  Note  similarity  to  Harappan   dancing  girl   •  Cast  copper   •  Parva5  is  the  gentle  aspect  of   the  Goddess  (usually  2   armed),  while  Durga  is  the   protectress  and  Kali  the   ferocious  destroyer   •  Note  her  aNribute  of  the   mountain-­‐shaped  hat,   deno5ng  her  origin  as  a   Himalayan  mountain  god   •  She  has  108  names!  
  • 29. Shiva and Parvati •  Jaipur  school  16th-­‐   17th  century   •  Shiva  and  Parva5   personify    male  and   female  crea5ve   energy.  
  • 30. Um,  it’s  a   metaphor.   Mostly.  
  • 31. How do we know who is who in Hindu iconography? •  ANributes   •  Mudras:  symbolic          hand  posi5ons   •  Mudras  are            shared  with            Buddhism