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GUGGENHEIM MUSEUM @ BILBAO
-PALLAVI PATIL
DECONSTRUCTIVISM -
¤ Deconstructivism comes from the idea of DE – CONSTRUCTION a form of semiotic analysis .
¤ Deconstructivism is a movement of postmodern architecture which appeared in the 1980’s ,
which gives the impression of the fragmentation of the constructed building .
¤ It is characterized by the absence of harmony , continuity , or symmetry .
¤ Besides fragmentation , deconstructivism often manipulates the structure’s surface skin and
creates by non – rectilinear shapes which appear to distort and dislocate elements of
architecture .
¤ The finished visual appearance is characterized by unpredictability and controlled chaos .
ABOUT THE ARCHITECT -
¤ Frank Owen Gehry was born in the year 1929 of
February 28.
¤ He is a Canadian – born American architect ,
residing in Los Angeles .
¤ His works are cited as being among the most
important works of contemporary architecture .
¤ He is labelled as “ THE MOST IMPORTANT
ARCHITECT OF OUR AGE ’’ .
¤ Gehry is often referred to as a STARCHITECT .
¤ He is awarded with PITZKER ARCHITECTURE PRIZE ,
And also many awards and also honorary
doctorates .
WORKS OF FRANK GEHRY-
MUSEUM OF POP CULTURE IN
SEATTLE
WALL DISNEY CONCERT HALL IN
LOS ANGELES
WORKS OF FRANK GEHRY -
BP PEDESTRAIN BRIDGE
CHICAGO
DANCING HOUSE IN PRAGUE
THE MUSEUM -
¤ Guggenheim museum is located in Abando ,
Bilbao , Spain .
¤ The building is a art museum .
¤ Juan Ignacio Vidarte Is the director of the
museum .
¤ It is a museum of modern and contemporary art
designed by Canadian – American architect
FRANK GEHRY .
¤ The museum was inaugurated on 18th October
1997 .
CONCEPT -
CONCEPT -
CONCEPT -
3D COMPUTER MODEL -
PLANNING -
¤ The plan is comprised of mostly curved
surfaces .
¤ The total area is 24 , 000 metre square and
of which 11 , 000 metre square is used as
exhibition space .
¤ The three floors of galleries standing
around this central atrium are
interconnected by a system of curved
walkways suspended from the ceiling , glass
, lifts and stairs .
PLANNING -
SECTION -
ELEVATION -
ELEVATION -
ANALYTICAL ELEVATION -
THE CONSTRUCTION -
¤ The choice of titanium , and the
creation of a design involving fluid
forms , was made possible by the
state – of – the – art 3D computer
design , Catia .
¤ To develop the museum forms ,
Gehry started with paper and
wooden models in different scales ,
which he gradually adapted and
refined .
MATERIALS -
¤ The building is clearly recognisable for
its twisted , curving lines , some of
which are LIMESTONE – coated
orthogonal shapes while others of an
more organic volumetry are clad in a
METALLIC TITANIUM skin .
¤ The huge volumes are linked by GLASS
CURTAIN WALL for remarkable
transparency throughout .
¤ The building / museum was built of
advanced STEEL STRUCTURE .
THE ATRIUM -
¤ The true heart of the museum is the
atrium , measuring over 50m in height ,
flooded with light thanks to its
enormous windows , and serving as a
place of arrival , orientation and
relaxation for the visitor .
¤ The museum ‘ s exhibition space is
distributed over three levels , with a
total of 20 galleries , some of classic
proportions , others of an unusual
irregularity , and yet another designed
for the exhibition of large - sized
artworks .
INTERIOR -
¤ Once through the foyer and inside the
exhibition space itself , visitors find
themselves in the atrium , with its enormous
glass walls .
¤ The three floors of galleries standing around
this central atrium are interconnected by a
system of curved walkways suspended from
the ceiling , glass , lifts and stairs .
¤ There is a close harmony between the
architectural shapes and the content of each
gallery .
SURROUNDINGS -
¤ The building is surrounded by a
series of attractive walkways .
¤ The museum can be approached
from different directions by visitors
on foot .
¤ The entrance located on the rear of
the building , on the eastern side ,
more suited for use by groups or
schoolchildren , also leads to the
foyer .
UPPER FLOOR GALLERIES ARE LINKED
WITH PASSAGE - WAYS
¤ The appearance is asymmetrical at exterior .
¤ There are irregular masses of titanium walls .
¤ The building has sweeping curved lines
¤ It seeks to create a seemingly unstable
environment with unusual spiral
arrangements .
¤ It has interconnecting volumes .
