SlideShare a Scribd company logo
1 of 10
In what ways does your media product use,  develop or challenge forms and conventions of real  media products?
What were the conventions of a short film? Which ones did we meet and break? TIMING . . .  A conventional amount of time for a short film to run is approximately 5 -6 minutes and ours was  6:07. This met the timing that we we’re aiming for and fits well with the content.  Also, due to timing, it is common for short films to only contain the main character and their issues, which was what we solely focused on in our production. As our production was also for a real life audience, we had to fit in what they wanted and cover the topic as much as we could, which is also conventional for a short film due to time limitations. Where timing is concerned, we stayed within the conventions of a short film.
ESTABLISHING CHARACTER . . .  Because for the limitations in short films, it is essential for the main character to be established so that the audience knows who the production is focused on. Due to the topic that we based our production on, we had to both keep and break the conventions as we had to focus on the family as well as the main character (co-dependency). The starting footage is also Jane and Rosemary, not the main character, but due to the nature of our production, that is it had to be started off. I believe that the balance of conventions in our production was steady and we dedicated around 40% of the footage and interviews to co-dependency which was the reason why we broke the conventional establishing method. However, we did still keep the main focus on the main character as he was in the first re-enactment and although the camera was not directly on him all the time, it was focusing on what he was saying/actions. Also throughout the production, whenever the family was talking to the carer, they were talking about him.  This is the first scene . . .  The establishing shots  . . .
TITLE/OPENING SEQUENCE. . .  There are not nay specific conventions for a short films title sequence, therefore they may be taken off more lengthy productions. When it comes the major productions, opening credits and closing credits are used, however seeing as our production short, it only uses title credits. In this the Title, key production and cast members are shown, followed by the opening credits which contain all the major actors and crew i.e. story by. . .  These can be run concurrently  with the productions first sequence or after the Title of the production has been shown, which is what we did.  2 3 You can also see that we have placed our opening credits over the top of the action in the show, which is not as conventional as other methods such as placing the superimposed text on a blank screen or a static picture.  1
What were the conventions of a docudrama? Which ones did we meet and break? A docudrama is a fact based representation of real life events. Our production clearly followed conventions for a docudrama as we had re-enactments going all the way though our production.  We also followed the conventions as the events in the docudrama were portrayed by actors and the shooting conventions followed suit similar to a mainstream film or television series. The dialogue was shot in a shot-reverse-shot manner, conventional to similar dramas and the mis-en-scene was relevant and well suited to each scene. Shot/reverse shot
As a docudrama  is half documentary, half drama, we have balanced out an equal amount of re-enactments which portray the events happening within the storyline, and interviews which keep a documentary feel to the production. These interviews are also more fact based which was filled in due to the results that we obtained by our questionnaire early on in the research stage. This is some of our research on my blog for documentary making. There is also a video on how to write scripts.
VOICE-OVER. . .  Voice-overs are common in documentaries and therefore part of a docudrama. They are complimentary of the filmmaker and make the film speak to the audience more. We placed our voice-overs over a still image which had been freeze framed from the last frame of the current re-enactment. This looked really good, and on the last one, we had some colour effects which connotes that the man has realised his disease and come to face his problems. Our audience feedback shown later, re-iterates this connotation. “This was the happiest moment of my life . .   Until it all went wrong . . .”
What were the conventions of our genre, examination of a specific subject. Which ones did we meet and break? As our genre is alcoholism and co-dependence, it is quite a common subject to cover in documentaries. My group and I have done a lot of research into current documentaries to make sure that we do not do the same as every other film. It seems now that we have succeeded and although we have kept in the conventions of our genre and type of film, we have managed to use different methods when editing and our content is more varied.  Many other conventional docudramas using the same genre, tend to stick to facts and stories that are some what depressing, yet our docudrama is different as we end on a ‘happy note’. It was Jane and Rosemary who told us about many existing footage for alcoholics and told us what would really catch their attention.
This is some of our research from our blog. It is also linked in with genre research as well as conventions of alcohol awareness in the media . . .
What were the conventions of alcohol awareness. Which ones did we meet and break?  There is a lot of information on alcohol awareness, especially on the internet. Unfortunately most of the information available is very similar and therefore can become very tedious to the audience.   It is conventional for most media productions to contain information on the heath effects of alcoholism, or the violence associated with it. We have followed conventions in this way as we have information on the heath side of the disease, but we have also broken conventional methods as we have focused more on the family involved and what they did to get help. This isn’t used commonly in the media as co-dependence isn’t approached as well as it should.  It is also conventional for other productions to focus on the children in the family and how they are affected, but we have differed and shown how the mother and sister are affected instead.

