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 Narrates the life of selected
contemporary Filipino composer/s
(MU10CMIIIc-g-3)
 Analyzes the musical characteristics of
traditional and contemporary Philippine
music; (MU10CMIIIa-h-2)
a. Enumerate the compositions of the 20th-century traditional
composers; and
b. Classify the works/compositions to the composers
OBJECTIV
ES:
DIRECTION: Read each
statement carefully and
identify what is being
described. Choose the letter
of the correct answer.
He wrote compositions in a variety of
styles, genres, and forms including Masses,
Ballet, Musical Plays, Film Scores, and
Popular Songs.
A. Francisco Santiago
B. Levi Celerio
C. Lucio San Pedro
D. Ryan Cayabyab
He is considered as the “Father of
Kundiman”.
A. Francisco Santiago
B. Levi Celerio
C. Lucio San Pedro
D. Ryan Cayabyab
He has taught composition in colleges and
conservatories of music, most notably at
the Santa Isabel College of Music and the
University of the Philippines College of
Music.
A. Francisco Santiago
B. Levi Celerio
C. Lucio San Pedro
D. Ryan Cayabyab
The following are Contemporary Filipino
Songwriters except ______________.
A. Levi Celerio
B. Lito Camo
C. Ogie Alcasid
D. Pedro Bukaneg
The key signature of Francisco Santiago’s
“Pilipinas Kong Mahal” based on this score:
A. Key of C
B. Key of C minor
C. Key of D
D. None of the Above
Antonio Molina became National Artist in:
A. 1970
B. 1971
C. 1873
D. 1973
It is the birthplace and hometown of Lucio
San Pedro.
A. Angeles City
B. Angono, Rizal
C. Cainta, Rizal
D. Calamba, Laguna
With compositions like Kayumangging
Malaya, Lahing Kayumanggi, and Sa Mahal
Kong Bayan, he is a composer regarded as a
Romantic Nationalist.
A. Francisco Santiago
B. Levi Celerio
C. Lucio San Pedro
D. Ryan Cayabyab
Ryan Cayabyab’s “Alikabok” is an example
of ___________.
A. Ballet
B. Musical Play
C. Suelto
D. Zarzuela
He arranged, recorded, and produced the
first one-man-vocal jazz acapella album in
the Philippines.
A. Francisco Santiago
B. Levi Celerio
C. Lucio San Pedro
D. Ryan Cayabyab
Listen to the following music
and identify the specific artist.
 Narrates the life of selected
contemporary Filipino composer/s
(MU10CMIIIc-g-3)
 Analyzes the musical characteristics of
traditional and contemporary Philippine
music; (MU10CMIIIa-h-2)
a. Enumerate the compositions of the 20th-century traditional
composers; and
b. Classify the works/compositions to the composers
OBJECTIV
ES:
UGOY NG DUYAN
(Lucio San Pedro)
KAY GANDA NG ATING MUSIKA
(Ryan Cayabyab)
AMIHAN
(Antonio Molina)
PAKIUSAP
(Francisco Santiago)
“Father of Kundiman”
• is considered one of the
"Triumvirate of Filipino
Composers" which
includes Nicanor Abelardo and
Antonio Molina .
• Famous piece was “kundiman
(Anak-Dalita)”
Among his famous works are the
following:
Pakiusap
Madaling Araw
Sakali Man
Pilipinas Kong Mahal
Hibik ng Pilipinas
Ano Kaya ang Kapalaran, and
Kundiman (Anak Dalita).
 Elevated the status of the Kundiman
into an Art Song status equivalent to
that of the German Lied, the French
Chanson, and the Italian Aria.
 Combined of romanticism and
chromaticism.
 First composition “Unang Buko”
 His composition contains clouded tones,
dissonance, and unusual chordal
combinations.
His best-known compositions include
the following:
Mutya ng Pasig Nasaan Ka
Irog
Bituing Marikit Ikaw Rin
Kundiman ng Luha Pahimakas
Kung Hindi Man Pahiwatig
Cavatina for Violin and Piano,
First Nocturne for Piano,
and Magbalik Ka Hirang
“First National Artist for Music”
 He was fascinated by the dynamics and
harmonies of Debussy but retained much
of the Romantic style in his melody.
 Famous composition “Hatinggabi”
 A characteristically impressionist work is
his piano work “Malikmata”
(Transfiguration).
 He received the National Artist for Music
award in 1973.
Other works by Molina include:
Orchestral music - Misa Antoniana
Grand Festival Mass, Ang Batingaw,
Kundiman-Kundangan;
Chamber music - String Quartet,
Kung sa Iyong Gunita,
Pandangguhan; and
Vocal music - Amihan, Awit ni
Maria Clara, and Larawan Nitong
Pilipinas.
