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BRAVE LITTLE
(STORYTELLING) TAILOR
Kentucky World Language Association
Fall Conference 2016
#bravelittletailor #kwla16
Sara-Elizabeth Cottrell
musicuentos.com
@secottrell
facebook.com/musicuentos
secottrell@musicuentos.com
2
CAN DO
ò I can identify and incorporate
the non-negotiable elements of
comprehensible input.
ò I can develop an interaction
that engages students with
comprehensible learning
targets.
ò I can adapt storytelling
strategies to fit my students’
learning situation.
An experiential approach to
proficiency

(the last stage of backward design)
“
”
I	can	do	what	the	
sum	of	my	
experiences	have	
prepared	me	to	do.
An experiential approach to
proficiency

(the last stage of backward design)
“
”
Interaction	with	
comprehensible	input	
along	a	continuum	
naturally	encourages	
language	use.
EXPERIENTIAL APPROACH TO
PROFICIENCY DEVELOPMENT
A continuum from passive input to TL performance
SPONTANEOUS	ACTIVE	OUTPUT
scaffolded	x/y	
response
☑
passive	
CI
scaffolded	
open	
response
2/7 Tips for a
Good Story
òGoals
òSimplicity
FOTO: IMAGEN EN ACCION
Identify targets & group up!
What will you teach?
Whom will you collaborate with?
8
Let me tell you a story.
7 Tips for a Good
Story
ò Goals
ò Student involvement
ò Questions
ò Strange characters
ò Simplicity
ò Repetition
ò An unexpected
ending
FOTO: IMAGEN EN ACCION
Tailor Tip: “I’m not creative enough.”
11
ò Use reality.
ò Think about how you
might tweak it.
ò Ask.
ò #langchat
ò students
ò Creativity is a muscle.
Selecting input:

noticing patterns
camina
limpia
llama
mira
pasa
Personalizing
Input
ò Include student
interests, talents, and
experiences in input.
ò Use characters they
know.
ò Use famous people they
love or hate.
ò Shift unit focus to
student interests.
ò Allow more choice in
formats, assignments,
vocabulary, etc.
Comprehensible
input must not be
confused with
total
comprehension.

TERRILL & CLEMENTI
Progressive Interaction:

POST-IT VOTES
Progressive Interaction:

POST-IT VOTES
Progressive Interaction:

class polling
Tailor Tip: “My learners don’t like crazy.”
19
ò Pinpoint what they do
like (drama?).
ò Ask.
ò #langchat
ò students
ò Use interesting people
and events instead.
What’s your intermediate step(s)?
How will you move students along the continuum with a
low-response interactive activity?
20
Progressive Interaction:

Linguacafé
это хорошо!
О, это
плохо!
это хорошо
!
или
ili
!
это
плохо?
What’s your intermediate step(s)?
How will you move students along the continuum with a
low-response interactive activity?
22
Tailor Tip: “I can’t get into storytelling.”
23
ò That was not a story; it
was a game.
ò Start a file of
inspiration.
ò Investigate / bookmark
ideas and sources for
other strategies. Such
as…
24
descriptive
sudden
cortometrajes! commercials! film!
infographics!
social media!
Twitter
!
!
TRENDING
TOPICS
Twitter
!
!
SEARCH
KEYWORDS
Twitter
!
!
(e.g. country)
HASHTAGS
Facebook

Celebrity Pages
Facebook

Fan Groups
music!
“Voy	a	reír,	voy	a	
bailar.”
TL websites!
In the focus on
whether they can,
don’t forget to
focus on whether
they care.
MUSICUENTOS.COM
Now what?
ò Trained storytelling teachers willing to be observed:
http://bit.ly/2cbQRP6 (thanks martinabex.com!)
ò Story scripts: https://bryankandeltprs.com/category/
story-scripts/ ; https://martinabex.com/category/story-
scripts/ (thanks Martina & Bryan!)
ò Encouragement from Terry Waltz: http://bit.ly/
2cbR2K8
ò My Linguacafé set: http://bit.ly/2cPABWK
35
Sara-Elizabeth Cottrell
musicuentos.com
@secottrell
facebook.com/musicuentos
secottrell@musicuentos.com
36

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Bl storytelling tailor