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A WARLI WORLD VIEW
A DIGITAL DOCUMENTATION
INTACH DAHANU CHAPTER
DAHANU, MAHARASHTRA
By Phiroza Tafti
Convenor
INTACH Dahanu Chapter
CULTURAL HERITAGE and
TRADITIONAL KNOWLEDGE
Warli Art is their language to
communicate in story form about their
lives
Celebration with dance in an open circle
shows the cycle of life and death
Warli paintings always show creatures
and portray their respect for nature
Warli Art shows their relationship with life
Hunters and gatherers -> cultivators
Originally a forest community Now do sustenance farming
Warli ‘padas’ built around a well at the
edge of the forest
Warli huts made from natural
materials
Original huts with fibre thatched
roof Sturdy shelters made from reeds
Warlis have practiced and preserved
traditions of the early agriculturists
Ploughing with the wooden “hal”
“rab” practice of burning leaves
kills the seeds of the weeds
A Warli Family- Janu the painter
Warli artists can afford ‘pakka’
homes Janu at work – an inborn talent
Warlis working as farm labourers
Warlis’ demonstrating their traditional
dances
The traditional dances & Rangoli The TARPA dance today
“Waghiya” temples and totem poles of
wood or stone to communicate with
spirits and dieties
Sustainable living is part of warli
philosophy
Warlis live off the land- ingenious
fishing nets built on rivers
No stream is too small to catch their
dinner- main source of protein
Warli paintings as murals adorning
walls- telling the story of their customs
Lagna Chowk replete with
symbols Murals tell their life stories
Supplementary Income
Selling Paddy Stalks Toddy Tapping
Filming on location – daily life of
artists
Interacting with students who learn
from first hand observation
Sensitizing the students as to the
background of this unique community
Exploring the surroundings to get a
feel of the rural setting
Hands-on Experiential learning
Visiting villages and becoming
curious Getting the feel of local practices
Students documenting for project
reports- a different perspective
Thoughtful recording of events
and experiences
Informal observation and asking the
kids point of view
Educational initiatives – digital
documentation with broader context
Respecting the “Bhagat” or religious
medium at the sacred grove site
Interviewing the locals to their personal
feelings on changing scenarios
A picture explains customs in vivid
detail
Women sit in groups to mourn a
death
A family walk to and fro daily to the
fields with cattle and kids
Changing practices and transitions…..
Home deliveries with a mid wife Girls being sent to school
Marriage rituals rooted in tradition
The Bhagat doing the puja
Marriage procession- modern
style
Vibrant living Traditions
The backless choli and 9 yard sari
Sacred Groves- worshipping stones to
communicate with spirits via a “Bhagat”
WARLI Tribal culture is a heritage too
precious to be lost- let us Archive it!

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Warli Cultural Heritage (by INTACH - Dahanu Chapter)

  • 1. A WARLI WORLD VIEW A DIGITAL DOCUMENTATION INTACH DAHANU CHAPTER DAHANU, MAHARASHTRA By Phiroza Tafti Convenor INTACH Dahanu Chapter
  • 3. Warli Art is their language to communicate in story form about their lives
  • 4. Celebration with dance in an open circle shows the cycle of life and death Warli paintings always show creatures and portray their respect for nature Warli Art shows their relationship with life
  • 5. Hunters and gatherers -> cultivators Originally a forest community Now do sustenance farming
  • 6. Warli ‘padas’ built around a well at the edge of the forest
  • 7. Warli huts made from natural materials Original huts with fibre thatched roof Sturdy shelters made from reeds
  • 8. Warlis have practiced and preserved traditions of the early agriculturists Ploughing with the wooden “hal” “rab” practice of burning leaves kills the seeds of the weeds
  • 9. A Warli Family- Janu the painter Warli artists can afford ‘pakka’ homes Janu at work – an inborn talent
  • 10. Warlis working as farm labourers
  • 11. Warlis’ demonstrating their traditional dances The traditional dances & Rangoli The TARPA dance today
  • 12. “Waghiya” temples and totem poles of wood or stone to communicate with spirits and dieties
  • 13. Sustainable living is part of warli philosophy Warlis live off the land- ingenious fishing nets built on rivers No stream is too small to catch their dinner- main source of protein
  • 14. Warli paintings as murals adorning walls- telling the story of their customs Lagna Chowk replete with symbols Murals tell their life stories
  • 15. Supplementary Income Selling Paddy Stalks Toddy Tapping
  • 16. Filming on location – daily life of artists
  • 17. Interacting with students who learn from first hand observation Sensitizing the students as to the background of this unique community Exploring the surroundings to get a feel of the rural setting
  • 18. Hands-on Experiential learning Visiting villages and becoming curious Getting the feel of local practices
  • 19. Students documenting for project reports- a different perspective Thoughtful recording of events and experiences Informal observation and asking the kids point of view
  • 20. Educational initiatives – digital documentation with broader context Respecting the “Bhagat” or religious medium at the sacred grove site Interviewing the locals to their personal feelings on changing scenarios
  • 21. A picture explains customs in vivid detail Women sit in groups to mourn a death A family walk to and fro daily to the fields with cattle and kids
  • 22. Changing practices and transitions….. Home deliveries with a mid wife Girls being sent to school
  • 23. Marriage rituals rooted in tradition The Bhagat doing the puja Marriage procession- modern style
  • 24. Vibrant living Traditions The backless choli and 9 yard sari Sacred Groves- worshipping stones to communicate with spirits via a “Bhagat”
  • 25.
  • 26. WARLI Tribal culture is a heritage too precious to be lost- let us Archive it!