What kind of media institution might distribute your media product and why?Miles Capp
Studio Canal would be the preferred production company because they work closely with the BFI which could provide funding, and Studio Canal produces films that appeal to British audiences by working with UK filmmakers. Pathe would be the ideal distribution company as they specialize in niche films like the one being produced, and distributing the film to the correct audience is important for its success.
Pathé would be a suitable media institution to distribute the film due to its British studio allowing it to appeal to a UK audience, its artistic heritage relating to themes in the film, and its success providing credibility. Studiocanal would also be a good fit as the producer since it has a link to the BFI funding body and a 'commitment to creativity', matching the film's unique idea. However, fully partnering with these companies would not be guaranteed without creative funding or their agreement. The production does not fully communicate the companies' styles yet and would need to incorporate their technical aspects.
The commissioning process allows independent film directors to pitch their ideas on the BFI website for public funding. Creative England is a large UK organization that provides funding and support to help talented filmmakers realize their visions. Most film applicants seek public funding for their projects, though large studios like Universal typically only consider ideas from experienced professionals they have worked with previously or those already in the industry, while some companies like Lionsgate do not accept unsolicited ideas due to profit risk concerns.
Penelope James Public Relations is a full-service PR consultancy that has over 20 years of experience providing creative PR solutions to clients in various industries. It offers a range of services including media relations, crisis management, event planning, and more that are tailored to meet individual client needs and budgets. The agency prides itself on building strong reputations for clients and developing new ideas to help clients stand out in competitive environments.
The film industry consists of filmmaking institutions that create and distribute films for entertainment. The UK film industry is rapidly growing and generated £11 billion at the box office in 2012. The film industry includes occupations like film production, screenwriting, and actors. Warner Brothers and Universal Studios are major private sector film companies that receive income from advertising and box office sales. Warner Brothers is owned by Time Warner and Universal Studios is owned by NBCUniversal, which owns several subsidiary companies. Controlling the entire film production and distribution process maximizes profits by reducing costs compared to outsourcing those services. The film industry is also related to photography and advertising industries which provide promotional materials like posters.
R.B.E. is a production company specializing in developing quality film and television projects. The company's partners have decades of experience in the entertainment industry. R.B.E. aims to properly develop scripts and marketing strategies before production to ensure financial success across different media platforms and increase investor returns, while allowing studios to quickly begin lower-risk production.
This document considers options for distributing a new thriller film. It discusses the advantages and disadvantages of using large Hollywood studios or independent film companies. While studios offer name recognition and distribution networks, they demand a large share of profits and may not appreciate the film's identity. Independent UK company Warp Films is proposed as a good choice since it has successfully distributed identity-focused films before and would preserve the thriller's British character while still gaining cinema exposure. Overall Warp Films is judged to best balance the risks and rewards of distribution.
This document discusses and compares media ownership by large conglomerate companies versus smaller independent companies. It uses the films Ill Manors and Skyfall as examples. Ill Manors had a small budget of £100,000 and was produced independently, while Skyfall had a large budget of $5-10 million and was produced by the major studios Sony and MGM. Independent companies can take more creative risks but have less funding for production and distribution, while conglomerates have more resources but films must appeal to mass audiences. Viral marketing helped the smaller Ill Manors compete with bigger films like Skyfall.
What kind of media institution might distribute your media product and why?Miles Capp
Studio Canal would be the preferred production company because they work closely with the BFI which could provide funding, and Studio Canal produces films that appeal to British audiences by working with UK filmmakers. Pathe would be the ideal distribution company as they specialize in niche films like the one being produced, and distributing the film to the correct audience is important for its success.
Pathé would be a suitable media institution to distribute the film due to its British studio allowing it to appeal to a UK audience, its artistic heritage relating to themes in the film, and its success providing credibility. Studiocanal would also be a good fit as the producer since it has a link to the BFI funding body and a 'commitment to creativity', matching the film's unique idea. However, fully partnering with these companies would not be guaranteed without creative funding or their agreement. The production does not fully communicate the companies' styles yet and would need to incorporate their technical aspects.
The commissioning process allows independent film directors to pitch their ideas on the BFI website for public funding. Creative England is a large UK organization that provides funding and support to help talented filmmakers realize their visions. Most film applicants seek public funding for their projects, though large studios like Universal typically only consider ideas from experienced professionals they have worked with previously or those already in the industry, while some companies like Lionsgate do not accept unsolicited ideas due to profit risk concerns.
Penelope James Public Relations is a full-service PR consultancy that has over 20 years of experience providing creative PR solutions to clients in various industries. It offers a range of services including media relations, crisis management, event planning, and more that are tailored to meet individual client needs and budgets. The agency prides itself on building strong reputations for clients and developing new ideas to help clients stand out in competitive environments.
