Michael Hoffman (Object Theory) HoloLens Mixed Reality Collaboration Learnings

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The document discusses the development of avatars for remote collaboration using HoloLens. It outlines key objectives for the avatars such as having a human, benevolent, and neutral appearance while being distinguishable and informative. Different avatar designs are evaluated including variations in polycount, appearance, use of gaze beams, motion interpolation, and other features. The final design incorporates name tags, colors, and flairs to identify participants while avoiding issues like the uncanny valley and using techniques such as gaze beams and motion interpolation.

DEVELOPING FOR HOLOLENS
Remote Collaboration
with Multiple Avatars
AWE EUROPE 2016
#AWE2016

Key objectives for avatars

Our avatars are business tools

1/ HUMAN

1/ HUMAN
2/ BENEVOLENT

1/ HUMAN
2/ BENEVOLENT
3/ NEUTRAL APPEARANCE

1/ HUMAN
2/ BENEVOLENT
3/ NEUTRAL APPEARANCE
4/ DISTINGUISHABLE

1/ HUMAN
2/ BENEVOLENT
3/ NEUTRAL APPEARANCE
4/ DISTINGUISHABLE
5/ INFORMATIVE

why business avatars
are not like
game avatars

Similar conceptually,
but also very different…

So what have we learned about
creating avatars?

1/ APPEARANCE
2/ GAZE
3/ MOTION

AVATARS/ APPEARANCE

Low poly head only
Not enough
information
conveyed

Low poly head only
Not enough
information
conveyed
Low poly full body
Looks too robotic

Low poly head only
Not enough
information
conveyed
Low poly full body
Looks too robotic
High poly full body
Still struggling with
facial features

Final Model

Name tags

Name tags and color

Name tags, color and flair easily identify each participant

AVATARS/ GAZE

GAZE / SOLID LINE

GAZE / DIFFUSE DASHED LINE

GAZE / PLUMB BOB INDICATOR

GAZE / FLASHLIGHT

AVATARS/ MOTION

MOTION / NO INTERPOLATION

MOTION / WITH INTERPOLATION

AVATARS/ KEY TAKEAWAYS

1/ Avoid the Uncanny Valley

1/ Avoid the Uncanny Valley
2/ Use gaze beams

1/ Avoid the Uncanny Valley
2/ Use gaze beams
3/ Fade avatars at the torso to avoid pitfalls

1/ Avoid the Uncanny Valley
2/ Use gaze beams
3/ Fade avatars at the torso to avoid pitfalls
4/ Rotate the head ahead of the torso

Questions?
MICHAEL HOFFMAN Founding Partner, Object Theory
michael@objecttheory.com
linkedin.com/in/mthoffman
@m_the_hoff

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1. DEVELOPING FOR HOLOLENS Remote Collaboration with Multiple Avatars AWE EUROPE 2016 #AWE2016

2.

3.

4.

5.

6.

7.

8.

9.

10.

11. Key objectives for avatars

12. Our avatars are business tools

14. 1/ HUMAN 2/ BENEVOLENT

15. 1/ HUMAN 2/ BENEVOLENT 3/ NEUTRAL APPEARANCE

16. 1/ HUMAN 2/ BENEVOLENT 3/ NEUTRAL APPEARANCE 4/ DISTINGUISHABLE

17. 1/ HUMAN 2/ BENEVOLENT 3/ NEUTRAL APPEARANCE 4/ DISTINGUISHABLE 5/ INFORMATIVE

18. why business avatars are not like game avatars

19.

20. Similar conceptually, but also very different…

21. So what have we learned about creating avatars?

22. 1/ APPEARANCE 2/ GAZE 3/ MOTION

23. AVATARS/ APPEARANCE

24. Low poly head only Not enough information conveyed

25. Low poly head only Not enough information conveyed Low poly full body Looks too robotic

26. Low poly head only Not enough information conveyed Low poly full body Looks too robotic High poly full body Still struggling with facial features

27.

28. Final Model

30. Name tags and color

31. Name tags, color and flair easily identify each participant

32. Final Avatar

33. AVATARS/ GAZE

34.

35. GAZE / SOLID LINE

36. GAZE / DIFFUSE DASHED LINE

37. GAZE / PLUMB BOB INDICATOR

38. GAZE / FLASHLIGHT

39.

40. AVATARS/ MOTION

41.

42.

43. MOTION / NO INTERPOLATION

44. MOTION / WITH INTERPOLATION

45.

46. AVATARS/ KEY TAKEAWAYS

47. 1/ Avoid the Uncanny Valley

48. 1/ Avoid the Uncanny Valley 2/ Use gaze beams

49. 1/ Avoid the Uncanny Valley 2/ Use gaze beams 3/ Fade avatars at the torso to avoid pitfalls

50. 1/ Avoid the Uncanny Valley 2/ Use gaze beams 3/ Fade avatars at the torso to avoid pitfalls 4/ Rotate the head ahead of the torso

51. 1/ Avoid the Uncanny Valley 2/ Use gaze beams 3/ Fade avatars at the torso to avoid pitfalls 4/ Rotate the head ahead of the torso 5/ Interpolate avatar motion for network latency

52. 1/ Avoid the Uncanny Valley 2/ Use gaze beams 3/ Fade avatars at the torso to avoid pitfalls 4/ Rotate the head ahead of the torso 5/ Interpolate avatar motion for network latency

53. Questions? MICHAEL HOFFMAN Founding Partner, Object Theory michael@objecttheory.com linkedin.com/in/mthoffman @m_the_hoff