The document summarizes the results of a questionnaire given to participants about the horror genre to help the author target their short film. The questionnaire asked about gender, age, horror film preferences, favorite types and films. Most respondents who liked horror were aged 18-25 and enjoyed psychological horror. Expectations for horror films included gore, murder, suspense and tension. This influenced the author to make their opening mysterious to intrigue audiences and reveal answers later. The evaluation notes areas for improvement like adding more character/setting questions and a broader range of participants.
The document discusses establishing a target audience for horror films. It describes conducting a questionnaire of 10 people ages 15-48 to understand preferences around gender, age, favorite horror film genres, and how trailers are watched. The results showed the target audience is primarily 18-25 year olds, with more men and women represented. Younger audiences prefer slasher films, and most watch trailers online, so the author will focus their research and trailer on this demographic.
Bethany Gunn conducted surveys of audiences of various ages and genders after showing them an opening scene from her post-apocalyptic story. Most respondents correctly identified the plot as being set in the future and about a young girl coping. While her research indicated the typical audience for the genre is males aged 35-54, respondents of other demographics also understood the story. Feedback suggested improving the flashback colors and voiceover clarity.
The document discusses casting and audience appeal considerations for a film. It was decided to have an all-male cast because research found male audiences were more likely to see a thriller film. While this could be seen as sexist, portraying women in film noir conventions could also be seen as sexist. To appeal to male audiences, the film will portray both a gentlemanly setting and a more violent "hoodie-like" setting to show different generations - the older as more sophisticated and the younger as more radical, challenging stereotypes. The younger characters will make bad decisions cleaned up by the older, more sensible detectives.
The document provides a summary of research conducted for a major project on horror film audiences. According to secondary research, the primary audience for horror films is 15-24 year olds, with roughly equal percentages of male and female viewers. Primary research conducted through surveys found most respondents were female, aged 20-30, and preferred earned scares over jump scares. The document analyzes the demographics and preferences of horror film audiences to inform the planning and targeting of a short horror film.
The document provides a summary of research conducted for a major project on horror film audiences. According to secondary research, the primary audience for horror films is 15-24 years old, with roughly equal percentages of male and female viewers. Research also found that horror film viewers tend to come from lower social classes. Primary research in the form of a survey supported these findings, showing a majority of respondents were female and in the target 15-24 age range. The research also helped determine elements for the film, such as a preference for earned scares over jump scares. Existing horror films like Ringu and It Follows are analyzed for effective techniques in camerawork, sound design, mise-en-scene, and story that could influence
The document provides a summary of research conducted for a major project on horror film audiences. According to secondary research, the primary audience for horror films is 15-24 years old, with roughly equal percentages of male and female viewers. Research also found that horror film viewers tend to come from lower social classes. Primary research in the form of a survey supported these findings, showing a majority of respondents were female and in the target 15-24 age range. The research also helped determine elements for the film, such as a preference for earned scares over jump scares. Existing horror films like Ringu and It Follows are analyzed for effective camerawork, sound design, mise-en-scene, and storytelling that build tension and
The document provides a summary of research conducted for a major project on horror film audiences. According to secondary research, the primary audience for horror films is 15-24 year olds, with roughly equal percentages of male and female viewers. Research also found that horror film viewers tend to come from lower social classes. Primary research conducted through surveys found that most respondents were female, and preferred earned scares over jump scares and implied violence over graphic violence. The document analyzes existing horror films Ringu and It Follows to identify effective techniques for camerawork, sound design, mise-en-scene, and story.
The document summarizes the results of a questionnaire given to participants about the horror genre to help the author target their short film. The questionnaire asked about gender, age, horror film preferences, favorite types and films. Most respondents who liked horror were aged 18-25 and enjoyed psychological horror. Expectations for horror films included gore, murder, suspense and tension. This influenced the author to make their opening mysterious to intrigue audiences and reveal answers later. The evaluation notes areas for improvement like adding more character/setting questions and a broader range of participants.
The document discusses establishing a target audience for horror films. It describes conducting a questionnaire of 10 people ages 15-48 to understand preferences around gender, age, favorite horror film genres, and how trailers are watched. The results showed the target audience is primarily 18-25 year olds, with more men and women represented. Younger audiences prefer slasher films, and most watch trailers online, so the author will focus their research and trailer on this demographic.