The film industry consists of filmmaking institutions that create and distribute films for entertainment. The UK film industry is rapidly growing and generated £11 billion at the box office in 2012. The film industry includes occupations like film production, screenwriting, and actors. Warner Brothers and Universal Studios are major private sector film companies that receive income from advertising and box office sales. Warner Brothers is owned by Time Warner and Universal Studios is owned by NBCUniversal, which owns several subsidiary companies. Controlling the entire film production and distribution process maximizes profits by reducing costs compared to outsourcing those services. The film industry is also related to photography and advertising industries which provide promotional materials like posters.
R.B.E. is a production company specializing in developing quality film and television projects. The company's partners have decades of experience in the entertainment industry. R.B.E. aims to properly develop scripts and marketing strategies before production to ensure financial success across different media platforms and increase investor returns, while allowing studios to quickly begin lower-risk production.
This document considers options for distributing a new thriller film. It discusses the advantages and disadvantages of using large Hollywood studios or independent film companies. While studios offer name recognition and distribution networks, they demand a large share of profits and may not appreciate the film's identity. Independent UK company Warp Films is proposed as a good choice since it has successfully distributed identity-focused films before and would preserve the thriller's British character while still gaining cinema exposure. Overall Warp Films is judged to best balance the risks and rewards of distribution.
This document discusses and compares media ownership by large conglomerate companies versus smaller independent companies. It uses the films Ill Manors and Skyfall as examples. Ill Manors had a small budget of £100,000 and was produced independently, while Skyfall had a large budget of $5-10 million and was produced by the major studios Sony and MGM. Independent companies can take more creative risks but have less funding for production and distribution, while conglomerates have more resources but films must appeal to mass audiences. Viral marketing helped the smaller Ill Manors compete with bigger films like Skyfall.
Top pick of the month: Zee Entertainment EnterprisesIndiaNotes.com
Zee Entertainment Enterprises (ZEEL) is one of India's leading television, media and entertainment companies. It is amongst thelargest producers and aggregators of Hindi programming in the world, with an extensive library housing over 1.2 lac+ hours of television content. With rights to more than 3,500 movie titles from foremost studios and of iconic film stars, ZEEL houses the world's largest Hindi film library.
The television industry in India has grown significantly in recent decades. There are now over 800 television channels in India, with the majority being general entertainment channels and news channels. Television ownership has also increased substantially, with over 145 million households now owning a television set. While Doordarshan was previously the sole broadcaster, private channels and DTH services have expanded television access across India. The industry generates most of its revenue from advertising and subscription fees. Regional language channels are also growing in popularity, accounting for nearly a quarter of total viewership. Key genres include general entertainment, news, movies, music, sports and children's programming.
Hindi soap operas first began airing in 1993 in India and spread their popularity to other countries like Bangladesh by 1999. They showcase Indian culture through clothing, foods, celebrations and traditions. They also provide economic benefits by advertising new fashion trends, technologies, and products. However, they can also negatively impact family bonding by dramatizing dysfunctional families and increase fear by including horror and crime genres. Viewers must choose to focus on the educational and cultural aspects while avoiding influence from negative or inappropriate content.
This document provides an overview of Zee Entertainment Enterprises Limited (ZEE) and its business as of October 2011. It discusses ZEE's growth journey since 1992, the Indian media sector and television landscape. It then details ZEE's product offerings across various language and genre categories. Finally, it provides an analysis of ZEE's revenue sources and breakdown as well as highlights of its performance across key business segments like Hindi entertainment, movies, sports, regional channels and more. The document showcases ZEE's leadership position in many areas of the Indian television industry.
ZEE Telefilms was the first company to launch a Hindi entertainment channel, ZEE TV, in 1992. It has since expanded to become India's most broad-based TV channel with 23 channels. However, it faced increased competition from channels like Star and Sony in the late 1990s. In response, ZEE launched new channels, shows, and rebranding efforts to fight back and regain market share.
This document provides a case study and SWOT analysis of Zee TV. It summarizes the channel's background and target audience. Strengths include being India's first private Hindi channel and having a global presence. Weaknesses are a lack of innovative content and shows appealing to modern audiences. Opportunities exist in producing contemporary, thought-provoking shows. Threats include similar content across channels and competition for viewers. Research found audiences want realistic stories and characters they can relate to. The analysis provides insights and recommendations for Zee TV such as developing modern content, acquiring movie rights, retaining talent, and leveraging social media and contests.
Zee Telefilms launched India's first private Hindi television channel, Zee TV, in 1992, filling a need for the vast Hindi-speaking audience. Over time, Zee expanded its content offerings and regional coverage. However, it faced growing competition from channels like Sony and Star that engaged in more innovative programming and targeted new audience segments. This prompted Zee to pursue new strategies like channel rebranding, co-productions, and international expansion to adapt and strengthen its market position.
- The document discusses Disney's history and strategies under the Eisner and Iger eras from 1984 to present. It covers Disney's major acquisitions and expansions, as well as its strengths, weaknesses, opportunities, threats, and strategies.
