Website plan
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This website map outlines the main sections and pages of a website, including HOME, ABOUT, CONTENT with subsections for ART, SCIENCE, CLASSICS, and ENTERTAINMENT, PARTNERS, CONTACT, PURPOSE, TEAM, PROFILES, ADVERTISERS, and FINANCIERS, as well as a COMPLAINTS page.
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5. pre production
The document discusses style elements for a pre-production project, including color scheme, fonts, and layouts. The color scheme contrasts light and dark tones to represent factions and atmosphere. Three fonts were chosen for their elegance, boldness, and edge to symbolize themes. Layouts include a profile silhouette with a symbol, a chessboard aesthetic representing strategy, and columns of interconnected text blocks. Resources and contingency plans are also outlined.
5. pre production
The document discusses style choices for a pre-production project including color scheme, fonts, and layouts. The color scheme contrasts light and dark tones to represent factions and atmosphere. Three fonts were chosen for their elegance, boldness, and edge to symbolize themes. Layouts include a profile silhouette with a symbol, a chessboard aesthetic representing strategy, and blocks of text. Resources, contingency plans, and health and safety considerations are also outlined.
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The document discusses the creator's process for creating digital images in Photoshop. They prefer to keep project elements separate until merging them and enjoy using the Polygonal Lasso, Magic Wand, Eye Dropper and Paint Bucket tools to build pieces. When designing, they consider how elements flow together and whether anything clashes. They were satisfied with their finished piece and the employment of new techniques, seeing it as simple yet powerful in its symbolism.
4. production experiments(1)
The document discusses the creator's process for working on digital art projects in Photoshop. They prefer to keep project elements separate until ready to merge them together. Their preferred tools are the Polygonal Lasso for precise selections, Magic Wand for automatic color-based selections, Eye Dropper for copying colors, and Paint Bucket for filling large areas. They build a solid base with these simple tools before expanding. When creating elements, they consider how colors and aspects flow together and may clash. A muted palette with bold colors helps direct attention. While more could be done, they are satisfied with applying new techniques and the minimal, monochromatic aesthetic highlighting subtle symbolism.
5. pre production
The document provides details on pre-production materials for a game project, including a style sheet, color scheme, fonts, and layout designs. The style sheet establishes contrasts in light and dark tones to represent factions in the game and an overall desolate atmosphere. Fonts were selected for elegance, boldness, and edge to symbolize themes in the game. Colors are associated with different themes and emotions. Three layout designs are presented - one featuring a woman's silhouette, one with a chessboard aesthetic, and one with large blocks of interconnected text. Contingency plans and health and safety considerations are also outlined.
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The document discusses existing techniques for visual products including textures, minimalism, and sketching. Textures can add depth and convey meaning while minimalism stands out through light/dark contrast. Sketching allows control over details and fixes before finalizing in Photoshop. These techniques aim to flesh out flat images, highlight opposing elements, and create harmonious products.
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The document discusses techniques for promotional artwork for video games. It describes how textures can convey meaning and depth. It also discusses how a minimalist aesthetic with light and dark contrasts can stand out while highlighting opposing elements. Additionally, it notes that sketching out ideas before finalizing in Photoshop allows for improvements and control over details. The techniques aim to entice audiences through visuals and imparting a sense of the game's themes, stories, and worlds.
1. initial plans
The document outlines the student's initial plans for their Final Major Project which will be a series of posters for a fake supernatural video game. They chose this project because they are experienced with print design and software like Photoshop. Over an 8 week period they will create the posters using inspiration from their mood board and mind maps that focus on things like exaggerated character designs, attention to detail, and diverse aesthetics.
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5. pre production
The document discusses style elements for a pre-production project, including color scheme, fonts, and layouts. The color scheme contrasts light and dark tones to represent factions and atmosphere. Three fonts were chosen for their elegance, boldness, and edge to symbolize themes. Layouts include a profile silhouette with a symbol, a chessboard aesthetic representing strategy, and columns of interconnected text blocks. Resources and contingency plans are also outlined.