Bethany Gunn conducted surveys of audiences of various ages and genders after showing them an opening scene from her post-apocalyptic story. Most respondents correctly identified the plot as being set in the future and about a young girl coping. While her research indicated the typical audience for the genre is males aged 35-54, respondents of other demographics also understood the story. Feedback suggested improving the flashback colors and voiceover clarity.
The document discusses casting and audience appeal considerations for a film. It was decided to have an all-male cast because research found male audiences were more likely to see a thriller film. While this could be seen as sexist, portraying women in film noir conventions could also be seen as sexist. To appeal to male audiences, the film will portray both a gentlemanly setting and a more violent "hoodie-like" setting to show different generations - the older as more sophisticated and the younger as more radical, challenging stereotypes. The younger characters will make bad decisions cleaned up by the older, more sensible detectives.
The document provides a summary of research conducted for a major project on horror film audiences. According to secondary research, the primary audience for horror films is 15-24 year olds, with roughly equal percentages of male and female viewers. Primary research conducted through surveys found most respondents were female, aged 20-30, and preferred earned scares over jump scares. The document analyzes the demographics and preferences of horror film audiences to inform the planning and targeting of a short horror film.
The document provides a summary of research conducted for a major project on horror film audiences. According to secondary research, the primary audience for horror films is 15-24 years old, with roughly equal percentages of male and female viewers. Research also found that horror film viewers tend to come from lower social classes. Primary research in the form of a survey supported these findings, showing a majority of respondents were female and in the target 15-24 age range. The research also helped determine elements for the film, such as a preference for earned scares over jump scares. Existing horror films like Ringu and It Follows are analyzed for effective techniques in camerawork, sound design, mise-en-scene, and story that could influence
The document provides a summary of research conducted for a major project on horror film audiences. According to secondary research, the primary audience for horror films is 15-24 years old, with roughly equal percentages of male and female viewers. Research also found that horror film viewers tend to come from lower social classes. Primary research in the form of a survey supported these findings, showing a majority of respondents were female and in the target 15-24 age range. The research also helped determine elements for the film, such as a preference for earned scares over jump scares. Existing horror films like Ringu and It Follows are analyzed for effective camerawork, sound design, mise-en-scene, and storytelling that build tension and
The document provides a summary of research conducted for a major project on horror film audiences. According to secondary research, the primary audience for horror films is 15-24 year olds, with roughly equal percentages of male and female viewers. Research also found that horror film viewers tend to come from lower social classes. Primary research conducted through surveys found that most respondents were female, and preferred earned scares over jump scares and implied violence over graphic violence. The document analyzes existing horror films Ringu and It Follows to identify effective techniques for camerawork, sound design, mise-en-scene, and story.
The document provides a summary of research conducted for a major project on horror film audiences. According to secondary research, the primary audience for horror films is 15-24 year olds, with roughly equal percentages of male and female viewers. Research also found that horror film audiences come from lower social classes. Primary research conducted through surveys found that most respondents were female, aged 20-30, and preferred earned scares over jump scares. The document analyzes existing horror films Ringu and It Follows to understand effective techniques for camerawork, sound design, mise-en-scene, and storytelling.
The document discusses target audiences for horror films. It states that horror films primarily target younger audiences between ages 15-25, as this demographic enjoys thrills. Younger audiences tend not to be bothered by graphic images, while older audiences often find them disturbing. Horror films also generally target males more than females, as males are stereotypically seen as enjoying violence and thrills more. The middle class is another common target, as horror films allow for an exciting experience at low cost. Successful horror films understand and aim to please their intended target audiences.
The document summarizes the results of a survey about horror movie preferences. It found that the target audience prefers the slasher subgenre and finds films scarier when the killer is human. Respondents also felt characters closer to their own age (18-24) were more relatable. Most said they were more likely to watch a film if they enjoyed the trailer. Regarding setting, rural locations like graveyards and woods were deemed scarier than urban settings. The document concludes this survey provided useful guidance for creating a successful horror film trailer targeted at this audience.
The survey responses provided insights into the target audience for a short film:
- The audience is primarily young adults aged 14-56 living in the London area of England.
- The audience has a even split of males and females.
- Most watch 1-3 hours of short films per week, primarily accessing them via the internet.
- The audience has varying preferences on genres and themes, with some preferring mainstream genres like action and comedy while others prefer independent or socially-focused films.