“romantic nationalist.”
 Arguably, his most popular work is the
well-loved “Sa Ugoy ng Duyan”, a lullaby
melody sung by his mother.
 He composed “Sa Ugoy ng Duyan” together
with his friend Levi Celerio as the lyricist.
 His musical prowess was internationally
recognized when he was invited to be a
judge at the prestigious Van Cliburn
International Piano Competition in 1980.
 He was declared National Artist for Music
in 1991
Known for his
composition “Ugoy ng
duyan”, “Suite
Pastorale”, description of
his hometown.
Nationalistic poem,
“Lahing Kayumanggi”
“also known as Mr. C.”
 a popular contemporary composer who also
has classical compositions to his credit, such
as “Misa” and “Misa 2000”, “Four Poems for
Soprano and Piano”, and “Te Deum”.
 Among his numerous compositions are the award winning “Kay
Ganda ng Ating Musika” (1978), Paraiso (1991), as well as the
modern zarzuela “Alikabok” (2003), and the musical “Lorenzo” –
based on the life of St. Lorenzo Ruiz (2013)
 He was named National Artist for Music in 2018.
Describe the following composers
in 1 sentence/phrase.
1.Francisco Santiago
2.Nicanor Abelardo
3.Antonio Molina
4.Ryan Cayabyab
5.Lucio San Pedro
Point out the
composers being
referred in each
statement.
He is an award-winning for the song
“Kay Ganda ng Ating Musika”
A romantic nationalist incorporated
Philippine Folk elements with
Western forms.
Known to be a Father of Philippine
Impressionist Music
A modern composer known for Mutya
ng Pasig.
He was known to be the Father of
Kundiman
Matching Type. Words
under column A are
descriptions or remarkable
accomplishments
attributed to the artists
under column B.
1.Impressionist
2.Romantic Nationalist
3.Cavatina for Violin and Piano
4.One-man Vocal Jazz Acapella
5.Pakiusap
6.Pilipinas kong Mahal
7.Hatinggabi
8.Mr. C
9.Spoliarium
10.Sa Ugoy ng Duyan
A. Ryan Cayabyab
B. Lucio San Pedro
C. Antonio Molina
D. Nicanor Abelardo
E. Francisco Santiago
COLUMN A COLUMN B
HILARION RUBIO
• COMPOSER, CONDUCTOR, MUSIC
TEACHER AND CLARINETIST WHO
CREATED SUBSTANTIAL WORKS FOR
ORCHESTRA.
• FIRST COMPOSITION “UNANG KATAS”
FOR HIS CONCERT WITH THE BAND.
• CONDUCTOR OF THE MANILA
MUNICIPAL SYMPHONY ORCHESTRA.
• VICE PRESIDENT OF THE PASAMBAP
(PAMBANSANG SAMAHAN NG MGA
BANDA SA PILIPINAS).
COMPOSITIONS:
• UNANG KATAS
• LIGHT
• GININTUANG ARAW
• HATULAN MO AKO
• NARRA
• IN A TROPICAL SEA
• MUTYA NG SILANGAN
COL. ANTONIO BUENAVENTURA
• COMPOSER, COMPETENT
CONDUCTOR AND AN EDUCATOR
• GRADUATED WITH A TEACHER’S
DIPLOMA IN MUSIC MAJOR IN
SCIENCE AND COMPOSITION.
• DEAN OF THE CONSERVATORY (TAKE
OVER OF NICANOR)
• HE WAS A MILITARY RANK OF
COLONEL
• MULTI-AWARDED MUSICIANS
COMPOSITIONS:
• MINDANAO SKETCHES
• DIVERTIMENTO FOR PIANO &
ORCHESTRA
• MINUET
• VARIATIONS AND FUGUE
RODOLFO CORNEJO
• COMPOSER, PIANIST & CONDUCTOR.
• FIRST SONG “GLISSANDO WALTZ”,
MILITARY MARCH SALUTE.
• DIRECTOR OF COSMOPOLITAN
COLLEGES CONSERVATORY OF
MUSIC PH.
• HE WROTE 300 COMPOSITIONS
(CLASSICAL)
• He was known for his extemporaneous
thematic improvisation (based on
people’s names).
COMPOSITIONS:
• A LA JUVENTUD FILIPINA
• BAILES DE AYER
• CELLO SONATA
• IBONG ADARNA
• KANDINGAN
• MALAKAS AT MAGANDA OVERTURE
• ORIETAL FANTASY
• PHILIPPINES FANTASY WITH MARIMBA SOLO
• CANTATA “CHRIST THE REDEEMER
• SONG OF THE MINERS
FRANCISCO BUENACAMINO, SR.
