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Ar. NORMAN FOSTER
INTRODUCTION
 Norman Foster was born in Manchester, England in 1935.
 He entered Manchester University school of Architecture
and city Planning when he was 21(1956) and graduated in 1961.
 Later he got a fellowship at Yale School of Architecture,
and completed his masters under Richard Rogers, also his future
business partner.
 Foster Associates (now known as Foster and Partners) was
founded in 1967 and now has offices in London,
Berlin, and Singapore, with over 500 employees worldwide.
 Foster and Partners has received over 190 awards and has won
over 50 national international competitions.
DESIGN PHILOSOPHY
“THE BEST ARCHITECTURE COMES FROM A
SYNTHESIS OF ALL THE
ELEMENTS THAT SEPARATELY COMPRISE A
BUILDING…” - FOSTER
• The structure that holds it up;
• The services that allow it to work;
• The ecology of the building –-Naturally ventilated, whether you can open the
windows, the quality of light;
• The materials used were light in mass.
• The character of the spaces;
• The relationship of the buildings to the skyline or streetscape
• The way in which the building signals its presence in the city or the
countryside.
• “The quality of our surroundings has a direct influence on the quality of our
lives”.
• He believes that “Architecture is generated by the needs of people, both
material and spiritual”.
• He anticipated trends like energy conservation and ecological impacts, and
used design solutions that use totally renewable sources of energy and offer
dramatic reductions in CO2 emissions.
DESIGN ELEMENTS.
 ENVIRONMENTALLY AWARE IN DESIGNS AND CREATES ECOLOGICALLY
SENSITIVE BUILDINGS.
 HE USES LINES TO FORM ORGANIC SHAPES.
 SKELETON OF THE OUTSIDE OF THE BUILDING IS VISIBLE TO THE EYE
RATHER THAN HIDING IT .
 MANY SPACES INSIDE ARE ENCLOSED IN GLASS AND ALMOST CAUSE YOU TO
FEEL AS THOUGH YOU ARE OUTSIDE.
 PUTS A LOT OF THOUGHT INTO HIS DESIGNS.
 HIS DESIGNS WILL MAKE US FEEL ONCE YOU’RE INTERACTING WITH THEM
THROUGH THE USE OF DIFFERENT MATERIALS AND THE SPACE OF AN AREA
 MANY OF HIS DESIGNS HAVE BEEN NAMED AS A“LANDMARK”
RENAULT DISTRIBUTION CENTER
 LOCATION: Swindon, England
 CLIENT: RENAULT UK LTD
 CONSTRUCTION: 1980-982
 HEIGHT: 10m
 CAPACITY: 250
 AREA: 63,000 sqm
DESCRIPTION
 The Renault Centre has been described as the practices most playful structure.
 The centre was commissioned as the French car manufacturers main UK distribution
facility.
 In addition to warehousing it includes a showroom, training school, workshops, offices
and staff restaurants.
 Supportive local planners increased their size development from 50% to 67% allowing
the footprint area to be 25,000sqm.
• This is housed within a single enclosure supported by a brightly coloured
tubular mass and arched steel beams that contrasts the green landscape.
• This expansive horizontal span is combined with an internal clear span of
7.5m.
• Enveloped by a continuous PVC membrane roof, pierced by glass panels
at each mast, the building is also stepped at one end, narrowing to a
single open bay that forms a porte-cochere alongside a double height
gallery.
SITE
CONSTRUCTION TECHNIQUE
Umbrella of light
weight steel
CONSTRUCTION TECHNIQUE
• Steel was used as the main part of the structure.
• The structure has smoke vent on the top.
• There is glass glazing to the roof for natural lighting.
• There is a cladding of interchangeable glass panels.
CONSTRUCTION TECHNIQUE

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Norman foster

  • 2. INTRODUCTION  Norman Foster was born in Manchester, England in 1935.  He entered Manchester University school of Architecture and city Planning when he was 21(1956) and graduated in 1961.  Later he got a fellowship at Yale School of Architecture, and completed his masters under Richard Rogers, also his future business partner.  Foster Associates (now known as Foster and Partners) was founded in 1967 and now has offices in London, Berlin, and Singapore, with over 500 employees worldwide.  Foster and Partners has received over 190 awards and has won over 50 national international competitions.
  • 3. DESIGN PHILOSOPHY “THE BEST ARCHITECTURE COMES FROM A SYNTHESIS OF ALL THE ELEMENTS THAT SEPARATELY COMPRISE A BUILDING…” - FOSTER • The structure that holds it up; • The services that allow it to work; • The ecology of the building –-Naturally ventilated, whether you can open the windows, the quality of light; • The materials used were light in mass. • The character of the spaces; • The relationship of the buildings to the skyline or streetscape • The way in which the building signals its presence in the city or the countryside. • “The quality of our surroundings has a direct influence on the quality of our lives”. • He believes that “Architecture is generated by the needs of people, both material and spiritual”. • He anticipated trends like energy conservation and ecological impacts, and used design solutions that use totally renewable sources of energy and offer dramatic reductions in CO2 emissions.
  • 4. DESIGN ELEMENTS.  ENVIRONMENTALLY AWARE IN DESIGNS AND CREATES ECOLOGICALLY SENSITIVE BUILDINGS.  HE USES LINES TO FORM ORGANIC SHAPES.  SKELETON OF THE OUTSIDE OF THE BUILDING IS VISIBLE TO THE EYE RATHER THAN HIDING IT .  MANY SPACES INSIDE ARE ENCLOSED IN GLASS AND ALMOST CAUSE YOU TO FEEL AS THOUGH YOU ARE OUTSIDE.  PUTS A LOT OF THOUGHT INTO HIS DESIGNS.  HIS DESIGNS WILL MAKE US FEEL ONCE YOU’RE INTERACTING WITH THEM THROUGH THE USE OF DIFFERENT MATERIALS AND THE SPACE OF AN AREA  MANY OF HIS DESIGNS HAVE BEEN NAMED AS A“LANDMARK”
  • 5. RENAULT DISTRIBUTION CENTER  LOCATION: Swindon, England  CLIENT: RENAULT UK LTD  CONSTRUCTION: 1980-982  HEIGHT: 10m  CAPACITY: 250  AREA: 63,000 sqm
  • 6. DESCRIPTION  The Renault Centre has been described as the practices most playful structure.  The centre was commissioned as the French car manufacturers main UK distribution facility.  In addition to warehousing it includes a showroom, training school, workshops, offices and staff restaurants.  Supportive local planners increased their size development from 50% to 67% allowing the footprint area to be 25,000sqm. • This is housed within a single enclosure supported by a brightly coloured tubular mass and arched steel beams that contrasts the green landscape. • This expansive horizontal span is combined with an internal clear span of 7.5m. • Enveloped by a continuous PVC membrane roof, pierced by glass panels at each mast, the building is also stepped at one end, narrowing to a single open bay that forms a porte-cochere alongside a double height gallery.
  • 8.
  • 10. CONSTRUCTION TECHNIQUE • Steel was used as the main part of the structure. • The structure has smoke vent on the top. • There is glass glazing to the roof for natural lighting. • There is a cladding of interchangeable glass panels.