- A SWOT analysis finds Disney's strengths are its strong diversification, responsiveness to market, and brand recognition, while weaknesses include high R&D costs and risk. Opportunities exist in further diversification and new markets, while threats include economic recession and changes in technology/consumption.
- Strategies discussed include expanding into airlines through a proposed "Disney Air" service and ensuring daily operations run efficiently while taking on new tasks.
The document summarizes the growth journey of ZEE, an Indian media company, from its founding in 1992 to plans for continued expansion. It discusses ZEE's early launches of television channels in India and overseas markets. It highlights consistent financial growth and increasing market capitalization. The document outlines ZEE's vision to entertain over 1 billion viewers globally by 2020 while maintaining a focus on excellence, creativity, integrity, and growth. It frames the proposed new Service Excellence Centre as an enabler to support ZEE's business units and pursue the vision of expanded entertainment reach and services.
This document describes a television program on Zee Business and Zee International channels called "atOnePlace.com Presents Property Plus" that aims to educate prospective home buyers in India and internationally about real estate projects. The 13-episode program will feature 3 developers per episode discussing their projects. It will reach over 8 million viewers in India and 13 million internationally. The cost for a developer to participate is Rs. 4,50,000 for a 3-minute segment aired over 3 weeks.
Balaji Telefilms Ltd is a leading television content production company in India established in 1994. It produces programming in multiple languages for various TV channels. Balaji has a large library of over 1,303 hours of television content across genres like daily soaps, sitcoms, and children's programming. It has a professional management team across production, creative, finance, and marketing functions to support its work.
Balaji Telefilms Ltd is a leading television content production company in India established in 1994. It produces programming in multiple languages for various TV channels. Balaji has a large library of over 1,303 hours of television content across genres like daily soaps, sitcoms, and children's programming. It has a professional management team across production, creative, finance, and marketing divisions to manage its operations.
Radio Mirchi is the number 1 radio station in India with over 63 million listeners. It is owned by Entertainment Network India Limited (ENIL), which is a subsidiary of Bennett Coleman & Company Limited (BCCL), the publisher of The Times of India. Radio Mirchi pioneered FM radio broadcasting in India and has the largest network of stations across the country. It is known for developing innovative content to engage audiences and attract advertisers. Radio Mirchi was also the first Indian radio brand to expand internationally by launching in the UAE. The Chandigarh station of Radio Mirchi is the top ranked station in the Tricity area with a 63% listenership share.
This document discusses product placement in Indian reality television shows. It provides background on the growth of the Indian television industry and the rise of reality television shows. Product placement has become an important way for brands to advertise in these popular shows. The author conducted research on product placements in three Indian reality shows - Big Boss season 4, Kaun Banega Crorepati season 4, and MTV Roadies. The paper analyzes the effectiveness of these placements in enhancing brand recall and influencing purchase decisions of audiences.
The television industry in India is estimated to reach $8 billion by 2012, while the film industry is expected to reach $2.8 billion by 2015. Television remains the dominant media in India, accounting for 63% of the media and entertainment market in 2010. The television market has three main segments - television advertising, television subscription, and television content. The industry is poised for further growth with increasing digitization, expanding pay-TV penetration in rural areas, and the need for more specialized content. The film industry has grown at an average of 12% annually but saw declines in 2009-2010; it is projected to recover with expanded multiplex chains and higher quality films.
Managing a Global Digital Community for Content CreationCrowdsourcing Week
How can digital communities be built, nurtured, rewarded and motivated for a win-win proposition? Here is a primer on managing crowdsourced output.
By Bruno Pellegrini, Userfarm. Presented at Crowdsourcing Week Brussels 2014. More info: http://crowdsourcingweek.com/
We are passionate. We are creative. We are honest.
After 5 TV Media Services is the result of necessity, innovation, experience and passion.
We care most about emphasizing your brand\'s unique selling point and/or company\'s values consistently and perpetually.
But, don\'t take our word for it—SEE for yourself!
About media corp career talk slides linked-inPauline Tan
MediaCorp is Singapore's leading media company with platforms across television, radio, newspapers, magazines, digital and out-of-home media. Its vision is to be Asia's top media company. The document discusses MediaCorp's business structure and divisions, corporate social responsibility efforts, new campus relocation, accolades, and employee experiences including opportunities for career growth, learning, and an inclusive and collaborative work culture.
The business plan summary outlines Melvin Johnson's metal recycling business called Metal Recycle Management. The summary states that Johnson will collect and distribute recyclable materials through his full circle recycling business as an LLC. His mission is to make recycling convenient for communities in Mid-Missouri. The target markets are industrial, residential, and government organizations. Johnson sees an opportunity due to low competition and public interest in improving recycling. Financial projections estimate $40,000 in startup costs, $5,840 in average monthly expenses, and $14,512 in average monthly revenue.
Top pick of the month: Zee Entertainment EnterprisesIndiaNotes.com
Zee Entertainment Enterprises (ZEEL) is one of India's leading television, media and entertainment companies. It is amongst thelargest producers and aggregators of Hindi programming in the world, with an extensive library housing over 1.2 lac+ hours of television content. With rights to more than 3,500 movie titles from foremost studios and of iconic film stars, ZEEL houses the world's largest Hindi film library.
