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-   HISTORY
    Cultural influences
    Graffiti’s history
    Legal vs illegal art

    2. MOVEMENTS and ARTISTS
    Profile
    Movements
    Graffiti
              WRITING
                   IMAGES(abstract and
    figurative)             MIX (photo)

    3. COMPARISON (NY - Barcelona -
    Paris)
HISTORY
CULTURAL INFLUENCES
    European tradition
o


    West African slaves
o


    Tribal Art -> tupi people
o


    Cannibalism: eating up cultures –
o

    “eat what you like and leave the
    carcass”

    Local people + homeless
o


    Music - dance
o




       expression of an Identity
HISTORY of BRAZILIAN
            GRAFFITI
    Mid-20th c.: Voice of opposition to
o

    Brazil’s social + economical problems
    -> way to express opinion

    40’ - 50’: pichacao
o




    1964: military overthrow of democratic
o

    government -> became to dangerous

  60’: Tropicalia movement -> lyrics as
o

  source of inspiration
-> Multicolored graffiti
   + stencil graffiti popular
70’: graffiti became more animated -
o

    popular opposition reclamed public spaces
    -> city space as political and cultural
    expression

    70’: “Visual pollution” vs freedom of
o

    expression (after years of repression)

    80’: division: graffiti and pichacao
o




    Hip hop culture influence -> no books
o

    available -> had to be inventive

    90’: create an individual style
o

    reflection of own experiences - explore
    own culture - found recognizable style
    1995 -> from marginal culture to accepted
    art form
LEGAL vs ILLEGAL
    Get commissioned
-> symbol of public pride



                 QuickTime™ et un
                  décompresseur
      sont requis pour visionner cette image.
MOVEMENT AND ARTISTS
GRAFFITI
…Writting…
Pichacao

           QuickTime™ et un
            décompresseur
sont requis pour visionner cette image.




                               QuickTime™ et un
                                décompresseur
                    sont requis pour visionner cette image.

                  QuickTime™ et un
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       sont requis pour visionner cette image.
…Images…
Abstract
Zezao
 … HE WORKS HERE TO MAKE A
  POINT ABOUT THE YEARS OF
  NEGLECT THAT HAVE CAUSED
      THIS POLLUTION.

 quot;I DID THIS WORK BECAUSE I
     WANTED TO SHOW THE
    ARCHITECTURE AND THE
CONDITIONS OF TUNNELS OF SAO
   PAULO, WHICH IS THIS -
   DEGRADATION, RUBBISH -
  EVERYTHING THAT THE RAIN
          BRINGS.quot;




                                   36 years old
IS ONE OF THE EXPONENTS OF
                                  THE NEW BRAZILIAN ABSTRACT
                                 GRAFFITI. HIS TRADEMARKS ARE
                                     WHAT HE CALLS FLOPS,
                                  ELABORATE ARABESQUES THAT
                                  ARE VISUALLY FAR FROM THE
                                  PICHACAO LETTERS THAT THEY
                                       FIRST CAME FROM.




     HIS MOST STRIKING WORK
NOWADAYS HAVE BEEN THE ONE HE
   DOES IN SÃO PAULO SEWERAGE
SYSTEM AND SUBTERRANEAN WATER
DUCTS, WHERE ALL THE WASTES OF
 THE BIG CITY ARE WASHED AWAY
  AMONG ZEZÃO'S WORKS OF ART.
Kboco
Figurative
Otavio and Gustavo Pandolfo

    Signify the Brazilian graffiti
o




 The main influence of the local
o

scene

    From tagging to epic mural
o




  Influences:
o

o American hip hop culture &

street movies
o Brazilian folk art & São Paulo

protest art
o Brazilian   pichacao movement
o Barry McGee (American graffiti

artist, known as Twist)
                                     31-year-old siblings from São Paulo
Tate Modern, London
Advertisement and galleries
sculptures   canvas
Speto
Speto
Nina


           QuickTime™ et un
            décompresseur
sont requis pour visionner cette image.
Highgraff




            Highgraff
Boleta
Thiago
 Syen
Bugre
Ciro
STREET ART
K
    a
    l
    e
M
    b
A
R
I
N
H
o
ba
    ti
  ri
Cu
F
e
f
e
T
i
t
i
f
r
e
a
k
Sao e Delafuente
La
  mb
    da
      la
        mb
           s
donato
K
    a
    l
    e
    b
M
A
R
I
N
H
o
MIX
Alex Orion
JR
Collaborative works



Donate, Grandson, Shock, Téia, Over, Maumeks, Angel, Graphis, Binho, Swift, Nine, Dalata, Hyper, Zezão,
Ramon - Sao Paulo 2006




Teia, Roko, Deninja, Anjo, Graphis, G, Afi, Does, Nem, Nick - Sao Paulo 2007
GRAFFITI STYLES
   COMPARISON
museum on wheels


                         NYC
small military mission                  bombers

               destruction     identity exhadurated
learning
basic expression

           Barcelona
          outside and free for everyone to see
Paris
      l cause
socia
  not
       Am
          eric
               an
                        m
              re I a
           fo
       here
  ag t
It
     art h
          as a
                 caus
                      e
                   t
             o pas
           t
     ation
 rel
         arc
             hite
                  ctu
                     re
Sao Paulo
                                  war      danger
                        raw
                                typographic terrorism
                         new
                                   urban intervention

               architecture
symbolic
  cannibalize culture     raw
Ready to walk ?