• Marcelo Adonay, an eminent composer
and conductor in the late 19th century as
his mentor.
• Nicanor Abelardo, was his student
(Buenacamino Music Academy in 1930)
• Film score composer for Sampaguita
pictures, LVN and Excelsior.
Collar de Sampaguita Ang Una kong Pag-ibig
Kapalaran Mi Bandera
My Soul’s Lament Larawan
ROSENDO SANTOS, JR.
• He took his first lessons under Julian
Felipe.
• Head of the Philippine Navy Choir
• Arranged music for two Cavite City
bands. (96 bands)
• 1000 musical compositions (UP lib.)
• His last musical work and only ballet
composition, Melinda’s Masquerade
(after his death)
ALFREDO BUENAVENTURA
• Composer, conductor and teacher
• Trumpets and trombones (band member)
• Became an arranger and conductor
• 20 boy sopranos of Tiples (St. Domingo
Church)
• 50 major works (Filipino heroes, legends, and
epics)
Operas- Maria Makiling Diego Silang
Prinsesa Urduja Ang ating watawat (cantata)
Pasko ng Barangay Dakilang Lahi (symphonies)
Gomburza Rizal
Great Malayan Antagonist

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Q3-PPT-MUSIC10-Traditional Composers (1).pptx

  • 1.
  • 2.  Narrates the life of selected contemporary Filipino composer/s (MU10CMIIIc-g-3)  Analyzes the musical characteristics of traditional and contemporary Philippine music; (MU10CMIIIa-h-2) a. Enumerate the compositions of the 20th-century traditional composers; and b. Classify the works/compositions to the composers OBJECTIV ES:
  • 3. DIRECTION: Read each statement carefully and identify what is being described. Choose the letter of the correct answer.
  • 4. He wrote compositions in a variety of styles, genres, and forms including Masses, Ballet, Musical Plays, Film Scores, and Popular Songs. A. Francisco Santiago B. Levi Celerio C. Lucio San Pedro D. Ryan Cayabyab
  • 5. He is considered as the “Father of Kundiman”. A. Francisco Santiago B. Levi Celerio C. Lucio San Pedro D. Ryan Cayabyab
  • 6. He has taught composition in colleges and conservatories of music, most notably at the Santa Isabel College of Music and the University of the Philippines College of Music. A. Francisco Santiago B. Levi Celerio C. Lucio San Pedro D. Ryan Cayabyab
  • 7. The following are Contemporary Filipino Songwriters except ______________. A. Levi Celerio B. Lito Camo C. Ogie Alcasid D. Pedro Bukaneg
  • 8. The key signature of Francisco Santiago’s “Pilipinas Kong Mahal” based on this score: A. Key of C B. Key of C minor C. Key of D D. None of the Above
  • 9. Antonio Molina became National Artist in: A. 1970 B. 1971 C. 1873 D. 1973
  • 10. It is the birthplace and hometown of Lucio San Pedro. A. Angeles City B. Angono, Rizal C. Cainta, Rizal D. Calamba, Laguna
  • 11. With compositions like Kayumangging Malaya, Lahing Kayumanggi, and Sa Mahal Kong Bayan, he is a composer regarded as a Romantic Nationalist. A. Francisco Santiago B. Levi Celerio C. Lucio San Pedro D. Ryan Cayabyab
  • 12. Ryan Cayabyab’s “Alikabok” is an example of ___________. A. Ballet B. Musical Play C. Suelto D. Zarzuela
  • 13. He arranged, recorded, and produced the first one-man-vocal jazz acapella album in the Philippines. A. Francisco Santiago B. Levi Celerio C. Lucio San Pedro D. Ryan Cayabyab
  • 14. Listen to the following music and identify the specific artist.
  • 15.
  • 16.
  • 17.
  • 18.
  • 19.
  • 20.
  • 21.
  • 22.  Narrates the life of selected contemporary Filipino composer/s (MU10CMIIIc-g-3)  Analyzes the musical characteristics of traditional and contemporary Philippine music; (MU10CMIIIa-h-2) a. Enumerate the compositions of the 20th-century traditional composers; and b. Classify the works/compositions to the composers OBJECTIV ES:
  • 23. UGOY NG DUYAN (Lucio San Pedro) KAY GANDA NG ATING MUSIKA (Ryan Cayabyab) AMIHAN (Antonio Molina) PAKIUSAP (Francisco Santiago)
  • 24.