- There is a general lack of awareness of short filmmakers and titles among the audience. Increased advertising and accessibility of short films could help engage more mainstream viewers.
This document summarizes the results of a survey about film preferences. It found that most respondents were male aged 10-20 who enjoy horror films and watch movies once a week. Specifically, horror and adventure genres were most popular, while sci-fi was most disliked. Based on these findings, the document concludes its target audience is young males who frequently watch movies and enjoy horror and adventure genres. This provides insight into which genres and age/gender demographics to target for a new film opening.
Film trailer initial ideas questionnaireMillie Turner
The document summarizes the results of a questionnaire given to 6 girls aged 16-18 about 3 potential film ideas: a horror, a chick flick, and a social realism drama. For question 1 about genre preference, the horror and social realism drama tied as the most popular. For question 2 about favorite plotline, the horror was most popular. Feedback for the horror praised its plot twist. Feedback for the social realism drama wanted it to be more relatable by having younger characters and more profound plot twists. The document responds that the characters and a minor plot twist were already planned aspects of the social realism drama idea.
Women are underrepresented and often portrayed through gender stereotypes in many films. Examples given include Pacific Rim having only 3 female characters out of 56, and Transformers emphasizing the sexual aspects of female characters who are portrayed as less intelligent. However, some films like Bridesmaids and Brave challenge sexism by having all-female leads and stories not focused on romance. There remains gender inequality in Hollywood, with women making up only 29% of protagonists and 30% of speaking characters.
This document summarizes the results of a questionnaire about preferences for horror and thriller films among a target audience. Key findings include that the target age group is 16-19 year olds, the audience has a slight female preference, word of mouth and trailers are most important for generating interest, plots with tension are appealing, supernatural and psychological thrillers are preferred genres, and either woodland, house/cabin, or haunted house locations would be suitable.
Quantitative research feedback and analysisChloe_ann07
- The document summarizes the results of a 7-person online survey about preferences for short films. Most participants were from rural or coastal areas, white, and working full-time. They preferred social class/status themes and horror/sci-fi genres focused on teenagers. The most important elements were storyline and aesthetics. Based on the analysis, a social realism genre short film about class/status issues among teenagers would appeal most to the target demographic.
This document summarizes research on cinema audiences and horror film genres. It notes that the largest cinema audience is 15-24 year olds. Horror films are divided into psychological, slasher, and paranormal subgenres, and people enjoy the thrill and adrenaline of watching them. Research also shows that 15-24 year olds are the main target audience for horror films, though stereotypically more men enjoy them than women. The document provides a brief synopsis of the film Silent Hill and compares it somewhat to the authors' film idea. It also outlines how films are advertised through cinema websites, newspapers, magazines, and trailers shown in theaters, on TV, and online.
This survey aimed to provide an overview of audience preferences and opinions related to films. It surveyed 20 people on topics like their gender, age, how many films they watch regularly, favorite genres, appealing themes, preferred film topics, response to male or female leads, preferred short film length, favorite directors, and what influences seeing films at the cinema. The questions gave useful insight into what target audiences like in films and their views on themes and styles. This helped frame ideas for new films around audience expectations.
A survey was conducted with 50 participants to inform the creation of a horror thriller film opening. Most respondents preferred horror and thriller film genres. Haunted and psychological thrillers were the most popular subgenres. When asked about character dynamics, victims and psychopaths were favored. Qualities like an intriguing storyline, elements of realism, tension-building, and a twist were cited as making a good horror thriller. The haunted theme proved most popular overall. Taking these survey results into account will help ensure the opening appeals to the target audience.
The document analyzes the results of a questionnaire about thrillers given to an audience. It found that psychological thrillers set in abandoned houses with eerie music were generally preferred. Most respondents were in the 16-21 age range and watched 15-rated films. This informed the team's decision to create a 15-rated psychological thriller opening set in an abandoned house/shed about a weird pedophile to engage their target audience.
The document outlines a plot for a film about three teenage boys who start making short films for fun but eventually gain popularity and recognition, which leads them to fall out over how to deal with their rising fame and causes disastrous consequences for their careers and friendship. It targets male teenagers, adult filmmakers, and those who love film and can relate to the experience of independent filmmaking. The document asks for feedback on appealing to both genders, potential film titles, encouragement to watch based on a trailer, and whether it should be a comedy, drama, or mix about filmmaking and friendship.
