The document provides an overview of the film industry for an exam, including the key areas of production, distribution, and exhibition. It discusses how a film moves through these three stages, from being produced by a production company, to being distributed nationally and internationally by distributors in theaters and home markets, to finally being exhibited in theaters or bought for home viewing. It also explains the concepts of horizontal and vertical integration, where large parent companies own subsidiaries across different stages of the film industry.

1. INSTITUTIONS AND AUDIENCES
FILM INDUSTRY
LESSON 1
INTRODUCTION TO PRODUCTION,
DISTRIBUTION AND MARKETING

2. AIMS
• To understand the focus for
the Audience and
Institutions section of your
January Exam
• To understand the structure
of a Media Triangle
• To understand the different
sectors of the film industry
KEY TERMS
Audience
Institution
Production
Subsidiary
Distribution
Marketing
Exhibition
Horizontal Integration
Vertical Integration

3. THE EXAM
Section B: Institutions and Audiences
Candidates should be prepared to understand and discuss the processes of production,
distribution, marketing and exchange as they relate to contemporary media institutions, as well as
the nature of audience consumption and the relationships between audiences and institutions. In
addition, candidates should be familiar with:
•the issues raised by media ownership in contemporary media practice;
•the importance of cross media convergence and synergy in production, distribution and marketing;
•the technologies that have been introduced in recent years at the levels of production, distribution,
marketing and exchange;
•the significance of proliferation in hardware and content for institutions and audiences;
•the importance of technological convergence for institutions and audiences;
•the issues raised in the targeting of national and local audiences (specifically, British) by
international or global institutions;
•the ways in which the candidates’ own experiences of media consumption illustrate wider patterns
and trends of audience behaviour.
This unit should be approached through contemporary examples in the form of case studies based
upon one of the specified media areas.

4. Film Four
• Trainspotting
• Looking for Eric
• Slumdog Millionaire

5. MEDIA TRIANGLES
Institution
Target
Audience
Media
Text
Who has produced
the media text
What they have
produced
Who it is produced
for.

6. THE FILM PROCESS
PRODUCTION DISTRIBUTION EXHIBITION
There are three distinct areas of the film industry.
Each one of these could be viewed as a type of media institution.
What would you expect to happen at each stage?

7. • Production involves the creation of the media
product and is the responsibility of the
PRODUCTION COMPANY
• This includes all pre-production, production &
post-production processes.
• Before that the writer/director/producer must
find finance for a film – which may come from
one or many production companies (a co-
production)
Figment Films is the
production company
who made
Trainspotting.
Channel 4 (film 4)
financed the film

8. •Film distributors are responsible for prints and marketing:
PRINTS – producing physical copies of a film for cinema/home
release and finding the exhibitors/retailers to sell the film
MARKETING – raising audience awareness and anticipation of a
new release
•A distributor may:
-Be a part of the same parent company as the production
company
-Have a long term arrangement with a production company and
provide financial assistance for many of their productions
-Provide financial assistance for a single film by a production
company
-Acquire a film after it has completed production
•A film will likely have different distributors for:
-Releases in different countries
-Cinema Release
-Home-Video Release
Miramax distributed
Trainspotting and
bought the rights for
$750,000 – in your case
study look carefully at
how it was marketed
and distributed.

9. • Exhibition is divided into two sections:
- Cinema – the distributor is paid by the cinema for a copy
of the film
- Home – the distributor is paid by the company who is
selling the film for a copy
• A film’s success is often decided on the amount of
money it makes during it’s cinema release. This is
known as the Box Office Takings
• Home Exhibition is becoming an increasing valuable
and varied source for distributors to increase profits.
WHAT METHODS OF HOME EXHIBITION CAN WE THINK OF?
FilmFour made its
reputation with films
such as Trainspotting
in 1996, which made
£23m at the box office
but cost only £2.4m
and was the highest
grossing British film in
1996.
However, it was far
more successful on
DVD, spawning
numerous versions and
special editions
Why would this film be
more successful on DVD
than in the cinema?

10. HORIZONTAL AND VERTICAL INTEGRATION
PRODUCTION
Often a single parent company will own multiple
companies in the film industry.
This is divided into two types of ownership:
PRODUCTION PRODUCTION
HORIZONTAL
The parent company
owns multiple
companies at the same
stage of the film
industry. A smaller
company, owned by the
parent is a subsidiary.
VERTICAL
The parent company
owns multiple
companies across
different stages of the
film industry.
What are the
advantages for a parent
company of each type
of ownership?
EXHIBITION
DISTRIBUTION
For example Walt Disney also owns:
•Miramax Films
•Hollywood Pictures
•Pixar Animation
For example Warner Bros owns:
•Warner Bros Studios (Production)
•Warner Bros (Distribution)
•Used to own Warner Bros Cinemas
in the UK (Exhibition

11. RESEARCH TASK - THE LIFE OF A FILM
-SUBMIT AS A POST ON ABLOG – MAKE AS INTERACTIVE AS POSSIBLE
-DUE SUNDAY 7PM – email link to harrismedia@hotmail.co.uk
-STARTING POINT FOR RESEARCH SHOULD BE IMDB.COM – USE COMPANY CREDITS SECTION
1. YOUR FILM (EITHER SLUMDOG MILLIONAIRE OR TRAINSPOTTING)
Provide a brief synopsis of your film’s story
Include some of your film’s marketing materials (trailers, posters, cast interviews etc.)
2. PRODUCTION
What was your film’s production budget?
Which Production Company (s) provided the finance? What other films have the company (s) produced?
3. DISTRIBUTION
Who are your films theatrical distributors? How many countries has it been distributed in and what are they?
Who are your films home distributors? How many countries has it been distributed in and what are they
4. EXHIBITION
What was your film’s box office takings? Would you expect it to be shown in BROMLEY CINEMA? Why?
What formats is your film available on for home exhibition?
5. HORIZONTAL & VERTICAL INTEGRATION
Is your film’s production company a subsidiary of a larger company (Horizontally Integrated)?
Are there any signs of horizontal integration between your film’s production company (s) and distributor(s)?

12. RECAP
What do the following terms mean in relation to the film industry?
• Production
• Subsidiary
• Distribution
• Marketing
• Exhibition
• Horizontal Integration
• Vertical Integration