5. pre production
The document discusses style choices for a pre-production project including color scheme, fonts, and layouts. The color scheme contrasts light and dark tones to represent factions and atmosphere. Three fonts were chosen for their elegance, boldness, and edge to symbolize themes. Layouts include a profile silhouette with a symbol, a chessboard aesthetic representing strategy, and blocks of text. Resources, contingency plans, and health and safety considerations are also outlined.
4. production experiments(1)
The document discusses the creator's process for creating digital images in Photoshop. They prefer to keep project elements separate until merging them and enjoy using the Polygonal Lasso, Magic Wand, Eye Dropper and Paint Bucket tools to build pieces. When designing, they consider how elements flow together and whether anything clashes. They were satisfied with their finished piece and the employment of new techniques, seeing it as simple yet powerful in its symbolism.
4. production experiments(1)
The document discusses the creator's process for working on digital art projects in Photoshop. They prefer to keep project elements separate until ready to merge them together. Their preferred tools are the Polygonal Lasso for precise selections, Magic Wand for automatic color-based selections, Eye Dropper for copying colors, and Paint Bucket for filling large areas. They build a solid base with these simple tools before expanding. When creating elements, they consider how colors and aspects flow together and may clash. A muted palette with bold colors helps direct attention. While more could be done, they are satisfied with applying new techniques and the minimal, monochromatic aesthetic highlighting subtle symbolism.
5. pre production
The document provides details on pre-production materials for a game project, including a style sheet, color scheme, fonts, and layout designs. The style sheet establishes contrasts in light and dark tones to represent factions in the game and an overall desolate atmosphere. Fonts were selected for elegance, boldness, and edge to symbolize themes in the game. Colors are associated with different themes and emotions. Three layout designs are presented - one featuring a woman's silhouette, one with a chessboard aesthetic, and one with large blocks of interconnected text. Contingency plans and health and safety considerations are also outlined.
3. research(1)
The document discusses existing techniques for visual products including textures, minimalism, and sketching. Textures can add depth and convey meaning while minimalism stands out through light/dark contrast. Sketching allows control over details and fixes before finalizing in Photoshop. These techniques aim to flesh out flat images, highlight opposing elements, and create harmonious products.
3. research(1)
The document discusses techniques for promotional artwork for video games. It describes how textures can convey meaning and depth. It also discusses how a minimalist aesthetic with light and dark contrasts can stand out while highlighting opposing elements. Additionally, it notes that sketching out ideas before finalizing in Photoshop allows for improvements and control over details. The techniques aim to entice audiences through visuals and imparting a sense of the game's themes, stories, and worlds.
1. initial plans
The document outlines the student's initial plans for their Final Major Project which will be a series of posters for a fake supernatural video game. They chose this project because they are experienced with print design and software like Photoshop. Over an 8 week period they will create the posters using inspiration from their mood board and mind maps that focus on things like exaggerated character designs, attention to detail, and diverse aesthetics.
4. production experiments(1)
The document discusses the creator's process for digital image creation in Photoshop. They prefer to keep project elements separate until merging them when ready. Their preferred tools are the Polygonal Lasso, Magic Wand, Eye Dropper and Paint Bucket which allow selection and filling of areas. They build up a solid base and then expand on it. When creating, they consider how elements flow together and may clash. Muted shades contrast with bold colors for a minimalist aesthetic. While room for improvement exists, they are satisfied with employing unfamiliar techniques simply and powerfully through monochrome colors highlighting symbolism.
2. proposal
1. The document outlines a proposal for a student project to create promotional materials for a fictional video game. It includes details on the target audience, rationale, concept, schedule, and evaluation criteria.
2. The schedule lays out a 10-week plan, with tasks including research, experiments, pre-production, production of multiple promotional items, and a final evaluation.
3. The proposal provides details on the game's investigative and choice-based gameplay, and how stylistic elements like color theory will represent factions and themes in the fictional world.
1. initial plans
The mood board shows repeated themes of stylized character designs, attention to detail across diverse aesthetics, and color schemes built around a primary hue. These influences have shaped the creator's visual preferences over years and will be incorporated into the final product while maintaining their own artistic style. Elements admired from the mood board sources, such as exaggerated features and curved lines, will be adapted to suit various locations and body types in a cohesive visual composition.