More Related Content

What's hot

DocumentaryEvaluation Question 1
DocumentaryEvaluation Question 1DocumentaryEvaluation Question 1
DocumentaryEvaluation Question 1
zephaniahdaly
 
Evaluation question 1 (1)
Evaluation question 1 (1)Evaluation question 1 (1)
Evaluation question 1 (1)
jamiegibbins
 
How did you develop or challenge codes and conventions
How did you develop or challenge codes and conventionsHow did you develop or challenge codes and conventions
How did you develop or challenge codes and conventions
ashhillfilm
 
Evaluation Question 1
Evaluation Question 1 Evaluation Question 1
Evaluation Question 1
a2cole13
 
Evaluation question 2
Evaluation question 2Evaluation question 2
Evaluation question 2
kieranlocke
 
In what ways does your media product use
In what ways does your media product useIn what ways does your media product use
In what ways does your media product use
cassierattray
 
Evaluation Question 3
Evaluation Question 3Evaluation Question 3
Evaluation Question 3
ReeReeLaFleur
 

What's hot (20)

DocumentaryEvaluation Question 1
DocumentaryEvaluation Question 1DocumentaryEvaluation Question 1
DocumentaryEvaluation Question 1
 
Evaluation Q1
Evaluation Q1Evaluation Q1
Evaluation Q1
 
Media evaluation
Media evaluationMedia evaluation
Media evaluation
 
Question one
Question oneQuestion one
Question one
 
Evaluation question 1 (1)
Evaluation question 1 (1)Evaluation question 1 (1)
Evaluation question 1 (1)
 
Theoretical research
Theoretical researchTheoretical research
Theoretical research
 
What is a short film?
What is a short film?What is a short film?
What is a short film?
 
How did you develop or challenge codes and conventions
How did you develop or challenge codes and conventionsHow did you develop or challenge codes and conventions
How did you develop or challenge codes and conventions
 
Eval 1
Eval 1Eval 1
Eval 1
 
Evaluation activity 3
Evaluation activity 3Evaluation activity 3
Evaluation activity 3
 
Evaluation Task 1
Evaluation Task 1Evaluation Task 1
Evaluation Task 1
 
Question 1
Question 1 Question 1
Question 1
 
Introduction to short films powerpoint
Introduction to short films powerpointIntroduction to short films powerpoint
Introduction to short films powerpoint
 
Biggie and tupac new111
Biggie and tupac new111Biggie and tupac new111
Biggie and tupac new111
 
Evaluation Question 1
Evaluation Question 1 Evaluation Question 1
Evaluation Question 1
 
In what ways does your media product use
In what ways does your media product useIn what ways does your media product use
In what ways does your media product use
 
Evaluation question 2
Evaluation question 2Evaluation question 2
Evaluation question 2
 
In what ways does your media product use
In what ways does your media product useIn what ways does your media product use
In what ways does your media product use
 
Evaluation Question 3
Evaluation Question 3Evaluation Question 3
Evaluation Question 3
 
Evaluation question 1
Evaluation question 1Evaluation question 1
Evaluation question 1
 

Viewers also liked

Rassegna stampa iScopriRete
Rassegna stampa iScopriReteRassegna stampa iScopriRete
Rassegna stampa iScopriRete
sebinayou
 
