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A project by Tasos Giannopoulos
The music of ancient Greece was almost universally present in society, from
marriages and funerals to religious ceremonies, theatre, folk music and the
ballad-like reciting of epic poetry. It thus played an integral role in the lives
of ancient Greeks. There are significant fragments of actual Greek musical
notation as well as many literary references to ancient Greek music, so that
some things can be known—or reasonably surmised—about what the music
sounded like, the general role of music in society, the economics of music, the
importance of a professional caste of musicians, etc. Even archaeological
remains reveal an abundance of depictions on ceramics, for example, of music
being performed.


                                 The word music comes from the Muses, the
                                 daughters of Zeus and patron goddesses of
                                 creative and intellectual endeavors.
Apollo is one of the most important and complex of
the Olympian deities in ancient Greek and Roman
religion, Greek and Roman mythology, and Greco–
Roman Neopaganism. The ideal of the kouros (a
beardless, athletic youth), Apollo has been variously
recognized as a god of light and the sun, truth and
prophecy, healing, plague, music, poetry, and more.
Apollo is the son of Zeus and Leto, and has a twin
sister, the chaste huntress Artemis. Apollo is known
in Greek-influenced Etruscan mythology as Apulu.
In ancient Greece, it was beneficial for all people to
exercise to music, for the Arcades it was also necessary.
Only in the Arcades’ first children from toddler age they
used to sing, according to musicians, hymns and paeans,
with whom everyone could sing , for local heroes and
gods; then they were dancing with big competition every
year in the theatres with the accompaniment of the Piper
of Dionysus.
And no thought at all ashamed to admit that he
knew something of the other courses, but could
not deny that they knew the song because it
required to all to learn this activity, nor, if they
were saying quite, could be exempted from this,
because it was considered shameful in their parts.
The old course all these introduced, rather than to
cultivate the sensuality and display wealth, but
because they observed personal toil and in short
the laborious and hard life and because send
feedback option ...
Ancient Greek Music in Society

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Ancient Greek Music in Society

  • 1. A project by Tasos Giannopoulos
  • 2. The music of ancient Greece was almost universally present in society, from marriages and funerals to religious ceremonies, theatre, folk music and the ballad-like reciting of epic poetry. It thus played an integral role in the lives of ancient Greeks. There are significant fragments of actual Greek musical notation as well as many literary references to ancient Greek music, so that some things can be known—or reasonably surmised—about what the music sounded like, the general role of music in society, the economics of music, the importance of a professional caste of musicians, etc. Even archaeological remains reveal an abundance of depictions on ceramics, for example, of music being performed. The word music comes from the Muses, the daughters of Zeus and patron goddesses of creative and intellectual endeavors.
  • 3. Apollo is one of the most important and complex of the Olympian deities in ancient Greek and Roman religion, Greek and Roman mythology, and Greco– Roman Neopaganism. The ideal of the kouros (a beardless, athletic youth), Apollo has been variously recognized as a god of light and the sun, truth and prophecy, healing, plague, music, poetry, and more. Apollo is the son of Zeus and Leto, and has a twin sister, the chaste huntress Artemis. Apollo is known in Greek-influenced Etruscan mythology as Apulu.
  • 4. In ancient Greece, it was beneficial for all people to exercise to music, for the Arcades it was also necessary. Only in the Arcades’ first children from toddler age they used to sing, according to musicians, hymns and paeans, with whom everyone could sing , for local heroes and gods; then they were dancing with big competition every year in the theatres with the accompaniment of the Piper of Dionysus.
  • 5. And no thought at all ashamed to admit that he knew something of the other courses, but could not deny that they knew the song because it required to all to learn this activity, nor, if they were saying quite, could be exempted from this, because it was considered shameful in their parts. The old course all these introduced, rather than to cultivate the sensuality and display wealth, but because they observed personal toil and in short the laborious and hard life and because send feedback option ...