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MUSIC VIDEO PITCH V3
LOOPS MEDIA X SCOPE VIDS
SONG
• all the good girls go to hell – Billie Eilish (2019)
• Contrast between dark echoed beat/audio filters and unfiltered, faster-paced
upbeat chorus
• Gives us opportunity to play around with filters/post-production edits to utilise for
both moods of the song
• Variation of pace - meaning we will have opportunities for selective on beat cuts +
short takes (for a younger audience) and long takes (however maintaining
movement on screen/VFX keeping it fast as seen in GOOD MORNING by Mak Sauce)
• Bass (providing opportunity for VFX and a build-up to bass drop)
• This build up will then give us an opportunity to build up the pace in the editing
and possibly developments in narrative
INFLUENCE
LOCATION
• Performance
• Green Screen Studio
• Have emailed and know how to book a slot
• Street at night
• Soil area in woods
• To have fire burning
• Narrative
• Bedroom
• In public
• In town?
• Location scouting & practice shoots on 10.10.2020
PERFORMANCE
• Transition
• From good girl to bad girl
• Inspiration from ‘NOT MY RESPONSIBILITY’
• Undressing and getting into bad girl mentality & outfit
• Male gaze
• Bad girl
• Lots of close ups
• Lip synching broken up with flashbacks
• Red tears
• Billie Eilish movements
NARRATIVE
• Flashbacks
• To good girl having no agency
• Boyfriend telling her what she can and can’t do
• First flashback is of boyfriend and girlfriend
• Happy and don’t know it’s a flashback
• Turns bad
• Then performance and narrative of her changing
• Bad girl
• Showing the agency she has through narrative
• Dumping boyfriend
• Head up & very confident
• Open narrative
• Ends with her shown in mirror but boy turns up in mirror
MOODBOARD

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Music video pitch v3

  • 1. MUSIC VIDEO PITCH V3 LOOPS MEDIA X SCOPE VIDS
  • 2. SONG • all the good girls go to hell – Billie Eilish (2019) • Contrast between dark echoed beat/audio filters and unfiltered, faster-paced upbeat chorus • Gives us opportunity to play around with filters/post-production edits to utilise for both moods of the song • Variation of pace - meaning we will have opportunities for selective on beat cuts + short takes (for a younger audience) and long takes (however maintaining movement on screen/VFX keeping it fast as seen in GOOD MORNING by Mak Sauce) • Bass (providing opportunity for VFX and a build-up to bass drop) • This build up will then give us an opportunity to build up the pace in the editing and possibly developments in narrative
  • 4. LOCATION • Performance • Green Screen Studio • Have emailed and know how to book a slot • Street at night • Soil area in woods • To have fire burning • Narrative • Bedroom • In public • In town? • Location scouting & practice shoots on 10.10.2020
  • 5. PERFORMANCE • Transition • From good girl to bad girl • Inspiration from ‘NOT MY RESPONSIBILITY’ • Undressing and getting into bad girl mentality & outfit • Male gaze • Bad girl • Lots of close ups • Lip synching broken up with flashbacks • Red tears • Billie Eilish movements
  • 6. NARRATIVE • Flashbacks • To good girl having no agency • Boyfriend telling her what she can and can’t do • First flashback is of boyfriend and girlfriend • Happy and don’t know it’s a flashback • Turns bad • Then performance and narrative of her changing • Bad girl • Showing the agency she has through narrative • Dumping boyfriend • Head up & very confident • Open narrative • Ends with her shown in mirror but boy turns up in mirror