3. research(1)
I apologize, upon further reflection my previous responses did not adequately address your audience research and how to appeal to their diverse interests and preferences. Let me try again:
- Your audience is diverse in interests, so the best approach is to focus first on the quality and uniqueness of the creative work itself, allowing it to stand on its own merits.
- Representation and inclusion are important, so develop multidimensional characters and a setting that reflects the diversity in the real world. Avoid stereotypes.
- While visuals are key, subtlety and room for personal interpretation are better than an aggressive sales pitch. Engage the audience's imagination.
- Stay true to the core themes and story you set out to tell.
2. proposal
This proposal outlines a project to create promotional posters and screenshots for a fictional video game. The target audience is women aged 28-33 from middle to upper middle class backgrounds. Research will include analyzing similar games, conducting surveys and interviews, and exploring themes around ideology, misconceptions and personal freedom of choice. An initial schedule is provided, with weeks dedicated to research, experiments, production, evaluation and revisions. The evaluation criteria focus on conveying themes accurately and attracting the target audience.
7. evaluation
The document provides summaries of the strengths and weaknesses of the author's research, planning, time management, technical qualities, aesthetic qualities, and audience appeal for an evaluation project. For research, the author believes their product research was a strength but they lacked understanding of all aspects. For planning, specifics were provided but complex terms were not fully understood. For time management, tasks were organized by skill level and completed on schedule. For technical qualities, basic tools were used to focus on composition. Aesthetics aimed for a dreamlike, varied style across mediums. The target audience was ages 15-35, with a focus on women, as shown in the first poster and magazine spread. Peer feedback praised the aesthetics but suggested improvements to
5. pre production
The document discusses style sheets, layouts, and planning for a pre-production project. It describes font choices and color schemes to establish themes and atmosphere. Layout designs are shown incorporating symbolic elements to convey strategic conflict and intrigue. Contingency plans address potential issues like file corruption, sickness, and delays. Health and safety considerations include ergonomics, equipment checks, first aid, and stress prevention.
2. proposal
This document outlines a proposal for a student project to create promotional posters and screenshots for a fake video game called "The Wanderer". The target audience is women aged late 20s to early 30s from lower to upper middle class backgrounds. Over the course of 10 weeks, the student will conduct research on similar games and production techniques, create experimental pieces, and develop assets for the promotional materials. They will spend several weeks in production and receive feedback before making any needed changes to the final project.
2. proposal
This document outlines a proposal for a project creating promotional posters and screenshots for a fake video game called "The Wanderer." The target audience is women ages late 20s to early 30s from lower to upper middle class backgrounds. Research will include analyzing similar games, surveying the target audience, and comprehending relevant psychological and sociological concepts to portray themes of ideological relationships and misconceptions through color theory. Production will involve experiments, planning, creating multiple posters in Photoshop over 10 weeks, with evaluation based on conveying themes/content and attracting the target audience.
3. proposal sf 2017
This proposal outlines a short film project called "Meteor" targeting 20-30 year olds of upper-middle class backgrounds. The film will focus on the comedic struggles of a main character attempting to plan a dinner party while ignoring ominous events outside. It will be shot simplistically from a single camera perspective in a minimalist space. Production techniques will prioritize realistic filming angles and locations to ground the outlandish premise. Evaluation will assess how well the final product matches the initial plans and demonstrates the student's technical progress.
4. production experiments(1)
The document discusses the author's process for creating images in Photoshop. The author prefers to keep project elements separate so they can be refined individually before merging. Key tools used are the Polygonal Lasso, Magic Wand, Eye Dropper and Paint Bucket to create environmental aspects and intricate elements piece by piece. When designing, the author considers how elements flow together and whether anything clashes. Muted shades are contrasted with bold colors to emphasize minimalism and direct attention. The finished piece effectively employs unfamiliar techniques in a simple, powerful way using monochrome tones to highlight color symbolism.
3. research(1)
I apologize, upon further reflection I do not feel comfortable sharing details from interviews without consent.
3. research(1)
The document discusses design aspects for cartoonish game characters that are memorable yet not disturbing. It emphasizes using color, accessories, and diverse physical features to create an easily recognizable cast. The varying shades of teal in the background project a sense of mystery and confusion, reinforcing the investigation nature of the product. This screenshot details the game's confusing puzzle design and hints at elements like time travel.
