Investigative reporting

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Investigative reporting

  1. 1. Adapted from Investigative Journalism Manuals Konrad Adenauer Stiftung
  2. 2. One of the major duties of ajournalist is to be a civic watchdog and achieving this oftendemands investigation and in-depth work.
  3. 3. Thus, in a way, all stories areinvestigativestories because they requireresearch, digging, interviewingand writing.
  4. 4. According toItule and Anderson (2007:397), all reporters areinvestigators who are trained toaskquestions, uncover informationand write the most completestories possible.
  5. 5. Nevertheless, some reportersconcentrate solely oninvestigations of wrongdoings.
  6. 6. Theydeal with reporter-adversaryrelationships that are usuallynot found in beat reporting orother in-depth coverage.
  7. 7. Their aim is to ferret out well-guarded information from oftenhostile sources. This givesthem a chance to becreative, to become part oftheir reader‟semotional lives and sometimesto uncover an injustice andcorrect it
  8. 8. According to Ansell et al (2002:4-5) investigative reporting hasthe following elements: It’s about digging deeply into an issue or topic The issue or topic has to be of public interest It’s a process, not an event It’s original and proactive It should produce new information or put together previously available information in a new way to reveal its significance It should be multi-sourced Because of its in-depth nature, it calls for greater resources, team working and time than a routine news report
  9. 9. The core of investigative journalismis to uncover information that is inthepublic’s interest.
  10. 10. Investigative journalism is aform of journalism in whichreporters deeply investigate asingle topic of interest, ofteninvolving crime, politicalcorruption, or corporatewrongdoing.
  11. 11. University of Missourijournalism professor SteveWeinberg defined investigativejournalism as:“Reporting, through ones owninitiative and workproduct, matters of importanceto readers, viewers, orlisteners”
  12. 12. British media theorist Hugo de Burgh (2000)states that: “An investigative journalist is aman or woman whose profession it is todiscover the truth and to identify lapses fromit in whatever media may be available…
  13. 13. …the act of doing thisgenerally is called investigativejournalism and is distinct fromapparently similar work doneby police, lawyers, auditors,and regulatory bodies in that itis not limited as to target, notlegally founded and closelyconnected to publicity.”
  14. 14. …any journalist becomes aninvestigative journalist whentheir story grows in scope anddepth beyond a routine report
  15. 15. So investigative journalism:1- employs the toolkit of any goodreporter, but at a very high level ofskill;2- uncovers both facts formallydefined as secret and issuesnobody wants to talk about; and3- looks beyond individuals tofaulty systems and processes.
  16. 16. Qualities of an investigativejournalist Passion Curiosity Initiative Logical thinking, organisation and self-discipline Flexibility Teamworking and communication skills Well-developed reporting skills Broad general knowledge and good research skills Determination and patience Fairness and strong ethics Discretion Citizenship Courage
  17. 17. Story ideas: Your own experience and that of friends and neighbours Follow-ups on previous stories Reading and the Internet Street, café and taxi gossip Routine checks of public information and with contacts. Tip-offs
  18. 18. Tip-offs can producedramatic stories, but shouldbe handled very carefully.
  19. 19. Story ideas: Investigative journalism sets its own agenda, and uses sources and tips to uncover important truths. When sources and tips use the journalist, this is called ‘leak journalism’, not investigation. Wherever a story idea comes from, journalists should start with their own and their community’s real concerns:
  20. 20. Story ideas: Analyse those concerns Boil the story idea down to a clear „headline‟ to focus the investigation Source map the story Data map the information as it is uncovered.
  21. 21. Planning the investigation You need a framework of structured questions that will allow you to move from a broad, theoretical story idea to a tightly-framed hypothesis or question your IJ project can prove or answer You need to plan your project, thinking about rationale, sources, obstacles, timeline and budget
  22. 22. Planning the investigation You need to base any story pitch on this plan Consider all sources: primary, secondary, paper, human and digital Be aware of the uses of each, and construct a methodology that allows you to dig for information from sources that are appropriate.
  23. 23. The first is the classic formulafor focusing a story: What’s been happening? So what? (Why should our readers care?) Who did it? How did they do it? What are the consequences? How can it be put right? What went wrong? How did it go wrong? Why did it go wrong? What are the consequences? How can it be put right? What’s the news? What’s the story? What’s the keyword? What’s the rationale? (Why are we doing this story?)
  24. 24. Everybody leaves a papertrail in a modern society
  25. 25. Be careful when dealing withbiased sources
  26. 26. Sources and Spin Doctors The usefulness of sources depends not only on the sources themselves, but how skillfully you use them. Start with your subject, and then ‘map’ witnesses, people currently or previously involved, experts and relevant official and organisational contacts. Make your selection from these.
  27. 27. Sources and Spin Doctors Select and evaluate experts carefully, and find a way of dealing with differences in expert views without distorting arguments. Pay particular attention to organisational contacts who act as gate-keepers, surveyors and door-openers. Use covert techniques only after careful decision-making on important, public-interest stories. Evaluate sources and documents methodically. Use the two-source rule to try to ensure that each of your findings has independent back-up. Beware of spin. Question the origins and motives of everything
  28. 28. The most important principleis that your relationship withyour sources is sacred. Donot make promises youcannotkeep. If you have madepromises, you must beprepared to put your ownliberty or life on the line tosee they are kept.
  29. 29. Investigative Interviewing Interview preparation is key Set up the interview in a way that suits the story and circumstances. Lose the attitude. Have a strategy for the whole interview. Keep questions clear, simple and direct. Establish ground rules Follow-up, re-phrase or reflect back to get answers that are equally clear and direct. Handle reluctant or fearful interviewees kindly and carefully – but don’t let them off the hook. Establish support structures and strategies to help you deal with threats and intimidation. Never take interview answers out of context.
  30. 30. Writing the investigativestory This requires choices about: form, content, and style. The 7 stages of writing: choosing the subject, planning, news gathering, pre- writing, writing, re-writing and feedback. Good writing: accuracy, clarity, conciseness, coherence, conventionality and originality.
  31. 31. Writing the investigativestory Make sure the story is complete Make sure the story makes sense Make sure the story is written well, as well as time will allow.
  32. 32. Writing the investigativestory Descriptive story: who, what, where, & when. Analytical story: how & why. Consequential story: so what?
  33. 33. references Steve Weinberg, The Reporters Handbook: An Investigators Guide to Documents and Techniques, St. Martins Press, 1996. Investigative Journalism: Context and Practice, Hugo de Burgh (ed), Routledge, London and New York, 2000. Ansell et al (2002) „Investigative Journalism in Africa: Walking through a Minefield at Midnight‟ Reporters without Borders. Itule, Bruce and Anderson, Douglas (2007): News Writing and Reporting for Today’s Media 7th edition. McGraw Hill New York U.S.A.

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