The movements of the earth flavia
The movements of the earth flaviaThe movements of the earth flavia
The movements of the earth flavia
Deysi Lucho
 

Viewers also liked (17)

Pulsar mx frame training ppt
Pulsar mx frame training pptPulsar mx frame training ppt
Pulsar mx frame training ppt
 
IPM 70 YEAR CELEBRATION in the HR Industry
IPM 70 YEAR CELEBRATION in the HR IndustryIPM 70 YEAR CELEBRATION in the HR Industry
IPM 70 YEAR CELEBRATION in the HR Industry
 
Adherence report
Adherence reportAdherence report
Adherence report
 
What Employers Want
What Employers WantWhat Employers Want
What Employers Want
 
Amjph00637 0043
Amjph00637 0043Amjph00637 0043
Amjph00637 0043
 
Used to
Used to Used to
Used to
 
Corporate Ethics, Communication and Business Networking
Corporate Ethics, Communication and Business NetworkingCorporate Ethics, Communication and Business Networking
Corporate Ethics, Communication and Business Networking
 
Rassegna stampa iScopriRete
Rassegna stampa iScopriReteRassegna stampa iScopriRete
Rassegna stampa iScopriRete
 
Slik Vic Illustration Porty 2012
Slik Vic Illustration Porty 2012Slik Vic Illustration Porty 2012
Slik Vic Illustration Porty 2012
 
The movements of the earth flavia
The movements of the earth flaviaThe movements of the earth flavia
The movements of the earth flavia
 
Media evaluation
Media evaluationMedia evaluation
Media evaluation
 
10 year risk of chd
10 year risk of chd10 year risk of chd
10 year risk of chd
 
Event Marketing: The Basics
Event Marketing: The BasicsEvent Marketing: The Basics
Event Marketing: The Basics
 
Dynamics of Guest Loyalty
Dynamics of Guest LoyaltyDynamics of Guest Loyalty
Dynamics of Guest Loyalty
 
Oriflame wellness catalogue
Oriflame wellness catalogueOriflame wellness catalogue
Oriflame wellness catalogue
 
Oriflame February 2015 Catalogue
Oriflame February 2015 CatalogueOriflame February 2015 Catalogue
Oriflame February 2015 Catalogue
 
The Millenial Employee
The Millenial EmployeeThe Millenial Employee
The Millenial Employee
 

Similar to Media evaluation (20)

Evaluation question 1
Evaluation question 1Evaluation question 1
Evaluation question 1
 
Evaluation question 1
Evaluation question 1Evaluation question 1
Evaluation question 1
 
Evaluation question 1
Evaluation question 1Evaluation question 1
Evaluation question 1
 
Evaluation
EvaluationEvaluation
Evaluation
 
Evaluation question 1
Evaluation question 1Evaluation question 1
Evaluation question 1
 
Jess media evaluation
Jess media evaluationJess media evaluation
Jess media evaluation
 
Luke Mayes - Foundation Production Portfolio - Evaluation
Luke Mayes - Foundation Production Portfolio - EvaluationLuke Mayes - Foundation Production Portfolio - Evaluation
Luke Mayes - Foundation Production Portfolio - Evaluation
 
A2 media evaluation
A2 media evaluationA2 media evaluation
A2 media evaluation
 
A2 media evaluation
A2 media evaluationA2 media evaluation
A2 media evaluation
 
A2 media evaluation
A2 media evaluationA2 media evaluation
A2 media evaluation
 
A2 media evaluation
A2 media evaluationA2 media evaluation
A2 media evaluation
 
A2 media
A2 mediaA2 media
A2 media
 
Evaluation 1
Evaluation 1Evaluation 1
Evaluation 1
 
Media evaluation q1
Media evaluation   q1Media evaluation   q1
Media evaluation q1
 
A2 media (1)
A2 media (1)A2 media (1)
A2 media (1)
 
