Where  Did  You Get That Content? Copyright 101 and Social Media Rebecca Slade Yoshitani, Esq The Law Office of  Rebecca S...
Intellectual Property (“IP”) <ul><li>Patent </li></ul><ul><li>Copyright </li></ul><ul><li>Trademark </li></ul><ul><li>Trad...
Plagiarism vs  Copyright Infringement <ul><li>Plagiarism: </li></ul><ul><ul><li>the wrongful appropriation of language, th...
Plagiarism vs  Copyright Infringement <ul><li>Copyright – codified under  </li></ul><ul><ul><li>17 U.S.C.  §  101 et seq ....
Copyright: <ul><li>Subject matter of copyright: In general </li></ul><ul><li>Copyright protection subsists, in accordance ...
Copyright <ul><li>Works of authorship include the following categories: </li></ul><ul><li>(1) literary works; </li></ul><u...
Rights of artist/author  <ul><li>to claim authorship of that work </li></ul><ul><li>to prevent the use of his or her name ...
Copyright <ul><li>In no case does copyright protection for an original work of authorship extend to any idea, procedure, p...
Rights of artist/author :  exclusive  rights to do and to authorize any of the following:   <ul><li>to reproduce the copyr...
Copyright <ul><li>Examples of what is copyrightable and what is not….  </li></ul><ul><ul><li>A map </li></ul></ul><ul><ul>...
FAIR USE  <ul><li>Affirmative Defense </li></ul><ul><li>4 part test </li></ul><ul><ul><li>the purpose and character of the...
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Where did you get that content

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Becky's presentation for SMCSeattle's Ed event - Legal Aspects of Social Media

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Where did you get that content

  1. 1. Where Did You Get That Content? Copyright 101 and Social Media Rebecca Slade Yoshitani, Esq The Law Office of Rebecca Slade Yoshitani, LLC (Maryland) @RebeccYoshitani
  2. 2. Intellectual Property (“IP”) <ul><li>Patent </li></ul><ul><li>Copyright </li></ul><ul><li>Trademark </li></ul><ul><li>Trade Secrets </li></ul><ul><li>Right to Publicity </li></ul>
  3. 3. Plagiarism vs Copyright Infringement <ul><li>Plagiarism: </li></ul><ul><ul><li>the wrongful appropriation of language, thoughts, ideas and representing them as one’s own </li></ul></ul><ul><ul><li>Applies in academic and research in reference </li></ul></ul><ul><ul><li>A “moral” issue…. but not a legal one </li></ul></ul>
  4. 4. Plagiarism vs Copyright Infringement <ul><li>Copyright – codified under </li></ul><ul><ul><li>17 U.S.C.  §  101 et seq . </li></ul></ul><ul><li>Legal rights for creators of “artistic works” </li></ul><ul><li>Lawsuits filed in Federal Court </li></ul>
  5. 5. Copyright: <ul><li>Subject matter of copyright: In general </li></ul><ul><li>Copyright protection subsists, in accordance with this title, in original works of authorship fixed in any tangible medium of expression , now known or later developed, from which they can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device. </li></ul>
  6. 6. Copyright <ul><li>Works of authorship include the following categories: </li></ul><ul><li>(1) literary works; </li></ul><ul><li>(2) musical works, including any accompanying words; </li></ul><ul><li>(3) dramatic works, including any accompanying music; </li></ul><ul><li>(4) pantomimes and choreographic works; </li></ul><ul><li>(5) pictorial, graphic , and sculptural works; </li></ul><ul><li>(6) motion pictures and other audiovisual works; </li></ul><ul><li>(7) sound recordings; and </li></ul><ul><li>(8) architectural works. </li></ul>
  7. 7. Rights of artist/author <ul><li>to claim authorship of that work </li></ul><ul><li>to prevent the use of his or her name as the author of any work of visual art which he or she did not create; </li></ul><ul><li>to prevent the use of his or her name as the author of the work of visual art in the event of a distortion, mutilation, or other modification of the work which would be prejudicial to his or her honor or reputation; and </li></ul><ul><li>to prevent any intentional distortion, mutilation, or other modification of that work which would be prejudicial to his or her honor or reputation, and any intentional distortion, mutilation, or modification of that work is a violation of that right, and </li></ul><ul><li>to prevent any destruction of a work of recognized stature, and any intentional or grossly negligent destruction of that work is a violation of that right. </li></ul>
  8. 8. Copyright <ul><li>In no case does copyright protection for an original work of authorship extend to any idea, procedure, process, system, method of operation, concept, principle, or discovery, regardless of the form in which it is described, explained, illustrated, or embodied in such work. </li></ul>
  9. 9. Rights of artist/author : exclusive rights to do and to authorize any of the following: <ul><li>to reproduce the copyrighted work </li></ul><ul><li>to prepare derivative works based upon the copyrighted work; </li></ul><ul><li>to distribute copies to the public by sale or other transfer of ownership, or by rental, lease, or lending; </li></ul><ul><li>to perform the copyrighted work publicly; </li></ul><ul><li>to display the copyrighted work publicly; and </li></ul><ul><li>( in the case of sound recordings) to perform the copyrighted work publicly by means of a digital audio transmission. </li></ul>
  10. 10. Copyright <ul><li>Examples of what is copyrightable and what is not…. </li></ul><ul><ul><li>A map </li></ul></ul><ul><ul><ul><li>Stephens v. Cady , 14 How. 528, 530, 14 L. ed. 528, 529 </li></ul></ul></ul><ul><ul><li>Underlying facts in a news story </li></ul></ul><ul><ul><ul><li>International News Service v. Associated Press , 248 U.S. 215 (1918 ) </li></ul></ul></ul><ul><ul><li>Phone book </li></ul></ul><ul><ul><ul><li>Feist Publications, Inc., v. Rural Telephone Service Co. , 499 U.S. 340 (1991) </li></ul></ul></ul>
  11. 11. FAIR USE <ul><li>Affirmative Defense </li></ul><ul><li>4 part test </li></ul><ul><ul><li>the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes; </li></ul></ul><ul><ul><li>the nature of the copyrighted work; </li></ul></ul><ul><ul><li>the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and </li></ul></ul><ul><ul><li>the effect of the use upon the potential market for or value of the copyrighted work. </li></ul></ul><ul><ul><li>The &quot;Fifth&quot; Fair Use Factor: Are You Good or Bad? </li></ul></ul>
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