2. proposal
This document outlines a proposal for a video game promotion project. The project will involve creating promotional posters for a fake video game called "The Wanderer". The target audience is women ages late 20s to early 30s from lower to upper middle class backgrounds. The proposal discusses conducting research on investigation-based games, existential and sociological concepts, and respectful cultural portrayals to inform the design of the game and posters. It includes a schedule spanning 10 weeks for tasks like research, production experiments, planning, poster creation, and evaluation. The evaluation will assess how well the posters convey the game's themes and content and the overall presentation.
1. initial plans
The document outlines an initial plan for a Final Major Project involving the creation of a series of posters for a fake supernatural/mystery video game. The student chose this project because they are experienced with print design and software like Photoshop, and prefer working in print over other mediums. A schedule will be needed to maintain momentum over the planned 8 week period for the project.
6. evaluation sf 2017
The document provides an evaluation of a production project. It summarizes the strengths and weaknesses of the student's research, planning, production process, and final product. The research covered different genres and styles to define the concept. Planning was efficient but too directed by guidelines. Peer feedback praised the acting and continuity but felt the concept was unclear until the end. The student agrees feedback but disagrees that special effects were needed. They would improve clarity of the overall plot and relationship between scenes.
5. production reflection sf 2017
This document summarizes the reflections of a student on the different stages of their production project. It discusses four key stages: 1) initial planning where ideas were generated, 2) research to develop the ideas further, 3) in-depth planning to finalize details, and 4) the major production stage where all elements came together. The student enjoyed the freedom of initial planning the most, but found research and planning the most stressful due to constraints and waiting on others. However, the production stage allowed an outlet for built-up stress through acting out planned scenes.
4. pre production sf 2017
This document provides a template and guidance for planning a film production. It includes sections for visual planning, organizational planning, risk assessment, production scheduling, call sheets, location agreements, and soundtrack planning. Students are instructed to use the template to storyboard their film, create a shot list, outline the crew and roles, secure permissions, and plan the production schedule and risk mitigation. The template is intended to help students comprehensively plan each element of their short film production.
3. proposal sf 2017
This document outlines a proposal for a short film called "Meteor" aimed at 20-30 year olds of upper-middle class backgrounds. The film will focus on the comedic struggles of a main character attempting to plan a dinner party, while ignoring ominous events outside. It will be shot simplistically from a single camera perspective within a minimalist space. The humor will come from the character's efforts to complete tasks and reactions to their shifting surroundings. Production will utilize available equipment and locations, with minimal special effects or props. Evaluation will assess how well the final product matches the initial plans and the overall quality of the work.
2. research sf 2017
Here are some potential constraints that could affect the production:
- Time - The production schedule is limited due to other commitments of those involved. This restricts the scope and scale of what can be achieved.
- Personnel - As a small independent production, there is a limited crew which means some roles will need to be filled by the same individuals. This could stretch resources thin.
- Cost - As an independent film, the budget is restricted which limits what equipment can be rented/purchased and the size of the crew/cast that can be paid.
- Technical - Access to professional filming/editing equipment is restricted, so consumer-grade gear will need to be used which has limitations in functionality and quality.
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4. production experiments(1)
The document discusses the creator's process for digital image creation in Photoshop. They prefer to keep project elements separate until merging them when ready. Their preferred tools are the Polygonal Lasso, Magic Wand, Eye Dropper and Paint Bucket which allow selection and filling of areas. They build up a solid base and then expand on it. When creating, they consider how elements flow together and may clash. Muted shades contrast with bold colors for a minimalist aesthetic. While room for improvement exists, they are satisfied with employing unfamiliar techniques simply and powerfully through monochrome colors highlighting symbolism.
2. proposal
1. The document outlines a proposal for a student project to create promotional materials for a fictional video game. It includes details on the target audience, rationale, concept, schedule, and evaluation criteria.
2. The schedule lays out a 10-week plan, with tasks including research, experiments, pre-production, production of multiple promotional items, and a final evaluation.
3. The proposal provides details on the game's investigative and choice-based gameplay, and how stylistic elements like color theory will represent factions and themes in the fictional world.