Evaluation final
Evaluation finalEvaluation final
Evaluation final
 
Evaluation final
Evaluation finalEvaluation final
Evaluation final
 
Evaluation2
Evaluation2Evaluation2
Evaluation2
 
Evaluation
EvaluationEvaluation
Evaluation
 
Evaluation
EvaluationEvaluation
Evaluation
 

Recently uploaded

Goa Call "Girls Service 9316020077 Call "Girls in Goa
Goa Call "Girls  Service   9316020077 Call "Girls in GoaGoa Call "Girls  Service   9316020077 Call "Girls in Goa
Goa Call "Girls Service 9316020077 Call "Girls in Goa
sexy call girls service in goa
 
Call Girls In Goa 9316020077 Goa Call Girl By Indian Call Girls Goa
Call Girls In Goa  9316020077 Goa  Call Girl By Indian Call Girls GoaCall Girls In Goa  9316020077 Goa  Call Girl By Indian Call Girls Goa
Call Girls In Goa 9316020077 Goa Call Girl By Indian Call Girls Goa
sexy call girls service in goa
 
Karnal Call Girls 8860008073 Dyal Singh Colony Call Girls Service in Karnal E...
Karnal Call Girls 8860008073 Dyal Singh Colony Call Girls Service in Karnal E...Karnal Call Girls 8860008073 Dyal Singh Colony Call Girls Service in Karnal E...
Karnal Call Girls 8860008073 Dyal Singh Colony Call Girls Service in Karnal E...
Apsara Of India
 
Call Girls South Avenue Delhi WhatsApp Number 9711199171
Call Girls South Avenue Delhi WhatsApp Number 9711199171Call Girls South Avenue Delhi WhatsApp Number 9711199171
Call Girls South Avenue Delhi WhatsApp Number 9711199171
Delhi Call Girls 📞9899900591 ✔️ High Profile Service 100% Safe
 
Russian Escorts Agency In Goa 💚 9316020077 💚 Russian Call Girl Goa
Russian Escorts Agency In Goa  💚 9316020077 💚 Russian Call Girl GoaRussian Escorts Agency In Goa  💚 9316020077 💚 Russian Call Girl Goa
Russian Escorts Agency In Goa 💚 9316020077 💚 Russian Call Girl Goa
sexy call girls service in goa
 
Call Girls Agency In Goa 💚 9316020077 💚 Call Girl Goa By Russian Call Girl ...
Call Girls  Agency In Goa  💚 9316020077 💚 Call Girl Goa By Russian Call Girl ...Call Girls  Agency In Goa  💚 9316020077 💚 Call Girl Goa By Russian Call Girl ...
Call Girls Agency In Goa 💚 9316020077 💚 Call Girl Goa By Russian Call Girl ...
russian goa call girl and escorts service
 
Desi Bhabhi Call Girls In Goa 💃 730 02 72 001💃desi Bhabhi Escort Goa
Desi Bhabhi Call Girls  In Goa  💃 730 02 72 001💃desi Bhabhi Escort GoaDesi Bhabhi Call Girls  In Goa  💃 730 02 72 001💃desi Bhabhi Escort Goa
Desi Bhabhi Call Girls In Goa 💃 730 02 72 001💃desi Bhabhi Escort Goa
russian goa call girl and escorts service
 
Nayabad Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Sex At ...
Nayabad Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Sex At ...Nayabad Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Sex At ...
Nayabad Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Sex At ...
aamir
 

Recently uploaded (20)

Independent Hatiara Escorts ✔ 9332606886✔ Full Night With Room Online Booking...
Independent Hatiara Escorts ✔ 9332606886✔ Full Night With Room Online Booking...Independent Hatiara Escorts ✔ 9332606886✔ Full Night With Room Online Booking...
Independent Hatiara Escorts ✔ 9332606886✔ Full Night With Room Online Booking...
 
