This document discusses common representations and stereotypes of different groups in films and media, including teenagers, women, men, the working class, upper class, Eastern Europeans, and African Americans. It then provides context about how the characters in the author's own film challenge or subvert some of these stereotypes, such as having a strong independent female protagonist, a non-violent male antagonist, and students from a middle-class background.
Anzeigensujets in den Social Medias im Vorfeld der Buchpremiere des Club 55 und der Herausgeber Guglielmo Imbimbo und Michael Ehlers. Staffel 2: Die Autoren
Anzeigensujets in den Social Medias im Vorfeld der Buchpremiere des Club 55 und der Herausgeber Guglielmo Imbimbo und Michael Ehlers. Staffel 2: Die Autoren
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“To be integrated is to feel secure, to feel connected.” The views and experi...AJHSSR Journal
ABSTRACT: Although a significant amount of literature exists on Morocco's migration policies and their
successes and failures since their implementation in 2014, there is limited research on the integration of subSaharan African children into schools. This paperis part of a Ph.D. research project that aims to fill this gap. It
reports the main findings of a study conducted with migrant children enrolled in two public schools in Rabat,
Morocco, exploring how integration is defined by the children themselves and identifying the obstacles that they
have encountered thus far. The following paper uses an inductive approach and primarily focuses on the
relationships of children with their teachers and peers as a key aspect of integration for students with a migration
background. The study has led to several crucial findings. It emphasizes the significance of speaking Colloquial
Moroccan Arabic (Darija) and being part of a community for effective integration. Moreover, it reveals that the
use of Modern Standard Arabic as the language of instruction in schools is a source of frustration for students,
indicating the need for language policy reform. The study underlines the importanceof considering the
children‟s agency when being integrated into mainstream public schools.
.
KEYWORDS: migration, education, integration, sub-Saharan African children, public school
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Improving Workplace Safety Performance in Malaysian SMEs: The Role of Safety ...AJHSSR Journal
ABSTRACT: In the Malaysian context, small and medium enterprises (SMEs) experience a significant
burden of workplace accidents. A consensus among scholars attributes a substantial portion of these incidents to
human factors, particularly unsafe behaviors. This study, conducted in Malaysia's northern region, specifically
targeted Safety and Health/Human Resource professionals within the manufacturing sector of SMEs. We
gathered a robust dataset comprising 107 responses through a meticulously designed self-administered
questionnaire. Employing advanced partial least squares-structural equation modeling (PLS-SEM) techniques
with SmartPLS 3.2.9, we rigorously analyzed the data to scrutinize the intricate relationship between safety
behavior and safety performance. The research findings unequivocally underscore the palpable and
consequential impact of safety behavior variables, namely safety compliance and safety participation, on
improving safety performance indicators such as accidents, injuries, and property damages. These results
strongly validate research hypotheses. Consequently, this study highlights the pivotal significance of cultivating
safety behavior among employees, particularly in resource-constrained SME settings, as an essential step toward
enhancing workplace safety performance.
KEYWORDS :Safety compliance, safety participation, safety performance, SME
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2. Teenagers
• Teenagers in today's society are often portrayed as crazy drug
taking, sex having, hoodie wearing hooligans or happy go
lucky love struck people who only purpose in life is finding the
one.
• Our film includes the typical teenager characters and all our
characters have traits of left wing due to being white and
being well off but right wing due to the busking element and
the mental health.
3. Women
• Women are often represented as either a motherly
figure, a strong independent woman or just an object
of sexual desire. however most of the time the
women is the reason for the narrative.
• In our film the main female protagonist is strong,
independent and doesn’t rely on the male leads for
happiness and adventure.
4. Male
• Men are often represented as either the main
protagonist or antagonist showing either to be a
fatherly figure, a strong outgoing man, or a subject of
attraction for the women but more often than not
men are the driving force in a narrative.
• Our male antagonist is not represented as muscular
or violent which goes against the stereotype of a
leading male protagonist. He is in love with a girl and
instead of the typical female character chasing the
male we have swapped gender roles in our film.
5. Working class
• The working class are either represented as stupid
and stubborn or their represented as humble,
hardworking, welcoming people.
• Our characters are students and therefore don’t have
much disposable income to spend on clothes and
expensive outings. Our characters are also not old
enough to live alone and therefore don’t have any
economic status due to them not owning their own
home.
6. Upper class
• As with the working class the upper class can be
represented in different ways the upstanding, clever,
kind and beautiful or uptight, snooty and
judgemental.
• Our film doesn’t really include upper class characters
but our characters are from a B-C2 demographic
background.
7. Eastern European
• Europeans in films have become a stereotypical
action film villain trait and therefore are represented
as scheming, lying backstabbing, people with a knack
for diabolical schemes or they become the exotic
love interest, who is well cultured and refined this
has become a stereotype in many romance films.
8. African American
• This particular group has been represented in
many different ways not often good either a
working class, gun wielding, gang member or
an evil leader who will kill anyone who crosses
him and even in horror film more often than
not the ethnic member of the party is used to
demonstrate there is a real killer.