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What do data visualisations want?

               Farida Vis
Information School, University of Sheffield
               @flygirltwo
What do pictures want?
W.J.T. Mitchell (2006) - Pictures:

1. How they are produced?
2. What do they mean?
3. What about the pictures themselves?

What do they want (if they were alive?)
PhD: newspaper text and image
New York Times

Washington Post

The Times

The Independent

Hebron Massacre (1994)
Beit Lid Bombings (1995)
Assassination Rabin (1995)

  500 articles (10 days)
(visual) content analysis
Frame analysis
Discourse analysis
Pictures do not speak for themselves

They need words

Power of the caption (preferred reading, anchor)
Hurricane Katrina: pictures, captions,
online responses
Fitna: the video battle
Fitna, the video battle: how YouTube
enables the young to perform their
religious and public identities




                   Liesbet van Zoonen (PI)
                     SabinaMihelj (Co-I)
                       Farida Vis (RA)
              Mike Thelwall (honorary member)
                    May 2009 – May 2010

                Project site: http://bit.ly/Fitnaresearch
Methods
Thecorpus of 1413 videos. Throughpurpose builtAPI
tool: country, age, gender, video ID, URL, author name,
title etc. (tool: http://lexiurl.wlv.ac.uk/)
Content analysis

Network analysis(subscriptions, friends, comments)
(made with off the shelf fur ball generator)
Genre analysis

Survey
In the presentation of our results, we have anonymized the
channel names. Although YouTube videos can be considered
semi-public data, the kind of network analysis presented
here presents combinations and relations that posters may
not have wished to be easily and publicly available. A fully
annotated version of our analyses is available on request (6).
From: Van Zoonen, L., Vis, F., and Mihelj, S., (2011), ‘YouTube interactions between agonism,
antagonism and dialogue: Video responses to the anti-Islam film Fitna’, New Media & Society, 13(8):
1284-1300.(emphasis mine)




Ethics
Suggested connectedness by the device
Temporality – data over time difficult to highlight
Workings of the algorithm obscure

Meaning derived from quantitative and qualitative methods
READING
THE RIOTS
ON TWITTER
 Rob Procter (University of Manchester)
    Farida Vis (University of Leicester)
Alexander Voss (University of St Andrews)
             [Funded by JISC]


                                            #readingtheriots
Guardian Interactive Team (Alastair Dant)


http://www.guardian.co.uk/uk/interactive/20
11/dec/07/london-riots-twitter
Data visualisations cannot speak for themselves

They need words, stories

How are they made? What are their limits?

Twitter: no access to the data (not allowed)
If (I am!) interested in meaning, data
visualisation often only the start

Way to get back in to the data – dig deeper

Find meaning, context, mess
Identify the useful data
(little data) in the big data
Most mentioned riot accounts

1. paullewis        30031 mentions
3. piersmorgan      20412 mentions
4. bbcnews          18836 mentions
5. itv_news         15177 mentions
6. bbcbreaking      13476 mentions
7. guardian         11513 mentions
8. lawcol888        9290 mentions
9. simonpegg        9240 mentions
10. gmpolice        8904 mentions
The problem with mentions
The problem with visualising from textual data?

What do they tell you? Frequency important?

Who mentions? How do they mention?

Context. Context. Context.
What do data visualisations want?


1. How they are produced?
2. What do they mean?
3. (What about the data visualisations
   themselves?)

What do they want (if they were alive?)
Visualising visual data
Twit-picing the riots: what were people sharing,
looking at?

Riots and crisis situations: very visual

Data reduction can be a problem
Show all the data – how?
For analysis of data (text + images)


       Data visualisation
+ in depth analysis (& critique)
          = next level
‘What do data visualisations want?’ post:

http://researchingsocialmedia.org/
2012/05/24/what-do-data-visualisations-
want/

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What do Data Visualisations want?

  • 1. What do data visualisations want? Farida Vis Information School, University of Sheffield @flygirltwo
  • 2. What do pictures want? W.J.T. Mitchell (2006) - Pictures: 1. How they are produced? 2. What do they mean? 3. What about the pictures themselves? What do they want (if they were alive?)
  • 3. PhD: newspaper text and image New York Times Washington Post The Times The Independent Hebron Massacre (1994) Beit Lid Bombings (1995) Assassination Rabin (1995) 500 articles (10 days) (visual) content analysis Frame analysis Discourse analysis
  • 4. Pictures do not speak for themselves They need words Power of the caption (preferred reading, anchor)
  • 5. Hurricane Katrina: pictures, captions, online responses
  • 7. Fitna, the video battle: how YouTube enables the young to perform their religious and public identities Liesbet van Zoonen (PI) SabinaMihelj (Co-I) Farida Vis (RA) Mike Thelwall (honorary member) May 2009 – May 2010 Project site: http://bit.ly/Fitnaresearch
  • 8. Methods Thecorpus of 1413 videos. Throughpurpose builtAPI tool: country, age, gender, video ID, URL, author name, title etc. (tool: http://lexiurl.wlv.ac.uk/) Content analysis Network analysis(subscriptions, friends, comments) (made with off the shelf fur ball generator) Genre analysis Survey
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  • 11. In the presentation of our results, we have anonymized the channel names. Although YouTube videos can be considered semi-public data, the kind of network analysis presented here presents combinations and relations that posters may not have wished to be easily and publicly available. A fully annotated version of our analyses is available on request (6). From: Van Zoonen, L., Vis, F., and Mihelj, S., (2011), ‘YouTube interactions between agonism, antagonism and dialogue: Video responses to the anti-Islam film Fitna’, New Media & Society, 13(8): 1284-1300.(emphasis mine) Ethics Suggested connectedness by the device Temporality – data over time difficult to highlight Workings of the algorithm obscure Meaning derived from quantitative and qualitative methods
  • 12. READING THE RIOTS ON TWITTER Rob Procter (University of Manchester) Farida Vis (University of Leicester) Alexander Voss (University of St Andrews) [Funded by JISC] #readingtheriots
  • 13. Guardian Interactive Team (Alastair Dant) http://www.guardian.co.uk/uk/interactive/20 11/dec/07/london-riots-twitter
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  • 57. Data visualisations cannot speak for themselves They need words, stories How are they made? What are their limits? Twitter: no access to the data (not allowed)
  • 58. If (I am!) interested in meaning, data visualisation often only the start Way to get back in to the data – dig deeper Find meaning, context, mess
  • 59. Identify the useful data (little data) in the big data
  • 60. Most mentioned riot accounts 1. paullewis 30031 mentions 3. piersmorgan 20412 mentions 4. bbcnews 18836 mentions 5. itv_news 15177 mentions 6. bbcbreaking 13476 mentions 7. guardian 11513 mentions 8. lawcol888 9290 mentions 9. simonpegg 9240 mentions 10. gmpolice 8904 mentions
  • 61. The problem with mentions The problem with visualising from textual data? What do they tell you? Frequency important? Who mentions? How do they mention? Context. Context. Context.
  • 62. What do data visualisations want? 1. How they are produced? 2. What do they mean? 3. (What about the data visualisations themselves?) What do they want (if they were alive?)
  • 63. Visualising visual data Twit-picing the riots: what were people sharing, looking at? Riots and crisis situations: very visual Data reduction can be a problem Show all the data – how?
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  • 65. For analysis of data (text + images) Data visualisation + in depth analysis (& critique) = next level
  • 66. ‘What do data visualisations want?’ post: http://researchingsocialmedia.org/ 2012/05/24/what-do-data-visualisations- want/