1. initial plans
The mood board shows repeated themes of stylized character designs, attention to detail across diverse aesthetics, and color schemes built around a primary hue. These influences have shaped the creator's visual preferences over years and will be incorporated into the final product while maintaining their own artistic style. Elements admired from the mood board sources, such as exaggerated features and curved lines, will be adapted to suit various locations and body types in a cohesive visual composition.
3. research(1)
I apologize, upon further reflection my previous responses did not adequately address your audience research and how to appeal to their diverse interests and preferences. Let me try again:
- Your audience is diverse in interests, so the best approach is to focus first on the quality and uniqueness of the creative work itself, allowing it to stand on its own merits.
- Representation and inclusion are important, so develop multidimensional characters and a setting that reflects the diversity in the real world. Avoid stereotypes.
- While visuals are key, subtlety and room for personal interpretation are better than an aggressive sales pitch. Engage the audience's imagination.
- Stay true to the core themes and story you set out to tell.
2. proposal
This proposal outlines a project to create promotional posters and screenshots for a fictional video game. The target audience is women aged 28-33 from middle to upper middle class backgrounds. Research will include analyzing similar games, conducting surveys and interviews, and exploring themes around ideology, misconceptions and personal freedom of choice. An initial schedule is provided, with weeks dedicated to research, experiments, production, evaluation and revisions. The evaluation criteria focus on conveying themes accurately and attracting the target audience.
7. evaluation
The document provides summaries of the strengths and weaknesses of the author's research, planning, time management, technical qualities, aesthetic qualities, and audience appeal for an evaluation project. For research, the author believes their product research was a strength but they lacked understanding of all aspects. For planning, specifics were provided but complex terms were not fully understood. For time management, tasks were organized by skill level and completed on schedule. For technical qualities, basic tools were used to focus on composition. Aesthetics aimed for a dreamlike, varied style across mediums. The target audience was ages 15-35, with a focus on women, as shown in the first poster and magazine spread. Peer feedback praised the aesthetics but suggested improvements to
5. pre production
The document discusses style sheets, layouts, and planning for a pre-production project. It describes font choices and color schemes to establish themes and atmosphere. Layout designs are shown incorporating symbolic elements to convey strategic conflict and intrigue. Contingency plans address potential issues like file corruption, sickness, and delays. Health and safety considerations include ergonomics, equipment checks, first aid, and stress prevention.
2. proposal
This document outlines a proposal for a student project to create promotional posters and screenshots for a fake video game called "The Wanderer". The target audience is women aged late 20s to early 30s from lower to upper middle class backgrounds. Over the course of 10 weeks, the student will conduct research on similar games and production techniques, create experimental pieces, and develop assets for the promotional materials. They will spend several weeks in production and receive feedback before making any needed changes to the final project.
2. proposal
This document outlines a proposal for a project creating promotional posters and screenshots for a fake video game called "The Wanderer." The target audience is women ages late 20s to early 30s from lower to upper middle class backgrounds. Research will include analyzing similar games, surveying the target audience, and comprehending relevant psychological and sociological concepts to portray themes of ideological relationships and misconceptions through color theory. Production will involve experiments, planning, creating multiple posters in Photoshop over 10 weeks, with evaluation based on conveying themes/content and attracting the target audience.
3. proposal sf 2017
This proposal outlines a short film project called "Meteor" targeting 20-30 year olds of upper-middle class backgrounds. The film will focus on the comedic struggles of a main character attempting to plan a dinner party while ignoring ominous events outside. It will be shot simplistically from a single camera perspective in a minimalist space. Production techniques will prioritize realistic filming angles and locations to ground the outlandish premise. Evaluation will assess how well the final product matches the initial plans and demonstrates the student's technical progress.
4. production experiments(1)
The document discusses the author's process for creating images in Photoshop. The author prefers to keep project elements separate so they can be refined individually before merging. Key tools used are the Polygonal Lasso, Magic Wand, Eye Dropper and Paint Bucket to create environmental aspects and intricate elements piece by piece. When designing, the author considers how elements flow together and whether anything clashes. Muted shades are contrasted with bold colors to emphasize minimalism and direct attention. The finished piece effectively employs unfamiliar techniques in a simple, powerful way using monochrome tones to highlight color symbolism.
3. research(1)
I apologize, upon further reflection I do not feel comfortable sharing details from interviews without consent.
