SONG
• all thegood girls go to hell – Billie Eilish (2019)
• Contrast between dark echoed beat/audio filters and unfiltered, faster-paced
upbeat chorus
• Gives us opportunity to play around with filters/post-production edits to utilise for
both moods of the song
• Variation of pace - meaning we will have opportunities for selective on beat cuts +
short takes (for a younger audience) and long takes (however maintaining
movement on screen/VFX keeping it fast as seen in GOOD MORNING by Mak Sauce)
• Bass (providing opportunity for VFX and a build-up to bass drop)
• This build up will then give us an opportunity to build up the pace in the editing
and possibly developments in narrative
LOCATION
• Performance
• GreenScreen Studio
• Have emailed and know how to book a slot
• Street at night
• Soil area in woods
• To have fire burning
• Narrative
• Bedroom
• In public
• In town?
• Location scouting & practice shoots on 10.10.2020
5.
PERFORMANCE
• Transition
• Fromgood girl to bad girl
• Inspiration from ‘NOT MY RESPONSIBILITY’
• Undressing and getting into bad girl mentality & outfit
• Male gaze
• Bad girl
• Lots of close ups
• Lip synching broken up with flashbacks
• Red tears
• Billie Eilish movements
6.
NARRATIVE
• Flashbacks
• Togood girl having no agency
• Boyfriend telling her what she can and can’t do
• First flashback is of boyfriend and girlfriend
• Happy and don’t know it’s a flashback
• Turns bad
• Then performance and narrative of her changing
• Bad girl
• Showing the agency she has through narrative
• Dumping boyfriend
• Head up & very confident
• Open narrative
• Ends with her shown in mirror but boy turns up in mirror