The document discusses the demographic and marketing of the film "Would You Rather". It was shown at a horror film festival, appealing to fans of both psychological horror and thriller genres, widening its potential audience. As a psychological thriller, it received a high age rating of 16+ due to graphic and disturbing content, which slightly lessened the audience. As an independent film, it had a limited theatrical release but its trailer on YouTube received over 4 million views. Actress Brittany Snow promoted it on social media, using cross-media convergence to draw a larger audience.
The document analyzes the results of a questionnaire given to the document author's media class about their preferences for a short film. Most respondents were between 15-19 years old, with a target audience of 15-30. Responses were also analyzed based on gender, religion, political views, favorite and least favorite film genres, and preferences between short films and documentaries. The key question asked if the short film should focus on the experience of homosexuality or pride celebrations, with an even split in responses. As a result, the document author plans to incorporate both story elements into the short film.
The document analyzes audience surveys conducted to inform the development of a student horror film project. It summarizes the key findings from each survey, including that supernatural, psychological and comedy genres are most preferred; dolls, masks and knives tend to frighten audiences; and audiences want an unresolved ending that leaves things open to interpretation. The surveys also provided guidance on poster design preferences and narrative elements audiences find appealing in horror films.
The document analyzes audience surveys conducted to inform the development of a student horror film project. It summarizes the key findings from each survey, including that supernatural, psychological and comedy genres are most preferred; dolls, masks and knives are most frightening props; and audiences want an unresolved ending that leaves things open to interpretation. The surveys also provided guidance on poster design preferences and informed the decision to focus the film narrative on the serious real-world issue of female genital mutilation.
The document analyzes surveys conducted with the target audience of 17-30 year olds for a student horror film project. Four group members each conducted a survey on different aspects of horror films. The surveys found that the target audience prefers supernatural and psychological horror genres. Common frightening props included dolls and masks. Most felt horror films help deal with fears and provide adrenaline. When designing the film poster, black and red colors as well as dominant images should be used. The film narrative will be based on the real-life conflict of female genital mutilation and end with an unexpected twist.
This document discusses analyzing the age demographic for a psychological thriller film marketing campaign. It first looks at previous survey data that showed the genre's audience ranged from 18-45, with key groups being 22-27, 28-35, and 36-45. However, this data had a small sample size. The document then analyzes data from 5 psychological thriller films on the YouGov website, finding that 4 of the 5 had over 30% of their audience aged 25-39. This leads to the conclusion that the target age demographic for the marketing campaign should be 25-39 years old.
The document discusses audience feedback that was received from surveys and focus groups for a school film project. A survey of 77 students found that thrillers were the most popular genre, especially for female students aged 15-25. Two focus groups then provided feedback on early drafts of the film: a mixed gender group and an all-female group that matched the primary target audience identified from the survey. Both groups answered questions about what they liked, disliked, and how the film could be improved. Their feedback was used to further develop the film for its target audience.
The document discusses audience feedback that was received from surveys and focus groups for a school film project. A survey of 77 students found that thrillers were the most popular genre, especially for female students aged 15-25. Two focus groups then provided feedback on early drafts of the film: a mixed gender group and an all-female group that matched the primary target audience identified from the survey. Both groups answered questions about what they liked, disliked, and how the film could be improved. Their feedback was used to further develop the film for its target audience.
The document provides a summary of research conducted for a major project on horror film audiences. According to secondary research, the primary audience for horror films is 15-24 year olds, with roughly equal percentages of male and female viewers. Research also found that horror film audiences come from lower social classes. Primary research conducted through surveys found that most respondents were female, aged 20-30, and preferred earned scares over jump scares. The document analyzes existing horror films Ringu and It Follows to understand effective techniques for camerawork, sound design, mise-en-scene, and storytelling.
The document discusses target audiences for horror films. It states that horror films primarily target younger audiences between ages 15-25, as this demographic enjoys thrills. Younger audiences tend not to be bothered by graphic images, while older audiences often find them disturbing. Horror films also generally target males more than females, as males are stereotypically seen as enjoying violence and thrills more. The middle class is another common target, as horror films allow for an exciting experience at low cost. Successful horror films understand and aim to please their intended target audiences.
