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Dr. Parasuram Ramamoorthi
Acting Behavior
 One can at will( consciously) transmit gnostic and
emotional information to an audience by
 Word
 Gesture
 Posture
 This is called Role play different from natural behavior
 Real life behavior and role play are different.
 Emotional behavior on stage is equivalent to
spontaneous emotion.
Body and Face
The way two
people stand
How the body
leans
Yes : Role play can be taught
It can be trained
Stimulated
How to emote
How to use the Body to express emotions
Body Speaks
All theatre manuals speak of
Body speak
The natya shastra calls it
AANGIKAM
 HEAD
 EYE BROWS
 EYES
 FACE(MUSCLES,LIPS,CHIN)
 CHEST
 LOWER LIMBS
 FINGERS
 They all act in Role Play
 Voluntary control of the body
Simulate an Emotion
 Each Role has an Emotion
 Try and capture the emotion
 Simulate the emotion
 Mother frustrated with the child: not easy for the child
 Observe, repeat, observe, repeat
 Reproduce respiratory, postural and facial postures of
the object of observation
Happiness
Sadness
Fear
Anger
Eroticism
Tenderness
Body relaxed
Head up and expansion of the body
Mouth slightly open
Almost similar to Happiness
Variation in the opening of mouth
Relaxed
Body opens up
All connected with Eroticism
Tenderness
love
Body is tense
Crying, grief
Depression and panic
Immobile Body
Body shrinks
Body crouches
Arms closed
Freezing reaction
Anger- Aggression
 High and sound breathing
 Facial muscles are tense
 Lips tightly pressed together
 Eyes semi-closed
How to train Children with ASD
 Sculpt Body Images
 A gallery of Fear or Anger or Happiness
 Model expressions
 Body postures
 Create a scenario for Anger or fear or happiness
For Teens and Adults
 Create a short scenario
 Show pictures of love, tenderness
 Model moments of tenderness
 Hug
 Kiss
 Holding hands
 Dancing
 Watching TV together
 Advertisements could be used
Performing Emotions
 Performances should be built around Emotions
 A play should have various emotions
 Loss, grief, death, funeral
 Losing a toy, a job, a loved one
 Getting a new job, promotion
 Finding a new partner
 One friend bullying : anger/sadness

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Webinar role play

  • 2. Acting Behavior  One can at will( consciously) transmit gnostic and emotional information to an audience by  Word  Gesture  Posture  This is called Role play different from natural behavior  Real life behavior and role play are different.  Emotional behavior on stage is equivalent to spontaneous emotion.
  • 3. Body and Face The way two people stand How the body leans
  • 4. Yes : Role play can be taught It can be trained Stimulated How to emote How to use the Body to express emotions
  • 5. Body Speaks All theatre manuals speak of Body speak The natya shastra calls it AANGIKAM  HEAD  EYE BROWS  EYES  FACE(MUSCLES,LIPS,CHIN)  CHEST  LOWER LIMBS  FINGERS  They all act in Role Play  Voluntary control of the body
  • 6.
  • 7. Simulate an Emotion  Each Role has an Emotion  Try and capture the emotion  Simulate the emotion  Mother frustrated with the child: not easy for the child  Observe, repeat, observe, repeat  Reproduce respiratory, postural and facial postures of the object of observation
  • 9. Body relaxed Head up and expansion of the body Mouth slightly open
  • 10. Almost similar to Happiness Variation in the opening of mouth Relaxed Body opens up
  • 11. All connected with Eroticism Tenderness love
  • 12.
  • 13.
  • 14. Body is tense Crying, grief Depression and panic Immobile Body Body shrinks
  • 16.
  • 17. Anger- Aggression  High and sound breathing  Facial muscles are tense  Lips tightly pressed together  Eyes semi-closed
  • 18. How to train Children with ASD  Sculpt Body Images  A gallery of Fear or Anger or Happiness  Model expressions  Body postures  Create a scenario for Anger or fear or happiness
  • 19. For Teens and Adults  Create a short scenario  Show pictures of love, tenderness  Model moments of tenderness  Hug  Kiss  Holding hands  Dancing  Watching TV together  Advertisements could be used
  • 20. Performing Emotions  Performances should be built around Emotions  A play should have various emotions  Loss, grief, death, funeral  Losing a toy, a job, a loved one  Getting a new job, promotion  Finding a new partner  One friend bullying : anger/sadness