The television industry in India has grown significantly in recent decades. There are now over 800 television channels in India, with the majority being general entertainment channels and news channels. Television ownership has also increased substantially, with over 145 million households now owning a television set. While Doordarshan was previously the sole broadcaster, private channels and DTH services have expanded television access across India. The industry generates most of its revenue from advertising and subscription fees. Regional language channels are also growing in popularity, accounting for nearly a quarter of total viewership. Key genres include general entertainment, news, movies, music, sports and children's programming.
Hindi soap operas first began airing in 1993 in India and spread their popularity to other countries like Bangladesh by 1999. They showcase Indian culture through clothing, foods, celebrations and traditions. They also provide economic benefits by advertising new fashion trends, technologies, and products. However, they can also negatively impact family bonding by dramatizing dysfunctional families and increase fear by including horror and crime genres. Viewers must choose to focus on the educational and cultural aspects while avoiding influence from negative or inappropriate content.
This document provides an overview of Zee Entertainment Enterprises Limited (ZEE) and its business as of October 2011. It discusses ZEE's growth journey since 1992, the Indian media sector and television landscape. It then details ZEE's product offerings across various language and genre categories. Finally, it provides an analysis of ZEE's revenue sources and breakdown as well as highlights of its performance across key business segments like Hindi entertainment, movies, sports, regional channels and more. The document showcases ZEE's leadership position in many areas of the Indian television industry.
ZEE Telefilms was the first company to launch a Hindi entertainment channel, ZEE TV, in 1992. It has since expanded to become India's most broad-based TV channel with 23 channels. However, it faced increased competition from channels like Star and Sony in the late 1990s. In response, ZEE launched new channels, shows, and rebranding efforts to fight back and regain market share.
This document provides a case study and SWOT analysis of Zee TV. It summarizes the channel's background and target audience. Strengths include being India's first private Hindi channel and having a global presence. Weaknesses are a lack of innovative content and shows appealing to modern audiences. Opportunities exist in producing contemporary, thought-provoking shows. Threats include similar content across channels and competition for viewers. Research found audiences want realistic stories and characters they can relate to. The analysis provides insights and recommendations for Zee TV such as developing modern content, acquiring movie rights, retaining talent, and leveraging social media and contests.
Zee Telefilms launched India's first private Hindi television channel, Zee TV, in 1992, filling a need for the vast Hindi-speaking audience. Over time, Zee expanded its content offerings and regional coverage. However, it faced growing competition from channels like Sony and Star that engaged in more innovative programming and targeted new audience segments. This prompted Zee to pursue new strategies like channel rebranding, co-productions, and international expansion to adapt and strengthen its market position.
- The document discusses Disney's history and strategies under the Eisner and Iger eras from 1984 to present. It covers Disney's major acquisitions and expansions, as well as its strengths, weaknesses, opportunities, threats, and strategies.
- A SWOT analysis finds Disney's strengths are its strong diversification, responsiveness to market, and brand recognition, while weaknesses include high R&D costs and risk. Opportunities exist in further diversification and new markets, while threats include economic recession and changes in technology/consumption.
- Strategies discussed include expanding into airlines through a proposed "Disney Air" service and ensuring daily operations run efficiently while taking on new tasks.
The document summarizes the growth journey of ZEE, an Indian media company, from its founding in 1992 to plans for continued expansion. It discusses ZEE's early launches of television channels in India and overseas markets. It highlights consistent financial growth and increasing market capitalization. The document outlines ZEE's vision to entertain over 1 billion viewers globally by 2020 while maintaining a focus on excellence, creativity, integrity, and growth. It frames the proposed new Service Excellence Centre as an enabler to support ZEE's business units and pursue the vision of expanded entertainment reach and services.
This document describes a television program on Zee Business and Zee International channels called "atOnePlace.com Presents Property Plus" that aims to educate prospective home buyers in India and internationally about real estate projects. The 13-episode program will feature 3 developers per episode discussing their projects. It will reach over 8 million viewers in India and 13 million internationally. The cost for a developer to participate is Rs. 4,50,000 for a 3-minute segment aired over 3 weeks.
Balaji Telefilms Ltd is a leading television content production company in India established in 1994. It produces programming in multiple languages for various TV channels. Balaji has a large library of over 1,303 hours of television content across genres like daily soaps, sitcoms, and children's programming. It has a professional management team across production, creative, finance, and marketing functions to support its work.
Balaji Telefilms Ltd is a leading television content production company in India established in 1994. It produces programming in multiple languages for various TV channels. Balaji has a large library of over 1,303 hours of television content across genres like daily soaps, sitcoms, and children's programming. It has a professional management team across production, creative, finance, and marketing divisions to manage its operations.