THE MUSEUM -
GALLERIES SEATING ARRANGEMENTS
INTERIOR -
INTERIOR HANGINGS CONNECTING BRIDGE
THE MUSEUM -
CLADDED COLUMN BOLD COLOURS ARE USED
THE MUSEUM -
UNPREDICTABLE FAÇADE DEFYING GRAVITY
THE MUSEUM -
DISTORTED FORM FORM APPAEARS TO BE IN MOTION
CONCENTRIC GALLERIES
GLASS FACADES FILL THE GAPS BETWEEN
GALLERIES
UPPER FLOOR GALLERIES ARE LINKED WITH
PASSAGE - WAYS
INTERIOR -
SEPARATION OF SPACES -
STAIRCASE -
INTERIOR AND EXTERIOR CORIDORS -
SCULPTURES AROUND THE BUILDING -
VIEWS -
NIGHT VIEWS -

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Guggenheim museum @ bilbao

  • 1. GUGGENHEIM MUSEUM @ BILBAO -PALLAVI PATIL
  • 2. DECONSTRUCTIVISM - ¤ Deconstructivism comes from the idea of DE – CONSTRUCTION a form of semiotic analysis . ¤ Deconstructivism is a movement of postmodern architecture which appeared in the 1980’s , which gives the impression of the fragmentation of the constructed building . ¤ It is characterized by the absence of harmony , continuity , or symmetry . ¤ Besides fragmentation , deconstructivism often manipulates the structure’s surface skin and creates by non – rectilinear shapes which appear to distort and dislocate elements of architecture . ¤ The finished visual appearance is characterized by unpredictability and controlled chaos .
  • 3. ABOUT THE ARCHITECT - ¤ Frank Owen Gehry was born in the year 1929 of February 28. ¤ He is a Canadian – born American architect , residing in Los Angeles . ¤ His works are cited as being among the most important works of contemporary architecture . ¤ He is labelled as “ THE MOST IMPORTANT ARCHITECT OF OUR AGE ’’ . ¤ Gehry is often referred to as a STARCHITECT . ¤ He is awarded with PITZKER ARCHITECTURE PRIZE , And also many awards and also honorary doctorates .
  • 4. WORKS OF FRANK GEHRY- MUSEUM OF POP CULTURE IN SEATTLE WALL DISNEY CONCERT HALL IN LOS ANGELES
  • 5. WORKS OF FRANK GEHRY - BP PEDESTRAIN BRIDGE CHICAGO DANCING HOUSE IN PRAGUE
  • 6. THE MUSEUM - ¤ Guggenheim museum is located in Abando , Bilbao , Spain . ¤ The building is a art museum . ¤ Juan Ignacio Vidarte Is the director of the museum . ¤ It is a museum of modern and contemporary art designed by Canadian – American architect FRANK GEHRY . ¤ The museum was inaugurated on 18th October 1997 .
  • 11. PLANNING - ¤ The plan is comprised of mostly curved surfaces . ¤ The total area is 24 , 000 metre square and of which 11 , 000 metre square is used as exhibition space . ¤ The three floors of galleries standing around this central atrium are interconnected by a system of curved walkways suspended from the ceiling , glass , lifts and stairs .
  • 17.
  • 18. THE CONSTRUCTION - ¤ The choice of titanium , and the creation of a design involving fluid forms , was made possible by the state – of – the – art 3D computer design , Catia . ¤ To develop the museum forms , Gehry started with paper and wooden models in different scales , which he gradually adapted and refined .
  • 19. MATERIALS - ¤ The building is clearly recognisable for its twisted , curving lines , some of which are LIMESTONE – coated orthogonal shapes while others of an more organic volumetry are clad in a METALLIC TITANIUM skin . ¤ The huge volumes are linked by GLASS CURTAIN WALL for remarkable transparency throughout . ¤ The building / museum was built of advanced STEEL STRUCTURE .
  • 20. THE ATRIUM - ¤ The true heart of the museum is the atrium , measuring over 50m in height , flooded with light thanks to its enormous windows , and serving as a place of arrival , orientation and relaxation for the visitor . ¤ The museum ‘ s exhibition space is distributed over three levels , with a total of 20 galleries , some of classic proportions , others of an unusual irregularity , and yet another designed for the exhibition of large - sized artworks .
  • 21. INTERIOR - ¤ Once through the foyer and inside the exhibition space itself , visitors find themselves in the atrium , with its enormous glass walls . ¤ The three floors of galleries standing around this central atrium are interconnected by a system of curved walkways suspended from the ceiling , glass , lifts and stairs . ¤ There is a close harmony between the architectural shapes and the content of each gallery .
  • 22. SURROUNDINGS - ¤ The building is surrounded by a series of attractive walkways . ¤ The museum can be approached from different directions by visitors on foot . ¤ The entrance located on the rear of the building , on the eastern side , more suited for use by groups or schoolchildren , also leads to the foyer .
  • 23. UPPER FLOOR GALLERIES ARE LINKED WITH PASSAGE - WAYS ¤ The appearance is asymmetrical at exterior . ¤ There are irregular masses of titanium walls . ¤ The building has sweeping curved lines ¤ It seeks to create a seemingly unstable environment with unusual spiral arrangements . ¤ It has interconnecting volumes .
  • 24. THE MUSEUM - GALLERIES SEATING ARRANGEMENTS
  • 25. INTERIOR - INTERIOR HANGINGS CONNECTING BRIDGE
  • 26. THE MUSEUM - CLADDED COLUMN BOLD COLOURS ARE USED
  • 27. THE MUSEUM - UNPREDICTABLE FAÇADE DEFYING GRAVITY
  • 28. THE MUSEUM - DISTORTED FORM FORM APPAEARS TO BE IN MOTION
  • 30. GLASS FACADES FILL THE GAPS BETWEEN GALLERIES
  • 31. UPPER FLOOR GALLERIES ARE LINKED WITH PASSAGE - WAYS
  • 35. INTERIOR AND EXTERIOR CORIDORS -
  • 36. SCULPTURES AROUND THE BUILDING -