3. • Scanning work into Photoshop and
digitally manipulating –take acetate
to darkroom.
• Ink transfer onto various surfaces.
• Layering acetate images with texts,
materials and papers.
• Applying acyrlic –
combing/dragging paint
• Direct printing on top of images
• ‘Distressing’, - sanding, scratching
into.
• Cutting, collaging , combining with
materials.
• Burning, ‘distressing’, scratching
into, pour on wax, paint
• Toning, dying
• Using acetate as a negative in the
darkroom
• Chemigrams
• Cynotypes
• Lumen Prints
4. -Take a new shoot and link to
artists/photographers (shoot 4). Consider
your ‘Extending and Refining ideas’ page
when considering this shoot.
-Create at LEAST two double pages of
experimenting with your most recent
shoots either digitally, physically or in the
darkroom (consider what is going to
relevant and effective for your theme and
make sure you link experiments to
artists/photographers)
-Make sure your book is fully annotated
This week……
Deadline: 9th March