The document summarizes the results of a survey about horror movie preferences. It found that the target audience prefers the slasher subgenre and finds films scarier when the killer is human. Respondents also felt characters closer to their own age (18-24) were more relatable. Most said they were more likely to watch a film if they enjoyed the trailer. Regarding setting, rural locations like graveyards and woods were deemed scarier than urban settings. The document concludes this survey provided useful guidance for creating a successful horror film trailer targeted at this audience.
The survey responses provided insights into the target audience for a short film:
- The audience is primarily young adults aged 14-56 living in the London area of England.
- The audience has a even split of males and females.
- Most watch 1-3 hours of short films per week, primarily accessing them via the internet.
- The audience has varying preferences on genres and themes, with some preferring mainstream genres like action and comedy while others prefer independent or socially-focused films.
- There is a general lack of awareness of short filmmakers and titles among the audience. Increased advertising and accessibility of short films could help engage more mainstream viewers.
This document summarizes the results of a survey about film preferences. It found that most respondents were male aged 10-20 who enjoy horror films and watch movies once a week. Specifically, horror and adventure genres were most popular, while sci-fi was most disliked. Based on these findings, the document concludes its target audience is young males who frequently watch movies and enjoy horror and adventure genres. This provides insight into which genres and age/gender demographics to target for a new film opening.
Film trailer initial ideas questionnaireMillie Turner
The document summarizes the results of a questionnaire given to 6 girls aged 16-18 about 3 potential film ideas: a horror, a chick flick, and a social realism drama. For question 1 about genre preference, the horror and social realism drama tied as the most popular. For question 2 about favorite plotline, the horror was most popular. Feedback for the horror praised its plot twist. Feedback for the social realism drama wanted it to be more relatable by having younger characters and more profound plot twists. The document responds that the characters and a minor plot twist were already planned aspects of the social realism drama idea.
Women are underrepresented and often portrayed through gender stereotypes in many films. Examples given include Pacific Rim having only 3 female characters out of 56, and Transformers emphasizing the sexual aspects of female characters who are portrayed as less intelligent. However, some films like Bridesmaids and Brave challenge sexism by having all-female leads and stories not focused on romance. There remains gender inequality in Hollywood, with women making up only 29% of protagonists and 30% of speaking characters.
This document summarizes the results of a questionnaire about preferences for horror and thriller films among a target audience. Key findings include that the target age group is 16-19 year olds, the audience has a slight female preference, word of mouth and trailers are most important for generating interest, plots with tension are appealing, supernatural and psychological thrillers are preferred genres, and either woodland, house/cabin, or haunted house locations would be suitable.
Quantitative research feedback and analysisChloe_ann07
- The document summarizes the results of a 7-person online survey about preferences for short films. Most participants were from rural or coastal areas, white, and working full-time. They preferred social class/status themes and horror/sci-fi genres focused on teenagers. The most important elements were storyline and aesthetics. Based on the analysis, a social realism genre short film about class/status issues among teenagers would appeal most to the target demographic.
This document summarizes research on cinema audiences and horror film genres. It notes that the largest cinema audience is 15-24 year olds. Horror films are divided into psychological, slasher, and paranormal subgenres, and people enjoy the thrill and adrenaline of watching them. Research also shows that 15-24 year olds are the main target audience for horror films, though stereotypically more men enjoy them than women. The document provides a brief synopsis of the film Silent Hill and compares it somewhat to the authors' film idea. It also outlines how films are advertised through cinema websites, newspapers, magazines, and trailers shown in theaters, on TV, and online.
This survey aimed to provide an overview of audience preferences and opinions related to films. It surveyed 20 people on topics like their gender, age, how many films they watch regularly, favorite genres, appealing themes, preferred film topics, response to male or female leads, preferred short film length, favorite directors, and what influences seeing films at the cinema. The questions gave useful insight into what target audiences like in films and their views on themes and styles. This helped frame ideas for new films around audience expectations.
A survey was conducted with 50 participants to inform the creation of a horror thriller film opening. Most respondents preferred horror and thriller film genres. Haunted and psychological thrillers were the most popular subgenres. When asked about character dynamics, victims and psychopaths were favored. Qualities like an intriguing storyline, elements of realism, tension-building, and a twist were cited as making a good horror thriller. The haunted theme proved most popular overall. Taking these survey results into account will help ensure the opening appeals to the target audience.
