art history power point for Grade 11 students/only partial

1. ART IN THE DARK
IS BACK!!!

2. ART IN THE DARK
IS BACK!!!

3. ART IN THE DARK
IS BACK!!!

4. ART IN THE DARK
IS BACK!!!
with your hostess
Ms Sorochan ( tumultuous applause)

6. The Renaissance

7. The Renaissance
read for us from your notes Meghan( just start with the
first paragraph)

8. The Renaissance
read for us from your notes Meghan( just start with the
first paragraph)
key points: after years of darkness called the Middle
Ages

9. The Renaissance
read for us from your notes Meghan( just start with the
first paragraph)
key points: after years of darkness called the Middle
Ages
revival of arts and sciences

10. The Big Names in
Renaissance Art...

11. The Big Names in
Renaissance Art...
Leonardo

12. The Big Names in
Renaissance Art...
Leonardo
Donatello

13. The Big Names in
Renaissance Art...
Leonardo
Donatello
Michelangelo

14. The Big Names in
Renaissance Art...
Leonardo
Donatello
Michelangelo
Raphael

15. The Big Names in
Renaissance Art...
Leonardo
Donatello
Michelangelo
Raphael
and Titian

16. OK..you are like wanting to be an artist, the whole
working for a patron, completely toxic pigments, small dark
rooms with no heat ... whats not to love? So how...

17. OK..you are like wanting to be an artist, the whole
working for a patron, completely toxic pigments, small dark
rooms with no heat ... whats not to love? So how...
taken in as an apprentice by an artist to work in his
studio

18. OK..you are like wanting to be an artist, the whole
working for a patron, completely toxic pigments, small dark
rooms with no heat ... whats not to love? So how...
taken in as an apprentice by an artist to work in his
studio
begin by sweeping floors

19. OK..you are like wanting to be an artist, the whole
working for a patron, completely toxic pigments, small dark
rooms with no heat ... whats not to love? So how...
taken in as an apprentice by an artist to work in his
studio
begin by sweeping floors
grinding pigments

20. OK..you are like wanting to be an artist, the whole
working for a patron, completely toxic pigments, small dark
rooms with no heat ... whats not to love? So how...
taken in as an apprentice by an artist to work in his
studio
begin by sweeping floors
grinding pigments
working on areas of painting in the shop

21. OK..you are like wanting to be an artist, the whole
working for a patron, completely toxic pigments, small dark
rooms with no heat ... whats not to love? So how...
taken in as an apprentice by an artist to work in his
studio
begin by sweeping floors
grinding pigments
working on areas of painting in the shop
eventually being released when the “master” feels you
are ready

22. The Late Gothic ( the northern counterpart
of the Early Renaissance)

23. The Late Gothic ( the northern counterpart
of the Early Renaissance)
The artists from
this period
attempted to give a
type of spatial
reality to the world
with all the essential
qualities of
everyday reality:
unlimited depth,
stability , continuity
and completeness.

24. The Late Gothic ( the northern counterpart
of the Early Renaissance)
The artists from
this period
attempted to give a
type of spatial
reality to the world
with all the essential
qualities of
everyday reality:
unlimited depth,
stability , continuity
and completeness.

25. The Late Gothic ( the northern counterpart
of the Early Renaissance)
The artists from
this period
attempted to give a
type of spatial
reality to the world
with all the essential
qualities of
everyday reality:
unlimited depth,
stability , continuity
and completeness.
The Merode Altarpiece pg.171
by The Master of Flemalle

27. Merode Altarpiece by Robert Campin
Period: The Late Gothic

28. Merode Altarpiece by Robert Campin
Period: The Late Gothic

30. Symbols in the
Annunciation

31. Symbols in the
Annunciation

32. Symbols in the
Annunciation
Disguised
Symbolism:how to transfer a
supernatural event ( the angel announcing
that Mary will bear the Son of God) from a
symbolic setting to an everyday environment.
He solves this by using disguised symbolism.
This means that any detail in the picture may
carry a symbolic meaning.