Call Girls in Barasat | 7001035870 At Low Cost Cash Payment Booking
Call Girls in Barasat | 7001035870 At Low Cost Cash Payment BookingCall Girls in Barasat | 7001035870 At Low Cost Cash Payment Booking
Call Girls in Barasat | 7001035870 At Low Cost Cash Payment Booking
 
Call Girl Nashik Amaira 7001305949 Independent Escort Service Nashik
Call Girl Nashik Amaira 7001305949 Independent Escort Service NashikCall Girl Nashik Amaira 7001305949 Independent Escort Service Nashik
Call Girl Nashik Amaira 7001305949 Independent Escort Service Nashik
 
Model Call Girls In Velappanchavadi WhatsApp Booking 7427069034 call girl ser...
Model Call Girls In Velappanchavadi WhatsApp Booking 7427069034 call girl ser...Model Call Girls In Velappanchavadi WhatsApp Booking 7427069034 call girl ser...
Model Call Girls In Velappanchavadi WhatsApp Booking 7427069034 call girl ser...
 
Call Girls Nashik Gayatri 7001305949 Independent Escort Service Nashik
Call Girls Nashik Gayatri 7001305949 Independent Escort Service NashikCall Girls Nashik Gayatri 7001305949 Independent Escort Service Nashik
Call Girls Nashik Gayatri 7001305949 Independent Escort Service Nashik
 
𓀤Call On 6297143586 𓀤 Ultadanga Call Girls In All Kolkata 24/7 Provide Call W...
𓀤Call On 6297143586 𓀤 Ultadanga Call Girls In All Kolkata 24/7 Provide Call W...𓀤Call On 6297143586 𓀤 Ultadanga Call Girls In All Kolkata 24/7 Provide Call W...
𓀤Call On 6297143586 𓀤 Ultadanga Call Girls In All Kolkata 24/7 Provide Call W...
 
↑Top Model (Kolkata) Call Girls Rajpur ⟟ 8250192130 ⟟ High Class Call Girl In...
↑Top Model (Kolkata) Call Girls Rajpur ⟟ 8250192130 ⟟ High Class Call Girl In...↑Top Model (Kolkata) Call Girls Rajpur ⟟ 8250192130 ⟟ High Class Call Girl In...
↑Top Model (Kolkata) Call Girls Rajpur ⟟ 8250192130 ⟟ High Class Call Girl In...
 
Goa Call "Girls Service 9316020077 Call "Girls in Goa
Goa Call "Girls  Service   9316020077 Call "Girls in GoaGoa Call "Girls  Service   9316020077 Call "Girls in Goa
Goa Call "Girls Service 9316020077 Call "Girls in Goa
 
Call Girls In Goa 9316020077 Goa Call Girl By Indian Call Girls Goa
Call Girls In Goa  9316020077 Goa  Call Girl By Indian Call Girls GoaCall Girls In Goa  9316020077 Goa  Call Girl By Indian Call Girls Goa
Call Girls In Goa 9316020077 Goa Call Girl By Indian Call Girls Goa
 
Karnal Call Girls 8860008073 Dyal Singh Colony Call Girls Service in Karnal E...
Karnal Call Girls 8860008073 Dyal Singh Colony Call Girls Service in Karnal E...Karnal Call Girls 8860008073 Dyal Singh Colony Call Girls Service in Karnal E...
Karnal Call Girls 8860008073 Dyal Singh Colony Call Girls Service in Karnal E...
 
Call Girls South Avenue Delhi WhatsApp Number 9711199171
Call Girls South Avenue Delhi WhatsApp Number 9711199171Call Girls South Avenue Delhi WhatsApp Number 9711199171
Call Girls South Avenue Delhi WhatsApp Number 9711199171
 
👙 Kolkata Call Girls Shyam Bazar 💫💫7001035870 Model escorts Service
👙  Kolkata Call Girls Shyam Bazar 💫💫7001035870 Model escorts Service👙  Kolkata Call Girls Shyam Bazar 💫💫7001035870 Model escorts Service
👙 Kolkata Call Girls Shyam Bazar 💫💫7001035870 Model escorts Service
 
Verified Trusted Call Girls Tambaram Chennai ✔✔7427069034 Independent Chenna...
Verified Trusted Call Girls Tambaram Chennai ✔✔7427069034  Independent Chenna...Verified Trusted Call Girls Tambaram Chennai ✔✔7427069034  Independent Chenna...
Verified Trusted Call Girls Tambaram Chennai ✔✔7427069034 Independent Chenna...
 