The document analyzes the results of a questionnaire about thrillers given to an audience. It found that psychological thrillers set in abandoned houses with eerie music were generally preferred. Most respondents were in the 16-21 age range and watched 15-rated films. This informed the team's decision to create a 15-rated psychological thriller opening set in an abandoned house/shed about a weird pedophile to engage their target audience.
The document outlines a plot for a film about three teenage boys who start making short films for fun but eventually gain popularity and recognition, which leads them to fall out over how to deal with their rising fame and causes disastrous consequences for their careers and friendship. It targets male teenagers, adult filmmakers, and those who love film and can relate to the experience of independent filmmaking. The document asks for feedback on appealing to both genders, potential film titles, encouragement to watch based on a trailer, and whether it should be a comedy, drama, or mix about filmmaking and friendship.
The document discusses the demographic and marketing of the film "Would You Rather". It was shown at a horror film festival, appealing to fans of both psychological horror and thriller genres, widening its potential audience. As a psychological thriller, it received a high age rating of 16+ due to graphic and disturbing content, which slightly lessened the audience. As an independent film, it had a limited theatrical release but its trailer on YouTube received over 4 million views. Actress Brittany Snow promoted it on social media, using cross-media convergence to draw a larger audience.
The document analyzes the results of a questionnaire given to the document author's media class about their preferences for a short film. Most respondents were between 15-19 years old, with a target audience of 15-30. Responses were also analyzed based on gender, religion, political views, favorite and least favorite film genres, and preferences between short films and documentaries. The key question asked if the short film should focus on the experience of homosexuality or pride celebrations, with an even split in responses. As a result, the document author plans to incorporate both story elements into the short film.
The document analyzes audience surveys conducted to inform the development of a student horror film project. It summarizes the key findings from each survey, including that supernatural, psychological and comedy genres are most preferred; dolls, masks and knives tend to frighten audiences; and audiences want an unresolved ending that leaves things open to interpretation. The surveys also provided guidance on poster design preferences and narrative elements audiences find appealing in horror films.
The document analyzes audience surveys conducted to inform the development of a student horror film project. It summarizes the key findings from each survey, including that supernatural, psychological and comedy genres are most preferred; dolls, masks and knives are most frightening props; and audiences want an unresolved ending that leaves things open to interpretation. The surveys also provided guidance on poster design preferences and informed the decision to focus the film narrative on the serious real-world issue of female genital mutilation.
The document analyzes surveys conducted with the target audience of 17-30 year olds for a student horror film project. Four group members each conducted a survey on different aspects of horror films. The surveys found that the target audience prefers supernatural and psychological horror genres. Common frightening props included dolls and masks. Most felt horror films help deal with fears and provide adrenaline. When designing the film poster, black and red colors as well as dominant images should be used. The film narrative will be based on the real-life conflict of female genital mutilation and end with an unexpected twist.
This document discusses analyzing the age demographic for a psychological thriller film marketing campaign. It first looks at previous survey data that showed the genre's audience ranged from 18-45, with key groups being 22-27, 28-35, and 36-45. However, this data had a small sample size. The document then analyzes data from 5 psychological thriller films on the YouGov website, finding that 4 of the 5 had over 30% of their audience aged 25-39. This leads to the conclusion that the target age demographic for the marketing campaign should be 25-39 years old.
The document discusses audience feedback that was received from surveys and focus groups for a school film project. A survey of 77 students found that thrillers were the most popular genre, especially for female students aged 15-25. Two focus groups then provided feedback on early drafts of the film: a mixed gender group and an all-female group that matched the primary target audience identified from the survey. Both groups answered questions about what they liked, disliked, and how the film could be improved. Their feedback was used to further develop the film for its target audience.
The document discusses audience feedback that was received from surveys and focus groups for a school film project. A survey of 77 students found that thrillers were the most popular genre, especially for female students aged 15-25. Two focus groups then provided feedback on early drafts of the film: a mixed gender group and an all-female group that matched the primary target audience identified from the survey. Both groups answered questions about what they liked, disliked, and how the film could be improved. Their feedback was used to further develop the film for its target audience.
The document analyzes four studies on gender portrayals in children's entertainment such as movies and TV shows. The key findings are:
1) Females make up only 28% of speaking characters in G-rated films from 1990-2005. They are also less likely than males to appear in crowd scenes.