33. Symbols in the
Annunciation
Disguised
Symbolism:how to transfer a
supernatural event ( the angel announcing
that Mary will bear the Son of God) from a
symbolic setting to an everyday environment.
He solves this by using disguised symbolism.
This means that any detail in the picture may
carry a symbolic meaning.
And the symbols are:

34. Symbols in the
Annunciation
Disguised
Symbolism:how to transfer a
supernatural event ( the angel announcing
that Mary will bear the Son of God) from a
symbolic setting to an everyday environment.
He solves this by using disguised symbolism.
This means that any detail in the picture may
carry a symbolic meaning.
And the symbols are:
The Candle: spirit entering Mary

35. Symbols in the
Annunciation
Disguised
Symbolism:how to transfer a
supernatural event ( the angel announcing
that Mary will bear the Son of God) from a
symbolic setting to an everyday environment.
He solves this by using disguised symbolism.
This means that any detail in the picture may
carry a symbolic meaning.
And the symbols are:
The Candle: spirit entering Mary
The Lily: Purity

36. Symbols in the
Annunciation
Disguised
Symbolism:how to transfer a
supernatural event ( the angel announcing
that Mary will bear the Son of God) from a
symbolic setting to an everyday environment.
He solves this by using disguised symbolism.
This means that any detail in the picture may
carry a symbolic meaning.
And the symbols are:
The Candle: spirit entering Mary
The Lily: Purity
The Vessel:filled with water (life),represents
Mary’s womb

37. Symbols in the
Annunciation
Disguised
Symbolism:how to transfer a
supernatural event ( the angel announcing
that Mary will bear the Son of God) from a
symbolic setting to an everyday environment.
He solves this by using disguised symbolism.
This means that any detail in the picture may
carry a symbolic meaning.
And the symbols are:
The Candle: spirit entering Mary
The Lily: Purity
The Vessel:filled with water (life),represents
Mary’s womb
pages of the book: fluttering with, the
unbeknownst to Mary, angel’s arrival

38. Symbols in the
Annunciation
Disguised
Symbolism:how to transfer a
supernatural event ( the angel announcing
that Mary will bear the Son of God) from a
symbolic setting to an everyday environment.
He solves this by using disguised symbolism.
This means that any detail in the picture may
carry a symbolic meaning.
And the symbols are:
The Candle: spirit entering Mary
The Lily: Purity
The Vessel:filled with water (life),represents
White Baby: Spirit of God
Mary’s womb
pages of the book: fluttering with, the
unbeknownst to Mary, angel’s arrival

39. Key Terms

40. Key Terms
Egg Tempera: pigment mixed with egg yolk

41. Key Terms
Egg Tempera: pigment mixed with egg yolk
Triptych: three hinged panels

42. Key Terms
Egg Tempera: pigment mixed with egg yolk
Triptych: three hinged panels
Diptych: two hinged panels

43. Key Terms
Egg Tempera: pigment mixed with egg yolk
Triptych: three hinged panels
Diptych: two hinged panels
Impasto: thick white paint

44. Key Terms
Egg Tempera: pigment mixed with egg yolk
Triptych: three hinged panels
Diptych: two hinged panels
Impasto: thick white paint
Glazes: thin layers of oil paint

45. Key Terms
Egg Tempera: pigment mixed with egg yolk
Triptych: three hinged panels
Diptych: two hinged panels
Impasto: thick white paint
Glazes: thin layers of oil paint
(bonus point: The Merode Altarpiece is done in oil not
tempera)

46. February : illustrated manuscript pg158 Jansen
May: page 343 Art in Focus

47. February : illustrated manuscript pg158 Jansen
May: page 343 Art in Focus

48. February : illustrated manuscript pg158 Jansen
May: page 343 Art in Focus

49. The International Style

50. The International Style
So what’s so International about it?: pg 342

51. The International Style
So what’s so International about it?: pg 342
read for us please Tina (period 2 or how about
Tanner?)start at The International Style

52. The International Style
So what’s so International about it?: pg 342
read for us please Tina (period 2 or how about
Tanner?)start at The International Style
Points: realistic detail, beautiful subjects with care and precision

53. The International Style
So what’s so International about it?: pg 342
read for us please Tina (period 2 or how about
Tanner?)start at The International Style
Points: realistic detail, beautiful subjects with care and precision
***** because of its widespread popularity throughout western europe it became
know as the _______________________ _____________.

55. back to the North with the great, the incomparable, the one and only Jan van Eyke

56. back to the North with the great, the incomparable, the one and only Jan van Eyke

57. back to the North with the great, the incomparable, the one and only Jan van Eyke
The Wedding Portrait 1434 The
Arnolfini Wedding pg 383 Art in
Focus

58. back to the North with the great, the incomparable, the one and only Jan van Eyke
The Wedding Portrait 1434 The
Arnolfini Wedding pg 383 Art in
Focus
oil on panel

59. back to the North with the great, the incomparable, the one and only Jan van Eyke
The Wedding Portrait 1434 The
Arnolfini Wedding pg 383 Art in
Focus
oil on panel
a young couple exchanges their vows

60. back to the North with the great, the incomparable, the one and only Jan van Eyke
The Wedding Portrait 1434 The
Arnolfini Wedding pg 383 Art in
Focus
oil on panel
a young couple exchanges their vows
appear to be alone but look in the mirror....

