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TYPOGRAPHY ANALYSIS 
Halloween and The shining
TYPOGRAHPY IN “THE SHINNG” 
The Shining's typography is very bold and simplistic, the titles do no change 
theme and are consistently light blue, the simplistic style of the title sequence 
could help encourage the viewers to focus more on the on screen footage 
rather than the titles, this will engage the audience more. It could be said 
however that the boring nature of the text style coincides nicely with the dull 
music, “The Shining utilises simplicity in its opening sequence to entice the 
viewers to focus on what is happening on screen. The titles are seen by the 
audience vertically, the titles start at the top and fade out at the bottom, the 
titles that are crediting high profile personnel have their own frame, and only 
their name is seen, however when giving thanks to extras, multiple names are 
seen scrolling down the screen.
TYPOGRAHY IN HALLOWEEN 
The first thing we as an audience can interpret from the typography of 
“Halloween” is that the titles are coloured orange deliberately to coincide with 
a pumpkin, however, the credits are coloured red and orange so this hints that 
there is an element of danger present when red is shown. For the most part 
of the sequence titles are shown individually and only one name is ever 
present, this allows the actors/companys, to gain more attention from the 
audience, this is very different to the shining in which “Halloween” wants its 
actors and producers to get recognised. As the importance of the 
company/actor grows, so does the text with it, for example, at the end the 
main producer of the film is shown in large text. The titles are positioned to 
the left of the screen next to a pumpkin to blend the text.

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Typography analysis

  • 2. TYPOGRAHPY IN “THE SHINNG” The Shining's typography is very bold and simplistic, the titles do no change theme and are consistently light blue, the simplistic style of the title sequence could help encourage the viewers to focus more on the on screen footage rather than the titles, this will engage the audience more. It could be said however that the boring nature of the text style coincides nicely with the dull music, “The Shining utilises simplicity in its opening sequence to entice the viewers to focus on what is happening on screen. The titles are seen by the audience vertically, the titles start at the top and fade out at the bottom, the titles that are crediting high profile personnel have their own frame, and only their name is seen, however when giving thanks to extras, multiple names are seen scrolling down the screen.
  • 3. TYPOGRAHY IN HALLOWEEN The first thing we as an audience can interpret from the typography of “Halloween” is that the titles are coloured orange deliberately to coincide with a pumpkin, however, the credits are coloured red and orange so this hints that there is an element of danger present when red is shown. For the most part of the sequence titles are shown individually and only one name is ever present, this allows the actors/companys, to gain more attention from the audience, this is very different to the shining in which “Halloween” wants its actors and producers to get recognised. As the importance of the company/actor grows, so does the text with it, for example, at the end the main producer of the film is shown in large text. The titles are positioned to the left of the screen next to a pumpkin to blend the text.