Radio Mirchi is the number 1 radio station in India with over 63 million listeners. It is owned by Entertainment Network India Limited (ENIL), which is a subsidiary of Bennett Coleman & Company Limited (BCCL), the publisher of The Times of India. Radio Mirchi pioneered FM radio broadcasting in India and has the largest network of stations across the country. It is known for developing innovative content to engage audiences and attract advertisers. Radio Mirchi was also the first Indian radio brand to expand internationally by launching in the UAE. The Chandigarh station of Radio Mirchi is the top ranked station in the Tricity area with a 63% listenership share.
This document discusses product placement in Indian reality television shows. It provides background on the growth of the Indian television industry and the rise of reality television shows. Product placement has become an important way for brands to advertise in these popular shows. The author conducted research on product placements in three Indian reality shows - Big Boss season 4, Kaun Banega Crorepati season 4, and MTV Roadies. The paper analyzes the effectiveness of these placements in enhancing brand recall and influencing purchase decisions of audiences.
The television industry in India is estimated to reach $8 billion by 2012, while the film industry is expected to reach $2.8 billion by 2015. Television remains the dominant media in India, accounting for 63% of the media and entertainment market in 2010. The television market has three main segments - television advertising, television subscription, and television content. The industry is poised for further growth with increasing digitization, expanding pay-TV penetration in rural areas, and the need for more specialized content. The film industry has grown at an average of 12% annually but saw declines in 2009-2010; it is projected to recover with expanded multiplex chains and higher quality films.
Managing a Global Digital Community for Content CreationCrowdsourcing Week
How can digital communities be built, nurtured, rewarded and motivated for a win-win proposition? Here is a primer on managing crowdsourced output.
By Bruno Pellegrini, Userfarm. Presented at Crowdsourcing Week Brussels 2014. More info: http://crowdsourcingweek.com/
We are passionate. We are creative. We are honest.
After 5 TV Media Services is the result of necessity, innovation, experience and passion.
We care most about emphasizing your brand\'s unique selling point and/or company\'s values consistently and perpetually.
But, don\'t take our word for it—SEE for yourself!
About media corp career talk slides linked-inPauline Tan
MediaCorp is Singapore's leading media company with platforms across television, radio, newspapers, magazines, digital and out-of-home media. Its vision is to be Asia's top media company. The document discusses MediaCorp's business structure and divisions, corporate social responsibility efforts, new campus relocation, accolades, and employee experiences including opportunities for career growth, learning, and an inclusive and collaborative work culture.
The business plan summary outlines Melvin Johnson's metal recycling business called Metal Recycle Management. The summary states that Johnson will collect and distribute recyclable materials through his full circle recycling business as an LLC. His mission is to make recycling convenient for communities in Mid-Missouri. The target markets are industrial, residential, and government organizations. Johnson sees an opportunity due to low competition and public interest in improving recycling. Financial projections estimate $40,000 in startup costs, $5,840 in average monthly expenses, and $14,512 in average monthly revenue.
Aaj Tak is a 24-hour Hindi news channel launched in 2000 that has maintained its lead in viewership. It redefined news coverage in India which was previously dominated by other channels. Aaj Tak utilizes strategies like fast-paced programming and strong branding to differentiate itself in the crowded news market. While it faces threats from increasing competition and changing viewer preferences, Aaj Tak remains number one through its national coverage and loyal audience.
This document introduces an opportunity to capture the 98.4% of online video viewing time not spent on advertisements. It provides original and popular video content created by relevant online creators and distributed through popular YouTube channels and social media for brands. This new form of branded video content harnesses the creativity of online videos while bringing structure to ensure the brand's message is incorporated appropriately. It has already seen success, generating over 1 million views in a week and significant increases in traffic and engagement for clients.
Film Logic is an advertising agency in Bangladesh that created a successful TV commercial campaign for Bloop ice cream. The goal was to create awareness of the new product through humor and an "unbelievable" concept. Key elements included using a reporter to make the commercial seem like a news headline. The campaign increased brand awareness and sales significantly within two months. In contrast, a campaign by Film Logic for Pran Treat chocolate bars was unsuccessful. The TV commercial focused more on an unrelated story than promoting the product. Viewers were confused and the chocolate product had quality issues, melting quickly. This failed to meet awareness and sales targets. The Bloop campaign was effective through its humor and memorability, while the Pran spot lacked clear messaging
This document discusses television advertising. It begins by defining advertising and its purpose to inform people about products and services and how to acquire them. It then covers the different types of advertising media, with a focus on television advertising. The document outlines some of the key advantages of television advertising, such as its large audience reach and ability to convey messages using sight, sound and motion. It also notes some potential disadvantages like high production costs. In conclusion, it provides some brief examples of television advertising campaigns that have occurred in Mongolia.
Similar to Zee case abhishek sinha- simc pune (20)
From Subreddits To Search: Maximizing Your Brand's Impact On RedditSearch Engine Journal
The search landscape is undergoing a seismic shift, and Reddit is at the epicenter. Google's Helpful Content Update and its $60 million deal with Reddit, coupled with OpenAI's partnership, have catapulted Reddit's real-time content to unprecedented heights.
