Screen printing, or silkscreen printing, is a versatile method for printing on various substrates, including fabrics, plastics, and ceramics, by pushing ink through a mesh screen. The process can be labor-intensive, particularly for multi-color jobs, but advancements in technology, like computer-to-screen systems, have enhanced efficiency and print quality. Different types of inks and presses cater to diverse applications, with recent trends focusing on automation and sustainability in the screen printing industry.

1. What is Screen Printing?
Screen printing (also known as silkscreen printing or serigraphy) is a versatile process for
decorating small or moderate volumes of packaging, labels, graphics, garments, and other
products. The process has been adapted to use a variety of ink types to print on paper, rigid and
flexible sign materials, fabrics, garments, metals, plastics, films, glass, ceramics, and
three-dimensional objects.
Screen printing is used to print original art, reproductions, posters, decals, indoor and outdoor
fabrics, wallcoverings, electronic circuits, bottles, tubes, labels, glassware, dishes, and many
three-dimensional items. Screen printing is also used to print the membrane switch control
panels used in thousands of industrial, electronic, and consumer devices.
How it Works
When a squeegee pushes a paste-like ink through the openings in a mesh screen on top of a
print substrate, the ink is only deposited in areas in which the mesh openings aren’t blocked by
a hardened emulsion. Each ink color in a design requires its own screen.

2. Variables that affect the process include the type and viscosity of the ink, the type of emulsion
used to coat the screen, the composition of the screen mesh, the angle and hardness of the
squeegee blade, and the pressure and speed of each stroke of squeegee across the mesh.
Types of Presses
In a ​manual press​, the press operator performs all of the steps in the process, including loading
each screen and physically pulling the squeegee across the screen.
Automatic or semi-automatic presses ​incorporate different levels of automation for
higher-speed printing. For example, the squeegee may be mechanically controlled at specific

3. speeds and pressures. Or, the products being decorated are automatically moved from one ink
station to the next.
On a ​carousel press​, the printing beds rotate around a central hub. Different ink color is applied
at each stop in the rotation.
In an ​in-line press​, the items being printed move from one print station to the next in a straight
line. In-line screen presses are used for large-format graphics.

4. Flatbed presses are used for circuit boards, nameplates, panels, flexible membrane switches,
glass, and ceramics
On a ​rotary press​, the screen is wrapped around a cylinder that houses the ink-feed system and
the squeegee blade. The ink is applied as fabric or wallcovering material is transported beneath
each cylinder.
Prepress
Setting up screen printing jobs can be labor-intensive, particularly for multi-color jobs. Steps
involved in preparing each screen include: creating a film positive; degreasing the screens;
applying the emulsion; drying the emulsion-coated screens; pre-registering the film positives
onto the coated screens; exposing (“burning”) the film positive onto the screen; and washing
the uncured emulsion from the exposed screens.
A ​film positive is solid black ink on a clean, semi-rigid clear film. Specialized software and
inkjet-printable films make it possible to use wide-format inkjet printers for this step.
The black ink covers all areas of the design that will be printed in a specific color of ink. The
opacity of the inks on the film keeps the desired areas of the screen open when an
emulsion-coated screen is exposed to UV light.
Registration marks are inkjet printed on the film outside the margins of the design to ensure
the design will be properly aligned on the screen for accurate printing.
The ​emulsion is a photosensitive chemical that hardens when exposed to UV light. When the
UV light passes through the clear areas of the film positive, emulsion binds to the mesh and
solidifies. The hardened emulsion prevents ink from flowing through the screen during printing.
Before the emulsion is applied, the screen must be ​degreased ​with cleaning agents to remove
oils, dust, and dirt that might keep the emulsion from fully bonding with the screen.
After a thin layer of emulsion is applied to the screen, the screens are dried in a dark room
where the emulsion won’t be affected by ultraviolet light.

