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Poetry Across Time: Character and voice
Singh Song!
I run just one ov my daddy’s shops
from 9 o’clock to 9 o’clock
and he vunt me not to hav a break
but ven nobody in, I do di lock –
cos up di stairs is my newly bride
vee share in chapatti
vee share in di cutney
after vee hav made luv
like vee rowing through Putney –
Ven I return vid my pinnie untied
di shoppers always point and cry:
Hey Singh, ver yoo bin?
Yor lemons are limes
your bananas are plantain,
dis dirty little floor need a little bit of mop
in di worst Indian shop
on di whole Indian road –
Above my head high heel tap di ground
as my vife on di web is playing wid di mouse
ven she netting two cat on her Sikh lover site
she book dem for di meat at di cheese ov her price –
my bride
she effing at my mum
in all di colours of Punjabi
den stumble like a drunk
Key
Language: connotation, imagery, metaphor, simile
Structure and form: stanzas, type, patterns, contrast, juxtaposition
Poetic methods: alliteration, caesura, assonance, rhythm, rhyme
Character and voice: who is speaking and to whom? Tone of voice
Links: comparisons to other speakers, methods and themes
Use of pun immediately
establishes a playful
tone against some fairly
serious subject matter.
Exclamation mark is
indicative of a naïve
enthusiasm from the
speaker.
Immediate introduction
of dialect, challenging
expectations/
conventions of poetry.
Presentation and
interpretation of
racial stereotypes.
Investigation of our
public and private lives
Loose use of playful
rhythm and half-rhyme
to heighten sense of
exuberance.
Juxtaposition of
traditional Indian and
English imagery.
Irregular stanza lengths
and shapes suggest a
hybrid of cultural
influences.
Exterior voice denoted
typographically with
italics to give a sense
of interruption.
Repetition suggests
a society where
‘Indian’ is conflated
with ‘bad’.
Dark humour used to
broach the bleak topic of
extra-marital prostitution
(ridiculous and tragic).
Semantic logic
behind
speaker’s
linguistic
errors – wrong
words are
linked.
Triple-refrain creates the
sense of a building
image of an increasingly
surprising nature of this
wife.
making fun at my daddy
my bride
tiny eyes ov a gun
and di tummy ov a teddy
my bride
she have a red crew cut
and she wear a Tartan sari
a donkey jacket and some pumps
on di squeak ov di girls dat are pinching my sweeties
–
Ven I return from di tickle ov my bride
di shoppers always point and cry:
Hey Singh, ver yoo bin?
Di milk is out ov date
and di bread is always stale,
di tings yoo hav on offer yoo hav never got in stock
in di worst Indian shop
on di whole Indian road –
Late in di midnight hour
ven yoo shoppers are wrap up quiet
ven di precinct is concrete cool
vee cum down whispering stairs
and sit on my silver stool,
from behind the chocolate bars
vee stare past di half-price window signs
at di beaches ov di UK in di brightey moon –
from di stool each night she say,
How much do yoo charge for dat moon baby?
from di stool each night she say,
How much does that come to baby?
from di stool each night she say,
Is priceless baby –
Sense of speaker being
the most
passive/emasculated
figure in the household.
Whilst sex is a
commodity/product for
sale to the wife, for the
speaker is brigs great
pleasure – Theme
gender roles.
Title is ‘Singh song!’-
songs require a
chorus/refrain. The
chorus of the
speaker’s life is abuse
from customers which
interrupt his otherwise
blissful existence.
Allusion to the love song
(the lyric continues
‘that’s when my love
comes shining through’).
Wilful dialectic use of
grammar – crates naïve and,
at times, pathetic character.
Bathos created by
subverting an
otherwise romantic
image with corner
shop imagery.
In his wife’s
eyes he is
fundamentally
always a
shopkeeper.
Repetition of ‘each
night’ gives impression
of mandatory to what
may once have been a
spontaneous/ romantic
exchange.
Ending without a full-stop
leads us to see the situation
as ongoing/unresolved.
Interpretations of the poem:
 At surface level it can be seen as a commentary on the immigrant
experience in Britain and the hostility and isolation that is felt from
the 'indigenous' population.
