Master of Exhibit Design at La Sapienza University, Introduction and Lesson 1
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Master of Exhibit Design at La Sapienza University, Introduction and Lesson 1
- 1. GRANDI EVENTI processo – città - progetto multimedia – interazione – tecnologie ubique mobile devices – information visualization natural interaction – social networks SALVATORE IACONESI ORIANA PERSICO salvatore.iaconesi@artisopensource.net oriana.persico@gmail.com http://www.artisopensource.net http://www.fakepress.it
- 5. natural + ubiquitous interaction project activation technologies screeens next step social networks
- 6. 3 areas - natural and ubiquitous interaction - screens - next-step of social networking
- 7. 3 modalities - technologies - projects - activation
- 9. interaction “a mutual or reciprocal action or influence”
- 10. HCI human-computer interaction “ the study of how people interact with computers and to what extent computers are or are not developed for successful interaction with human beings.”
- 11. HCI human-computer interaction “ the study, planning, and design of the interaction between people and computers.”
- 12. HCI human-computer interaction “ Interaction between users and computers occurs at the user interface (or simply interface), which includes both software and hardware”
- 13. HCI human-computer interaction human ↔ computer linguistics computer graphics social sciences technologies cognitive psychology programming languages ergonomics robotics communication ... ...
- 14. interaction design “ the practice of designing interactive digital products, environments, systems, and services.” alan cooper, robert reinmann bill moggridge interesting reads: bill verplank
- 15. interaction design technology centered view “ Interaction designers make technology, particularly digital technology, useful, usable, and pleasurable to use. This is why the rise of software and the Internet was also the rise of the field of interaction design. Interaction designers take the raw stuff produced by engineers and programmers and mold it into products that people enjoy using.”
- 16. interaction design behaviorist view As Jodi Forlizzi and Robert Reimann succinctly put it in their 1999 presentation “Interaction Designers: What we are, what we do, & what we need to know,” interaction design is about “defining the behavior of artifacts, environments, and systems (for example, products).” This view focuses on functionality and feedback: how products behave and provide feedback based on what the people engaged with them are doing.
- 17. interaction design social interaction view The third, and broadest, view of interaction design is that it is inherently social, revolving around facilitating communication between humans through products. This perspective is sometimes called Social Interaction Design. Technology is nearly irrelevant in this view; any kind of object or device can make a connection between people. These communications can take many forms; they can be one-to-one as with a telephone call, one-to-many as with a blog, or many-to-many as with the stock market.
- 18. user experience “a person's perceptions and responses that result from the use or anticipated use of a product, system or service.”
- 19. user experience includes all the users' emotions, beliefs, preferences, perceptions, physical and psychological responses, behaviors and accomplishments that occur before, during and after use. donald norman interesting reads: nathan shedroff
- 20. FRAMEWORKS
- 21. GOAL ORIENTED DESIGN concerned most significantly with satisfying the needs and desires of the people who will interact with a product or service.
- 22. PERSONAS develop a precise description of our user and what he wishes to accomplish
- 23. COGNITIVE DIMENSIONS specialized vocabulary to evaluate and modify particular design solutions. Cognitive dimensions are designed as a lightweight approach to analysis of a design quality, rather than an in-depth, detailed description. They provide a common vocabulary for discussing many factors in notation, UI or programming language design. consistency, error-proneness, hard mental operations, viscosity or premature commitment.
- 24. AFFECTIVE DESIGN aware of key aspects in their designs that influence emotional responses in target users. The need for products to convey positive emotions and avoid negative ones is critical to product success.
- 25. EMOTIONAL DESIGN emotions have a crucial role in the human ability to understand the world, and how they learn new things. three dimensions: visceral – behavioral - reflective donald norman
- 26. USER CENTERED DESIGN users must take center-stage in the design of any system. also of interest: PARTICIPATORY DESIGN
- 28. there is no perception and knowledge without interaction with the environment bateson, varela, maturana
- 29. Natural interaction is defined in terms of experience: people naturally communicate through gestures, expressions, movements, and discover the world by looking around and manipulating physical stuff; the key assumption here is that they should be allowed to interact with technology as they are used to interact with the real world in everyday life, as evolution and education taught them to do.