  • 25. “Father of Kundiman” • is considered one of the "Triumvirate of Filipino Composers" which includes Nicanor Abelardo and Antonio Molina . • Famous piece was “kundiman (Anak-Dalita)”
  • 26. Among his famous works are the following: Pakiusap Madaling Araw Sakali Man Pilipinas Kong Mahal Hibik ng Pilipinas Ano Kaya ang Kapalaran, and Kundiman (Anak Dalita).
  • 27.  Elevated the status of the Kundiman into an Art Song status equivalent to that of the German Lied, the French Chanson, and the Italian Aria.  Combined of romanticism and chromaticism.  First composition “Unang Buko”  His composition contains clouded tones, dissonance, and unusual chordal combinations.
  • 28. His best-known compositions include the following: Mutya ng Pasig Nasaan Ka Irog Bituing Marikit Ikaw Rin Kundiman ng Luha Pahimakas Kung Hindi Man Pahiwatig Cavatina for Violin and Piano, First Nocturne for Piano, and Magbalik Ka Hirang
  • 29. “First National Artist for Music”  He was fascinated by the dynamics and harmonies of Debussy but retained much of the Romantic style in his melody.  Famous composition “Hatinggabi”  A characteristically impressionist work is his piano work “Malikmata” (Transfiguration).  He received the National Artist for Music award in 1973.
  • 30. Other works by Molina include: Orchestral music - Misa Antoniana Grand Festival Mass, Ang Batingaw, Kundiman-Kundangan; Chamber music - String Quartet, Kung sa Iyong Gunita, Pandangguhan; and Vocal music - Amihan, Awit ni Maria Clara, and Larawan Nitong Pilipinas.
  • 31. “romantic nationalist.”  Arguably, his most popular work is the well-loved “Sa Ugoy ng Duyan”, a lullaby melody sung by his mother.  He composed “Sa Ugoy ng Duyan” together with his friend Levi Celerio as the lyricist.  His musical prowess was internationally recognized when he was invited to be a judge at the prestigious Van Cliburn International Piano Competition in 1980.  He was declared National Artist for Music in 1991
  • 32. Known for his composition “Ugoy ng duyan”, “Suite Pastorale”, description of his hometown. Nationalistic poem, “Lahing Kayumanggi”
  • 33. “also known as Mr. C.”  a popular contemporary composer who also has classical compositions to his credit, such as “Misa” and “Misa 2000”, “Four Poems for Soprano and Piano”, and “Te Deum”.  Among his numerous compositions are the award winning “Kay Ganda ng Ating Musika” (1978), Paraiso (1991), as well as the modern zarzuela “Alikabok” (2003), and the musical “Lorenzo” – based on the life of St. Lorenzo Ruiz (2013)  He was named National Artist for Music in 2018.
  • 34. Describe the following composers in 1 sentence/phrase. 1.Francisco Santiago 2.Nicanor Abelardo 3.Antonio Molina 4.Ryan Cayabyab 5.Lucio San Pedro
  • 35. Point out the composers being referred in each statement.
  • 36. He is an award-winning for the song “Kay Ganda ng Ating Musika”
  • 37. A romantic nationalist incorporated Philippine Folk elements with Western forms.
  • 38. Known to be a Father of Philippine Impressionist Music
  • 39. A modern composer known for Mutya ng Pasig.
  • 40. He was known to be the Father of Kundiman
  • 41. Matching Type. Words under column A are descriptions or remarkable accomplishments attributed to the artists under column B.
  • 42. 1.Impressionist 2.Romantic Nationalist 3.Cavatina for Violin and Piano 4.One-man Vocal Jazz Acapella 5.Pakiusap 6.Pilipinas kong Mahal 7.Hatinggabi 8.Mr. C 9.Spoliarium 10.Sa Ugoy ng Duyan A. Ryan Cayabyab B. Lucio San Pedro C. Antonio Molina D. Nicanor Abelardo E. Francisco Santiago COLUMN A COLUMN B
  • 43.
  • 44.
  • 45. HILARION RUBIO • COMPOSER, CONDUCTOR, MUSIC TEACHER AND CLARINETIST WHO CREATED SUBSTANTIAL WORKS FOR ORCHESTRA. • FIRST COMPOSITION “UNANG KATAS” FOR HIS CONCERT WITH THE BAND. • CONDUCTOR OF THE MANILA MUNICIPAL SYMPHONY ORCHESTRA. • VICE PRESIDENT OF THE PASAMBAP (PAMBANSANG SAMAHAN NG MGA BANDA SA PILIPINAS).