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Graffiti / Street Art Brazil by Adamantopoulou, Griccioli, Serra, Sideris

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  • 2. - HISTORY Cultural influences Graffiti’s history Legal vs illegal art 2. MOVEMENTS and ARTISTS Profile Movements Graffiti WRITING IMAGES(abstract and figurative) MIX (photo) 3. COMPARISON (NY - Barcelona - Paris)
  • 4. CULTURAL INFLUENCES European tradition o West African slaves o Tribal Art -> tupi people o Cannibalism: eating up cultures – o “eat what you like and leave the carcass” Local people + homeless o Music - dance o  expression of an Identity
  • 5. HISTORY of BRAZILIAN GRAFFITI Mid-20th c.: Voice of opposition to o Brazil’s social + economical problems -> way to express opinion 40’ - 50’: pichacao o 1964: military overthrow of democratic o government -> became to dangerous 60’: Tropicalia movement -> lyrics as o source of inspiration -> Multicolored graffiti + stencil graffiti popular
  • 6. 70’: graffiti became more animated - o popular opposition reclamed public spaces -> city space as political and cultural expression 70’: “Visual pollution” vs freedom of o expression (after years of repression) 80’: division: graffiti and pichacao o Hip hop culture influence -> no books o available -> had to be inventive 90’: create an individual style o reflection of own experiences - explore own culture - found recognizable style 1995 -> from marginal culture to accepted art form
  • 7. LEGAL vs ILLEGAL Get commissioned -> symbol of public pride QuickTime™ et un décompresseur sont requis pour visionner cette image.
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  • 12. Pichacao QuickTime™ et un décompresseur sont requis pour visionner cette image. QuickTime™ et un décompresseur sont requis pour visionner cette image. QuickTime™ et un décompresseur sont requis pour visionner cette image.
  • 15. Zezao … HE WORKS HERE TO MAKE A POINT ABOUT THE YEARS OF NEGLECT THAT HAVE CAUSED THIS POLLUTION. quot;I DID THIS WORK BECAUSE I WANTED TO SHOW THE ARCHITECTURE AND THE CONDITIONS OF TUNNELS OF SAO PAULO, WHICH IS THIS - DEGRADATION, RUBBISH - EVERYTHING THAT THE RAIN BRINGS.quot; 36 years old
  • 16. IS ONE OF THE EXPONENTS OF THE NEW BRAZILIAN ABSTRACT GRAFFITI. HIS TRADEMARKS ARE WHAT HE CALLS FLOPS, ELABORATE ARABESQUES THAT ARE VISUALLY FAR FROM THE PICHACAO LETTERS THAT THEY FIRST CAME FROM. HIS MOST STRIKING WORK NOWADAYS HAVE BEEN THE ONE HE DOES IN SÃO PAULO SEWERAGE SYSTEM AND SUBTERRANEAN WATER DUCTS, WHERE ALL THE WASTES OF THE BIG CITY ARE WASHED AWAY AMONG ZEZÃO'S WORKS OF ART.
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  • 20. Kboco
  • 22. Otavio and Gustavo Pandolfo Signify the Brazilian graffiti o The main influence of the local o scene From tagging to epic mural o Influences: o o American hip hop culture & street movies o Brazilian folk art & São Paulo protest art o Brazilian pichacao movement o Barry McGee (American graffiti artist, known as Twist) 31-year-old siblings from São Paulo
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  • 29. sculptures canvas
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  • 32. Nina QuickTime™ et un décompresseur sont requis pour visionner cette image.
  • 33. Highgraff Highgraff
  • 36. Bugre
  • 37. Ciro
  • 39. K a l e M b A R I N H o
  • 40. ba ti ri Cu
  • 44. La mb da la mb s
  • 46. K a l e b M A R I N H o
  • 47. MIX
  • 49. JR
  • 50. Collaborative works Donate, Grandson, Shock, Téia, Over, Maumeks, Angel, Graphis, Binho, Swift, Nine, Dalata, Hyper, Zezão, Ramon - Sao Paulo 2006 Teia, Roko, Deninja, Anjo, Graphis, G, Afi, Does, Nem, Nick - Sao Paulo 2007
  • 51. GRAFFITI STYLES COMPARISON
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  • 53. museum on wheels NYC small military mission bombers destruction identity exhadurated
  • 54. learning basic expression Barcelona outside and free for everyone to see
  • 55. Paris l cause socia not Am eric an m re I a fo here ag t It art h as a caus e t o pas t ation rel arc hite ctu re
  • 56. Sao Paulo war danger raw typographic terrorism new urban intervention architecture symbolic cannibalize culture raw