- 30. The Berlin Wall, by Hoppala and Superimpose, using Layar
- 32. Keichi Matsuda, Augmented City Augmented City 3D [OFFICIAL].mp4
- 35. [Vimeo-29945783] Rorschach cards.mp4 [Vimeo-29837586] balloon.mp4
- 36. GRANDI EVENTI processo – città - progetto multimedia – interazione – tecnologie ubique mobile devices – information visualization natural interaction – social networks SALVATORE IACONESI ORIANA PERSICO salvatore.iaconesi@artisopensource.net oriana.persico@gmail.com http://www.artisopensource.net http://www.fakepress.it
- 40. natural + ubiquitous interaction project activation technologies screeens next step social networks
- 41. 3 areas - natural and ubiquitous interaction - screens - next-step of social networking
- 42. 3 modalities - technologies - projects - activation
- 44. interaction “a mutual or reciprocal action or influence”
- 45. HCI human-computer interaction “ the study of how people interact with computers and to what extent computers are or are not developed for successful interaction with human beings.”
- 46. HCI human-computer interaction “ the study, planning, and design of the interaction between people and computers.”
- 47. HCI human-computer interaction “ Interaction between users and computers occurs at the user interface (or simply interface), which includes both software and hardware”
- 48. HCI human-computer interaction human ↔ computer linguistics computer graphics social sciences technologies cognitive psychology programming languages ergonomics robotics communication ... ...
- 49. interaction design “ the practice of designing interactive digital products, environments, systems, and services.” alan cooper, robert reinmann bill moggridge interesting reads: bill verplank
- 50. interaction design technology centered view “ Interaction designers make technology, particularly digital technology, useful, usable, and pleasurable to use. This is why the rise of software and the Internet was also the rise of the field of interaction design. Interaction designers take the raw stuff produced by engineers and programmers and mold it into products that people enjoy using.”
- 51. interaction design behaviorist view As Jodi Forlizzi and Robert Reimann succinctly put it in their 1999 presentation “Interaction Designers: What we are, what we do, & what we need to know,” interaction design is about “defining the behavior of artifacts, environments, and systems (for example, products).” This view focuses on functionality and feedback: how products behave and provide feedback based on what the people engaged with them are doing.
- 52. interaction design social interaction view The third, and broadest, view of interaction design is that it is inherently social, revolving around facilitating communication between humans through products. This perspective is sometimes called Social Interaction Design. Technology is nearly irrelevant in this view; any kind of object or device can make a connection between people. These communications can take many forms; they can be one-to-one as with a telephone call, one-to-many as with a blog, or many-to-many as with the stock market.
- 53. user experience “a person's perceptions and responses that result from the use or anticipated use of a product, system or service.”
- 54. user experience includes all the users' emotions, beliefs, preferences, perceptions, physical and psychological responses, behaviors and accomplishments that occur before, during and after use. donald norman interesting reads: nathan shedroff
- 55. FRAMEWORKS
- 56. GOAL ORIENTED DESIGN concerned most significantly with satisfying the needs and desires of the people who will interact with a product or service.
- 57. PERSONAS develop a precise description of our user and what he wishes to accomplish
- 58. COGNITIVE DIMENSIONS specialized vocabulary to evaluate and modify particular design solutions. Cognitive dimensions are designed as a lightweight approach to analysis of a design quality, rather than an in-depth, detailed description. They provide a common vocabulary for discussing many factors in notation, UI or programming language design. consistency, error-proneness, hard mental operations, viscosity or premature commitment.
- 59. AFFECTIVE DESIGN aware of key aspects in their designs that influence emotional responses in target users. The need for products to convey positive emotions and avoid negative ones is critical to product success.
- 60. EMOTIONAL DESIGN emotions have a crucial role in the human ability to understand the world, and how they learn new things. three dimensions: visceral – behavioral - reflective donald norman
- 61. USER CENTERED DESIGN users must take center-stage in the design of any system. also of interest: PARTICIPATORY DESIGN
- 63. there is no perception and knowledge without interaction with the environment bateson, varela, maturana
- 64. Natural interaction is defined in terms of experience: people naturally communicate through gestures, expressions, movements, and discover the world by looking around and manipulating physical stuff; the key assumption here is that they should be allowed to interact with technology as they are used to interact with the real world in everyday life, as evolution and education taught them to do.
- 65. The Berlin Wall, by Hoppala and Superimpose, using Layar
- 67. Keichi Matsuda, Augmented City Augmented City 3D [OFFICIAL].mp4
- 70. [Vimeo-29945783] Rorschach cards.mp4 [Vimeo-29837586] balloon.mp4