Top Rated Kolkata Call Girls Khardah ⟟ 6297143586 ⟟ Call Me For Genuine Sex S...
Top Rated Kolkata Call Girls Khardah ⟟ 6297143586 ⟟ Call Me For Genuine Sex S...Top Rated Kolkata Call Girls Khardah ⟟ 6297143586 ⟟ Call Me For Genuine Sex S...
Top Rated Kolkata Call Girls Khardah ⟟ 6297143586 ⟟ Call Me For Genuine Sex S...
 
Model Call Girls In Pazhavanthangal WhatsApp Booking 7427069034 call girl ser...
Model Call Girls In Pazhavanthangal WhatsApp Booking 7427069034 call girl ser...Model Call Girls In Pazhavanthangal WhatsApp Booking 7427069034 call girl ser...
Model Call Girls In Pazhavanthangal WhatsApp Booking 7427069034 call girl ser...
 
Russian Escorts Agency In Goa 💚 9316020077 💚 Russian Call Girl Goa
Russian Escorts Agency In Goa  💚 9316020077 💚 Russian Call Girl GoaRussian Escorts Agency In Goa  💚 9316020077 💚 Russian Call Girl Goa
Russian Escorts Agency In Goa 💚 9316020077 💚 Russian Call Girl Goa
 
Top Rated Pune Call Girls Pimpri Chinchwad ⟟ 6297143586 ⟟ Call Me For Genuin...
Top Rated  Pune Call Girls Pimpri Chinchwad ⟟ 6297143586 ⟟ Call Me For Genuin...Top Rated  Pune Call Girls Pimpri Chinchwad ⟟ 6297143586 ⟟ Call Me For Genuin...
Top Rated Pune Call Girls Pimpri Chinchwad ⟟ 6297143586 ⟟ Call Me For Genuin...
 
Call Girls Agency In Goa 💚 9316020077 💚 Call Girl Goa By Russian Call Girl ...
Call Girls  Agency In Goa  💚 9316020077 💚 Call Girl Goa By Russian Call Girl ...Call Girls  Agency In Goa  💚 9316020077 💚 Call Girl Goa By Russian Call Girl ...
Call Girls Agency In Goa 💚 9316020077 💚 Call Girl Goa By Russian Call Girl ...
 
Desi Bhabhi Call Girls In Goa 💃 730 02 72 001💃desi Bhabhi Escort Goa
Desi Bhabhi Call Girls  In Goa  💃 730 02 72 001💃desi Bhabhi Escort GoaDesi Bhabhi Call Girls  In Goa  💃 730 02 72 001💃desi Bhabhi Escort Goa
Desi Bhabhi Call Girls In Goa 💃 730 02 72 001💃desi Bhabhi Escort Goa
 
Nayabad Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Sex At ...
Nayabad Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Sex At ...Nayabad Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Sex At ...
Nayabad Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Sex At ...
 

