• Scanning work into Photoshop and
digitally manipulating –take acetate
to darkroom.
• Ink transfer onto various surfaces.
• Layering acetate images with texts,
materials and papers.
• Applying acyrlic –
combing/dragging paint
• Direct printing on top of images
• ‘Distressing’, - sanding, scratching
into.
• Cutting, collaging , combining with
materials.
• Burning, ‘distressing’, scratching
into, pour on wax, paint
• Toning, dying
• Using acetate as a negative in the
darkroom
• Chemigrams
• Cynotypes
• Lumen Prints
-Apply experimental
processes or ‘media testing’
exploring form in relation to
content and ideas.
Lay out work in several
double pages in book,
annotating and linking to
artists.
-Print out contact sheet +
enlargements of new film.
Fully annotate.
This week……
Deadline: Monday 27th
March

Week 6

  • 3.
    • Scanning workinto Photoshop and digitally manipulating –take acetate to darkroom. • Ink transfer onto various surfaces. • Layering acetate images with texts, materials and papers. • Applying acyrlic – combing/dragging paint • Direct printing on top of images • ‘Distressing’, - sanding, scratching into. • Cutting, collaging , combining with materials. • Burning, ‘distressing’, scratching into, pour on wax, paint • Toning, dying • Using acetate as a negative in the darkroom • Chemigrams • Cynotypes • Lumen Prints
  • 4.
    -Apply experimental processes or‘media testing’ exploring form in relation to content and ideas. Lay out work in several double pages in book, annotating and linking to artists. -Print out contact sheet + enlargements of new film. Fully annotate. This week…… Deadline: Monday 27th March