Check out this insightful webinar exploring the newfound importance of Reddit in the digital marketing landscape. Learn how these changes make Reddit an essential platform for getting your brand and content in front of evolving search audiences.
You’ll hear:
- The evolution of Reddit as a major influencer on SERPS over the years.
- The impact of recent changes and partnerships on Reddit’s place in search.
- A comprehensive look at Reddit, how it works, and how to approach it.
- Unique engagement opportunities presented by Reddit.
With Brent Csutoras, a Reddit expert with over 18 years of experience on the platform, we’ll delve into the intricacies of Reddit's communities, known as Subreddits, and how to leverage their power without compromising authenticity or violating community guidelines in the age of AI-driven search experiences.
Don't miss this opportunity to stay ahead of the curve and leverage Reddit for your brand's success.
Boost Your Instagram Views Instantly Proven Free Strategies.pptxInstBlast Marketing
Join Performance Car Exclusive to drive the finest supercars, engineered with advanced materials and cutting-edge technology for peak performance.
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Evaluating the Effectiveness of Women-Focused MarketingHighViz PR
Women centric marketing is a vital part in reaching one of the most influential groups of consumers. Here is a guide to know and measure the impact of women-centric marketing efforts-
Basic Management Concepts., “Management is the art of getting things done thr...DilanThennakoon
The managers achieve organizational objectives by getting work from
others and not performing in the tasks themselves.
Management is an art and science of getting work done through people.
It is the process of giving direction and controlling the various activities
of the people to achieve the objectives of an organization Management is a universal process in all organized, social and economic activities. Wherever
there is human activity there is management.
Management is a vital aspect of the economic life of man, which is an organized group activity. A
central directing and controlling agency is indispensable for a business concern. The productive
resources –material, labour, capital etc. are entrusted to the organizing skill, administrative ability
and enterprising initiative of the management. Thus, management provides leadership to a
business enterprise. Without able managers and effective managerial leadership the resources of
production remain merely resources and never become production. Management occupies such an
important place in the modern world that the welfare of the people and the destiny of the country
are very much influenced by it.
1.2 MEANING OF MANAGEMENT
Management is a technique of extracting work from others in an integrated and co-ordinated
manner for realizing the specific objectives through productive use of material resources.
Mobilising the physical, human and financial resources and planning their utilization for business
operations in such a manner as to reach the defined goals can be benefited to as management.
1.3 DEFINITION OF MANAGEMENT
Management may be defined in many different ways. Many eminent authors on the subject have
defined the term "management". Some of these definitions are reproduced below:
In the words of George R Terry - "Management is a distinct process consisting of planning,
organising, actuating and controlling performed to determine and accomplish the objectives by the
use of people and resources".
According to James L Lundy - "Management is principally the task of planning, co¬ordinating,
motivating and controlling the efforts of others towards a specific objective",
In the words of Henry Fayol - "To manage is to forecast and to plan, to organise, to command, to
co-ordinate and to control".
According to Peter F Drucker - "Management is a multipurpose organ that manages a business and
manages managers and manages worker and work".
In the words of J.N. Schulze - "Management is the force which leads, guides and directs an
organisation in the accomplishment of a pre-determined object".
In the words of Koontz and O'Donnel - "Management is defined as the creation and maintenance
of an internal environment in an enterprise where individuals working together in groups can
perform efficiently and effectively towards the attainment of group goals".
According to Ordway Tead - "Management is the process and agency which directs and guides the
operations of an organisation in realising of established aim
In the face of the news of Google beginning to remove cookies from Chrome (30m users at the time of writing), there’s no longer time for marketers to throw their hands up and say “I didn’t know” or “They won’t go through with it”. Reality check - it has already begun - the time to take action is now. The good news is that there are solutions available and ready for adoption… but for many the race to catch up to the modern internet risks being a messy, confusing scramble to get back to "normal"
Mastering Local SEO for Service Businesses in the AI Era"" is tailored specifically for local service providers like plumbers, dentists, and others seeking to dominate their local search landscape. This session delves into leveraging AI advancements to enhance your online visibility and search rankings through the Content Factory model, designed for creating high-impact, SEO-driven content. Discover the Dollar-a-Day advertising strategy, a cost-effective approach to boost your local SEO efforts and attract more customers with minimal investment. Gain practical insights on optimizing your online presence to meet the specific needs of local service seekers, ensuring your business not only appears but stands out in local searches. This concise, action-oriented workshop is your roadmap to navigating the complexities of digital marketing in the AI age, driving more leads, conversions, and ultimately, success for your local service business.