 There is also an element to which we might think it a comment on
whether love requires a certain amount of ignorance or self
deception concerning the man's relationship with his wife.

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Singh Song

  • 1. Poetry Across Time: Character and voice Singh Song! I run just one ov my daddy’s shops from 9 o’clock to 9 o’clock and he vunt me not to hav a break but ven nobody in, I do di lock – cos up di stairs is my newly bride vee share in chapatti vee share in di cutney after vee hav made luv like vee rowing through Putney – Ven I return vid my pinnie untied di shoppers always point and cry: Hey Singh, ver yoo bin? Yor lemons are limes your bananas are plantain, dis dirty little floor need a little bit of mop in di worst Indian shop on di whole Indian road – Above my head high heel tap di ground as my vife on di web is playing wid di mouse ven she netting two cat on her Sikh lover site she book dem for di meat at di cheese ov her price – my bride she effing at my mum in all di colours of Punjabi den stumble like a drunk Key Language: connotation, imagery, metaphor, simile Structure and form: stanzas, type, patterns, contrast, juxtaposition Poetic methods: alliteration, caesura, assonance, rhythm, rhyme Character and voice: who is speaking and to whom? Tone of voice Links: comparisons to other speakers, methods and themes Use of pun immediately establishes a playful tone against some fairly serious subject matter. Exclamation mark is indicative of a naïve enthusiasm from the speaker. Immediate introduction of dialect, challenging expectations/ conventions of poetry. Presentation and interpretation of racial stereotypes. Investigation of our public and private lives Loose use of playful rhythm and half-rhyme to heighten sense of exuberance. Juxtaposition of traditional Indian and English imagery. Irregular stanza lengths and shapes suggest a hybrid of cultural influences. Exterior voice denoted typographically with italics to give a sense of interruption. Repetition suggests a society where ‘Indian’ is conflated with ‘bad’. Dark humour used to broach the bleak topic of extra-marital prostitution (ridiculous and tragic). Semantic logic behind speaker’s linguistic errors – wrong words are linked. Triple-refrain creates the sense of a building image of an increasingly surprising nature of this wife.
  • 2. making fun at my daddy my bride tiny eyes ov a gun and di tummy ov a teddy my bride she have a red crew cut and she wear a Tartan sari a donkey jacket and some pumps on di squeak ov di girls dat are pinching my sweeties – Ven I return from di tickle ov my bride di shoppers always point and cry: Hey Singh, ver yoo bin? Di milk is out ov date and di bread is always stale, di tings yoo hav on offer yoo hav never got in stock in di worst Indian shop on di whole Indian road – Late in di midnight hour ven yoo shoppers are wrap up quiet ven di precinct is concrete cool vee cum down whispering stairs and sit on my silver stool, from behind the chocolate bars vee stare past di half-price window signs at di beaches ov di UK in di brightey moon – from di stool each night she say, How much do yoo charge for dat moon baby? from di stool each night she say, How much does that come to baby? from di stool each night she say, Is priceless baby – Sense of speaker being the most passive/emasculated figure in the household. Whilst sex is a commodity/product for sale to the wife, for the speaker is brigs great pleasure – Theme gender roles. Title is ‘Singh song!’- songs require a chorus/refrain. The chorus of the speaker’s life is abuse from customers which interrupt his otherwise blissful existence. Allusion to the love song (the lyric continues ‘that’s when my love comes shining through’). Wilful dialectic use of grammar – crates naïve and, at times, pathetic character. Bathos created by subverting an otherwise romantic image with corner shop imagery. In his wife’s eyes he is fundamentally always a shopkeeper. Repetition of ‘each night’ gives impression of mandatory to what may once have been a spontaneous/ romantic exchange. Ending without a full-stop leads us to see the situation as ongoing/unresolved. Interpretations of the poem:  At surface level it can be seen as a commentary on the immigrant experience in Britain and the hostility and isolation that is felt from the 'indigenous' population.  There is also an element to which we might think it a comment on whether love requires a certain amount of ignorance or self deception concerning the man's relationship with his wife.