2. THIS PRESENTATION AIMS TO:
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Put the gig into your Gigabytes
Dance to the beat in your Beta
Amp up the bass to your Databases
Dig the rhythm in your Algorithms
Hype the „hip‟ in your Microchip
Stress the strum in your instruments
And make you want to be and not just do a „back up‟
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3. • Alex Gionfriddo
• Peter Gravestock
• Alwyn Davidson
• James Verhoeven
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5. • Shaun O‟Keefe
• Steve Bennett
• Viveka de Costa
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6. IN TUGG YOU WILL FIND DATA
ABOUT
• Almost 10,000 gigs
• 750+ Venues at more than 550 locations
• 1750+ Bands and performers
• Maps of where gigs happened
• Plus the ability for serious TUGG users to
download a set of results into CSV format
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7. WHAT IS A GIG?
People
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Place
Music
8. “The best live bands are tight, but a truly great live
experience is almost dangerous. There’s a sense
that the show is just a moment away from being
completely out of control.”
From Wide Open Road, ABC Radio National,
2008
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15. THUMPIN’ TUM (1965-1972)
“I can remember going there and feeling
very square and unhip to it. The Tum was so
much hipper than anywhere in Sydney”
Billy Thorpe Go Set (1971)
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16. BERTIES
“(It) had once been the home of the
Public Schoolboys' Club. It was run by
Tony Knight, the son of a very
successful catering family. A handsome
flamboyant character who sat at the
front door four nights a week dressed to
the nines in velvet and lace, Tony
embodied the elegance of the "Mod"
Edwardian style that had become so
popular in Carnaby Street in the late
'60s. Bertie's was without doubt the best
live music club Australia has ever
had…Bertie's -- like all Melbourne
venues except the pubs -- didn't sell
alcohol.. Bertie's was all about local live
music and people came in droves
simply because of the bands and the
vibe.”
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Billy Thorpe
34. EAR WORMS
• Recognise the role of the media in shaping research, not just
communicating it
• If genuine engagement and interaction are to occur we need
to break down the divide between academics (as producing
Analysis) and non-academics (as providing Content)
• Recognise that eResearch is always-in-beta
• Music: Collaboration; Ability to listen; Drawing together
disparate ideas; Power to focus on the present and the future
simultaneously
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A gig is one of the ways in which music, people, and place come together; a dynamic engagement that connects a specific time and location with various forms of agency (audiences, groups, and the organizations responsible for instituting, regulating, and authorizing a music event). In this sense gigs are made up of multiple, related and contingent attributes that cannot be isolated from their associated networks of audiences, musicians, amenities and so on.
Play Live
Play live
Need to put the “gig” back into gigabytes…putting the strum in your instruments…new frameworks for engagement and interaction ariseaccess use and reuse of data and information resourceshow creativity and innovation isAl the benefits of making music – collaboration etc.embodied in eresearch practices and our objects of studyOn the media’s role in the shaping of research (and in particular eResearch) as well as the communication of it“The phenomenon extends beyond the math-music association. Strikingly, many high achievers told me music opened up the pathways to creative thinking. And their experiences suggest that music training sharpens other qualities: Collaboration. The ability to listen. A way of thinking that weaves together disparate ideas. The power to focus on the present and the future simultaneously.” collaboration, creativity, discipline and the capacity to reconcile conflicting ideas. Take pleasure in listening.http://www.nytimes.com/2013/10/13/opinion/sunday/is-music-the-key-to-success.html?pagewanted=1&_r=1&