Key Takeaways:
Embrace AI for Local SEO: Learn to harness the power of AI technologies to optimize your website and content for local search. Understand the pivotal role AI plays in analyzing search trends and consumer behavior, enabling you to tailor your SEO strategies to meet the specific demands of your target local audience. Leverage the Content Factory Model: Discover the step-by-step process of creating SEO-optimized content at scale. This approach ensures a steady stream of high-quality content that engages local customers and boosts your search rankings. Get an action guide on implementing this model, complete with templates and scheduling strategies to maintain a consistent online presence. Maximize ROI with Dollar-a-Day Advertising: Dive into the cost-effective Dollar-a-Day advertising strategy that amplifies your visibility in local searches without breaking the bank. Learn how to strategically allocate your budget across platforms to target potential local customers effectively. The session includes an action guide on setting up, monitoring, and optimizing your ad campaigns to ensure maximum impact with minimal investment.
Embark on style journeys Indian clothing store denver guide.pptxOmnama Fashions
Finding the perfect "Indian Clothing Store Denver" is essential for those seeking vibrant, authentic, and culturally rich attire in the heart of Colorado. Denver, a city known for its diverse culture and eclectic fashion scene, offers a variety of options for those in search of traditional and contemporary Indian clothing. Whether you're preparing for a wedding, festival, or cultural event, or simply wish to incorporate the elegance and beauty of Indian fashion into your wardrobe, discovering the right store can make all the difference.
Dive deep into the cutting-edge strategies we're employing to revolutionize our web presence in the age of AI-driven search. As Gen Z reshapes the digital realm, discover how we can bridge the generational divide. Unlock the synergistic power of PPC, social media, and SEO, driving unparalleled revenues for our projects.
Capstone Project: Luxury Handloom Saree Brand
As part of my college project, I applied my learning in brand strategy to create a comprehensive project for a luxury handloom saree brand. Key aspects of this project included:
- *Competitor Analysis:* Conducted in-depth competitor analysis to identify market position and differentiation opportunities.
- *Target Audience:* Defined and segmented the target audience to tailor brand messages effectively.
- *Brand Strategy:* Developed a detailed brand strategy to enhance market presence and appeal.
- *Brand Perception:* Analyzed and shaped the brand perception to align with luxury and heritage values.
- *Brand Ladder:* Created a brand ladder to outline the brand's core values, benefits, and attributes.
- *Brand Architecture:* Established a cohesive brand architecture to ensure consistency across all brand touchpoints.
This project helped me gain practical experience in brand strategy, from research and analysis to strategic planning and implementation.
Unlock the secrets to enhancing your digital presence with our masterclass on mastering online visibility. Learn actionable strategies to boost your brand, optimize your social media, and leverage SEO. Transform your online footprint into a powerful tool for growth and engagement.
Key Takeaways:
1. Effective techniques to increase your brand's visibility across various online platforms.
2. Strategies for optimizing social media profiles and content to maximize reach and engagement.
3. Insights into leveraging SEO best practices to improve search engine rankings and drive organic traffic.
Unlock the secrets to creating a standout trade show booth with our comprehensive guide from Blue Atlas Marketing! This presentation is packed with essential tips and innovative strategies to ensure your booth attracts attention, engages visitors, and drives business success. Whether you're a seasoned exhibitor or a first-timer, these expert insights will help you maximize your impact and make a memorable impression in a crowded exhibition hall. Learn how to:
Design an eye-catching and inviting booth
Incorporate interactive elements that engage visitors
Use effective branding and visuals to reinforce your message
Plan your booth layout for maximum traffic flow
Implement technology to enhance the visitor experience
Create memorable experiences that leave a lasting impression
Transform your trade show presence with these proven tactics and ensure your booth stands out from the competition. Download the PDF now and start planning your next successful exhibit!
The Future of ''Digital marketing'' .pptxbhavanasizcom
Digital marketing leverages digital channels such as SEO, content marketing, social media, PPC, and email to promote products or services. It includes affiliate and influencer marketing, mobile strategies, and online PR. Marketing automation helps streamline efforts, while analytics guide data-driven decisions. The objective is to engage target audiences, drive conversions, and build brand loyalty by reaching customers in the digital spaces they frequent.The future of digital marketing will be driven by advancements in artificial intelligence (AI) for personalized content and customer service, and the rise of voice search optimization due to smart speakers. Video content, especially short-form videos, will continue to dominate, while augmented reality (AR) and virtual reality (VR) will enhance customer experiences. Emphasis on data privacy and compliance will grow, alongside the need for seamless omnichannel marketing. Blockchain technology will offer secure digital advertising, and sustainability will become a key focus. With the advent of 5G technology, faster mobile internet will enable new innovations, and advanced personalization will deliver highly relevant content to users.
Empowering Influencers: The New Center of Brand-Consumer Dynamics
In the current market landscape, establishing genuine connections with consumers is crucial. This presentation, "Empowering Influencers: The New Center of Brand-Consumer Dynamics," explores how influencers have become pivotal in shaping brand-consumer relationships. We will examine the strategic use of influencers to create authentic, engaging narratives that resonate deeply with target audiences, driving success in the evolved purchase funnel.