61. back to the North with the great, the incomparable, the one and only Jan van Eyke
The Wedding Portrait 1434 The
Arnolfini Wedding pg 383 Art in
Focus
oil on panel
a young couple exchanges their vows
appear to be alone but look in the mirror....
disguised symbolism:

62. back to the North with the great, the incomparable, the one and only Jan van Eyke
The Wedding Portrait 1434 The
Arnolfini Wedding pg 383 Art in
Focus
oil on panel
a young couple exchanges their vows
appear to be alone but look in the mirror....
disguised symbolism:
single candle in the chandelier: all-seeing Christ

63. back to the North with the great, the incomparable, the one and only Jan van Eyke
The Wedding Portrait 1434 The
Arnolfini Wedding pg 383 Art in
Focus
oil on panel
a young couple exchanges their vows
appear to be alone but look in the mirror....
disguised symbolism:
single candle in the chandelier: all-seeing Christ
shoes: holy ground

64. back to the North with the great, the incomparable, the one and only Jan van Eyke
The Wedding Portrait 1434 The
Arnolfini Wedding pg 383 Art in
Focus
oil on panel
a young couple exchanges their vows
appear to be alone but look in the mirror....
disguised symbolism:
single candle in the chandelier: all-seeing Christ
shoes: holy ground
dog : Fido - fidelity

65. back to the North with the great, the incomparable, the one and only Jan van Eyke
The Wedding Portrait 1434 The
Arnolfini Wedding pg 383 Art in
Focus
oil on panel
a young couple exchanges their vows
appear to be alone but look in the mirror....
disguised symbolism:
single candle in the chandelier: all-seeing Christ
shoes: holy ground
dog : Fido - fidelity
bedpost: fertility/childbirth

66. back to the North with the great, the incomparable, the one and only Jan van Eyke
The Wedding Portrait 1434 The
Arnolfini Wedding pg 383 Art in
Focus
oil on panel
a young couple exchanges their vows
appear to be alone but look in the mirror....
disguised symbolism:
single candle in the chandelier: all-seeing Christ
shoes: holy ground
dog : Fido - fidelity
bedpost: fertility/childbirth
broom hanging on the bed: wifely duties

67. back to the North with the great, the incomparable, the one and only Jan van Eyke
The Wedding Portrait 1434 The
Arnolfini Wedding pg 383 Art in
Focus
oil on panel
a young couple exchanges their vows
appear to be alone but look in the mirror....
disguised symbolism:
single candle in the chandelier: all-seeing Christ
shoes: holy ground
dog : Fido - fidelity
bedpost: fertility/childbirth
broom hanging on the bed: wifely duties

68. back to the North with the great, the incomparable, the one and only Jan van Eyke
The Wedding Portrait 1434 The
Arnolfini Wedding pg 383 Art in
Focus
oil on panel
a young couple exchanges their vows
appear to be alone but look in the mirror....
disguised symbolism:
single candle in the chandelier: all-seeing Christ
shoes: holy ground
dog : Fido - fidelity
bedpost: fertility/childbirth
broom hanging on the bed: wifely duties

69. back to the North with the great, the incomparable, the one and only Jan van Eyke
The Wedding Portrait 1434 The
Arnolfini Wedding pg 383 Art in
Focus
oil on panel
a young couple exchanges their vows
appear to be alone but look in the mirror....
disguised symbolism:
single candle in the chandelier: all-seeing Christ
shoes: holy ground
dog : Fido - fidelity
bedpost: fertility/childbirth
broom hanging on the bed: wifely duties

70. back to the North with the great, the incomparable, the one and only Jan van Eyke
The Wedding Portrait 1434 The
Arnolfini Wedding pg 383 Art in
Focus
oil on panel
a young couple exchanges their vows
appear to be alone but look in the mirror....
disguised symbolism:
single candle in the chandelier: all-seeing Christ
shoes: holy ground
dog : Fido - fidelity
bedpost: fertility/childbirth
broom hanging on the bed: wifely duties

71. check out the mirror

72. check out the mirror

73. check out the mirror
who is in
the
mirror?
what is
around
the
mirror?

