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TeachingPublicHistory

Enrica Salvatori - Laboratorio di Cultura Digitale - Pisa
Public History and the Media - EUI - 11/2/2015
Digital History at Infouma
• Since 2010 course of Digital History at the Master Degree course
in Digital Humanities (Informatica Umanistica form here IU) in
Pisa
• At the beginning Students not expert or educated in History (only
one course during Bachelor)
• Students more expert in digital "stuff" (tools, software, scripts...) but
now also in Humanities
• Digital History ≠ Public History but
PH NEED DH A Digital Public History Course
• 50% Theory (home made
texts and slides)
• 50% Lab building the
conceptual structure of the
App
• EXTRA but NOT
OPTIONAL free course on
App organised by IU
Degree Course
First year: building an
App (about History)
Second year:
Epigraphies
• 50% theory
• aims:
• telling the “story” of an epigraphy (from ancient to
contemporary era) using TEXTS, IMAGES,
AUDIO, VIDEO
• make citizenship aware of their history by “reading
again” this “phantoms” of the town
• 50% Lab in digital video production (external aid)
• municipality’s collaboration requested but
not achieved
• collaboration with schools: not yet activated
but still possible
Third and Fourth year:
e-book History of Pisa
• 50% theory
• aims:
• thinking at the ebook as a real
multimedia device;
• reasoning about the best way
to explain and tell history to
people
• 50% Lab in writing, recording
and ebook production (with
external aid)
next year:
building a revival
• Revival a witches’ trial during XVII century
in a rural village in Val di Vara (La Spezia)
• looking at primary sources, building the
characters, recording voices, thinking how to
build an event into and out of the web
• interacting with local people by recording
interview
• reasoning about logistic and economic issues
• municipality’s interest and help achieved
• HOW to do it ? I really don’t know yet
maybe with magic!
What I’d like but I fear
• Personal experience in a FB group
dedicated to my town’s XX century
history
• collecting and organising experience
and data from and with this group
OR
• promoting a collection of local
fascist buildings, epigraphies,
pictures, mosaics and statues
• conducting (?) the discussion
(argument? fight?)
A Balance about
teaching..
• I’m not able to be a FULL digital public historian (nobody is) because
• a Digital Public History Course needs of a technical external aid (if you
don’t want to deal with the same subjects/projects)
• it cannot be focused on a specific period of time (it could be but you have
to sharing content with people nowadays and then the diachronic point
of view is compulsory)
• it needs both of theory and practice: you HAVE work on projects as in a
Renaissance workshop
• then a Teacher is not enough and one Course neither!
A Balance about Public..
• Given that IMHO Public History means participation of the people
to the interpretation of history guided by one historian (at least):
• it’s a lot easier sharing historical contents than building a real public
history project
• you need the municipality’s/associations’/ parties’ or local
organizations’ help: this is DIFFICULT and NEEDS an EXTRA
and HEAVVY WORK (not payed in any meaning)
• if you are dealing with risky topics you need also the academic
acceptance and sustain.. (no comment)

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Teaching Public History

  • 1. TeachingPublicHistory
 Enrica Salvatori - Laboratorio di Cultura Digitale - Pisa Public History and the Media - EUI - 11/2/2015
  • 2. Digital History at Infouma • Since 2010 course of Digital History at the Master Degree course in Digital Humanities (Informatica Umanistica form here IU) in Pisa • At the beginning Students not expert or educated in History (only one course during Bachelor) • Students more expert in digital "stuff" (tools, software, scripts...) but now also in Humanities • Digital History ≠ Public History but PH NEED DH A Digital Public History Course
  • 3. • 50% Theory (home made texts and slides) • 50% Lab building the conceptual structure of the App • EXTRA but NOT OPTIONAL free course on App organised by IU Degree Course First year: building an App (about History)
  • 4.
  • 5. Second year: Epigraphies • 50% theory • aims: • telling the “story” of an epigraphy (from ancient to contemporary era) using TEXTS, IMAGES, AUDIO, VIDEO • make citizenship aware of their history by “reading again” this “phantoms” of the town • 50% Lab in digital video production (external aid) • municipality’s collaboration requested but not achieved • collaboration with schools: not yet activated but still possible
  • 6.
  • 7. Third and Fourth year: e-book History of Pisa • 50% theory • aims: • thinking at the ebook as a real multimedia device; • reasoning about the best way to explain and tell history to people • 50% Lab in writing, recording and ebook production (with external aid)
  • 8. next year: building a revival • Revival a witches’ trial during XVII century in a rural village in Val di Vara (La Spezia) • looking at primary sources, building the characters, recording voices, thinking how to build an event into and out of the web • interacting with local people by recording interview • reasoning about logistic and economic issues • municipality’s interest and help achieved • HOW to do it ? I really don’t know yet maybe with magic!
  • 9. What I’d like but I fear • Personal experience in a FB group dedicated to my town’s XX century history • collecting and organising experience and data from and with this group OR • promoting a collection of local fascist buildings, epigraphies, pictures, mosaics and statues • conducting (?) the discussion (argument? fight?)
  • 10. A Balance about teaching.. • I’m not able to be a FULL digital public historian (nobody is) because • a Digital Public History Course needs of a technical external aid (if you don’t want to deal with the same subjects/projects) • it cannot be focused on a specific period of time (it could be but you have to sharing content with people nowadays and then the diachronic point of view is compulsory) • it needs both of theory and practice: you HAVE work on projects as in a Renaissance workshop • then a Teacher is not enough and one Course neither!
  • 11. A Balance about Public.. • Given that IMHO Public History means participation of the people to the interpretation of history guided by one historian (at least): • it’s a lot easier sharing historical contents than building a real public history project • you need the municipality’s/associations’/ parties’ or local organizations’ help: this is DIFFICULT and NEEDS an EXTRA and HEAVVY WORK (not payed in any meaning) • if you are dealing with risky topics you need also the academic acceptance and sustain.. (no comment)