The advent of AI offers marketers unprecedented opportunities to craft personalized and engaging customer experiences, evolving customer engagements from one-sided conversations to interactive dialogues. By leveraging AI, companies can now engage in meaningful dialogues with customers, gaining deep insights into their preferences and delivering customized solutions.
Susan will present case studies illustrating AI's application in enhancing customer interactions across diverse sectors. She'll cover a range of AI tools, including chatbots, voice assistants, predictive analytics, and conversational marketing, demonstrating how these technologies can be woven into marketing strategies to foster personalized customer connections.
Participants will learn about the advantages and hurdles of integrating AI in marketing initiatives, along with actionable advice on starting this transformation. They will understand how AI can automate mundane tasks, refine customer data analysis, and offer personalized experiences on a large scale.
Attendees will come away with an understanding of AI's potential to redefine marketing, equipped with the knowledge and tactics to leverage AI in staying competitive. The talk aims to motivate professionals to adopt AI in enhancing their CX, driving greater customer engagement, loyalty, and business success.
Marketing in the Age of AI - Shifting CX from Monologue to Dialogue - Susan W...
Zee case abhishek sinha- simc pune
1. Restoring ZEE TV to former glory
About Zee
1. Launched as Zee Telefilms in 1992, now Zee Entertainment Enterprise Limited
2. First Hindi satellite channel
3. First listed media company in India
4. Zee’s Chairmen, Managing Director and Founder is Subhash Chandra and CEO is Puneet Goenka
Company Analysis
Mission& Values
“To become the world’sleadingglobal mediacompanyfromthe emergingmarkets.Asacorporation,we will be driven
by innovationandcreativityandwouldfocusongrowthwhile deliveringexceptional value toourcustomers,ourviewers
and all our stakeholders”
Zee’sHistory
1. IPOof Zee telefilms
2. LaunchesZee inUS, UK, Africaetc- 1996-98
3. EntersintocontentdrivenjointventureswithMGMand Viacom- 2000
4. Launchesinternetovercable services- 2000
5. De- mergerof Zee Telefilmsltd- 2006
6. Formationof Zeel- 2007
7. LaunchesDittoTV- 2012
8. Launches& PicturesandZee Anmol- 2013
2. SWOT Analysis
Question
1. What shouldZee dofroma contentandmarketingstrategyperspective toregainaudiences?
2. How can Zee throughinnovationand creativityreinstateitsNo.1 position?
Opportunities
a. Content
1. No one watchesTV anymore,especiallyyouth.Socomingupwithshowsfocusingonyouth,social changes,
currentenvironment,interactionorientedetcwillbe helpful forZee togainits marketbase.
2. Use of digitizationasatool insteadof runningawayfromit. Engagementof audience insocial mediathrough
theirserialsmayturnout to be effectiveforZee.
Strength
1. Growth inadvertisingrevenue
by 21.2%
2. Overall subscriptionrevenue is
increasedby29.7%
3. Profitaftertax for the year
2014 isRs. 8900 million,with
growthof 23.9%
Opportunity
1. Improvement in content and
marketing area
2. Availabletools- Innovation+
Creativity
3. Digitization
4. Milk the video on demand service
5. Entry into more regional market
for market shares
6. Move on from traditional
methods of SEC
Threat
1. StrongcompetitionfromStar
and SonyTV
2. Price forbearance
3. Policies
4. Digitization(illegalactivities)
Weakness
1. Poorand repetitivecontent
2. No innovationandcreativity
3. Long tenure of serials
4. Notfocusingoncurrent
environmental andmarket
changes
5. New GEC’s are not effective
3. 3. Saas- bahu,Beti,Dowryetc are the themesof pastnow.Currenttopicssuch as Rape,Eve- teasing,Sexual
harassment,Office culture,Politicsetcshouldbe focusedfortheirnew shows.
4. Contentdrivenshowsneedstostopaftersettinganagenda.Noneedto stretchthe show for 1000 episodesand
makingitmonotonousforthe audience.
5. Realityshowsare nolongerreal,goback intopast and mix itwithpresentforthe bettermentof Zee’sown
future.
b. Marketing Strategy
1. More regional showsare requiredtoconquerlocal markets.SouthernandEasternmarketsare well coveredbut
WesternandNorthernmarketsneedtobe takenintoconsideration.
2. Subscriptionrevenue hasgrowninpastyears.More effortisneededtogrow thisareafurtheras it coversthe
entire market.2014’s subscriptionrevenue covered46% intotal.
3. Companyisreachingto its audience viaIndia.com, DittoTV whichisOverthe topplatforms.Soincrease intheir
use ismandatoryto overcome marketingchallenges.
4. Categorycreationcan turn outto be a game changerfor Zee
5. Overall digitizationisanecessityforZee atthispoint to prove itsprowessinthe market.
6. CollaborationwithforeigncountriessuchasPakistanfornew channelslike ZeeZindagi willgive zee audience
numbera boostbecause of the differentcontentandan emotional connectwiththe neighbors.