  • 46. COMPOSITIONS: • UNANG KATAS • LIGHT • GININTUANG ARAW • HATULAN MO AKO • NARRA • IN A TROPICAL SEA • MUTYA NG SILANGAN
  • 47. COL. ANTONIO BUENAVENTURA • COMPOSER, COMPETENT CONDUCTOR AND AN EDUCATOR • GRADUATED WITH A TEACHER’S DIPLOMA IN MUSIC MAJOR IN SCIENCE AND COMPOSITION. • DEAN OF THE CONSERVATORY (TAKE OVER OF NICANOR) • HE WAS A MILITARY RANK OF COLONEL • MULTI-AWARDED MUSICIANS
  • 48. COMPOSITIONS: • MINDANAO SKETCHES • DIVERTIMENTO FOR PIANO & ORCHESTRA • MINUET • VARIATIONS AND FUGUE
  • 49. RODOLFO CORNEJO • COMPOSER, PIANIST & CONDUCTOR. • FIRST SONG “GLISSANDO WALTZ”, MILITARY MARCH SALUTE. • DIRECTOR OF COSMOPOLITAN COLLEGES CONSERVATORY OF MUSIC PH. • HE WROTE 300 COMPOSITIONS (CLASSICAL) • He was known for his extemporaneous thematic improvisation (based on people’s names).
  • 50. COMPOSITIONS: • A LA JUVENTUD FILIPINA • BAILES DE AYER • CELLO SONATA • IBONG ADARNA • KANDINGAN • MALAKAS AT MAGANDA OVERTURE • ORIETAL FANTASY • PHILIPPINES FANTASY WITH MARIMBA SOLO • CANTATA “CHRIST THE REDEEMER • SONG OF THE MINERS
  • 51. FRANCISCO BUENACAMINO, SR. • Marcelo Adonay, an eminent composer and conductor in the late 19th century as his mentor. • Nicanor Abelardo, was his student (Buenacamino Music Academy in 1930) • Film score composer for Sampaguita pictures, LVN and Excelsior. Collar de Sampaguita Ang Una kong Pag-ibig Kapalaran Mi Bandera My Soul’s Lament Larawan
  • 52. ROSENDO SANTOS, JR. • He took his first lessons under Julian Felipe. • Head of the Philippine Navy Choir • Arranged music for two Cavite City bands. (96 bands) • 1000 musical compositions (UP lib.) • His last musical work and only ballet composition, Melinda’s Masquerade (after his death)
  • 53. ALFREDO BUENAVENTURA • Composer, conductor and teacher • Trumpets and trombones (band member) • Became an arranger and conductor • 20 boy sopranos of Tiples (St. Domingo Church) • 50 major works (Filipino heroes, legends, and epics)
  • 54. Operas- Maria Makiling Diego Silang Prinsesa Urduja Ang ating watawat (cantata) Pasko ng Barangay Dakilang Lahi (symphonies) Gomburza Rizal Great Malayan Antagonist

Editor's Notes

  1. D
  2. A
  3. C
  4. D
  5. A
  6. C
  7. B
  8. A
  9. D
  10. D
  11. He was also a musical director for films. Among the films under his musical supervision were “Kundiman”, “Leron Leron Sinta”, “Madaling Araw”, “Manileña”, and the movie inspired by his own composition, “Pakiusap”. He became the first Filipino Director of the UP Conservatory of Music.
  12. He was also a musical director for films. Among the films under his musical supervision were “Kundiman”, “Leron Leron Sinta”, “Madaling Araw”, “Manileña”, and the movie inspired by his own composition, “Pakiusap”. He became the first Filipino Director of the UP Conservatory of Music.
  13. He learned solfeggio and banduria playing at theage of 5. Play Willian Overture on guitar a year later. First composition “Unang Buko” to his grabdmother. Cinderalla Overture, Panoramas and violin sonata.
  14. He began his music career as an orchestral soloist at the Manila Grand Opera House. He served as Dean of the Centro Escolar University, Conservatory of Music from 1948 to 1970. He was also a faculty member of the University of the Philippines’ Conservatory (now College) of Music. Molina was a product of both the Romantic and Impressionist schools of thought
  15. He began his music career as an orchestral soloist at the Manila Grand Opera House. He served as Dean of the Centro Escolar University, Conservatory of Music from 1948 to 1970. He was also a faculty member of the University of the Philippines’ Conservatory (now College) of Music. Molina was a product of both the Romantic and Impressionist schools of thought
  16. He is regarded as the most accomplished composer, arranger and musical director in the PH.
  17. PLAY PIANO AT 6. FIRST RECITAL AT 8 AND BECAME THE ORGANIST OF THE PASAY CATHOLIC CHURCH. AT AGE 10, HE WROTE HIS FIRST COMPOISTION.