Media evaluation

  • 1. In what ways does your media product use, develop or challenge forms and conventions of real media products?
  • 2. What were the conventions of a short film? Which ones did we meet and break? TIMING . . . A conventional amount of time for a short film to run is approximately 5 -6 minutes and ours was 6:07. This met the timing that we we’re aiming for and fits well with the content. Also, due to timing, it is common for short films to only contain the main character and their issues, which was what we solely focused on in our production. As our production was also for a real life audience, we had to fit in what they wanted and cover the topic as much as we could, which is also conventional for a short film due to time limitations. Where timing is concerned, we stayed within the conventions of a short film.
  • 3. ESTABLISHING CHARACTER . . . Because for the limitations in short films, it is essential for the main character to be established so that the audience knows who the production is focused on. Due to the topic that we based our production on, we had to both keep and break the conventions as we had to focus on the family as well as the main character (co-dependency). The starting footage is also Jane and Rosemary, not the main character, but due to the nature of our production, that is it had to be started off. I believe that the balance of conventions in our production was steady and we dedicated around 40% of the footage and interviews to co-dependency which was the reason why we broke the conventional establishing method. However, we did still keep the main focus on the main character as he was in the first re-enactment and although the camera was not directly on him all the time, it was focusing on what he was saying/actions. Also throughout the production, whenever the family was talking to the carer, they were talking about him. This is the first scene . . . The establishing shots . . .
  • 4. TITLE/OPENING SEQUENCE. . . There are not nay specific conventions for a short films title sequence, therefore they may be taken off more lengthy productions. When it comes the major productions, opening credits and closing credits are used, however seeing as our production short, it only uses title credits. In this the Title, key production and cast members are shown, followed by the opening credits which contain all the major actors and crew i.e. story by. . . These can be run concurrently with the productions first sequence or after the Title of the production has been shown, which is what we did. 2 3 You can also see that we have placed our opening credits over the top of the action in the show, which is not as conventional as other methods such as placing the superimposed text on a blank screen or a static picture. 1
  • 5. What were the conventions of a docudrama? Which ones did we meet and break? A docudrama is a fact based representation of real life events. Our production clearly followed conventions for a docudrama as we had re-enactments going all the way though our production. We also followed the conventions as the events in the docudrama were portrayed by actors and the shooting conventions followed suit similar to a mainstream film or television series. The dialogue was shot in a shot-reverse-shot manner, conventional to similar dramas and the mis-en-scene was relevant and well suited to each scene. Shot/reverse shot
  • 6. As a docudrama is half documentary, half drama, we have balanced out an equal amount of re-enactments which portray the events happening within the storyline, and interviews which keep a documentary feel to the production. These interviews are also more fact based which was filled in due to the results that we obtained by our questionnaire early on in the research stage. This is some of our research on my blog for documentary making. There is also a video on how to write scripts.
  • 7. VOICE-OVER. . . Voice-overs are common in documentaries and therefore part of a docudrama. They are complimentary of the filmmaker and make the film speak to the audience more. We placed our voice-overs over a still image which had been freeze framed from the last frame of the current re-enactment. This looked really good, and on the last one, we had some colour effects which connotes that the man has realised his disease and come to face his problems. Our audience feedback shown later, re-iterates this connotation. “This was the happiest moment of my life . . Until it all went wrong . . .”
  • 8. What were the conventions of our genre, examination of a specific subject. Which ones did we meet and break? As our genre is alcoholism and co-dependence, it is quite a common subject to cover in documentaries. My group and I have done a lot of research into current documentaries to make sure that we do not do the same as every other film. It seems now that we have succeeded and although we have kept in the conventions of our genre and type of film, we have managed to use different methods when editing and our content is more varied. Many other conventional docudramas using the same genre, tend to stick to facts and stories that are some what depressing, yet our docudrama is different as we end on a ‘happy note’. It was Jane and Rosemary who told us about many existing footage for alcoholics and told us what would really catch their attention.
  • 9. This is some of our research from our blog. It is also linked in with genre research as well as conventions of alcohol awareness in the media . . .
  • 10. What were the conventions of alcohol awareness. Which ones did we meet and break? There is a lot of information on alcohol awareness, especially on the internet. Unfortunately most of the information available is very similar and therefore can become very tedious to the audience. It is conventional for most media productions to contain information on the heath effects of alcoholism, or the violence associated with it. We have followed conventions in this way as we have information on the heath side of the disease, but we have also broken conventional methods as we have focused more on the family involved and what they did to get help. This isn’t used commonly in the media as co-dependence isn’t approached as well as it should. It is also conventional for other productions to focus on the children in the family and how they are affected, but we have differed and shown how the mother and sister are affected instead.