5. Then, the film positive is taped to the screen and ​pre-registered so that the registration marks
on the film align with registration marks on a template for the item to be decorated.
In a dark room, the emulsion-coated screens are ​exposed ​to controlled amounts of light. The
exposure time varies depending on which emulsions, inks, and exposing systems are used.
In a washout booth, the film positives are untaped from the screens and the uncured emulsion
is rinsed away with water. At this stage, the only openings that should be visible in the screen
are the areas through which the squeegee will apply the ink.
Sometimes, pinholes in the screen must be repaired. Or, a hardener can be added to keep the
emulsion on the screen from breaking down during longer print runs.

6. Screen Printing Inks
Screen printing can use a range of water-based, solvent, UV-curable inks. Conductive inks are
used to print electronics.
The type of ink chosen depends on the performance requirements of the decorated items. For
example, screen-printed glassware and dishes must be able to withstand commercial
dishwashers. Permanent decals on truck fleets or industrial equipment may need to last at least
10 years. Fine text printed on plastic tubes for shampoos and lotions shouldn’t rub off when the
tube is filled, shipped, shelved, and purchased.
Garment decorators use plastisol, water-based, or discharge inks depending on how they want
the garment to look and feel.
Plastisol inks ​are popular because of their thick, durable, and easy to mix. Because they need
heat to dry, the inks can stay on the screen without drying out.
Water-based inks soak into the fabrics of the garments being decorated, so the printed
garment doesn’t feel stiff where layers of ink have been applied.
Discharge inks ​remove the color of the fabric where it is applied and replaces it with the
pigment in the ink.
Special-effect inks can add dimensional textures, metallic effects, neon colors, or glitter to
garments or apparel.
Substrates
Screen-printing inks are formulated to adhere to many substrates without the use of
pretreatments. Substrates that can be screen-printed include: acrylic; anodized aluminum;
cardboard; coated and uncoated cardstock; coated metal; coated and uncoated paper; fiber
drums; fiberboard; glass; polycarbonate; pressure-sensitive vinyl; stainless steel; static-cling
films; styrene; top-coated polyester; treated polyethylene banner materials; Tyvek; uncoated
cardstock; rigid vinyl; vinyl decals; and wood. Textile screen-printing inks can decorate cotton,
cotton/poly blends, acetates, linen, polyester and Lycra blends, and more.

7. Post-Print Processes
Screen-printing inks must be fully cured or they won’t adhere properly when the printed item is
exposed to abrasion, water, or chemicals. Many screen-printing shops use systems in which the
printed items are transported on a conveyor belt through a drying chamber.
Flash-curing units can be used to partially dry one color of ink before the next color is applied.
If a screen for a specific job won’t be needed to future reprints, the screens can be “reclaimed”
by removing the inks and emulsions.
Trends in Technology
To reduce costs and boost productivity, devices have been developed to automate
labor-intensive processes such as screen coating, registration, exposure, rinsing, and reclaiming.
Computer-to-screen (CTS) systems ​eliminate the need to make film positives. CTS devices print
light-blocking, water-based black inkjet inks directly from a computer file onto a dried
emulsion-coated screen. CTS systems have become more reliable, less expensive, and faster
and enable screen-printing shops to reduce labor costs while improving print quality and
efficiency.
Hybrid screen-printing systems combine the versatility of screen printing with the full-color
capabilities of inkjet printing. Garment decorators can apply a white underbase layer of screen
printing inks to a wide range of textiles, then digitally print four-color images on top of the
underbase. A final layer of screen-printing inks can add textures or glitter to make unique
designs that direct-to-garment inkjet printing systems can’t yet match.
Using LED lighting systems to dry inks, expose screens, and cure emulsions reduce energy
consumption and the amount of heat that is generated. UV-LED screen printing inks are popular
for decorating heat-sensitive films and plastics used in packaging as well as bottles and
cylindrical objects.
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This post is part of a series we’re producing to explain the basics of different analog and ​digital
printing processes. At the end of this series, we’ll review the strengths and limitations of each
process, provide helpful glossaries, and talk about pricing models.
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