Презентація про відомих художників Англії.

2. Thomas Gainsborough
(1727 –1788)
English portrait and
landscape painter.

3. The Blue Boy (1770)
Style: Rococo
Genre: portrait
Technique: oil
Material: canvas
Girl with Pigs (1782)
Style: Rococo
Genre: genre painting
Technique: oil
Material: canvas
Joshua Reynolds considered Girl with Pigs the
best picture he (Gainsborough) ever painted or
perhaps ever will

4. John Constable
(1776 –1837) was an English
Romantic painter.
Self-portrait, pencil on paper
(1806)

5. The Vale of Dedham
(1828)
Style: Romanticizm
Genre: landscape
Technique: oil
Material: canvas
"Salisbury Cathedral from the
Bishop's Garden"(undated)
Style: Romanticizm
Genre: landscape
Technique: oil
Material: canvas

6. William Hogarth
(1697 –1764)
The Painter and his Pug
(Self-portrait) (1745)

7. The Roast Beef of
Old England (1748)
Style: Rococo
Genre: scenery
Technique: oil
Material: canvas
A Scene from 'The Tempest'
(1735)
Style: Rococo
Genre: scenery
Technique: oil
Material: canvas

8. Sir Joshua Reynolds
(1723 –1792)
Self-portrait , pencil on
paper (1806)

9. Captain The Honourable
Augustus Keppel (1753)
Style: Rococo
Genre: figure
Technique: oil
Material: canvas
Colonel Acland and Lord
Sydney: The Archers (1769)
Style: Rococo
Genre: figure
Technique: oil
Material: canvas

10. New words
1. Heritage ['herɪtɪdʒ] - спадок, спадщина.
2. Affirmed [ə'fə:md] - затверджувати.
3. Depict [dı'pıkt] - зображувати.
4. Diverse [daɪ'vəs] - відмінний, різноманітний.
5. Commenced [kə'menst] - починати.
6. Etching ['etʃɪŋ] - гравіювання.
7. Sentenced ['sent(ə)nsd] - присуджувати.
8. Exile ['eksaɪl] - заслання.
9. Oppress [ə'pres] - пригноблений.
10. Revealed [rɪ'vi:l] - негативно ставитись.
11. Maturity [mə'tjuərətɪ] - зрілість, повноліття.
12. Aquatint ['ækwətınt] - метод гравіювання.

11. 1814 - 1861
The great poet, patriot, thinker and humanist,
Shevchenko, is at one and the same time an
outstanding master of Ukrainian painting and
graphic art, the founder of critical realism and the
folk element in Ukrainian fine arts.
Ukrainian artists refer to the artistic heritage of
Shevchenko as one of the greatest and most
valuable national traditions.
Shevchenko, simultaneously with Fedotov,
affirmed critical realism as a new, progressive
trend in Russian fine arts of that time.
During his first years as a pupil of the “indoor painter” and at the same
time attending drawing classes at the "Association of Young Artists",
Shevchenko turned to themes from the history of his homeland. In his letter
Shevchenko wrote "The history of my life is a part of the history of my
homeland". These words are the key to understanding the creative work of
Shevchenko the artist and poet.

12. The themes of Shevchenko works, depicting life in
Ukraine at that time, are very diverse, indeed.
Among them we can single out the watercolor
composition of 1841, "Gypsy Fortune-Teller",
which was awarded a silver medal by the Council
of the Academy of Arts.
These led to the greater canvas, "Kateryna". The
poem of the same name served as a basis for this
paining. This painting is an important page in the
history of Ukrainian art, a new word in the
formation of the folk element and critical realism
in art.
Gipsy Fortune-
Teller, 1841
Kateryna, 1842

13. In the spring of 1843, after 14 years of
separation from his homeland,
Shevchenko visited his native Ukraine.
In Ukraine under the influence of
everything seen and experienced, the
idea of a periodical art edition entitled
Picturesque Ukraine came to
Shevchenko. And so, having arrived in
St. Petersburg, he commenced this
work.
Shevchenko divided up the edition into
three parts: Ukrainian landscapes,
showing the beauty of the country or
expressing its historical meaning, were
included into the first part; the second
part included scenes from the everyday
life of that period; the third consisted of
etchings, depicting the historical past of
the Ukrainian people.
A peasant family, 1843
Council of Elders, 1844,
Etching

14. But soon he was arrested and sentenced
to exile. In 1844 the first edition of
"Picturesque Ukraine", consisting of six
etchings, came out in print. The artist
depicted many themes from the life of the
oppressed and suffering people. He
painted "The Paternal Hut of T. H.
Shevchenko in the Village of Kyrilivka"...
Among the paintings of this period is a great
number of portraits, including those of Mayevska,
Olexandre Lukyanovich, Illya Lizogub, Gorlenko,
and others. In these portraits you can easily trace
the influence of Bryullov. He was delicate not only
in the manner of painting, but also in the way he
revealed the images.
The Paternal Hut of Shevchenko
in the Village of Kyrilivka
Portrait of
Mayevska, 1843

15. While still a student at the Academy of Arts,
Shevchenko created a magnificent watercolor
painting "Maria" on the theme of Pushkin's poem
"Poltava".
In the spring of 1845 Shevchenko completed his
studies at the Academy of Arts and returned to
Ukraine. But he did not stay in Ukraine for long.
On April 5, 1847 he was arrested and exiled to the
Caspian steppes. During his first year in exile
Shevchenko portrayed himself in a uniform. In his
"prison without doors", as he himself called it,
Shevchenko in the period of ten years created the
greater part of his wonderful works. The works of the
exile period can be divided up into three groups:
portraits, landscapes and compositions.
Shevchenko's self-portraits comprise one of the most
valuable sources of learning about the artist's life.
Maria, 1840
Self-Portrait, 1847

16. During his stay at the
Novopetrovsky Fortress
Shevchenko created a great
number of watercolor landscape
paintings.
These landscape paintings attract us by their
maturity of realistic mastery. In the sepia "Kazakh
Beggar Children" Shevchenko portrayed himself
in the background, looking on with an expression
of sadness and sympathy.
Novopetrovsky Fortress Viewed from
the Sea, 1857
Kazakh Beggar
Children, 1853

17. The best works of Shevchenko after his
exile were those done in the technique
of etching with aquatint. The
exceptions are some of the self-portraits
and portraits in paints and pencil.
In the summer of 1859, during his last days in
Ukraine, Shevchenko created only a small number
of sketches. His works will continue to live for
ages …
Mangishlatsky Garden, 1859
Beggar in the
Graveyard, 1859