2) Across G, PG, PG-13 and R rated films from 1990-2006, females make up only 27% of speaking characters. This ratio of 2.71 males for every 1 female has not changed over time.
3) Females are more likely than males to be portrayed as parents or in relationships, presenting traditional gender roles. However, females are also five times more
Starbuck and lundy chapter 2 studying the fam pub 1.5KSLUND1
The document provides an overview of sociology as a science and discusses various sociological perspectives on the family, including functionalism, conflict theory, and symbolic interactionism. It also outlines different research methods used in family studies, such as surveys, experiments, and content analysis, and covers macro-level topics like gender roles and micro-level issues like conflict resolution. The document serves as supplemental material for a textbook on sociological perspectives of families.
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The purpose of the analysis was to look for patterns in responses to questions about the film The Descent to determine how to best edit it for different target audiences. Most questions were about the film, while a few assessed personal interests. Males were surveyed to assess stereotypes about preferring horror films. Most participants had seen the film on DVD, not in theaters. Suggestions for edits included adding more frightening scenes since most males did not find it scary, and improving the narrative which was the least enjoyed element.
This talk by Tina Rosenberg was given to Content Strategy Philly on July 30th, 2014.
The reigning myth of journalism is that its mission is to reveal society's problems. But every problem that's widely shared has people trying to solve it -- and journalism doesn't notice. Can we blame the public for its apathy and cynicism?
Journalists need to broaden the narrative to include rigorous coverage of how people are responding to problems, what's working, and why. Journalism exists to provide society with the information it needs to correct itself. To do that job well, journalists need to tell the whole story.
The document summarizes the results of a target audience research study about social realist films. It found that younger people and males tend to watch social realist films more than other demographics. The majority of respondents believed that social realist directors do a good job of reflecting real life working class British families. Most respondents also said they were able to relate to the genre. There was 100% agreement that social realist films effectively showcase the segregation between social classes and the difficulties faced by working class families.
The document discusses stereotypes, how the media uses them, and their effects. Some key points:
1) Stereotypes overgeneralize groups and focus on certain characteristics assumed to apply to all members, often in a negative way (e.g. all women are bad drivers).
2) The media uses stereotypes as narrative shortcuts to quickly communicate information, reflecting existing stereotypes in a culture rather than simply creating new ones. This can reinforce the ideas behind stereotypes.
3) Stereotypes usually have an element of truth but overlook individual traits and are often created by those outside the group, exerting a power over how that group is viewed.
This document summarizes the results of a media questionnaire completed by Millie-May Rich and Jessica Jones. It shows the responses to 8 questions about respondents' gender, age, favorite film genres, films they have watched, and their interpretations of the titles The Hunger Games, The Maze Runner, Divergent, and Defiance. The majority of respondents had seen the Hunger Games, Maze Runner and Divergent film series and understood the titles to reference themes of survival, mazes, and divergence from social norms.
This document summarizes the results of a media questionnaire completed by Millie-May Rich and Jessica Jones. It shows the responses to 8 questions about participants' gender, age, favorite film genres, films they have watched, and their interpretations of the titles The Hunger Games, The Maze Runner, Divergent, and Defiance. All participants had seen the films from The Hunger Games, Maze Runner, and Divergent series and their responses suggested that the titles gave clues to the plots involving games, mazes, divergence from norms, and defiance.
The document analyzes the results of a survey about a film. It finds that most respondents were female aged 16-21 who preferred action movies. This suggests the film's focus on female characters appealed more to this demographic. Comments on the poster noted it conveyed the intended emotion and suggested the main character was "bad." Respondents said the plot and story were what made the film good. Suggestions were made to use more basic colors in the movie review to appeal to wider audiences. The poster and review had only little influence on whether people would watch the film.
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“Why can’t we have her story”: Plus-size women’s opinions of plus-size women’s representation in film and television
1. “Why can’t we have her story”:
Plus-size women’s opinions of
plus-size women’s representation in
film and television
Report by Quincy Clarke, Saura
Haggart-Smith, Nicole Ireland, Melody
McMullan & Julia White
Presentation by Melody McMullan
2. QUICK! Who are the first
three plus-size actresses
you can think of?