75. More great paintings from
the North ( north of what?
what is that great physical
barrier separating the south
from the north?)
Lets take a look at
Hugo van der Goes
The Portinari Altarpiece

76. More great paintings from
the North ( north of what?
what is that great physical
barrier separating the south
from the north?)
Lets take a look at
Hugo van der Goes
The Portinari Altarpiece

77. More great paintings from
the North ( north of what?
what is that great physical
barrier separating the south
from the north?)
Lets take a look at
Hugo van der Goes
The Portinari Altarpiece
pg 389 Art in Focus

78. More great paintings from
the North ( north of what?
what is that great physical
barrier separating the south
from the north?)
Lets take a look at
Hugo van der Goes
The Portinari Altarpiece
pg 389 Art in Focus
symbols: wheat

79. More great paintings from
the North ( north of what?
what is that great physical
barrier separating the south
from the north?)
Lets take a look at
Hugo van der Goes
The Portinari Altarpiece
pg 389 Art in Focus
symbols: wheat
columbine

80. More great paintings from
the North ( north of what?
what is that great physical
barrier separating the south
from the north?)
Lets take a look at
Hugo van der Goes
The Portinari Altarpiece
pg 389 Art in Focus
symbols: wheat
columbine
shoe

81. More great paintings from
the North ( north of what?
what is that great physical
barrier separating the south
from the north?)
Lets take a look at
Hugo van der Goes
The Portinari Altarpiece
pg 389 Art in Focus
symbols: wheat
columbine
shoe
donkey: stupidity

82. More great paintings from
the North ( north of what?
what is that great physical
barrier separating the south
from the north?)
Lets take a look at
Hugo van der Goes
The Portinari Altarpiece
pg 389 Art in Focus
symbols: wheat
columbine
shoe
donkey: stupidity
ox: faithfulness

83. More great paintings from
the North ( north of what?
what is that great physical
barrier separating the south
from the north?)
Lets take a look at
Hugo van der Goes
The Portinari Altarpiece
pg 389 Art in Focus
symbols: wheat
columbine
shoe
donkey: stupidity
ox: faithfulness

84. Hieronymous Bosch

85. Hieronymous Bosch

86. Hieronymous Bosch
a triptych

87. Hieronymous Bosch
a triptych
the panel on the left is the Lord introducing the newly created
Eve to Adam in the garden of Eden

88. Hieronymous Bosch
a triptych
the panel on the left is the Lord introducing the newly created
Eve to Adam in the garden of Eden
the panel on the right is a nightmarish scene of burning ruins
and instruments of torture: Hell

90. but what of the middle panel? what the heck is going on?

93. pg 182
Jansen

94. pg 182
Jansen

95. pg 182
Jansen

96. pg 182
Jansen

97. pg 182
Jansen
enormous flowers and birds
and marine animals( Bosch
used these symbols to depict
man’s life on earth as
unending repetition of the
Original Sin of Adam
whereby we are all doomed
to be prisoners of our
appetites (carnal desires)

98. pg 182
Jansen
enormous flowers and birds
and marine animals( Bosch
used these symbols to depict
man’s life on earth as
unending repetition of the
Original Sin of Adam
whereby we are all doomed
to be prisoners of our
appetites (carnal desires)

99. pg 182
Jansen
enormous flowers and birds
and marine animals( Bosch
used these symbols to depict
man’s life on earth as
unending repetition of the
Original Sin of Adam
whereby we are all doomed
to be prisoners of our
appetites (carnal desires)
he is deeply pessimistic : we
are all destined for Hell.

100. pg 182
Jansen
enormous flowers and birds
and marine animals( Bosch
used these symbols to depict
man’s life on earth as
unending repetition of the
Original Sin of Adam
whereby we are all doomed
to be prisoners of our
appetites (carnal desires)
he is deeply pessimistic : we
are all destined for Hell.
strangely he, through his
obsession, celebrates the
world of the flesh instead of
condemning it.

101. pg 332 Art in Focus
What is the Gothic? Read for us please Rachel.
-began around the 12th century and lasted to the end of
the 15th century
-was a style to describe the buildings that replaced the
classical structures
The style of Gothic Cathedrals is what we think of
today when we think of the great Cathedrals of Europe

103. pg 333 Art in Focus

104. pg 333 Art in Focus
Buttress: is a support or brace that
counteracts the outward thrust of an arch or
vault

105. pg 333 Art in Focus
Buttress: is a support or brace that
counteracts the outward thrust of an arch or
vault
flying buttress: the braces that appear on the
outside of the church

106. pg 333 Art in Focus
Buttress: is a support or brace that
counteracts the outward thrust of an arch or
vault
flying buttress: the braces that appear on the
outside of the church
stained glass walls ( huge windows of colour)

107. pg 333 Art in Focus
Buttress: is a support or brace that
counteracts the outward thrust of an arch or
vault
flying buttress: the braces that appear on the
outside of the church
stained glass walls ( huge windows of colour)
pointed arches became a defining feature of
this architecture

108. pg 333 Art in Focus
Buttress: is a support or brace that
counteracts the outward thrust of an arch or
vault
flying buttress: the braces that appear on the
outside of the church
stained glass walls ( huge windows of colour)
pointed arches became a defining feature of
this architecture
time for Ms Sorochan’s vacation photos!!!