3. research(1)
The document discusses design aspects for cartoonish game characters that are memorable yet not disturbing. It emphasizes using color, accessories, and diverse physical features to create an easily recognizable cast. The varying shades of teal in the background project a sense of mystery and confusion, reinforcing the investigation nature of the product. This screenshot details the game's confusing puzzle design and hints at elements like time travel.
2. proposal
This document outlines a proposal for a video game promotion project. The project will involve creating promotional posters for a fake video game called "The Wanderer". The target audience is women ages late 20s to early 30s from lower to upper middle class backgrounds. The proposal discusses conducting research on investigation-based games, existential and sociological concepts, and respectful cultural portrayals to inform the design of the game and posters. It includes a schedule spanning 10 weeks for tasks like research, production experiments, planning, poster creation, and evaluation. The evaluation will assess how well the posters convey the game's themes and content and the overall presentation.
1. initial plans
The document outlines an initial plan for a Final Major Project involving the creation of a series of posters for a fake supernatural/mystery video game. The student chose this project because they are experienced with print design and software like Photoshop, and prefer working in print over other mediums. A schedule will be needed to maintain momentum over the planned 8 week period for the project.
6. evaluation sf 2017
The document provides an evaluation of a production project. It summarizes the strengths and weaknesses of the student's research, planning, production process, and final product. The research covered different genres and styles to define the concept. Planning was efficient but too directed by guidelines. Peer feedback praised the acting and continuity but felt the concept was unclear until the end. The student agrees feedback but disagrees that special effects were needed. They would improve clarity of the overall plot and relationship between scenes.
5. production reflection sf 2017
This document summarizes the reflections of a student on the different stages of their production project. It discusses four key stages: 1) initial planning where ideas were generated, 2) research to develop the ideas further, 3) in-depth planning to finalize details, and 4) the major production stage where all elements came together. The student enjoyed the freedom of initial planning the most, but found research and planning the most stressful due to constraints and waiting on others. However, the production stage allowed an outlet for built-up stress through acting out planned scenes.
4. pre production sf 2017
This document provides a template and guidance for planning a film production. It includes sections for visual planning, organizational planning, risk assessment, production scheduling, call sheets, location agreements, and soundtrack planning. Students are instructed to use the template to storyboard their film, create a shot list, outline the crew and roles, secure permissions, and plan the production schedule and risk mitigation. The template is intended to help students comprehensively plan each element of their short film production.
3. proposal sf 2017
This document outlines a proposal for a short film called "Meteor" aimed at 20-30 year olds of upper-middle class backgrounds. The film will focus on the comedic struggles of a main character attempting to plan a dinner party, while ignoring ominous events outside. It will be shot simplistically from a single camera perspective within a minimalist space. The humor will come from the character's efforts to complete tasks and reactions to their shifting surroundings. Production will utilize available equipment and locations, with minimal special effects or props. Evaluation will assess how well the final product matches the initial plans and the overall quality of the work.
2. research sf 2017
Here are some potential constraints that could affect the production:
- Time - The production schedule is limited due to other commitments of those involved. This restricts the scope and scale of what can be achieved.
- Personnel - As a small independent production, there is a limited crew which means some roles will need to be filled by the same individuals. This could stretch resources thin.
- Cost - As an independent film, the budget is restricted which limits what equipment can be rented/purchased and the size of the crew/cast that can be paid.
- Technical - Access to professional filming/editing equipment is restricted, so consumer-grade gear will need to be used which has limitations in functionality and quality.
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The typical problem in product engineering is not bad strategy, so much as “no strategy”. This leads to confusion, lack of motivation, and incoherent action. The next time you look for a strategy and find an empty space, instead of waiting for it to be filled, I will show you how to fill it in yourself. If you’re wrong, it forces a correction. If you’re right, it helps create focus. I’ll share how I’ve approached this in the past, both what works and lessons for what didn’t work so well.
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The Department of Veteran Affairs (VA) invited Taylor Paschal, Knowledge & Information Management Consultant at Enterprise Knowledge, to speak at a Knowledge Management Lunch and Learn hosted on June 12, 2024. All Office of Administration staff were invited to attend and received professional development credit for participating in the voluntary event.
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