3. Problem Definition
● We knew the representation issue was a problem from the personal
experience of the researchers
● When we engaged in our preliminary research for our literature
review we began to see gaps in current research
● Research often looked at the impact of plus-size representation on
children, or looked at discrimination levels in straight-size folks
● The biggest gap came in asking plus women their opinion on plus
representation
4. Research Question
How does seeing plus-size
actresses in scripted film
and television affect
viewing habits of plus-size
women?
5. Research Strategy
Digital Survey
● Reach a wide audience
● Collect a variety of
responses
● Focus on quantitative data
Focus Group
● Insights into specific
emotions and reactions
● Allows for broader
discussions
● Focus on qualitative data
7. Stories mostly about weight:
74% said it ‘somewhat’ or ‘greatly’
reduced enjoyment
Stories mostly about weight loss:
87% said it ‘somewhat’ or
‘greatly’ reduced enjoyment
8. Two most common:
“Funny sidekick”
“Supportive sidekick”
Two least common:
“Romantic lead”
“Dramatic lead”
9. 9% 1.5%
Check all the ways you feel plus-size women in relationships
are most commonly portrayed in film and television
“Cute or Romantic” “Hot or Sexy”
10. Three most common: Melissa McCarthy (80%),
Chrissy Metz (42%), Rebel Wilson (37%)
11. 41%
Of respondents said the representation of a plus-size character in a TV
show had made them so uncomfortable they stopped watching.
12. HOWEVER
44% of respondents said whether or
not a film had plus-size characters
had no effect on whether they
would go see a film in theatres
Most respondents pick content
based on other factors, top choices
included ‘genre’ or ‘interesting
storylines’
14. “I’m just over the funny BFF [trope]”
When discussing the current representation of plus size women the most
commonly cited character roles and/or characteristics are:
● the funny best friend
● the butt of the joke
● the secondary character or wingwoman to the slender lead character
● characters entirely focused on losing weight and unhappy with her life
15. 2
The number of characters that all seven
focus group participants, working
together, could come up with whose weight
was not a main character trait or storyline
16. Most participants supported
actress Chrissy Metz, but did not
like the program. Only 1 of 7 had
watched it.
Many participants were visibly
upset upon discussion of Metz’
contract, which requires her to lose
weight for the show.
If there was more representation
and varied storylines, Kate’s story
would be ok. However, as there is
not, it is a poor use of the platform.
17. Most participants liked the
character, and particularly
appreciated the moments of
comedy that did not stem
from her size.
Both Rebel Wilson and
Melissa McCarthy’s roles
often come with a
metatextual narrative that
has them involved in the
creation of their
characters/comedy.
18. ADDITIONALLY
Focus group participants
mentioned desire for even
more intersectionality. They
brought up the need for more
plus-size queer/trans
characters as well as plus-size
characters who aren’t white.
They also emphasized that
anti-fat bias impacts male
characters as well.
19. “I would like to see a fat character
just be a fat character without it
being a topic of discussion”
“She’s confident, she’s stylish, she’s
kickass, she’s personable, she’s
funny. She’s all of these things that
just happen to be housed in a fat
body” - on Melissa McCarthy’s
character in the film Spy
20. Limitations
● This was a small-scale
undergraduate research
paper
● 181 usable survey responses
and 7 focus group members
● Due to scope and length,
key dimensions including
race, class and ability were
not addressed
21. Plus size women do not enjoy
negative representations of plus-size
women in media.
They really want more content with
positive representations of all sorts.
22. Research Conclusions
● While many plus-size women do watch content that involves problematic
representations, this is mainly due to lack of any other option
● When representations are particularly bad, it can lose plus-size audiences
● Plus-size audiences across all our research platforms have expressed
extreme interest in watching content with plus-size characters, particularly
in ways they haven’t been typically seen (fantasy/sci-fi, Olivia Pope-esque,
action, romantic leads)
23. Further Research
● Topic covered with more
scientific rigour
● Study run with notice of
additional dimensions such
as race, ability, class, sexual
orientation and gender
identity
● ‘Money where your mouth
is’ financial data on
spending habits
24. Why Does This Matter
● The plus-size clothing market is US $21.4 billion in 2016, this is a big
market with money to spend
● Average US woman is clothing size 16-18, this is a lot of people who
are being badly represented
● As our content increasingly diversifies, this is a group that should
not be ignored
● Media representation matters. STORIES matter, and so do the ways
we tell them