Pareidolia is a psychological phenomenon where vague or ambiguous stimuli are perceived as significant or meaningful. Common examples include seeing faces or images in clouds, the man in the moon, or hearing hidden messages in music played backwards. The word comes from Greek roots meaning "beside" or "faulty image".

1. Pareidolia

2. pareidolia
• Pareidolia (pronounced /pærɪˈdoʊliə/ pa-ri-DOE-lee-ə)
is a psychological phenomenon involving a vague and
random stimulus (often an image or sound) being
perceived as significant. Common examples include
seeing images of animals or faces in clouds, the man in
the moon or the Moon rabbit, and hearing hidden
messages on records played in reverse. The word
comes from the Greek παρά (para- – "beside", "with",
or "alongside"—meaning, in this context, something
faulty or wrong (as in paraphasia, disordered speech))
and εἴδωλον (eidōlon – "image"; the diminutive of
εἴδος, eidos – "image", "form", "shape").

30. • Front facing (no profile
¾)

31. • Front facing (no profile
¾)
• Face is majority of
composition

32. • Front facing (no profile
¾)
• Face is majority of
composition
• Face is visible but not
too visible

33. • Front facing (no profile
¾)
• Face is majority of
composition
• Face is visible but not
too visible
• Filled with pen and
designs (minimum
empty space or black
areas)

34. • Front facing (no profile
¾)
• Face is majority of
composition
• Face is visible but not
too visible
• Filled with pen and
designs (minimum
empty space or black
areas)
• Patterns are fine
(maybe thematic)

35. • Front facing (no profile
¾)
• Face is majority of
composition
• Face is visible but not
too visible
• Filled with pen and
designs (minimum
empty space or black
areas)
• Patterns are fine
(maybe thematic)
• Do not need to have
representational
objects

36. • Front facing (no profile
¾)
• Face is majority of
composition
• Face is visible but not
too visible
• Filled with pen and
designs (minimum
empty space or black
areas)
• Patterns are fine
(maybe thematic)
• Do not need to have
representational
objects
• All pen widths (micron,
ultra fine, fine)

37. • Front facing (no profile
¾)
• Face is majority of
composition
• Face is visible but not
too visible
• Filled with pen and
designs (minimum
empty space or black
areas)
• Patterns are fine
(maybe thematic)
• Do not need to have
representational
objects
• All pen widths (micron,
ultra fine, fine)
• Vertical composition

38. • Front facing (no profile
¾)
• Face is majority of
composition
• Face is visible but not
too visible
• Filled with pen and
designs (minimum
empty space or black
areas)
• Patterns are fine
(maybe thematic)
• Do not need to have
representational
objects
• All pen widths (micron,
ultra fine, fine)
• Vertical composition
• Must be human

76. problems