GRADE 10 4TH QUARTER

1. Philippine Ballet

2. Hip Hop

3. Waltz

5. Ballet
theatrical dance in
which a formal
academic dance
technique—the danse
d’école - is combined
with other artistic
elements such as music,
costume, and stage
scenery.

6. Ballet
 a work, consists of
the choreography and music for a
ballet production. Ballets are
choreographed and performed by
trained ballet dancers.
 Traditional classical ballets are
usually performed with classical
music accompaniment and use
elaborate costumes and staging.

7. Ballet
 Pantomime
- Performers deliver their parts through
body movements.
 A performance told without words but by
using body movements and facial
expressions.
 Performance used synchronized
choreography, elaborate and colorful
costumes, sets, visuals, and music.

9. Styles
 Classical ballet
(Early 1800s)
- based on traditional
ballet technique and
vocabulary.
- Different styles have
emerged in different
countries, such as French
ballet, Italian
ballet, English ballet,
and Russian ballet.

10.  Romantic ballet
(1832)
- an artistic movement of
classical ballet and several
productions remain in the
classical repertoire today.
- The Romantic era was marked
by the emergence
of pointe work, the dominance
of female dancers, and longer,
flowy tutus that attempt to
exemplify softness and a
delicate aura.

11.  Neoclassical ballet
(1920)
- is usually abstract, with
no clear plot, costumes
or scenery.
- Music choice can be
diverse and will often
include music that is also
neoclassical

12.  Contemporary ballet
(1920s-1940s)
- often performed barefoot.
Contemporary ballets may
include mime and acting,
and are usually set to music
(typically orchestral but
occasionally vocal).

13. Philippine Ballet
 Presents folktales based on local
fables for example, Lola Basyang as
well as epics from neighboring
regions, such as India’s Ramayana.
 Lola Basyang and Rama Hari are
additions to the usual Western
Ballets presented by Philippine ballet
companies.

14. Famous Ballet Companies
 Ballet Manila
 Ballet Philippines
 Philippine Ballet Theater
 Halili-Cruz Ballet Company

15. Tatlong Kwento ni Lola Basyang
 An adaptation of Severino Reyes’ Mga Kwento ni Lola
Basyang
 It was meant to instill and rekindle the interest of the
Filipino youth in the beauty, richness, and heritage of
Philippine literature.
 Two episodes of such stories were presented by Ballet
Manila, with Lisa Macuha-Elizalde as the company’s
Executive Director and prima Ballerina. Entitled Kuwento
ni Lola Basyang (2009) and Tatlo Pang Kuwento ni Lola
Basyang (2013)

16. Tatlong Kuwento ni Lola Basyang
 Ang Kapatid ng Tatlong Marya
 Ang Mahiwagang Biyulin
 Ang Prinsipe ng Mga Ibon

18. Rama Hari
 Philippine adaptation of the Indian epic Ramayana
set to music, dance, and drama. The epic
adventure and love story of Rama and Sita.
 Originally presented on February 8 to 17. 1980,
with the creative team of Ryan Cayabyab (Music),
National Artist Alice Reyes (Choreography),
National Artist Bienvenido Lumbera (Literature),
and National Artist Salvador Bernal (Theater
Design), with the CCP Philharmonic Orchestra
conducted by Ryan Cayabyab.

19.  The production had the dancers moving alongside
the characters to provide the choreographic
interpretation of their singing and acting.

21. Question….
 This is a theatrical dance in which a formal
academic dance technique is combined with other
artistic elements such as music, costume, and
stage scenery.
a. Ballet Dance
b. HipHop Dance
c. Waltz Dance
d. Folk Dance

22. Its meant to instill and rekindle the
interest of the Filipino youth in the
beauty, richness, and heritage of
Philippine literature.
a. Rama Hari
b. Tatlong Kwento ni Lola Basyang
c. Nutcracker

23.  Philippine adaptation of the Indian epic
Ramayana set to music, dance, and drama.
The epic adventure and
love story of Rama and Sita.
a. Rama Hari
b. Tatlong Kwento ni Lola Basyang
c. Nutcracker