109. pg 333 Art in Focus
Buttress: is a support or brace that
counteracts the outward thrust of an arch or
vault
flying buttress: the braces that appear on the
outside of the church
stained glass walls ( huge windows of colour)
pointed arches became a defining feature of
this architecture
time for Ms Sorochan’s vacation photos!!!

116. gargoyles : flying monsters that were rain spouts but
also served to scare away evil spririts
height of the buildings: tall leading the eye heavenward
other sculptures ( pg 338 Art in focus) include those of
Mary for whom there was a new reverence and in
particular there was an amazing array of symbolic
figures that flanked the doors of cathedrals

117. door door jamb figures from the
Freiburg Cathedral
notice the colour

118. pg. 340
Sacremental
Portal
tympanum of
Burgos
Cathedral
Christ is
majestic
4 evangalist
are bent over
their writing
desk
apostles
below

119. The Moses Well by Claus Sluter / stone

120. The Moses Well by Claus Sluter / stone

121. The Moses Well by Claus Sluter / stone

122. so lets look at the
map
Northern Europe
had the great
artists such an Van
Eyke and the
Master of
Flemalle
Now lets go to the
south

126. Italian Church Painting pg 344
the fun never stops

127. Italian Church Painting pg 344
the fun never stops
Please read the first paragraph for us Tina .
Duccio:

128. Italian Church Painting pg 344
the fun never stops
Please read the first paragraph for us Tina .
Duccio:

130. Giotto pg. 345

131. Giotto pg. 345
represents natural looking looking figures

132. Giotto pg. 345
represents natural looking looking figures
involved witnesses

133. Giotto pg. 345
represents natural looking looking figures
involved witnesses
realistic figures, actions and emotions

134. Giotto pg. 345
represents natural looking looking figures
involved witnesses
realistic figures, actions and emotions

135. Giotto: Death of St. Francis

136. Giotto: Death of St. Francis
What is a fresco? Felicia/ Katie?

137. Giotto: Death of St. Francis
What is a fresco? Felicia/ Katie?
Fresco: is a painting created when pigment is applied
to a wall spread with fresh plaster. pg. 346

138. Giotto: Death of St. Francis
What is a fresco? Felicia/ Katie?
Fresco: is a painting created when pigment is applied
to a wall spread with fresh plaster. pg. 346

139. Giotto: Death of St. Francis
What is a fresco? Felicia/ Katie?
Fresco: is a painting created when pigment is applied
to a wall spread with fresh plaster. pg. 346

140. The Italian Renaissance
pg 354

141. The Italian Renaissance
pg 354
The Emergence of the Italian Renaissance

142. The Italian Renaissance
pg 354
The Emergence of the Italian Renaissance
read for us please Allison/ Hillary

143. The Italian Renaissance
pg 354
The Emergence of the Italian Renaissance
read for us please Allison/ Hillary
Influences included:

144. The Italian Renaissance
pg 354
The Emergence of the Italian Renaissance
read for us please Allison/ Hillary
Influences included:
Humanism: interest in the art and literature of ancient
Greece and Rome

145. The Italian Renaissance
pg 354
The Emergence of the Italian Renaissance
read for us please Allison/ Hillary
Influences included:
Humanism: interest in the art and literature of ancient
Greece and Rome
Gutenburg was who?

147. Massacio: The Holy Trinity

148. Massacio: The Holy Trinity

150. Lets play name that figure!

151. Lets play name that figure!
Who are the people in the painting:

152. Lets play name that figure!
Who are the people in the painting:
St. John the Baptist

153. Lets play name that figure!
Who are the people in the painting:
St. John the Baptist
Virgin Mary

154. Lets play name that figure!
Who are the people in the painting:
St. John the Baptist
Virgin Mary
lets talk about perspective

155. Lets play name that figure!
Who are the people in the painting:
St. John the Baptist
Virgin Mary
lets talk about perspective
linear perspective ( pg 356) a graphic system that showed artist how to create the
illusion of depth and volume on a flat surface

156. Lets play name that figure!
Who are the people in the painting:
St. John the Baptist
Virgin Mary
lets talk about perspective
linear perspective ( pg 356) a graphic system that showed artist how to create the
illusion of depth and volume on a flat surface
Aerial Perspective: uses hue value and intensity to show distance in a painting